INSTRUCTION MANUAL E E INSTRUCTION MANUAL
Introduction The EOS 60D is a high-performance, digital single-lens reflex camera featuring a fine-detail CMOS sensor with approx. 18.0 effective megapixels, DIGIC 4, high-precision and high-speed 9-point AF, approx. 5.3 fps continuous shooting, Live View shooting, and Full HD (Full High-Definition) movie shooting. The camera is highly responsive for shooting at anytime, provides many functions fitted for advanced shooting, and offers many other features.
Item Check List Before starting, check that all the following items have been included with your camera. If anything is missing, contact your dealer.
Conventions Used in this Manual Icons in this Manual <6> : Indicates the Main Dial. <5> : Indicates the Quick Control Dial. <9> : Indicates the Multi-controller and the push direction. <0> : Indicates the setting button. 0, 9, 7, 8 : Indicates that the respective function remains active for 4 sec., 6 sec., 10 sec., or 16 sec. respectively after you let go of the button.
Chapters For first-time DSLR users, Chapters 1 and 2 explain the camera’s basic operations and shooting procedures.
Contents Introduction 2 tem Check List.................................................................................................. 3 Conventions Used in this Manual ...................................................................... 4 Chapters ............................................................................................................ 5 Index to Features ............................................................................................ 10 Handling Precautions ...........
Contents Shoot by Lighting or Scene Type .....................................................................71 3 4 Setting the AF and Drive Modes 75 f: Selecting the AF Mode..............................................................................76 S Selecting the AF Point ...............................................................................78 When Autofocus Fails ......................................................................................80 MF: Manual Focusing .............
Contents 6 Flash Photography 7 Shooting with the LCD Monitor (Live View Shooting) 8 Shooting Movies 9 Image Playback 10 Post-Processing Images 129 D Using the Built-in Flash.............................................................................. 130 Setting the Flash ........................................................................................... 135 Using Wireless Flash.....................................................................................
Contents S Resize ......................................................................................................222 R Processing RAW Images with the Camera ............................................224 11 Sensor Cleaning 12 Printing Images 229 f Automatic Sensor Cleaning ....................................................................230 Appending Dust Delete Data..........................................................................231 Manual Sensor Cleaning..........................
Index to Features Power Battery • Charging Î p.24 • Battery check Î p.29 • Battery information check Î p.268 Power outlet Î p.272 Auto power off Î p.50 Lens Attaching/Detaching Î p.34 Zoom Î p.35 Image Stabilizer Î p.38 Basic Settings Language Î p.31 Date/Time Î p.30 Using the LCD monitor Î p.27 LCD brightness adjustment Î p.217 Beeper Î p.278 Release shutter without card Î p.32 Recording Images White balance Î p.96 Color space Î p.
Index to Features Self-timer Î p.82 Remote control Î p.126 Exposure Adjustments Exposure compensation Î p.120 Image Playback Image review time Î p.50 Single image display • Shooting information display Î p.190 Î p.204 Î p.191 AEB Î p.121 Movie playback AE lock Î p.122 Editing out movie first/last scene Î p.206 Flash Built-in flash • Flash exposure compensation • FE lock Î p.130 External flash Î p.148 Flash control • Wireless flash Î p.135 Î p.139 Î p.132 Î p.
Handling Precautions Camera Care This camera is a precision instrument. Do not drop it or subject it to physical shock. The camera is not waterproof and cannot be used underwater. If you accidentally drop the camera into water, promptly consult your nearest Canon Service Center. Wipe off any water droplets with a dry cloth. If the camera has been exposed to salty air, wipe it with a well-wrung wet cloth. Never leave the camera near any hing having a strong magnetic field such as a magnet or electric motor.
Handling Precautions LCD Panel and LCD Monitor Although the LCD monitor is manufactured with very high precision technology with over 99.99% effective pixels, there might be a few dead pixels among the remaining 0.01% or less pixels. Dead pixels displaying only black or red, etc., are not a malfunction. They do not affect the images recorded. If the LCD monitor is left on for a prolonged period, screen burn-in may occur where you see remnants of what was displayed.
