Owner’s Manual Thank you, and congratulations on your choice of the BOSS BR-900CD Digital Recording Studio. Before using this unit, carefully read the sections entitled: • USING THE UNIT SAFELY (page 2–3) • IMPORTANT NOTES (page 4–5) These sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, Owner’s manual should be read in its entirety.
USING THE UNIT SAFELY The symbol alerts the user to important instructions or warnings.The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger. Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.
013 107d • In households with small children, an adult should provide supervision until the child is capable of following all the rules essential for the safe operation of the unit. .......................................................................................................... • Never handle the AC adaptor body, or its output plugs, with wet hands when plugging into, or unplugging from, an outlet or this unit. ....................................................................................
IMPORTANT NOTES 291a In addition to the items listed under “USING THE UNIT SAFELY” on page 2–3, please read and observe the following: Power Supply: Use of Batteries Repairs and Data 301 452 • Do not use this unit on the same power circuit with any device that will generate line noise (such as an electric motor or variable lighting system). • Please be aware that all data contained in the unit’s memory may be lost when the unit is sent for repairs.
IMPORTANT NOTES Handling CD-ROMs Copyright 801 851 • Avoid touching or scratching the shiny underside (encoded surface) of the disc. Damaged or dirty CD-ROM discs may not be read properly. Keep your discs clean using a commercially available CD cleaner.
Before Using CD-R/RW Discs Two different types of recordable disc can be used with the BR-900CD—namely, CD-R discs and CD-RW discs. ● Do not touch the lens. ● When the lens is dirty, clean the lens with a commercial lens blower. ● If a write error occurs, carry out cleaning using a commercially available CD-RW drive lens cleaner. What is a CD-R disc? CD-R (Compact Disc Recordable) is a CD to which data can be written. It is not possible to erase or move the data that has been written.
Notes When Using Mics When you insert a CD-R/RW disc to built in CD-R/RW drive... When you insert a CD-R/RW disc to built in CD-R/RW drive, lock the CD-R/RW disc at correct position according to “Insert a CD-R/RW disc” below. Please be careful to lock a CD-R/RW disc correctly. Unless, it is possible that the disc tray is stuck and unable to remove a CD-R/RW disc. Removing a CD-R/RW disc 1. Hold the stopper downward and remove a CD-R/RW disc from outer rim. fig.CD eject Inserting a CD-R/RW disc 1.
Contents USING THE UNIT SAFELY ...................2 (5) Using Insert Effects ..............................................35 IMPORTANT NOTES ..........................4 Switch effect patches ...........................................35 Before Using CD-R/RW Discs.............6 Recording without insert effects........................36 (6) Using the Rhythm ................................................37 Notes When Using Mics ....................7 Playing the Rhythm ................................
Section 1 Recording and Playback.. 47 Section 2 Editing ....................63 Recording.......................................48 Registering Time (Locator) .............. 64 Selecting the Recording Track .................................48 Registering a Locator Point ......................................64 Changing V-Tracks....................................................49 Moving to the Locator Point ....................................64 Changing the Position of the Input Sound (Pan).......
Section 3 Using Effects ........... 83 Using the Insert Effects ...................84 Equalizer................................................................96 Flanger ...................................................................96 Foot Volume .........................................................96 Effect Patches and Banks ..........................................84 Lo-Fi Box ...............................................................96 Editing Insert Effect Settings....................
Track EQ Parameter Functions ......112 Creating Original Patterns ............ 126 Parameter List ..........................................................112 Note concerning creation of patterns..............126 Fixing the Pitch of Vocals (Pitch Correction) ..........................113 Creating Patterns in Realtime Recording.............126 The Pitch Correction ...............................................113 Deleting unneeded drum sounds ....................129 Makeup of the Pitch Correction .
Section 5 Using the CD-R/RW Drive..... 139 Section 6 Using MIDI ............155 Creating Audio CD ........................140 What is MIDI? ..........................................................156 MIDI Connectors .....................................................156 MIDI Channels .........................................................156 MIDI Implementation Charts ................................156 Precautions ...............................................................
Section 8 Other Convenient Functions . 185 Section 9 Appendices ...........201 Adjusting the Display Contrast......186 Mastering Tool Kit Patch List ......... 205 Using a Foot Switch or Expression Pedal..........................187 Pitch Correction Patch List ............. 205 When Using a Foot Switch .....................................187 When Using an Expression Pedal .........................187 Tuning an Instrument (Tuner) ........188 Changing to the Tuner.......................................
Introduction to the BR-900CD Features Simple operation The BR-900CD is designed to be operated as easily as a cassette tape recorder, even by beginners. The BR-900CD allows anyone to readily enjoy the benefits of digital recording as soon as it’s taken out of the box. So, you’ll surely have listened to the demo songs, if not gone ahead and produced an entire audio CD, all on your first day with your new unit.
Introduction to the BR-900CD The Pitch Correction feature allows you to freely adjust the pitch of vocals, assuring that you can obtain reliable, highquality performances. The Mastering Tool Kit allows you add compression to songs that have been mixed down and provides a variety of other effects. “Using the Insert Effects” (p. 84) “Using the Loop Effects/Track EQ” (p. 108) “Fixing the Pitch of Vocals (Pitch Correction)” (p. 113) “Mastering” (p.
Introduction to the BR-900CD Memory Cards Supported by Your BR-900CD The BR-900CD uses CompactFlash cards as the storage media for recording and playback. How to remove the card protector To prevent theft of the memory card (CompactFlash), the BR900CD is shipped from the factory with a card protector. fig.00-103 The BR-900CD uses 32 MB to 1 GB CompactFlash cards with a 3.3 V power supply.
Panel Descriptions Front Panel 5 6 11 1 10 9 8 7 2 13 3 4 12 1 Input section SENS knob Use this knob to adjust the sensitivity at the input jacks (e.g., GUITAR/BASS, MIC1, MIC2, and LINE). PEAK indicator This indicator shows how strong the input level is at the various input jacks (e.g., GUITAR/BASS, MIC1, and MIC2). This indicator lights at a level -6 dB lower than where sound distortion occurs.
Panel Descriptions 2 [FF] The song will fast-forward while you hold down the button. [EFFECTS] [REPEAT] Use this button to turn on and off the insert effects (p. 35, p. 84) or call up the screen for editing the various settings. You can specify a region that you wish to hear, and hear it repeatedly (p. 51). This button is used to make settings for the Mastering Tool Kit. This feature is useful if you want to repeatedly play back the recording between the punch-in and out locations (p.
Panel Descriptions The relationship between the indicator and the track conditions is given below. Off: This track contains no recorded data. Green: An audio track that contains recorded data. Flashing in red: The track is selected as the recording destination, and is in recording standby. [UNDO/REDO] For undoing the last-performed recording or editing operation and returning the data to its previous state.
Panel Descriptions 9 12 [PAN/EQ] MIC (Internal microphone) Pressed to access a screen where you can set the pan (left/ right location of the sound) for the playback of each track or for the input sound (p. 42, p. 49). This microphone can be used for recording with the BR900CD. This, also, adjusts the tone (Low, High) for each track (p. 42, p. 110). “Press the INPUT SELECT button of the instrument that you want to record” (p. 34) [LOOP EFFECTS] “Turning on the internal microphone” (p.
Panel Descriptions CD-R/RW drive 1 2 3 4 Before you use the CD-R/RW drive, it is important that you first of all read “Before Using CD-R/RW Discs” (p. 6). 1. Disc tray Place the CD-R/RW discs on this tray. 2. If excessive force is used to extract a disc, you risk causing damage to the drive. Access indicator This indicator will light up whenever data is being read from or written to a CD-R/RW disc. 3. EJECT button Press this button to eject a CD-R/RW disc from the drive unit.
Panel Descriptions Rear Panel fig.00-204 13 12 9 11 8 7 6 5 4 2 3 1 10 14 1. GUITAR/BASS jack High-impedance input jack to directly connect your guitar or bass. 2. MIC2 jack (XLR types) These jack allows a mic to be connected. XLR jack is provided. The BR-900CD can supply phantom power to a condenser microphone connected to this connector (p. 191). * If the connection has been made to the GUITAR/BASS and the MIC2 jacks, the GUITAR/BASS jack is given priority. 3.
Panel Descriptions Inserting Batteries Depending on the circumstances of a particular setup, you may experience a discomforting sensation, or perceive that the surface feels gritty to the touch when you touch this device, microphones connected to it, or the metal portions of other objects, such as guitars. This is due to an infinitesimal electrical charge, which is absolutely harmless.
MEMO 24
Quick Start 25
Connecting Peripheral Devices Make connections as shown in the diagram below. When making any connections, make sure that all devices are turned off. fig.00-301 Mic Electric Guitar or Electric Bass CD Recorder etc. Rhythm Machine etc. AC Adaptor (PSC-series) Foot Switch (FS-5U etc.) CD Player etc. Audio Set etc. Expression Pedal (Roland EV-5 etc.) Keyboard etc.
Connecting Peripheral Devices * When using the FS-5U foot switch (sold separately), set the polarity switch as shown below. If the polarity switch is not set correctly, the foot switch may not operate properly. fig.00-304 Polarity Switch * You can also use an FS-6 (optional) for the foot switch. If using an FS-6, connect to only one of the FS-6's jacks, either the A or B jack. Additionally, set the polarity switch to “FS5U.” The A&B jack cannot be used.
Turning On / Off the BR-900CD Turning On the Power Turning Off the Power Once the connections have been completed, turn on power to your various devices in the order specified. By turning on devices in the wrong order, you risk causing malfunction and/or damage to speakers and other devices. 1. Make sure that playback of the song is stopped. 1. Before you turn the power on, make sure of the following points.
Listening to a Demo Song Selecting a song (Song Select) ■ If you have changed the recording or editing Upon power-up, the song that was selected before the power was turned off is selected, and the data of that song is loaded. As soon as the data has been loaded, the Play screen appears in the display. Since the BR-900CD automatically updates the recorded data and operation content if the recording or editing have been changed, you do not need to perform any special operations for saving.
Listening to a Demo Song In addition to the procedures given above, you can also change your current position in the song using the procedures given below. Changing the current position Elapsed time display The value given at “TIME” in the display shows the elapsed time into the song using MTC (MIDI time codes) and is expressed as follows: hours-minutes-seconds-frames-sub frames. The time code specifications can differ depending on the device.
Recording/Playing Back a Song (1) Preparing the Memory Card fig.00-401 1 4 The BR-900CD writes the recorded data directly to the inserted memory card. Therefore, for recording or playback, the memory card must be inserted. 2,3,4 “Memory Cards Supported by Your BR-900CD” (p. 16) 2,3 Inserting the memory card Before inserting the memory card (CompactFlash), be sure to first turn off the BR-900CD.
Recording/Playing Back a Song 4. To continue with the initializing, press [ENTER] (YES). To cancel the operation, press [EXIT] (NO) (or [UTILITY]). When [ENTER] (YES) is pressed, initializing begins. When the initializing has been completed, “Completed!” appears in the display. “Keep power on! Song creating...” then appears in the display, and a new song is automatically created. In this case, the data type selected is HiFi (MT2).
