User manual
CHOOSING THE PROCESSING CURVE (all versions)
ENG
Page 55
SUPER BASS
PRESET DESCRIPTION
LEVEL
TYPE
BASS
LEVEL
MID 1
MID 2
MID 3
HIGH
WIDE
DENSITY
BRILLIANCE
(T)=test
(S)=sign
(Q)=quality
01 CDG FLAT 0 d.soft 0 0 0 0 0 0 0 (T)
02 CHI FLAT 0 d.soft 0 0 0 0 0 2.5 0 (Q)
03 DFW FLAT 0 d.soft 0 0 0 0 0 4.0 -1 (Q)
04 FCO FLAT 0 d.soft 0 0 0 -1 +1 6.0 -3 (T)
05 MOW LIVE 0 d.soft +1 -2 -1 -1 0 5.0 -1 (Q)
06 SYD LIVE 0 d.soft +1 -2 -1.5 -1 0 8.0 -1 (Q)
07 TYO VOCAL 0 d.soft -3 +1 0 -2 -1 9.0 0 (Q)
08 ATH LIVE 0 d.soft -1 -2.5 -1.5 -1 +2 5.0 +1 (Q)
09 HKG VOCAL 0 d.soft -3 0 0 -2 -2 10.0 -4 (Q)
10 MSY POP 4 d.soft -1 -2.5 -1 -1 +2 3.0 +4 (S)
11 VIE POP 6 d.soft -2 -3 -1.5 -0.5 0 5.0 0 (S)*
12 ATL POP LIVE 5 d.soft -1.5 -0.5 -2.5 0 +1 5.5 0 (Q)
13 JFK POP LIVE 6 d.soft -1.5 +0.5 -2 -1 +1 4.0 -2 (Q)
14 MXP SOFT 4 d.soft -1 -2.5 -2.5 -1 0 6.0 +2 (Q)
15 YMQ SOFT 2 c.long
-1 0 0 -1 0 4.0 +1 (Q)
16 BER DISCO 4 c.long
-2 -3.5 -0.5 -1 +1 5.0 +1 (S)*
17 LAX VOCAL 4 c.long
-2 -0.5 -2.5 -1.5 +1 7.0 +1 (Q)
18 RIO DISCO 3 c.long
-1.5 -2 -1 -1 -1 8.0 0 (S)*
19 SCL LIVE 4 c.long
0 0 0 0 0 5.0 0 (Q)
20 BOM LOUD 6 d.soft -2 -3 -1.5 -1 +1 7.0 2 (Q)
21 LHR LOUD 8 d.soft -3 -2.5 -0.5 -1.5 +1 6.0 -2 (S)*
22 MAD BASS 6 d.soft -2 -3 -1.5 -1.5 +1 8.0 +2 (S)
23 BOS BASS 5 c.long
-1.5 -2.5 -1 -1.5 0 6.0 0.5 (S)
24 SHA LOUD 4 c.long
0 -3 0.5 -1 +1 7.0 0 (S)
25 YYZ LOUD 7 d.soft -2 -3 -1 -2 0 8.0 -0.5 (S)*
26 BUE VOCAL 2 c.long
-1.5 -0.5 -0.5 -2 -3.5 8.0 -2 (Q)
27 MEL VOCAL 2 d.soft -1.5 +0.5 -3.5 -2 -2.5 8.0 -2 (Q)
28 AMS VOCAL 2 t.hard -1.5 +0.5 0 -2 -2.5 8.0 -2 (Q)
29 CCS VOCAL 2 c.long
-1.5 -2 -2 -2.5 -3.5 8.0 -3 (Q)
30 MEX VOCAL 3 t.hard -1.5 -1.5 -1 0 0 7.0 -4 (Q)
27.4 CREATING A NEW CURVE VIA THE MENU
NOTE: the procedure for setting a new curve is easier if carried out using the PC control software (see chapter
28).
As already explained in other sections of the manual, the DSPs in the processor implement five compressors, which
affect the 5 bands: Bass, Mid 1, Mid 2, Mid 3 and High.
Using the Bass, Mid1, Mid2, Mid3 and High controls (available in the ‘Edit process’ menu), you may shift the trip
threshold of the individual processors, so that the corresponding frequencies are more or less present in the final signal.
The five meter bars displayed on the front panel indicate the level of compression exerted on each frequency (in other
words, the more notches shown, the more the corresponding frequency is compressed, and thus the less will be
audible).
Example
: if the Mid1 control is set to a value of –6 dB, the corresponding compressor will be activated each time the
Mid1 frequency contains sound components with a level of at least – 6 dB. On the other hand, if the Mid1 control is set to
+ 2 dB, the corresponding compressor will begin functioning later, thus only when the related sound component reaches
+ 2 dB and all of this translates into a stronger presence in the output signal of the audio components of Mid1
frequencies.
The following processing parameters may be adjusted.