Quick Start Guide Insert the battery. (p.26) 1 2 3 4 To charge the battery, see page 24. White index Red index Attach the lens. (p.34) Align the lens’ white or red index with the camera’s index in the matching color. Set the lens focus mode switch to . (p.34) Open the slot cover and insert a card. (p.32) With the card’s label facing you, insert it into the slot. 5 14 Set the power switch to <1> (p.
Quick Start Guide 6 Flip out the LCD monitor. (p.27) 7 Focus the subject. (p.40) 8 Take the picture. (p.40) 9 Look through the viewfinder and aim the viewfinder center over the subject. Press the shutter button halfway, and the camera will focus the subject. If necessary, the built-in flash will popup automatically. Press the shutter button completely to take the picture. Review the picture. (p.50) The captured image will be displayed for approx. 2 sec. on the LCD monitor.
Nomenclature For detailed information, reference page numbers are provided in paren heses (p.**). Drive mode selection button (p.81) AF mode selection button (p.76) LCD panel (p.18) EF lens mount index (p.34) ISO speed setting button (p.88) Built-in flash/AF-assist beam (p.130/79) Metering mode selection button (p.119) EF-S lens mount index (p.34) Flash-sync contacts <6> Main Dial (p.41) Hot shoe (p.148) Microphone (p.172) LCD panel illumination button (p.
Nomenclature Live View shooting/ Movie shooting button (p.152/172) AF start button (p.40, 153, 173) Focal plane mark AE lock/FE lock button/ Index/Reduce button (p.122/134/194/196, 243) Menu button (p.46) Dioptric adjustment knob (p.39) Eyecup (p.124) AF point selection/ Magnify button (p.78/196, 243) Viewfinder eyepiece Power switch (p.28) Strap mount (p.23) Erase button (p.215) Quick Control button (p.44) Card slot cover (p.
Nomenclature LCD Panel Highlight tone priority (p.255) Drive mode (p.81) u Single shooting o High-speed continuous shooting i Low-speed continuous shooting Q 10 sec. Self-timer/ Remote control k 2 sec. Self-timer/ Remote control ISO speed (p.88) ISO speed (p.88) Shots remaining Shots remaining during WB bracketing Self-timer countdown Bulb exposure time Metering mode (p.119) q Evaluative metering w Partial metering r Spot metering e Center-weighted average metering AF mode (p.
Nomenclature Viewfinder Information AF points (Superimposed display) Focusing screen Spot metering circle ISO speed White balance correction Focus confirmation light < > Battery check AE lock/ AEB in-progress Max.
Nomenclature Mode Dial Turn the Mode Dial while holding down the Mode Dial lock-release button at the center. Camera User Setting You can register the shooting mode (d/s/f/a/F), AF mode, menu settings, etc., in this Mode Dial setting and shoot (p.262). Creative Zone These modes give you more control for shooting various subjects. d : Program AE (p.112) s : Shutter-priority AE (p.114) f : Aperture-priority AE (p.116) a : Manual exposure (p.118) F : Bu b (p.
Nomenclature Lens Lens with a distance scale Focus mode switch (p.34) Hood mount (p.37) Zoom position index (p.35) Distance scale Filter thread (front of lens) (p.301) Zoom ring (p.35) Focusing ring (p.80, 167) Contacts (p.13) Image Stabilizer switch (p 38) Lens mount index (p 34) Lens without a distance scale Focusing ring (p 80, 167) Hood mount (p 37) Focus mode switch (p.34) Zoom position index (p 35) Filter thread (front of lens) (p 301) Zoom ring (p.35) Image Stabilizer switch (p.