Recording/Playing Back a Song (4) Connecting Instruments fig.00-405 1 3 2,4,5 2 Choose which jack you will use to connect your instrument Your BR-900CD is equipped with a number of input jacks to match the type of instrument that you will connect. Select an instrument appropriate for your purposes. fig.00-408 1. Press [UTILITY]. 2. Press CURSOR [ ] [ and press [ENTER]. ] to move the cursor to “NEW,” “Type” appears in the display. fig.
Recording/Playing Back a Song Press the INPUT SELECT button of the instrument that you want to record Turning on the internal microphone fig.00-410 1–3 Select the input source to record. The indicator of the selected button will light. 2 fig.00-409 [GUITAR/BASS/MIC2] Select to record the instrument connected to the GUITAR/ BASS jack or MIC 2 jack. [MIC] Select to record the signal from a microphone connected to the MIC1 jack or from the internal microphone.
Recording/Playing Back a Song Adjusting the input sensitivity When input from GUITAR/BASS/MIC2 or MIC1 is selected, adjust their input sensitivity with the relevant SENS knob. fig.00-412a (5) Using Insert Effects The BR-900CD comes with five onboard effects processors: an insert effect, loop effects, track EQ, pitch correction and mastering tool kit. Below is an explanation of the operations related to the insert effects.
Recording/Playing Back a Song GTR: Effect patches for use with guitars. MIC: Effect patches for use on the sound from the MIC input (i.e., vocals). LIN (LINE): Effect patches for use on the sound from CDs, MDs, and other external devices from the LINE input. Effect patches for recording vocals and a guitar together. “Effect Patches and Banks” (p. 84) 2. Press CURSOR [ ] [ ] to align the cursor up with the effect patch, and turn the TIME/VALUE dial to change the effect patch.
Recording/Playing Back a Song (6) Using the Rhythm Playing the Rhythm What is the Rhythm? Each time you press [ARRANGE/PATTERN/OFF] of the Rhythm, the status changes as shown below. When you record, it is convenient to use the built-in Rhythm. fig.
Recording/Playing Back a Song Preset Arrangements (P) The preset arrangements contain preset data. Their settings cannot be changed, and you cannot create a new preset arrangement. Song Arrangements (S) Song arrangements can be written; however, the data for song arrangements are stored along with the song data to the memory card. fig.
Recording/Playing Back a Song (7) Basic Recording fig.00-425 (Recording in Mono) Selecting the recording track 1. Press either [1]–[7/8] at REC TRACK to select the recording track. If the button flashes in red, that track is ready for recording. (Recording in Stereo) fig.00-423 If INPUT SELECT [LINE] or [SIMUL] are lit The status of each track can be determined from the indicator on the button. Off: No recorded data exists on the track. Green: Recorded data exists on the track.
Recording/Playing Back a Song INPUT: Only the instrument sounds or other input sources are recorded to the tracks. Sounds played back from other tracks are not recorded. Procedure fig.00-428a 1 BOUNCE: As the sounds on different tracks are played back, they are recorded together onto another track. In Bounce mode, you can play back eight tracks simultaneously and record them all to a single, separate V-Track.
Recording/Playing Back a Song (9) Overdubbing (Recording an additional performance while listening to an existing performance) How the Tracks Are Organized The BR-900CD features eight audio tracks that can be used for recording and playback. Tracks 1 through 6 are independent mono tracks. Tracks 7 and 8 are linked as stereo tracks. Tracks 7 and 8 are fixed as left and right tracks, respectively, while fader movements, Loop Effects, and other processes are applied in common to both tracks.
Recording/Playing Back a Song 4. Press [PLAY]. The [REC] and REC TRACK button indicators change from flashing in red to being continually lit and recording begins. [PLAY] lights up. Only what you are currently playing is recorded to the new track. The music that is being played back is not recorded.
Recording/Playing Back a Song Adjusting the tone (Track EQ) Adding width to the sound (Loop Effect) “Track EQ” is an independent two-band equalizer featured on each track that allows you to adjust the high- and lowfrequency tonal qualities separately. The BR-900CD features chorus, delay, and doubling (any one of these three can be selected at any one time) as loop effects, and includes reverb as well. Effective use of these allows you to add greater breadth to the sound. 1. Press [PAN/EQ]. fig.
Recording/Playing Back a Song When using CHO/DLY Select from “CHORUS,” “DELAY,” or “DBLN” (doubling). 6. Press CURSOR [ ] [ ] and the TIME/VALUE dial to adjust each track’s send level. fig.00-438d * Pressing a REC TRACK button moves the cursor to the track corresponding to the button pressed. The “send level” is the volume level of the signal sent from each respective track to each effect, and you can change the amount of effect applied by adjusting the send level.
Recording/Playing Back a Song (11) Bouncing 4. Press [PLAY]. The [REC] and REC TRACK buttons stop flashing in red and instead light solidly, and recording starts. (Putting multiple tracks together) fig.00-444a fig.00-447 Lit 1 2 2 5. When you finish recording, press [STOP]. * During updating, “Keep power on!” appears in the upper line of the display, while the lower line shows what is being processed.
MEMO 46
Section 1 Recording and Playback 47
Recording Selecting the Recording Track 1. Press either [1]–[7/8] at REC TRACK to select the recording track. If INPUT SELECT [GUITAR/BASS/MIC2] or [MIC] are lit fig.01-102 If the button flashes in red, that track is ready for recording. or fig.01-101 The status of each track can be determined from the indicator on the button. Off: No recorded data exists on the track. Green: Recorded data exists on track. Red: The track is selected for recording.
Recording The BR-900CD is a eight-track multitrack recorder, and each track consists of eight V-Tracks. You can select any one of these V-Tracks for recording or playback. Therefore, by making use of the many V-Tracks, you can use the BR-900CD just as if it were a 64-track multitrack recorder. This allows a wide range of uses, such as recording one take of a guitar solo or vocal, and then recording another take without having to erase the first one.
Recording Recording Operations 1. Press [REC MODE] repeatedly until “INPUT” is indicated for REC MODE at the left of the screen. * The following operations cannot be used, or are disabled, while the recorder is in use (during recording and playback). • Recording patterns • Editing arrangements fig.
Repeating Playback (Repeat) 2. After registering the repeat start point (A), register the repeat end point (B). The position in the song where [REPEAT] is pressed first becomes repeat start point (A), and the position where it is fig.01-203 Move to the position where you want the repeat to end and press [REPEAT]. pressed a second time becomes repeat end point (B). The portion between the two points is then repeated during playback. fig.01-201 That position becomes repeat end point (B).
Repeating Playback (Repeat) Setting the Repeat Portion with Accurate Timing Normally, the repeat start and end points are registered at the exact position where [REPEAT] is pressed. This may make it difficult for you to set the repeat portion exactly as you desire. If this is the case, you can use the quantize function to have the time [REPEAT] is pressed be adjusted to the timing of the song. The quantize function allows you to set the timing in onemeasure units.
Re-recording Only a Mistake (Punch-in/out) Manually punching in and out using [REC] Changing to recording during the playback of a song is referred to as punching in, and changing from recording to As an example of use, the explanation below assumes you are manually punching in and out to re-record a portion of track 1, which is a track to which you have already recorded. playback is referred to as punching out. 1. Press REC TRACK [1].
Re-recording Only a Mistake (Punch-in/out) Manually punching in and out using a foot switch In operating the foot switch during playback of a song (manual patch in and out), press the foot switch once to punch in, then press it again to punch out. In order to use a foot switch Auto Punching In and Out Automatically punching in and out at predetermined locations (or times) in the song is referred to as “auto punching in/out.
Re-recording Only a Mistake (Punch-in/out) ■ ■ To erase an auto punch-in location, press and hold AUTO PUNCH [ON/OFF] and then press [IN]. To erase an auto punch-out location, press and hold AUTO PUNCH [ON/OFF] and then press [OUT]. When the settings are erased, the AUTO PUNCH [ON/OFF], [IN], and [OUT] indicators go out. * If you want to save the auto punch in/out settings in the currently selected song, hold down [STOP], and press [REC].
Re-recording Only a Mistake (Punch-in/out) Repeatedly Recording Over the Same Location (Loop Recording) The repeat function (p. 51) allows you to play a certain portion of a song (the loop portion) over and over again. If you used auto punch in/out together with the repeat function, the portion will be repeated so the result of the recording can be heard right away. If the recording did not sound as you wished, simply press [REC] and redo the recording.
Canceling an Operation (Undo/Redo) The Undo function reverses the action you have just performed and returns you to the status you were in Reversing the Last Operation (Undo) 1. Press [UNDO/REDO]. “UNDO?” appears. fig.01-401d beforehand. To reverse an Undo, you must use the “Redo function.” For example, suppose you are punching in to loop record and record over the same location twice. To undo the recording you just performed and return to the first recording, you would use the Undo function.
Putting Multiple Tracks Together (Bounce) Although the BR-900CD allows the simultaneous playback of eight tracks, when you run out of tracks, the BR-900CD also lets you copy the recordings of multiple tracks together onto one track (V-Track). This is called “bounce” (also known as bounce recording or ping-pong recording). By combining multiple tracks in this way, you can free up other tracks in order to record additional performances.
Putting Multiple Tracks Together (Bounce) Here, set this to “34V2” (V-Track 2 of Tracks 3 and 4). fig.01-602d Recording destination ■: V-Tracks with recorded data. ❐: V-Tracks without data. (When bouncing while recording in mono) If you turn the TIME/VALUE dial at this time, the screen for specifying the track for mono recording is displayed. fig.
Putting Multiple Tracks Together (Bounce) 5. Press [REC]. The CD-R/RW drive’s motor begins spinning. “Now Checking...” appears in the display. The message disappears approximately ten seconds later, indicating that preparations for bouncing have been completed. • In contrast to normal recording, you cannot press [REC] (manual punch in) after first pressing [PLAY]. • The moment [REC] is pressed, a region with a minimum of one song is created on the disc.
Loading Songs Created with the BR-864/BR-532 Loading Songs Created with the BR-864 First, save the song data created with the BR-864 to a memory card, then insert the memory card into the BR900CD. Once you record, edit, or set parameters for imported BR-864 song data, that particular song data can no longer be used by the BR-864. To protect against accidental recording or editing, song protect (p. 79) is automatically switched on for imported BR864 song data.
Displaying the Song Information Displaying the Remaining Available Recording Time Follow the procedure below to either display the elapsed recording time in the recording standby and recording screens. Follow the procedure below to display the current condition of the memory card being used. 1. Press [UTILITY]. 2. Press CURSOR [ ] [ and press [ENTER]. 1. Press [UTILITY]. 2. Press CURSOR [ ] [ and press [ENTER]. Displaying the Memory Card Usage ] to move the cursor to “INF,” fig.
Section 2 Editing 63
Registering Time (Locator) Using the locator function, you can register any desired time in a song as a “locator point” so that you can jump to that point later with just the press of a button. This function is quite useful during editing. Registering a Locator Point 1. At the Play screen, move to the location where you want to register the locator point. 2. Press [LOCATOR]. When the [LOCATOR] indicator lights up, registration is complete. fig.02-101 Moving to the Locator Point 1. Press [LOCATOR].
Search for the Music’s Start and End (Scrub/Preview) Scrub function When editing a sound, some times you need to know exactly where the sound starts, or exactly where the recording with an auto punch in starts. To enable you to find these points accurately, the BR-900CD is equipped with the Scrub function. Preview function With the Preview function, you can playback the one-second portion of the song before or after your current position. 1. Hold down [STOP] and press [PLAY].
Search for the Music’s Start and End (Scrub/Preview) Changing the Scrub Points Besides switching the scrub point in the Play screen (p. 65), you can also use the following method to switch the scrub point. 1. Press [UTILITY]. 2. Press CURSOR [ ] [ and press [ENTER]. ] to move the cursor to “SCR,” fig.02-204d Enabling Use of the Preview Function with [REW] and [FF] Besides using [PLAY] for the Preview function (p.
Editing the Performance on a Track (Track Editing) The BR-900CD allows you to edit your songs by performing editing functions such as copying and moving data recorded on the tracks. About the Measure/Time Specification screen Copying the repeated portion (AB) Perform the procedure given below to copy the portion from the repeat start (A) to the repeat end (B). Ex. 1: Copying twice to the same track fig.
Editing the Performance on a Track (Track Editing) 4. Turn the TIME/VALUE dial to select “AB” and press [ENTER]. fig.02-306d Copying by specifying the time (TME/MES) Perform the procedure given below to copy the portion between specific times. Ex. 1: Copying twice to the same track fig.02-309 5. Use CURSOR [ ] [ ] and the TIME/VALUE dial to select the track/V-Track to copy from, and track/VTrack to copy to. 6. Press [ENTER]. START END TO Time Ex. 2: Copying twice to another track fig.02-310 fig.
Editing the Performance on a Track (Track Editing) fig.02-319d 13. Turn the TIME/VALUE dial to select the number of copies you want to be placed. 14. When you are ready to execute the copy, press [ENTER]. 5. Use CURSOR [ ] [ ] and the TIME/VALUE dial to select the track/V-Track to copy from, and track/VTrack to copy to. 6. Press [ENTER]. fig.02-314d 7. Use [CURSOR] and the TIME/VALUE dial to specify the beginning of the portion “S” (Start) of data you want to copy. 8. Press [ENTER]. fig.02-315d 15.
Editing the Performance on a Track (Track Editing) fig.02-319d Moving Data (Track Move) Track Move allows you to move a specific portion of data to a different location. * After the data is moved, the location it was in will be left empty. 4. Turn the TIME/VALUE dial to select “ALL” and press [ENTER]. fig.02-320d The three types of Track Move are given below. Moving the repeated portion (AB) Perform the procedure given below to move the portion from the repeat start (A) to the repeat end (B). Ex.
Editing the Performance on a Track (Track Editing) 3. Press CURSOR [ ] [ ] to move the cursor to “MOV,” and press [ENTER]. Moving by specifying the time (TME/MES) fig.02-324d Perform the procedure given below to move the portion between specific times. Ex. 1: Moving to the same track Section 2 fig.02-327 4. Turn the TIME/VALUE dial to select “AB” and press [ENTER]. START fig.02-325d END TO Time Ex. 2: Moving to another track fig.02-328 5.
Editing the Performance on a Track (Track Editing) fig.02-331d 5. Use CURSOR [ ] [ ] and the TIME/VALUE dial to select the track/V-Track to move from, and track/VTrack to move to. * After specifying the time in the procedure above, a “+” may appear to show that there is a discrepancy between the actual current position and the position displayed. If you specify the locations using measures, specify the locations at each screen using the TIME/VALUE dial to eliminate the discrepancy.
Editing the Performance on a Track (Track Editing) 5. Press CURSOR [ ] [ ] and the TIME/VALUE dial to select the track/V-Track to move from, and track/VTrack to move to. 6. Press [ENTER]. fig.02-338d Erasing Data (Track Erase) * Do not leave a portion of less than 1.0 seconds in length after the erased portion. If a portion that short does remain, it will end up being silent. The three types of Track Erase are given below. 7.
Editing the Performance on a Track (Track Editing) fig.02-341d Erasing by specifying the time (TME/MES) Perform the procedure given below to erase the portion between specific times. fig.02-343 4. Turn the TIME/VALUE dial to select “AB” and press [ENTER]. fig.02-342d START END Time 1. Press [UTILITY]. 5. Use CURSOR [ ] [ ] and the TIME/VALUE dial to select the track/V-Track to erase from. 2. Press CURSOR [ ] [ and press [ENTER]. ] to move the cursor to “TRK,” fig.02-334d 6.
Editing the Performance on a Track (Track Editing) 5. Use CURSOR [ ] [ ] and the TIME/VALUE dial to select the track/V-Track to erase from. 6. Press [ENTER]. fig.02-347d Erasing a complete track (ALL) 1. Press [UTILITY]. 2. Press CURSOR [ ] [ and press [ENTER]. ] to move the cursor to “TRK,” fig.02-349d Section 2 7. Use [CURSOR] and the TIME/VALUE dial to specify the beginning of the portion “S” (Start) of data you want to erase. 8. Press [ENTER]. fig.02-348d4 3. Press CURSOR [ ] [ and press [ENTER].
Editing the Performance on a Track (Track Editing) Exchanging Data (Track Exchange) Perform the procedure given below to exchange the data between two tracks. Example: exchanging all the data on track 1 with all the data on track 2 fig.02-352 Track 1 A B Track 2 E D E Track 2 B C Time 1. Press [UTILITY]. 2. Press CURSOR [ ] [ and press [ENTER]. ] to move the cursor to “TRK,” fig.02-353d 3. Press CURSOR [ ] [ and press [ENTER]. ] to move the cursor to “XCG,” fig.R08-27 4.
Organizing the Songs You’ve Recorded Copying a Song (Song Copy) Erasing Songs (Song Erase) Follow the procedure below to copy the currently selected song. Follow the procedure below to erase a song from the memory card. 1. Press [UTILITY]. 1. Press [UTILITY]. ] to move the cursor to “EDT,” fig.02-401d 3. Press CURSOR [ ] [ and press [ENTER]. 2. Press CURSOR [ ] [ and press [ENTER]. ] to move the cursor to “EDT,” fig.02-403d ] to move the cursor to “CPY,” The Copy Song screen appears. fig.
Organizing the Songs You’ve Recorded Saving Memory on the Memory Card (Song Optimize) When you perform overdubbing or punch-in/out, the data that you rewrite (replace) actually remains on the memory card. In some cases, this unwanted data may occupy a significant amount of space on the memory card. This will cause the time available for recording to be less than it should be.
Organizing the Songs You’ve Recorded Protecting a Song (Song Protect) You can imagine situations where, after taking care to create a song, you accidentally overwrite it with a recording, deleting the performance itself. 5. Press [UTILITY] (or press [EXIT] repeatedly) to return to the Play screen. When a song is protected, the display will show the song protect symbol. Section 2 To prevent such accidents, you can protect song data so that it cannot be rewritten accidentally (Song Protect). 4.
Creating a Master Tape / Disc This process involves recording the finished song to your recorder (cassette tape recorder, CD recorder, etc.) and making a master tape or a master disc. Recording to a Cassette Tape Recorder (Analog Connection) Recording to a Digital Recorder (Digital Connection) 1. Connect the BR-900CD’s DIGITAL OUT connector to the digital recorder's input connector. fig.02-501b 1. Connect the BR-900CD’s LINE OUT jacks to the cassette tape recorder's input jacks. fig.
Creating a Master Tape / Disc 3. Press CURSOR [ ] [ ] to move the cursor to “DPRT,” and press [ENTER]. The Digital Copy Protect screen appears. fig.02-502d Section 2 4. Rotate TIME/VALUE dial to select the “ON.” ON: Digital copying will be prohibited. OFF: Digital copying is enabled. 5. Press [UTILITY] (or press [EXIT] repeatedly) to return to the Play screen. * During updating, “Keep power on!” appears in the upper line of the display, while the lower line shows what is being processed.
MEMO 82
Section 3 Using Effects 83
Using the Insert Effects The BR-900CD comes with five effects processors: an insert effects, loop effects, Track EQ, Pitch Correction, and Mastering Tool Kit. An insert effects, loop effects, and Track EQ can be used simultaneously, and you can make settings for each effect as desired. Here is an explanation of how to change the various parameters for the insert effects and how to then save those changes. Preset patches (P) The preset patches contain preset data.
Using the Insert Effects Editing Insert Effect Settings If you wish to create a new effect sound, you should first select an existing patch that is closest to the sound you want, and then edit its settings. If you wish to save the effect settings that you edited, save them as a user patch or song patch. 1. Press [EFFECTS]. The Effect screen appears. fig.
Using the Insert Effects Saving Insert Effects Settings (Write) Follow the procedure below to enter a name (patch name) for an effect that you’ve modified, and save it as a new effect patch. * You cannot save an effect patch during the recording or playback of a song. * If you do not need to change patch name, go to step 4. 1. At the Effect screen, press CURSOR [ ] to move the cursor to “NAME,” and press [ENTER]. The Patch Name Setting screen appears. fig.01-508d 2.
Using the Insert Effects Changing How the Insert Effects are Used According to the Mode By default, the insert effect is inserted immediately after the input source. The reason for this is to allow for the effectsprocessed (wet) sound to be recorded and monitored. However, sometimes you want to change the connection order. On the BR-900CD, you can accommodate a wide variety of situations by changing the point to which the insert effects are connected. 1. Press [EFFECTS].
Insert Effect Parameter Functions Algorithm List The algorithms (the available effects and their connection order) that can be used as an insert effect are shown below. The algorithms that can be selected will differ for each bank. To select the algorithm that you wish to use, first select the effect bank that includes that algorithm, and then refer to the “Effect Patch List” (p. 202) and select a patch that uses the desired algorithm.
Insert Effect Parameter Functions 3. BASS SIM 5. ACOUSTIC GTR Simulates the sound of a bass guitar. Obtain the sound of a bass guitar while playing an electric guitar. This is a multi-effect designed for acoustic guitar. Even when an electric-acoustic is connected at line level, this provides a warm sound similar to what is obtained through a microphone. * You should avoid playing chords when using the Bass Simulator. fig.04-111 fig.
Insert Effect Parameter Functions 7. COSM BASS AMP 8. COSM COMP BSS This is a multi-effect designed for bass guitar. This features an amp sound that uses a preamp and speaker simulator. This is a multi-effect designed for bass guitar. fig.04-113 –[COMP]–[PAMP]–[SP]–[EQ/WAH] In addition to a COSM compressor/limiter, it uses a preamp and speaker simulator for a characteristic amp sound. fig.
Insert Effect Parameter Functions 11. COSM COMP VCL This is a multi-effect designed for vocals. The COSM compressor/limiter is perfect for creating a basic sound. fig.04-117 –[COMP/LIM]–[DES]–[ENH] [EQ]–[NS]–[FV]–[DLY]= COSM Comp/Limiter De-esser Section 3 Enhancer 4Band Equalizer Noise Suppressor Foot Volume Delay BANK: LINE 12. STEREO MULTI 13. LO-FI BOX This algorithm connects seven types of effect, all in full stereo.