Nomenclature Battery Charger LC-E6 Charger for Battery Pack LP-E6 (p.24). Power plug Battery pack slot Charge lamp This power unit is intended to be correctly orientated in a vertical or floor mount position. IMPORTANT SAFETY INSTRUCTIONS-SAVE THESE INSTRUCTIONS. DANGER-TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, CAREFULLY FOLLOW THESE INSTRUCTIONS. For connection to a supply not in the U.S.A., use an attachment plug adapter of the proper configuration for the power outlet.
Getting Started This chapter explains preparatory steps before you start shooting and basic camera operations. Attaching the Strap Pass the end of the strap through the camera’s strap mount eyelet from the bottom. Then pass it through the strap’s buckle as shown in the illustration. Pull the strap to take up any slack and make sure the strap will not loosen from the buckle. The eyepiece cover is also attached to the strap (p.124).
Charging the Battery 1 Remove the protective cover. the battery. 2 Attach As shown in the illustration, attach the battery securely to the charger. To detach the battery, follow the above procedure in reverse. LC-E6 the battery. 3 Recharge For LC-E6 As shown by the arrow, flip out the battery charger’s prongs and insert the prongs into a power outlet. For LC-E6E LC-E6E Connect the power cord to the charger and insert the plug into the power outlet.
Charging the Battery Tips for Using the Battery and Charger Recharge the battery on the day before or on the day it is to be used. Even during storage, a charged battery will gradually drain and lose its power. After recharging the battery, detach it and detach the charger from the power outlet. You can attach the cover in a different orientation to indicate whether the battery has been recharged or not.
Installing and Removing the Battery Installing the Battery Load a fully-charged Battery Pack LP-E6 into the camera. 1 Open the battery compartment cover. Slide the lever as shown by the arrow and open the cover. the battery. 2 Insert Insert the end with the battery contacts. Insert the battery until it locks in place. the cover. 3 Close Press the cover until it snaps shut. Only the Battery Pack LP-E6 can be used. Removing the Battery Open the cover and remove the battery.
Using the LCD Monitor After you flip out the LCD monitor, you can set menu functions, use Live View shooting, shoot movies, and playback images and movies. You can change the direction and angle of the LCD monitor. 1 Flip out the LCD monitor. the LCD monitor. 2 Rotate When the LCD monitor is swung out, 180° 90° 175° you can rotate it up or down or face it forward toward the subject. The indicated angle is only approximate. it toward you. 3 Face Normally, face the LCD monitor toward you.
Turning on the Power If you turn on the power switch and the date/time setting screen appears, see page 30 to set the date/time. <1> : The camera turns on. <2> : The camera is turned off and does not operate. Set to this position when not using the camera. About the Automatic Self-Cleaning Sensor Whenever you set the power switch to <1> or <2>, the sensor cleaning will be executed automatically (A small sound may be heard). During the sensor cleaning, the LCD monitor will display .
Turning on the Power Checking the Battery Level When the power switch is set to <1>, the battery level will be indicated in one of six levels: A blinking battery icon (b) indicates that the battery will be exhausted soon. Icon Level (%) 100 - 70 69 - 50 49 - 20 19 - 10 9-1 0 Battery Life Temperature At 23°C / 73°F At 0°C / 32°F No Flash Approx. 1600 shots Approx. 1400 shots 50% Flash Use Approx. 1100 shots Approx.
3 Setting the Date and Time When you turn on he power for the first time or if the date/ ime has been reset, the Date/Time setting screen will appear. Follow steps 3 and 4 to set he date/time. Note that the date/time appended to recorded images will be based on this date/time setting. Be sure to set the correct date/time. 1 Display the menu. Press the button to display the menu. the [6] tab, select [Date/ 2 Under Time]. Press the key on the <9> to select the [6] tab.
3 Selecting the Interface Language 1 Display the menu. Press the button to display the menu. the [6] tab, select 2 Under [LanguageK]. Press the key on the <9> to select the [6] tab. Press the key on the <9> to select [LanguageK] (the third item from the top), then press <0>. the desired language. 3 SetPress the key on the <9> to select the language, then press <0>. X The interface language will change.