Insert Effect Parameter Functions BANK: SIMUL 14. VO+GT AMP 15. VO+AC.SIM This algorithm is for use when simultaneously recording a vocal and electric guitar. This algorithm is for use when simultaneously recording a vocal and electric guitar. For the guitar, you can produce an amp sound using a preamp and speaker simulator. For the guitar, you can make the electric guitar sound like an acoustic guitar. (GUITAR) fig.04-121 (GUITAR) fig.
Insert Effect Parameter Functions Parameter List The trademarks listed in this document are trademarks of their respective owners, which are separate companies from BOSS. Those companies are not affiliated with BOSS and have not licensed or authorized BOSS’s BR-900CD. Their marks are used solely to identify the equipment whose sound is simulated by BOSS’s BR-900CD. Acoustic Processor This simulates the sound of an acoustic guitar.
Insert Effect Parameter Functions Chorus COSM Comp (compressor)/Limiter A sound with a subtly shifted pitch is added to the direct sound, making the final output sound thicker and broader. Best results will be achieved when stereo recording. The compressor corrects differences in input to create a steadier, more even volume balance. It is used to extend the sustain of input sounds and, conversely, to shorten sustain and emphasize the attack portion of sounds.
Insert Effect Parameter Functions De-esser Doubling Useful for reducing ‘sibilant’ or ‘S’ sounds produced by a vocalist. By adding a slightly time-delayed sound to the direct sound, this produces the impression that multiple sources are sounding together (a “doubling” effect). Best results will be achieved when stereo recording. On/Off OFF, ON This parameter turns the de-esser effect on/off.
Insert Effect Parameter Functions Equalizer Resonance A 4-band equalizer. * 0–100 Determines the amount of resonance (feedback). Increasing the value will emphasize the effect, creating a more unusual sound. You can use this effect with the following algorithms when “4BAND EQ” is selected for the 4BAND EQ/WAH “Type” setting. COSM GTR AMP COSM BASS AMP COSM COMP GTR COSM COMP BSS BASS MULTI STEREO MULTI Separation * On/Off OFF, ON 0–100 Adjusts the diffusion.
Insert Effect Parameter Functions ■ When “DIGITAL” is selected Pre Filter Noise Suppressor OFF, ON This filter decreases digital distortion. When turned off, you can create an intense lo-fi sound incorporating digital distortion. Smpl Rate OFF, 1/2–1/32 This effect reduces the noise and hum.
Insert Effect Parameter Functions Pitch Shifter Preamp This effect changes the pitch of the original sound (up or down) within a range of two octaves. Adjust the distortion and tone of the guitar sound. * This effect can be used when the MODULATION “Type” parameter is set to “PITCH SFT.” On/Off OFF, ON This parameter turns the pitch shifter effect on/off. Selects either manual pitch shifter “MANUAL” or pedal pitch shifter “PEDAL.” MANUAL: This is a simple pitch shifter.
Insert Effect Parameter Functions ■ With “COSM BASS AMP” or “COSM COMP BSS” algorithms It produces the vintage sound of an early transistor amp. It produces the sound of a large double-stack vacuum tube amp with ultra-lows and a crisp edge. AC AMG Volume 0–100 Ring Modulator This creates a bell-like sound by ring-modulating the guitar sound with the signal from the internal oscillator. The sound will be unmusical and lack distinctive pitches.
Insert Effect Parameter Functions Speaker Simulator Tremolo/Pan This simulates the characteristics of various types of speakers. When the output of the BR-900CD is connected directly to a mixer, etc., this can be used to create the sound of your favorite speakers system. Tremolo is an effect that creates a cyclic change in volume. Pan cyclically moves the stereo position between left and right (when stereo output is used). On/Off OFF, ON * This parameter turns the speaker simulator effect on/off.
Insert Effect Parameter Functions ■ When “PEDAL” is selected Wah The wah effect creates a unique tone by changing the frequency response characteristics of a filter. Touch wah creates an automatic wah by changing the filter in response to the volume of the input. Pedal wah lets you use an Expression pedal or the like to obtain real-time control of the wah effect. * You can use this effect with the following algorithms when “WAH” is selected for the 4BAND EQ/WAH “Type” setting.
Mastering Use the “Mastering Tool Kit” to produce a two-track master of the bounce tracks with the levels optimized. 1. Press [REC MODE] several times until “MASTERING” is indicated for REC MODE at the left of the screen. 2. Turn the TIME/VALUE dial to select the recording source V-Track, and then press [ENTER].
Mastering 5. Use the TIME/VALUE dial to select the Preset/Song/ User patch and number for the Mastering Tool Kit. Editing the Mastering Tool Kit Settings “Mastering Tool Kit Patch List” (p. 205) To create a new patch, select the patch that most closely resembles the sound you have in mind from the effects patches already stored in the unit, then edit its settings. 6. Press [EXIT] to return to the Play screen. The overall volume is adjusted by the MASTER fader.
Mastering 5. Press CURSOR [ ] [ ] to move the cursor to each effect and turn the TIME/VALUE dial to turn each effect on or off. fig.01-809d Blocks that are turned on are shown in uppercase letters, while blocks that are turned off are shown in lowercase letters. Turn on the effects that you want to use. 6. Press CURSOR [ ] [ ] to move the cursor to the effect with the parameter that you want to change and press [ENTER]. The Parameter Setting screen for each effect appears. fig.01-808d 2.
Mastering Tool Kit Parameter Functions Algorithm fig.04-204 =[EQ]=[BCUT]=[ENH]=[IN]=[EXP] [COMP]=[MIX]=[LIM]=[OUT] Equalizer Bass Cut Filter Enhancer Input Section 3 Expander Compressor Mixer Limiter Output Parameter List Equalizer High Mid Q On/Off OFF, ON 0.3–16.0 Sets the steepness of the frequency response curve for the upper-low range’s center frequency. This parameter turns the equalizer effect on/off. High Type Input Gain Sets the equalizer type (shelving, peaking) for the upper range.
Mastering Tool Kit Parameter Functions Bass Cut Filter Expander This is a filter that cuts unwanted low range noise, such as pops. This expands the dynamic range at a fixed ratio. On/Off On/Off OFF, ON This setting turns the Bass Cut Filter on/off. Freq OFF, ON This setting turns the expander on/off. 20 Hz–2.0 kHz This sets the frequency containing popping or other undesirable lower-range noises that you want to cut.
Mastering Tool Kit Parameter Functions Compressor Mixer This compresses the overall output signal when the input volume level exceeds a set value. Adjusts the volume of each frequency band. On/Off OFF, ON Sets the volume level of the lower range after the signal passes through the expander and compressor. -24–0 dB Mid Level This parameter turns the compressor effect on/off. Lo Thres Lo Level -80– +6 dB -80– +6 dB This sets the volume level at which the lower-range compressor goes into effect.
Using the Loop Effects/Track EQ Here is an explanation of how to change the various parameters for the loop effects (chorus/delay/doubling/ reverb). When using REV Select either “HALL” or “ROOM.” fig.01-703d For an explanation of loop effects, refer to “Loop Effect Parameter Functions” (p. 111). Loop effects do not have “patches.” Loop effect settings are saved along with the song data. If you want to save the settings in the currently selected song, hold down [STOP], and press [REC]. 4.
Using the Loop Effects/Track EQ Adjusting How the Loop Effect is Applied The following explains how you can alter the volume of the signals sent by each track to the loop effects (the send level), and control the degree to which the loop effects are applied. If you then press CURSOR [ ], the screen for setting the input-source send level appears in the display; if you press CURSOR [ ], the one for setting the Rhythm send level is displayed. fig.01-708d 1. Press [LOOP EFFECTS]. 2.
Using the Loop Effects/Track EQ Setting the Track EQ This section explains how to edit the Track EQ settings (parameters). For a fuller description of Track EQ, refer to “Track EQ Parameter Functions” (p. 112). Track EQ do not have “patches.” Loop effect settings are saved along with the song data. If you want to save the settings in the currently selected song, hold down [STOP], and press [REC]. 1. Press [PAN/EQ]. 2. Press CURSOR [ ] [ and press [ENTER]. ] to move the cursor to “EQ,” fig.01-711d 3.
Loop Effect Parameter Functions Parameter List REVERB This selects the chorus, delay, or doubling effect. A sound with a subtly shifted pitch is added to the direct sound, making the final output sound thicker and broader. Reverberation (or reverb) is the effect caused by sound waves decaying in an acoustic space, or a digital simulation thereof. This decay occurs because sound waves bounce off many walls, ceilings, objects, etc. in a very complex way.
Track EQ Parameter Functions Parameter List This is a two-band equalizer that is independent for each track. If you adjust the equalizer while listening to the sound, you may notice a clicking noise. This is not a malfunction. If the noise is objectionable, make adjustments while the sound is not playing. On/Off OFF, ON This parameter turns the equalizer effect on/off. LoG -12– +12 dB This sets the gain (-12 to +12 dB) for the low-range equalizer (shelving type). LoF 40 Hz–1.
Fixing the Pitch of Vocals (Pitch Correction) The Pitch Correction The term Pitch Correction is used to describe a group of effects that are used on recorded vocal tracks to fix incorrect pitches. When compared with guitars, pianos, and other musical instruments, the human voice generally produces a relatively unstable tone. And when recording unprepared vocalists, this can often lead to considerable difficulties in the form of notes sung out of tune and poor sound quality.
Fixing the Pitch of Vocals (Pitch Correction) Using the Pitch Correction Let’s now use the BR-900CD’s pitch correction feature to clean up some mistakes in a solo vocal part. Using this feature, we will be able to correct pitches in real time and in semitone units. 1. Before using pitch correction, record a solo vocal track to work with. 2. Press [REC MODE] several times until the BOUNCE indicator lights up. The BR-900CD will now enter Bounce mode. 3. Press [PITCH CORRECTION].
Fixing the Pitch of Vocals (Pitch Correction) Setting the Correction Method for Vocal Pitch (Pitch Correction Edit) Each of the preset patches 1 through 5 uses a slightly different method for correcting pitches. Normally, it will be sufficient to select the patch that gives the results you like best; however, if you cannot achieve favorable results using any of these patches, you can change the Pitch Correction settings to create a patch of your own. 1. Select a preset patch to base your new patch on.
Fixing the Pitch of Vocals (Pitch Correction) 5. Turn the TIME/VALUE dial to select the patch number to which to write the new patch. 6. After you’ve selected the destination, press [ENTER]. After the save has been completed, you are returned to the Pitch Correction patch selection screen. * During updating, “Keep power on!” appears in the upper line of the display, while the lower line shows what is being processed.
Fixing the Pitch of Vocals (Pitch Correction) 6. Use [CURSOR] to move the cursor to “Smth” and specify the correction speed. Smth (Smooth) -100–+100 The value set here is added to the value for the “Smooth” patch parameter (p. 115). You can only save a Correction Event Map to a single song. Even if you switch the patch with the pitch correction, the Correction Event Map remains unchanged. When set to 0, the correction proceeds at the rate set in the patch’s “Smooth” parameter.
MEMO 118
Section 4 Using the Rhythm 119
Using the Rhythm The “Rhythm” is a dedicated Rhythm track that can not only play back Rhythm sounds as a guide during recording, you can also use it to play internal Rhythm patterns and original user-created Rhythm patterns and to play and record these patterns as your own Rhythm part performances. The Rhythm features two modes, “Pattern mode” and “Arrangement mode.” E (Ending) Music patterns to be placed at the ending of a song.
Using the Rhythm Switching the Rhythm Mode The Rhythm mode switches each time [ARRANGE/ PATTERN/OFF] is pressed. [ARRANGE/PATTERN/OFF]: Lit (Arrangement Mode) Performing Arrangements and Patterns Selecting arrangements This procedure selects the arrangement to be played with the Rhythm. Performance and programming of arrangements is enabled. 1. Press [ARRANGE/PATTERN/OFF] repeatedly until the indicator is lit. Press [PLAY] to start the performance of the arrangement. fig.
Using the Rhythm Selecting patterns This selects the pattern to be played with the Rhythm. 1. Press [ARRANGE/PATTERN/OFF] repeatedly until the indicator is flashing. fig.03-203d P: Preset / S: Song Number Pattern Name Changing the tempo of the arrangements or patterns You can temporarily change the tempo of the arrangement or pattern being played by carrying out the following procedure while the Play screen is displayed. * The arrangement’s tempo setting is temporarily disabled. 1.
Creating Original Arrangements You can create arrangements (Song arrangements) of up to 999 measures. 1. Make sure performance of the song is stopped, then press [ARRANGE/PATTERN/OFF] repeatedly until the indicator is lit. Starting Measure Set the measure where the pattern that is selected by the current step will start playing. fig.03-303a Step 1 fig.
Creating Original Arrangements Inserting a Step Perform the procedure below to insert a new step into the location of the present step. fig.03-305 1. Make sure performance of the song is stopped, then press [ARRANGE/PATTERN/OFF] repeatedly until the indicator is lit. 2. Press [EDIT]. The Arrangement Edit screen appears. Verse 3. Press [CURSOR] to move the cursor to “STEP,” and press [ENTER].
Creating Original Arrangements 4. Press CURSOR [ ] [ ] and turn the TIME/VALUE dial to change the characters. * Press [ENTER] to switch between uppercase and lowercase. 7. Press [EXIT] repeatedly to return to the Play screen. * During updating, “Keep power on!” appears in the upper line of the display, while the lower line shows what is being processed. 5. Press [EXIT] repeatedly to return to the Play screen.
Creating Original Patterns When creating a Rhythm arrangement by stringing together Rhythm patterns, there may be times when you do not find anything suitable among the preset Rhythm patterns, or when you want to get a Rhythm pattern that sounds exactly the way you want. In such cases, you can create your own original Rhythm patterns. Note concerning creation of patterns ● Maximum polyphony for patterns is five voices. This means you can play up to five drum sounds with the same timing.
Creating Original Patterns 4. Use [CURSOR] and the TIME/VALUE dial to set the measure, beat, and click from which to start recording of the pattern. The current velocity value is briefly indicated where the beat value normally appears. fig.03-404d Measure This sets the number of measures in the pattern to be recorded. Valid Settings: 1–999 Tempo When recording, this sets the tempo for confirming the pattern. Valid Settings: 25.0–250.
Creating Original Patterns * When a coarse Quantize setting is used, the ▼ mark may indicate half-note or quarter-note timing. fig.03-405 Ex.) CLOSED HH SNARE KICK Rehearsing recordings You can practice (rehearse) your performances along with the metronome before carrying out Realtime Recording. During rehearsals, the drum sounds are only played, and are not recorded to the pattern even if you press the track buttons. • Q (Quantize) = 1.
Creating Original Patterns 5. Rehearse the performance by pressing the REC TRACK [1]–[6]. You can switch the UPPER and LOWER drum sounds by pressing [RHYTHM PAD]. Changing the metronome volume 1. Press [ARRANGE/PATTERN/OFF] repeatedly until the indicator is flashing. fig.03-411d * At this point, adjust Fader 1 to confirm the velocity status. 6. When you have finished rehearsing, move the cursor to “STOP” and press [ENTER]. * You can also quit the rehearsal by pressing [STOP].
Creating Original Patterns Creating Patterns in Step Recording Time Signature 1. Press [ARRANGE/PATTERN/OFF] repeatedly until the indicator is flashing. Valid Settings: 1/1–8/1, 1/2–8/2, 1/4–8/4, 1/8–8/8 fig.03-415d This sets the time signature (i.e., the beat) for the pattern to be recorded. Quantize This sets the resolution for the steps being input.
Creating Original Patterns 7. Set the velocity (how “hard” the note is played) for the sounds to be input from the current point by adjusting Fader 1. fig.03-421d fig.03-423d Indicated in the matrix You can confirm the timing with which each rhythm instrument sounds in the matrix display. Velocity The ▼ mark in the lower part of the matrix indicates beat timing. 8. Input the drum sounds. There are two ways to input drum sounds.
Creating Original Patterns Naming Patterns You can use up to eight characters in naming patterns. You can press [REC MODE] during Step Recording to switch to Realtime Recording. * You can not change the Preset Pattern name. 1. Press [ARRANGE/PATTERN/OFF] repeatedly until the indicator is flashing. 9. Set the tempo and Quantize values as needed. 2. Press [EDIT]. 10. Repeat Steps 6–9 as needed. 3. Press [CURSOR] to move the cursor to “NAME,” and press [ENTER].
Creating Original Patterns Copying Patterns Erasing Patterns 1. Press [ARRANGE/PATTERN/OFF] repeatedly until the indicator is flashing. 1. Press [ARRANGE/PATTERN/OFF] repeatedly until the indicator is flashing. 2. Press [EDIT]. 2. Press [EDIT]. 3. Press [CURSOR] to move the cursor to “COPY,” and press [ENTER]. 3. Press CURSOR [ ] repeatedly to move the cursor to “ERASE,” and press [ENTER]. The Pattern Copy screen appears. fig.03-432d fig.03-429d S001–S100: Song Pattern 1–100 5. Press [ENTER].
Using the Drum Kits A drum kit is a variety of rhythm instrument sounds collected in a single set; the BR-900CD includes nine internal “preset drum kits.” In addition, you can also put together an additional five original “song drum kits.” Song drum kits are saved to individual songs on memory cards. Selecting Drum Kits 1. Make sure performance of the song is stopped, then press [ARRANGE/PATTERN/OFF] repeatedly until the indicator is lit. fig.
Using the Drum Kits 5. Press [EXIT] repeatedly to return to the Play screen. * Drum kits are stored to each individual arrangement separately. Loading from the tracks This loads sounds recorded to the tracks as drum tones. (Example) Arrangement Drum Kit ROCK 1............... ROOM ROCK 2............... STD 2 : : Creating Original Drum Kits (Tone Load) With the BR-900CD, you can create original drum kits not only with the internal drum sounds, but by loading drum sounds from external sources as well.
Using the Drum Kits 5. Use [CURSOR] and the TIME/VALUE dial to specify the range (start and end points) of drum sounds to be loaded in terms of measures or time locations. 6. When you have finished setting the start and end points, move the cursor to “LOAD” and press [ENTER]. fig.03-510d * You cannot specify an interval between the start and end points or a length of time in less than 100 ms or excess of 13 seconds. * When specifying measures, the result is reflected in the time display, and vice versa.
Using the Drum Kits Copying drum sounds from other drum kits 1. Press [UTILITY]. 5. Turn the TIME/VALUE dial to specify the copydestination drum sound, then press [ENTER]. * Select “ALL” if you want to copy all of the drum sounds in the kit. fig.03-520d 2. Press CURSOR [ ] [ ] to move the cursor to “TONE,” and press [ENTER]. fig.03-505d 6. Turn the TIME/VALUE dial to specify the copydestination drum kit, then press [ENTER]. fig.03-521d fig.03-519d 7.
Using the Drum Kits Erasing drum sounds 1. Press [UTILITY]. 2. Press CURSOR [ ] [ ] to move the cursor to “TONE,” and press [ENTER]. 3. Press CURSOR [ ] [ ] to move the cursor to “ERASE,” and press [ENTER]. fig.03-523d Changing the position (pan) of the drum sounds 1. Press [UTILITY]. 2. Press CURSOR [ ] [ ] to move the cursor to “TONE,” and press [ENTER]. 3. Press CURSOR [ press [ENTER]. ] to move the cursor to “PAN,” and fig.03-526d 4.
Section 5 Using the CD-R/ RW Drive 139
Creating Audio CD Precautions The pre-gap setting screen will appear. fig.40-03d In addition to CD-R discs, you can also use CD-RW discs when making audio CDs. However, it may not be possible for audio CDs created using CD-RW discs to be played on standard CD players. Furthermore, even when CD-R discs are used for this purpose, playback will not be possible on CD players that do not support this type of media. You should, therefore, confirm that the CD player to be used is compatible with CD-R discs.
Creating Audio CD 4. Press CURSOR [ ] [ ] to move the cursor to “AUDIO,” and press [ENTER]. The Audio CD menu screen will appear. fig.05_CDaudio 11. Press [EXIT] several times to return to the Play screen. 12. Press the CD-R/RW drive’s EJECT button to eject the disc. This completes the writing process. It may take a period of several seconds before the disc is actually ejected. 5. Press CURSOR [ ] [ ] to move the cursor to “WRITE,” and press [ENTER]. The Audio CD Write screen will appear. fig.
Creating Audio CD Viewing the Remaining Time for Recording on Audio CDs Use the following procedure to see how much time you have left for recording on an audio CD. 1. Insert a CD-R or CD-RW disc into the CD-R/RW drive. 2. Press [CD-R/RW]. The CD menu screen will appear. Playing Back Audio CDs Let’s now listen to the audio CD we have just created using the BR-900CD’s CD-R/RW drive. In addition to CD-R discs, this drive can be used to play back CD-RW discs that cannot be played on standard CD players.
Creating Audio CD 5. Use the TIME/VALUE dial to select the song that you want to listen to. fig.05-CDplay2 Enabling Playback on CD Players (Finalize) If you intend to play a audio CD that was written using the BR-900CD’s CD-R/RW drive on a standard CD player, the audio CD must be finalized. Audio CD-R/RW discs can be finalized at any time to enable playback on this type of player. 6. Press [PLAY]. The message “Now Playing...” will appear, and playback of the audio CD will begin. fig.
Creating Audio CD 3. Press CURSOR [ ] [ ] to move the cursor to “AUDIO,” and press [ENTER]. The Audio CD menu screen will appear. fig.05_CDaudio 4. Press CURSOR [ ] [ ] to move the cursor to “FINAL,” and press [ENTER]. The message “Finalize CD OK?” will appear. fig.05_CDfinalize 5. Press [ENTER] (YES). (If you want to cancel finalization, press [EXIT] (NO).) Finalization will begin and the state of progress will be displayed.
Using the CD-R/RW Drive to Exchange Data The BR-900CD’s built-in CD-R/RW drive can be used to exchange data in the following ways: ● Storing of songs and other data on the memory card to CD-R/RW discs (Backup) ● Reading songs and other backup data back into the memory card (Recover) ● Exchanging of waveform data with a PC When you use the CD-R/RW drive, you must use only the supplied AC adaptor. The CD-R/RW drive cannot be used while running on battery power.