Installing and Removing the SD Card The camera is compatible with SD, SDHC, and SDXC memory cards. The captured images are recorded onto the card (sold separately). Make sure the card’s write-protect switch is set upward to enable writing/erasing. Installing the Card 1 Write-protect switch Open the cover. Slide the cover as shown by the arrows to open it. the card. 2 Insert As shown by the illustration, face the top of the card toward you. Insert the card straight in all the way. the cover.
Installing and Removing the SD Card Removing the Card Access lamp 1 Open the cover. Set the power switch to <2>. Check that “Recording...” is not displayed on the LCD monitor. Make sure the access lamp is off, then open the cover. the card. 2 Remove Gently push in the card, then let go. The card will stick out. Pull the card straight out, then close the cover.
Attaching and Detaching a Lens Attaching a Lens 1 Remove the caps. Remove the rear lens cap and the body cap by turning them as shown by the arrows. the lens. 2 Attach Align the lens’ red or white index with White index the camera’s index matching the same color. Turn the lens as shown by the arrow until it snaps in place. Red index the lens, set the focus mode 3 On switch to (autofocus). If it is set to (manual focus), autofocus will not operate. 4 Remove the front lens cap.
Attaching and Detaching a Lens Minimizing Dust When changing lenses, do it in a place with minimal dust. When storing the camera wi hout a lens attached, be sure to attach the body cap to the camera. Remove dust on the body cap before attaching it. About Zooming To zoom, turn the zoom ring on the lens with your fingers. If you want to zoom, do it before focusing. Turning the zoom ring after achieving focus may throw off the focus slightly.
Attaching and Detaching a Lens To owners of the EF-S18-200mm f/3.5-5.6 IS lens: You can prevent the lens from extending out while you are carrying it around. Set the zoom ring to the 18mm wide-angle end, then slide the zoom ring lock lever to . The zoom ring can be locked only at the wide-angle end. Do not look at the sun directly through any lens. Doing so may cause loss of vision. If the front part (focusing ring) of the lens rotates during autofocusing, do not touch the rotating part.
Using the Lens Hood When a lens hood is attached to the lens, it can reduce image ghosting or flare by blocking stray light. The lens hood can also protect the front of the lens from raindrops, snow, dust, etc. Although the lens hood is usually sold separately, certain lens kit configurations have it included. Attaching a Lens Hood without Index Marks Attach the lens hood. Turn the lens hood as shown by the arrow until it attaches securely.
About the Lens Image Stabilizer When you use the IS lens’ built-in Image Stabilizer, camera shake is corrected to obtain a less blurred shot. The procedure explained here is based on the EF-S18-135mm f/3.5-5.6 IS lens as an example. * IS stands for Image Stabilizer. 1 Set the IS switch to <1>. Set also the camera’s power switch to <1>. the shutter button halfway. 2 Press X The Image Stabilizer will operate. the picture.
Basic Operation Adjusting the Viewfinder Clarity Turn the dioptric adjustment knob. Turn the knob left or right until the nine AF points in the viewfinder look sharp. If the camera’s dioptric adjustment still cannot provide a sharp viewfinder image, using Dioptric Adjustment Lens E (10 types, sold separately) is recommended. Holding the Camera To obtain sharp images, hold the camera still to minimize camera shake. Horizontal shooting Vertical shooting 1.
Basic Operation Shutter Button The shutter button has two steps. You can press the shutter button halfway. Then you can further press the shutter button completely. Pressing halfway This activates autofocusing and the automatic exposure system that sets shutter speed and aperture. The exposure setting (shutter speed and aperture) is displayed on the LCD panel and in the viewfinder (0). Pressing completely This releases the shutter and takes the picture.
Basic Operation Mode Dial Turn the Mode Dial while holding down the Mode Dial lock-release button at the center. 6 Making Selections with the Main Dial (1) After pressing a button, turn the <6> dial. When you press a button such as , , or , the respective function remains selected for 6 seconds (9). During this time, you can turn the <6> dial to set the desired setting. When the function selection turns off or if you press the shutter button halfway, the camera will be ready to shoot.