Using the CD-R/RW Drive to Exchange Data 6. Use the TIME/VALUE dial to select the song you want to back up, and press [ENTER]. The Write Speed screen will appear. fig.05-CDdawrite2 3. Press CURSOR [ ] [ ] to move the cursor to “DATA,” and press [ENTER]. The Data CD menu screen will appear. fig.05_CDdata 7. Use the TIME/VALUE dial to set the write speed, and press [ENTER]. The message “Write sure?” will appear. 4. Press CURSOR [ ] [ ] to move the cursor to “BACKUP,” and press [ENTER].
Using the CD-R/RW Drive to Exchange Data Loading Saved Songs to a Memory Card (Recover) 6. Use the TIME/VALUE dial to select the song you want to recover, and press [ENTER]. The message “Are you sure?” will appear. Loading saved songs to a memory card one at a time (Song Recover) 7. Press [ENTER] (YES). 1. Insert a CD-R/RW disc containing backup songs into the BR-900CD’s CD-R/RW drive. The drive’s access indicator will begin to flash.
Using the CD-R/RW Drive to Exchange Data Copying and Writing Waveform Data 3. Press [CD-R/RW]. The CD menu screen will appear. fig.05_CDmenu This procedure requires a computer equipped with a drive capable of writing to CD-R/RW discs. If you have a computer equipped with a CD-R/RW drive, you can use CD-R/RW discs to transfer waveform data between multiple BR-900CDs.
Using the CD-R/RW Drive to Exchange Data 7. Use the TIME/VALUE dial to select the waveform data files you want to import, and press [ENTER]. The screen for specifying the import destination appears. fig.05-CDwavimp2 1. Using a PC, burn and finalize a CD-R/RW disc containing the waveform data that you want to import. For instructions on how to write waveform data to CDR/RW discs, refer to your computer and CD-R/RW drive owner’s manuals. 2. Place the CD-R/RW disc in the BR-900CD’s CD-R/RW drive.
Using the CD-R/RW Drive to Exchange Data 6. Use the TIME/VALUE dial to select the data files you want to import, and press [ENTER]. The Drum kit select screen appears. fig.05-CDton2 7. Use the TIME/VALUE dial to specify the dum kit, and press [ENTER]. The Drum sound select screen appears. fig.05-CDton3 3. Press CURSOR [ ] [ ] to move the cursor to “DATA,” and press [ENTER]. The Data CD menu screen will appear. fig.05_CDdata 4. Press CURSOR [ ] [ and press [ENTER].
Using the CD-R/RW Drive to Exchange Data 8. Use the TIME/VALUE dial to set the write speed, and press [ENTER]. The message “Are you sure?” appears. The range of available write speeds can sometimes be limited by the type of media being used. In such a case, the BR900CD will allow you to select only the supported speeds. 9. Press [ENTER] (YES) again. Writing to the CD-R/RW disc begins. When “Completed!” appears, the writing is finished.
Using the CD-R/RW Drive to Exchange Data Loading drum patterns from the CD-R/RW drive (SMF Import) 4. Press CURSOR [ ] [ ] to move the cursor to “DATA,” and press [ENTER]. The Data CD menu screen will appear. You can import SMFs (Standard MIDI Files) stored on PC as song patterns. You can easily increase your collection of song patterns by creating SMFs on your computer or other device and copying them to memory cards. fig.
Using the CD-R/RW Drive to Exchange Data 5. Press CURSOR [ ] [ and press [ENTER]. ] to move the cursor to “SMF,” Erasing Data from a CD-RW Disc (CD-RW Erase) The SMF menu screen will appear. fig.05-CDsmf If you are using CD-RW discs, you will be able to erase unneeded data from the discs and reuse them for data storage. • This process results in all data being erased from a disc. • Data erasure is possible only with CD-RW discs. Data cannot be erased from CD-R discs. 6.
Importing Songs from CDs to Audio Tracks The BR-900CD allows you to import selected songs from a audio CD to audio tracks. (CD-R/RW Write) 4. Press CURSOR [ ] [ ] to move the cursor to “PLAY/ IMP,” and press [ENTER]. The Audio CD player screen will appear. fig.05_CDplay Important Notice • The BR-900CD and its CD-R/RW drive are designed to allow you to reproduce material for which you own the copyright, or material for which you have been granted permission to copy by the copyright owner.
Section 6 Using MIDI 155
MIDI Fundamentals By using MIDI to connect the BR-900CD to other MIDIcapable devices, you can perform the following: MIDI Channels ● Play rhythm performances on external MIDI sound module ● Synchronize with external MIDI sequencers and rhythm machines The MIDI standard allows data to be exchanged among multiple MIDI-compatible devices using a single MIDI cable, and this is made possible by what are known as MIDI channels.
Synchronizing with MIDI Devices Using the Rhythm to Play an External MIDI Sound Module 4. Press CURSOR [ ][ ] to select “RhyMIDI ch.” fig.05-403d Perform the procedure given below to use a MIDI sound module and choose the sounds you desire for the Rhythm. 1. Use a MIDI cable to connect the BR-900CD and your MIDI sound module as shown in the diagram. fig.05-401 5. Turn the TIME/VALUE dial to set the MIDI channel (1–16).
Synchronizing with MIDI Devices Synchronizing Playback with a MIDI Sequencer fig.05-405d The BR-900CD can operate in synchronization with a MIDI sequencer. When synchronizing with a MIDI sequencer, it is possible to synchronize the MIDI sequencer using the BR-900CD (i.e., with the BR-900CD as the master), but it is not possible to synchronize the BR-900CD with the MIDI sequencer (i.e., with the BR-900CD as the slave).
Synchronizing with MIDI Devices 25: 24: 25 frame per second frame rate. This is used for SECAM or PAL format video, audio equipment, and film (used in Europe and elsewhere). 24 frame per second frame rate. This is used for video, audio devices, and film in the US. 6. Press [UTILITY] (or press [EXIT] repeatedly) to return to the Play screen. * During updating, “Keep power on!” appears in the upper line of the display, while the lower line shows what is being processed.
Synchronizing with MIDI Devices Using MMC 1. Press [UTILITY]. MMC stands for “MIDI Machine Control.” This is a protocol that uses MIDI System Exclusive messages to remotely control multiple recording devices from one device. Your BR900CD supports the MMC protocol. 2. Press CURSOR [ ] [ ] to move the cursor to “SYNC,” and press [ENTER]. fig.05-410d By using MMC, your BR-900CD can send commands such as PLAY, STOP, and FF to connected MIDI devices to operate them.
Section 7 Using USB 161
Before Using USB (Overview) The BR-900CD is equipped with a USB connector, which allows you to connect the BR-900CD directly to a computer, making it easy to back up your important song data and exchange files between the BR-900CD and the computer. Composition of Data on Memory Cards What is USB? fig.06-102 USB, short for “Universal Serial Bus,” is a type of interface for connecting computers with a variety of peripheral devices. The folders and files created are as shown below.
Before Using USB (Overview) USB Folder Connecting a Computer WAV and AIFF files loaded to the BR-900CD’s tracks, and WAV and AIFF files saved on computers (track data converted to WAV and AIFF format) will be saved here (p. 165, p. 167, p. 176, p. 178). Use the USB cable to connect the BR-900CD to your computer. * Purchase USB cables at computer stores or other retailers. fig.06-101 Folders and files created on memory cards are displayed on the computer screen.
With Windows Backing Up the BR-900CD’s Data 1. Connect your computer and the BR-900CD with a USB cable. 2. Confirm that the recorder is stopped, then press [UTILITY]. 3. Press CURSOR [ ] [ and press [ENTER]. Reading backup data back into the BR-900CD from PC (Recover) When restoring data backed up on a computer to the BR900CD, drag the “ROLAND” folder to the “BOSS_BR900” icon (or the “Removable disk (*:)” icon) and drop it there (overwriting it). ] to move the cursor to “USB,” 6.
With Windows * If you press [EXIT] without quitting the connection to the computer, the following screens appear. In this case, pressing [ENTER] returns the USB screen to the display. fig.06-106ad 1. Connect your computer and the BR-900CD with a USB cable. 2. Confirm that the recorder is stopped, then press [UTILITY]. 3. Press CURSOR [ ] [ and press [ENTER]. ] to move the cursor to “USB,” The USB screen appears. 8. When backup of the data is complete, press [EXIT] to return to the Play screen. 4.
With Windows 7. Press [ENTER]. * If this procedure fails to eject the disk, use the procedure below. Conversion of the WAV or AIFF file begins. 1) Files names are converted as shown below. (Mono) Track 1, V-Track 1 TR01_ _ _1.WAV or TR01_ _ _1.AIF (Stereo) Track 1/2, V-Track 1 TR0102 _1.WAV or TR0102 _1.AIF Track 1, V-Track 2 TR01_ _ _2.WAV or TR01_ _ _2.AIF : Track 6, V-Track 7 TR06_ _ _7.WAV or TR06_ _ _7.AIF Track 1/2, V-Track 2 TR0102 _2.WAV or TR0102 _2.AIF : Track 7/8, V-Track 7 TR0708_7.
With Windows Loading WAV/AIFF Files in BR900CD Tracks (WAV/AIFF Import) fig.06-120d You can take WAV or AIFF files on your computer, such as files created with audio software applications, and load them to the BR-900CD’s tracks. ● Wave data in the following formats can be imported. You cannot import wave data in other formats. • WAV or AIFF format • Mono or Stereo • 8-bit or 16-bit • Sampling Rate: 44.
With Windows 7. Copy the WAV or AIFF files you want to import. 1) 2) Click the “BOSS_BR-900” (or “Removable disk (*:)”) icon. Drag the imported WAV or AIFF file to the “USB” folder in the “ROLAND” folder. * Only one file can be imported at a time in each import operation. Do not drag and drop more than one file at a time. When you have finished Copying the data, the Idling screen returns to the display. 8. Quit the connection to the computer.
With Windows Importing SMFs and Creating Patterns You can import SMFs (Standard MIDI Files) stored on memory cards as song patterns. You can easily increase your collection of song patterns by creating SMFs on your computer or other device and copying them to memory cards. ● You cannot import SMFs containing more than 999 measures. ● Add the extension “MID” to SMFs you are importing. ● Use file names containing eight alphanumeric characters. 1.
With Windows 7. Press BR-900CD’s [EXIT] repeatedly to return to the Play screen. * If you press [EXIT] without quitting the connection to the computer, the following screens appear. In this case, pressing [ENTER] and then [EXIT] returns the Play screen to the display. 12. Turn the TIME/VALUE dial to select the importdestination song pattern, then press [ENTER]. fig.03-439d fig.06-106ad The import is executed.
With Windows Loading Drum Sounds from WAV/AIFF Files (Tone Load) fig.03-513d You can import WAV and AIFF files on your computer and load these as drum sounds (TONE LOAD). ● The Rhythm and Tone Load functions cannot be used when tracks are bounced directly to a CD (p. 59). ● Wave data in the following formats can be imported. You cannot import wave data in other formats. WAV or AIFF format Mono or Stereo 8-bit or 16-bit Sampling Rate: 44.
With Windows 2) Click [OK] in the “Safe To Remove Hardware” dialog box that appears. With Windows 2000/Me 1) In My Computer, right-click on the “BOSS_BR900” icon (or “Removable disk (*:)” icon) to “Eject” the disk. 10. Press CURSOR [ ] [ ] to move the cursor to “CARD,” and press [ENTER]. The names of the WAV and AIFF files on the memory card are displayed. * WAV files are indicated by the symbol “.W”; “.A” indicates AIFF files. fig.
With Windows Using the BR-864 / BR-532’s Data You can use the BR-900CD to play BR-864 (or BR-532) data. 7. Drag the previously backed up BR-864 / BR-532 “ROLAND” folder to the “BOSS_BR-900” (or “Removable disk (*:)”) icon and drop it there. fig.06-110bd * First be sure to back up the BR-864 / BR-532’s “ROLAND” folder to the computer. 1. Initializing the memory card on the BR-900CD (p. 196). 2. Connect your computer and the BR-900CD with a USB cable. 3.
With Windows 9. Press the BR-900CD’s [EXIT]. The USB screen returns to the display. * If you press [EXIT] without quitting the connection to the computer, the following screens appear. In this case, pressing [ENTER] returns the USB screen to the display. fig.06-106ad 10. When backup of the data is complete, press [EXIT] to return to the Play screen. At this point, you can safely disconnect the USB cable from the BR-900CD and the computer.
With Macintosh Backing Up the BR-900CD’s Data 1. Connect your computer and the BR-900CD with a USB cable. 2. Confirm that the recorder is stopped, then press [UTILITY]. 3. Press CURSOR [ ] [ and press [ENTER]. ] to move the cursor to “USB,” The USB screen appears. 4. Select “BACKUP” with the TIME/VALUE dial, then press [ENTER]. The Idling screen appears in the display.
With Macintosh Saving BR-900CD Track Data in WAV/AIFF Format (WAV/AIFF Export) fig.06-115d You can convert the BR-900CD’s track data into WAV or AIFF files and save these on your computer. After converting your mastered tracks to WAV or AIFF files, you can easily use your computer to create audio CDs with the data, as well as load the data into audio applications.
With Macintosh 7. Press [ENTER]. 10. Press the BR-900CD’s [EXIT]. Conversion of the WAV or AIFF file begins. The file format selection screen returns to the display. Files names are converted as shown below. The contents of the “USB” folder are automatically deleted the instant the [EXIT] button is pressed. (Mono) Track 1, V-Track 1 TR01_ _ _1.WAV or TR01_ _ _1.AIF (Stereo) Track 1/2, V-Track 1 TR0102 _1.WAV or TR0102 _1.AIF Track 1, V-Track 2 TR01_ _ _2.WAV or TR01_ _ _2.
With Macintosh Loading WAV/AIFF Files in BR-900CD Tracks (WAV/AIFF Import) fig.06-127d You can take WAV or AIFF files on your computer, such as files created with audio software applications, and load them to the BR-900CD’s tracks. ● Wave data in the following formats can be imported. You cannot import wave data in other formats. • WAV or AIFF format • Mono or Stereo 5. Use CURSOR [ ] [ ] and the TIME/VALUE dial to select the track/V-Track to be loaded, then press [ENTER].
With Macintosh 7. Copy the WAV or AIFF files you want to import. 1) Double-click the “BOSS_BR-900” icon. 2) Drag the imported WAV or AIFF file to the “USB” folder in the “ROLAND” folder. * Only one file can be imported at a time in each import operation. Do not drag and drop more than one file at a time. fig.06-133d When you have finished copying the data, the Idling screen returns to the display. 8. Quit the connection to the computer. 1) Drag the “BOSS_BR-900” icon into the trash. 9.
With Macintosh 5. Import the SMF. 1) Double-click the “BOSS_BR-900” icon. 2) Drag the imported SMF to the “SMF” folder in the “ROLAND” folder. 10. Press [CURSOR] to move the cursor to “SMF,” and press [ENTER]. The names of the SMFs on the memory card are displayed. fig.03-438d fig.03-435d When you have finished importing the SMF, the Idling screen returns to the display. 6. Quit the connection to the computer. 1) Drag the “BOSS_BR-900” icon into the trash. 7.
With Macintosh Loading Drum Sounds from WAV/AIFF Files (Tone Load) 4. Select “BACKUP” with the TIME/VALUE dial, then press [ENTER]. The Idling screen appears in the display. fig.03-513d You can import WAV and AIFF files on your computer and load these as drum sounds (TONE LOAD). ● The Rhythm and Tone Load functions cannot be used when tracks are bounced directly to a CD (p. 59). ● Wave data in the following formats can be imported. You cannot import wave data in other formats.
With Macintosh 7. Press BR-900CD’s [EXIT] repeatedly to return to the Play screen. * If you press [EXIT] without quitting the connection to the computer, the following screens appear. In this case, pressing [ENTER] and then [EXIT] returns the Play screen to the display. fig.06-106ad You can preview the sound of the WAV or AIFF file to be loaded by moving the cursor to “PVW” and pressing [ENTER]. 12. Turn the TIME/VALUE dial to specify the loaddestination song drum kit. S1–5: Song Drum Kit 1–5 fig.
With Macintosh Using the BR-864 / BR-532’s Data fig.06-110bd You can use the BR-900CD to play BR-864 / BR-532 data. * First be sure to back up the BR-864 / BR-532’s “ROLAND” folder to the computer. 1. Initializing the memory card on the BR-900CD (p. 196). 2. Connect your computer and the BR-900CD with a USB cable. 3. Confirm that the recorder is stopped, then press [UTILITY]. 4. Press CURSOR [ ] [ and press [ENTER]. ] to move the cursor to “USB,” The USB screen appears. 5.
MEMO 184
Section 8 Other Convenient Functions 185
Adjusting the Display Contrast Depending on where the BR-900CD is situated, the display contents may be difficult to read. If this is the case, perform the procedure given below to adjust the contrast (1 to 21). fig.00-309 1,4 4 3 2 2,3 1. Press [UTILITY]. 2. Press CURSOR [ ] [ and press [ENTER]. ] to move the cursor to “SYS,” fig.00-310d 3. Press CURSOR [ ] [ ] to select “LCD Contrast,” and adjust the contrast with the TIME/VALUE dial. fig.00-311d 4.
Using a Foot Switch or Expression Pedal You can connect an optional foot switch (such as the BOSS FS-5U or Roland DP-2) or expression pedal (such as the Roland EV-5 or BOSS FV-300L) to the FOOT SW/EXP PEDAL jack on the rear panel, allowing you to use your foot to control a number of functions. fig.05-102d fig.05-101 3. Press CURSOR [ Foot Switch (FS-5U etc.) ][ ] and select “Foot SW.” fig.05-103d Set the polarity switch as shown in the following. Expression Pedal (Roland EV-5 etc.) 4.
Tuning an Instrument (Tuner) The BR-900CD has a built-in “chromatic tuner function” that allows you to tune your instrument quickly. Changing to the Tuner The built-in tuner supports both guitar and bass guitar. 1. Press [TUNER] to access the Tuner screen. As an example here, we will explain how to use the tuner to tune your guitar. fig.05-201d * It is not possible to play back or record while using the tuner. Check the following points before you begin.
Tuning an Instrument (Tuner) Tuning Setting the Reference Pitch of the Tuner 1. Play a note using the string you are tuning. The screen will indicate the note name that is closest to the pitch of the string you played. * Cleanly play a single note only on the string you wish to tune. 2. Continue tuning until the pitch name of the string you are tuning appears in the display.
Mixing the Output from an External MIDI Device with the Output from Your BR-900CD (Audio Sub Mix) The Audio Sub Mix function allows you to mix the signal input from LINE IN with the signal output to LINE OUT. When performing synchronized playback using the BR900CD and an external MIDI device, you can use the Audio Sub Mix function to mix the output from the external MIDI device with that of the BR-900CD internally, within the BR- Using the Audio Sub Mix function 1. Press [UTILITY]. 2.
Using Condenser Microphones (Phantom Power) Most condenser microphones need a supply of power known as phantom power in order to operate. Accordingly, the BR-900CD can supply phantom power at +48 V to condenser microphones connected to any of the XLR-type connectors for MIC 1 and MIC 2. 1. Before proceeding, turn INPUT SENS GUITAR/BASS/ MIC2 and MIC knobs fully counter-clockwise in order to reduce the input volumes, and then move the MASTER fader and INPUT LEVEL knobs all the way down.
Copying Difficult Songs (Phrase Trainer) Your BR-900CD features a built-in “Phrase Trainer.” The Phrase Trainer records from the device connected to the input jacks (e.g., CD players or MD player) and then allows you to play back a part of that recording repeatedly to allow you to practice that portion again and again. You can also slow down the playback to aid in copying fast phrases or remove the guitar solo sound to play along with only the backing instruments as a practice aid.
Copying Difficult Songs (Phrase Trainer) 3. To emphasize the bass sound, press CURSOR [ ] [ ] to select “Low Boost,” and turn the TIME/VALUE dial and adjust the value so that the bass sound is more easily heard. fig.05-303d 4. Press CURSOR [ ] to select “C.Adjust,” and turn the TIME/VALUE dial and adjust the value of the sound that you want to remove to decrease its volume. * Depending on how the song was recorded, these procedures may not be able to remove the sounds completely. fig.05-304d 5.
Initializing the BR-900CD’s Settings Initializing All the BR-900CD’s Settings The following settings are initialized together at one time. Initializing the System Settings Follow the procedure below to initialize the system parameters. • System Settings • Effects (User Patches/Song Patches) • Rhythm (Arrangements/Patterns/Drum Kits) A list of the initial settings for each parameter is given in the “Parameter List” (p. 208). 1. Press [UTILITY]. 1. Press [UTILITY]. 2. Press CURSOR [ ] [ and press [ENTER].
Initializing the BR-900CD’s Settings Initializing the Effect Settings Follow the procedure below to initialize the user effect patches or song effect patches. 1. Press [UTILITY]. 2. Press CURSOR [ ] [ and press [ENTER]. Initializing the Rhythm Arrangements/Patterns/Drum Kits This initializes the Rhythm Arrangements, Patterns, and Drum Kits. • In Song Arrangement, Step 1 is set to the metronome. ] to move the cursor to “INI,” fig.05-605d • In song patterns and song drum kits, the step is empty. 1.
Initializing the BR-900CD’s Settings Initializing the Memory Card 4. To continue the initialization, press [ENTER] (YES). To cancel, press [EXIT] (NO) (or [UTILITY]). When [ENTER] is pressed, initialization begins. Be aware that when initialized, any existing data on the card will be erased. * If you initialize the memory card supplied with the BR900CD, the demo songs on the card will be lost. When the initializing has been completed, “Completed!” appears in the display. “Keep power on! Song creating...
Conserving Battery Power (Power Save) Your BR-900CD is equipped with a power save function that limits the current dissipation during use. When the power save function is activated, if no button, or TIME/VALUE dial on the BR-900CD is used for a certain amount of time, the BR-900CD will enter the standby state and turn off the display backlight and button indicators. 3. Press CURSOR [ ] [ ] to select “PowerSave,” and turn the TIME/VALUE dial to set the time until the Power Save function is activated.