Basic Operation 5 Making Selections with the Quick Control Dial (1) After pressing a button, turn the <5> dial. When you press a button such as , , or , the respective function remains selected for 6 seconds (9). During this time, you can turn the <5> dial to set the desired setting. When the function selection turns off or if you press the shutter button halfway, the camera will be ready to shoot. Use this dial to select or set the AF mode, drive mode, ISO speed, metering mode, AF point, etc.
Basic Operation 9 Operating the Multi-controller Use it to select the AF point, correct the white balance, move the AF frame or the magnifying frame during Live View shooting, or scroll over the image during magnified view. You can push it in eight directions. For menus and the Quick Control screen, the Multi-controller works only in the and directions. U LCD Panel Illumination Turn on (9)/off the LCD panel illumination by pressing the button.
Q Using the Quick Control Screen You can directly select and set the shooting functions displayed on the LCD monitor. This is called the Quick Control screen. 1 Display the Quick Control screen. Press the button. X The Quick Control screen will appear (7). the desired function. 2 SetPress the key on the <9> to select the function. X The name of the selected function is displayed on the screen’s bottom. Turn the <5> or <6> dial to change the setting.
Q Using the Quick Control Screen Quick Control Screen Nomenclature Picture Style (p.90) Aperture (p.116) Highlight tone priority* (p.255) Shutter speed (p.114) Shooting mode* (p.20) ISO speed (p.88) Exposure compensation/ AEB setting (p.121) Drive mode (p.81) Electronic level (p.127) Flash exposure compensation (p.132) Custom Controls (p.257) AF mode (p.76) AF point (p.78) Metering mode (p.119) Image-recording quality (p.84) White balance (p.96) Auto Lighting Optimizer (p.
3 Menu Operations With menus, you can set various functions such as the image-recording quality, date/time, etc. While looking at the LCD monitor, press the button on the camera back to display the menu screen and use the keys and <0> button. button <0> button LCD monitor Menu Screen In the Basic Zone, Creative Zone, and Movie shooting modes, the tabs and menu options displayed will be different.
3 Menu Operations Menu Setting Procedure 1 Display the menu screen. Press the button to display the menu screen. a tab. 2 Select Press the key to select a menu tab. the desired item. 3 Select Press the key to select the item, then press <0>. the setting. 4 Select Press the or key to select the desired setting. (Some settings require you to press either the or key to select it.) The current setting is indicated in blue. the desired setting. 5 SetPress <0> to set it.
Before You Start 3 Formatting the Card If the card is new or was previously formatted by another camera or computer, format the card with the camera. When the card is formatted, all images and data in the card will be erased. Even protected images will be erased, so make sure there is nothing you need to keep. If necessary, transfer the images to a computer, etc., before formatting the card. 1 Select [Format]. Under the [5] tab, select [Format], then press <0>. the card.
Before You Start Execute [Format] in the following cases: The card is new. The card was formatted by a different camera or a computer. The card is full with images or data. A card-related error is displayed (p.291). About Low-level Formatting Do low-level formatting if the card’s recording or reading speed seems slow or if you want to totally erase all data in the card. Since low-level formatting will erase all recordable sectors in the card, the formatting will take slightly longer than normal formatting.
Before You Start 3 Setting the Power-off Time/Auto Power Off You can change the auto power-off time for the camera to turn off automatically after a certain period of non-operation. If you do not want the camera to turn off automatically, set this to [Off]. After the power turns off, you can turn on the camera again by pressing the shutter button or other button. 1 Select [Auto power off]. Under the [5] tab, select [Auto power off], then press <0>. the desired time.
Before You Start 3 Reverting the Camera to the Default SettingsN The camera’s shooting settings and menu settings can be reverted to the default. 1 Select [Clear all camera settings]. Under the [7] tab, select [Clear all camera settings], then press <0>. [OK]. 2 Select Select [OK], then press <0>.