Utility Parameter List Utilities include the following: AB Quantize (AB Qtz) • “System parameters” for setting functions affecting the entire BR-900CD Valid Settings: ON, OFF (Initial value: OFF) • “Sync parameters” for setting synchronized performance functions “Quantize” is a function that enables you to set the start and end points in measure units when making the settings for repeat playback (the repeated portion).
Utility Parameter List MTC Type Valid Settings: 30, 29N, 29D, 25, 24 (Initial value: 30) This sets the type of MTC output from the MIDI OUT connector. 30 frames per second non-drop format. This is used by audio devices such as analog tape recorders, and for NTSC format black and white video (used in Japan and the U.S.). 30: About the Scrub Parameters This section describes the Scrub parameters. 1. Press [UTILITY]. 2. Press CURSOR [ ] [ and press [ENTER]. ] to move the cursor to “SCR,” 3.
MEMO 200
Section 9 Appendices 201
Effect Patch List ■ GTR (GUITAR/BASS) No.
Effect Patch List ■ MIC ■ LIN (LINE) Patch Name Algorithm No. Patch Name Algorithm 01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 Vo Comp1 Vo Comp2 Kick Cmp SnareCmp BrassCmp VocalFx1 VocalFx2 VocalFx3 VocalFx4 NARRATOR VOX DOUB VOX DETN KARAOKE UNISON STUTTER D.VADER ALIEN BullHorn SEAGULLS SO DEEP! BrightCh FatBrass Dark EQ Vocal EQ BrightEQ Enh+BCut ST.
Effect Patch List ■ SML (SIMUL) No.
Mastering Tool Kit Patch List ■ MTK (MASTERING TOOL KIT) No. Patch Name 01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18 19 Mix Down PreMastr Live Mix Pop Mix DanceMix JinglMix HardComp SoftComp CleanCmp DanceCmp OrchComp VocalCmp Acoustic RockBand Orchestr LowBoost Brighten DJsVoice PhoneVox Pitch Correction Patch List ■ PCR (PITCH CORRECTION) No.
Arrangement / Pattern List Preset Arrangement List Each of the preset Arrangement (except Metro4/4) is set so that a three-measure BREAK, followed by V1 (verse) comes after the E (ending). No.
Arrangement / Pattern List Preset Pattern List Pattern Name (Abbreviation shown in display) Beat 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 - IN 1 2 2 4 4 1 4 2 4 3 1 4 2 2 2 4 2 2 2 2 2 2 3 4 4 1 1 4 2 4 4 2 4 4 4 2 4 4 4 1 1 2 1 2 2 1 1 4 1 - V1 2 2 2 2 2 4 2 4 2 2 1 4 2 2 2 2 2 2 2 1 1 2 2 2 2 2 4 4 2 2 2 2 2 4 2 2 2 4 4 2 4 4 2 2 1 2 4 2 2 - Measur
Parameter List (*1) If you want to save the settings as the currently selected song data, hold down [STOP] and press [REC]. (*2) Stored in the BR-900CD. (*3) Not Stored.
Parameter List Recorder Parameter (*1) Parameter Name Display Recording Track - - Track 1–6, Track 1/2–7/8 V-Track V-TRACK 1 1–8 Auto Punch On/Off - OFF OFF, ON Auto Punch In/Out - - Any time Locator - - Any time Repeat - - Any time * Initial Value Valid Settings The settable range for Auto Punch In/Out, Locator and Repeat will change slightly depending on the MTC Type (sync parameter).
Parameter List CD Parameter Parameter Name Display Initial Value Valid Settings Pre Gap Pre Gap 2.0 sec 0.0–3.
Troubleshooting If the BR-900CD does not function as you expect, please check the following points before assuming that a malfunction has occurred. If this does not resolve the problem, contact a nearby Roland service center or your dealer.
Troubleshooting Problems with the Memory Card Synchronization Problems “Unsupported Card!” is displayed Cannot Synchronize ❍ Do you have a compatible (CompactFlash) memory card inserted in the BR-900CD? When using MTC to synchronize the BR-900CD with a MIDI sequencer, the BR-900CD must be the master device.
Error Messages If you attempt an incorrect operation or if an operation could not be executed, the display will indicate an error message. Card Read Error! Refer to this list and take the appropriate action. Solution 1: Turn off the BR-900CD, properly insert the memory card, then turn the BR-900CD back on. Battery Low! Solution 2: Initialize the card (p. 196). Cause: The batteries are depleted (6 x AA dry-cell batteries). Solution: Replace the batteries as soon as possible (p. 23).
Error Messages Disc Not Ready! Turn Off Pitch Correction! Cause: There is no CD-R/RW disc in the drive. Cause: Solution: Place a CD-R/RW disc in the drive. You cannot use the loop effects or phrase trainer while Pitch Correction is on. Solution: Press [PITCH CORRECTION] to turn it off, and try the operation once again.
Error Messages Not Available in Mastering Mode! Stop P.Trainer! Cause: You cannot carry out this operation with “MASTERING” selected as the recording mode. Cause: The operation you attempted cannot be done while the Phrase Trainer (p. 192) is operating. Solution: First press the [REC MODE] button to switch the recording mode to “INPUT” or “BOUNCE,” then proceed with the operation. Solution: Press [PHRASE TRAINER] to turn off the Phrase Trainer.
DIGITAL RECORDING STUDIO Model BR-900CD MIDI Implementation 1. TRANSMITTED DATA * Frame Count This message is transmitted according to a SMF data regardless of the followings when the data is played. ■Channel Voice Message Seconds Count ●Note On If the MIDI parameter “RhyMIDI ch” is set to “1–16,” note numbers/velocities corresponding to the Rhythm pattern will be transmitted on the MIDI channel that is specified for the Rhythm. Status 9nH Second mmH n = MIDI Channel No.: mm = Note No.
MIDI Implementation ■System Exclusive Message Status F0H Data Bytes iiH,ddH,..., eeH Byte F0H iiH Description Status of Exclusive Message ID Number 7EH Universal Non Realtime Message 7FH Universal Realtime Message Data: 00H - 7FH (0-127) : Data EOX (End of Exclusive Message) ddH : eeH F7H * 2. MIDI Machine Control Status F7H ■MIDI Machine Control Command Reference ●STOP (MCS) The BR-900CD can transmit and receive Universal System Exclusive messages.
MIDI Implementation ●LOCATE (MCP) ❍Format 2 - LOCATE [TARGET] Status F0H Data Bytes Status 7FH, Dev, 06H, 44H, 06H, 01H, hrH, mnH, scH, frH, ffH F7H Byte F0H 7FH Dev 06H 44H 06H 01H Description Status of Exclusive Message Universal System Exclusive Message Realtime Header Device ID (7FH) MMC Command Message LOCATE(MCP) Number of Bytes “TARGET” sub command hrH, mnH, scH, frH, ffH Standard Time with Sub Frame EOX (End of Exclusive Message) F7H * This message is transmitted when the song position moves.
MIDI Implementation Chart Date : Jan. 11, 2005 DIGITAL RECORDING STUDIO Model BR-900CD MIDI Implementation Chart Transmitted Function...
Specifications BR-900CD: Digital Recording Studio ● Tracks ● Nominal Input Level (Variable) Track: 8 V-Track: 64 (8 V-Tracks per each Track) GUITAR/BASS jack: -20 dBu MIC (TRS balanced/XLR) jack: -40 dBu * Up to 2 tracks can be recorded simultaneously, and up to 8 tracks can be played back simultaneously. LINE IN jack: -10 dBu ● Input Impedance ● Useful Capacity GUITAR/BASS jack: 1MΩ CompactFlash: 32 M–1 G bytes MIC 1/2 jack: 1.5 k Ω (HOT-COLD) ● Data Type (TRS balanced/XLR) 1.
Specifications ● Power Supply DC 9 V; Supply AC Adaptor (PSC series), Dry battery x 6 ● Current Draw 900 mA (Average using AC adapter and CD-R/RW) 300 mA (When powered by batteries; CD-R/RW drive not used) * Expected battery life under continuous use: Alkaline: 4 hours These figures will vary depending on the actual conditions of use. ● Dimensions 351 (W) x 225 (D) x 69 (H) mm 13-7/8 (W) x 8-7/8 (D) x 2-3/4 (H) inches ● Weight 2.
Index Symbols BANK GUITAR ................................................................................ 88 + ...................................................................................... 69, 72, 75 LINE ..................................................................................... 91 MIC ....................................................................................... 90 Numerics SIMUL .................................................................................. 92 24 ...
Index CHO/DLY ............................................................ 43–44, 108–109 De-esser ...................................................................................... 95 CHORUS ..................................................................... 44, 108, 111 Defretter ...................................................................................... 95 Chorus ................................................................................ 94, 108 DELAY .........................
Index EQ ....................................................................................... 43, 110 G Equalizer ....................................................................... 43, 96, 105 Gain .............................................................................. 97, 99, 106 ERASE ....................................................... 124–125, 133, 138, 153 GAP ..........................................................................................
Index Initializing ................................................................................. 194 Loading All ....................................................................................... 194 Drum pattern ...................................................................... 152 Effect setting ....................................................................... 195 Drum sounds .............................................................. 171, 181 Memory card .....................
Index MCK ......................................................................................... 158 Moving ........................................................................................ 30 MEAS .......................................................................................... 21 To Locator ............................................................................. 64 Measure ............................................................................ 127, 130 Track ............
Index Pattern Number ........................................................................ 123 PUNCH ............................................................................... 54, 187 PCR ........................................................................................... 205 Punch-in/out .............................................................................. 53 PEAK ........................................................................................ 105 Punching In .........
Index Rhy Send ................................................................................... 109 Song Backup ............................................................................. 145 RhyMIDI ch ...................................................................... 157, 199 Song Copy ................................................................................... 77 RHYTHM .............................................................................. 35, 87 Song Drum Kit ..............
Index TONE ........................................................................................ 149 VO+GT AMP .............................................................................. 92 Tone .................................................................................... 94, 111 VOCAL MULTI ........................................................................... 90 Tone Load ......................................................... 135, 149, 171, 181 VOICE TRANS ......................
PAN EQ Low EQ High CHO/DLY Send REV Send EQ Low EQ High CHO/DLY Send REV Send REV Send CHO/DLY Send EQ High EQ Low REV Send CHO/DLY Send EQ High EQ Low PAN TRACK 4 Song Name TRACK 3 PAN EFFECTS TRACK 2 PAN TRACK 1 Track Sheet Project REV Send CHO/DLY Send EQ High EQ Low PAN TRACK 5 Artist REV Send CHO/DLY Send EQ High EQ Low PAN REV Send CHO/DLY Send EQ High EQ Low PAN RHYTHM REV Send CHO/DLY Send EQ High EQ Low PAN PATTERN Tempo: ARRANGE Tempo: Date TRA
USING THE UNIT SAFELY The symbol alerts the user to important instructions or warnings.The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger. Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.
Owner’s Manual Thank you, and congratulations on your choice of the BOSS BR-900CD Digital Recording Studio. Before using this unit, carefully read the sections entitled: • USING THE UNIT SAFELY (page 2–3) • IMPORTANT NOTES (page 4–5) These sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, Owner’s manual should be read in its entirety.