Before You Start Camera Settings Auto power off 1 min. Beep Enable Release shutter without card Enable Image review Live View Shooting Settings Live View shooting Enable AF mode Live mode Grid display Off 2 sec. Aspect ratio 3:2 Highlight alert Disable AF point display Disable Exposure simulation Enable Histogram Brightness Silent shooting Mode 1 Image jump w/6 Auto rotate e (10 images) Metering timer 16 sec.
Basic Shooting This chapter explains how to use the Basic Zone modes on the Mode Dial for best results. With Basic Zone modes, all you do is point and shoot and the camera sets everything automatically (p.276). Also, to prevent botched pictures due to mistaken operations, major shooting settings cannot be changed in the fully-automatic modes.
1 Fully Automatic Shooting 1 AF point Set the Mode Dial to <1>. any AF point over the 2 Aim subject. All the AF points will be used to focus, and generally the closest object will be focused. Aiming the center AF point over the subject will make focusing easier. the subject. 3 Focus Press the shutter button halfway, and the lens focusing ring will rotate to focus. X The AF point achieving focus flashes briefly in red.
1 Fully Automatic Shooting FAQ The focus confirmation light blinks and focus is not achieved. Aim the AF point over an area having good contrast, then press the shutter button halfway (p.80). If you are too close to the subject, move away and try again. Sometimes multiple AF points flash simultaneously. This indicates that focus has been achieved at all those AF points. As long as the AF point covering the desired subject flashes, you can take the picture. The beeper continues to beep softly.
1 Full Auto Techniques Recomposing the Shot Depending on the scene, position the subject toward the left or right to create a balanced background and good perspective. In the <1> (Full Auto) mode, while you press the shutter button halfway to focus a still subject, the focus will be locked. You can then recompose the shot and press the shutter button completely to take the picture. This is called “focus lock”. Focus lock is also possible in other Basic Zone modes (except <5> Sports).
1 Full Auto Techniques Live View Shooting By pressing the button, you can shoot while viewing the image on the camera’s LCD monitor. This is called Live View shooting. For details, see page 151. 1 Display the shooting image on the LCD monitor. Press the button. X The image will appear on the LCD monitor. the subject. 2 Focus Aim the center AF point < > on the subject. Press the shutter button halfway to focus. the picture. 3 TakePress the shutter button completely.
7 Disabling Flash In places where flash photography is prohibited, use the <7> (Flash Off) mode. This mode is also effective for capturing the particular ambience of a scene, such as candlelight scenes. Shooting Tips If the numeric display in the viewfinder blinks, take care to prevent camera shake. Under low light when camera shake is prone to occur, the viewfinder’s shutter speed display will blink. Hold the camera steady or use a tripod.
C Creative Auto Shooting Unlike the <1> Full Auto mode where the camera sets everything, the Creative Auto mode enables you to easily set the depth of field, drive mode, and flash firing. You can also choose the ambience you want to convey in your images. The default setting is the same as the <1> (Full Auto) mode. * CA stands for Creative Auto. 1 Set the Mode Dial to . the button. 2 Press X The Quick Control screen will appear on the LCD monitor. a function.
C Creative Auto Shooting (1) Shutter speed Aperture ISO speed (2) (3) Battery check Image-recording quality Poss ble shots Maximum burst (1) Shoot by ambience selection You can set the ambience you want to convey in your images. Press the key to select the desired ambience. You can also turn the <5> or <6> dial to select the ambience. For details, see page 68. (2) Blurring/sharpening the background If you move the index mark toward the left, the background will look more blurred.
C Creative Auto Shooting (3) Drive mode/Flash firing When you press <0>, the drive mode and flash firing setting screens will appear. Set as desired and press <0> to finalize the setting and return to the Quick Control screen. Drive mode: Turn the <6> dial to set it as desired. (Low-speed continuous shooting): Shoot continuously at a maximum of approx. 3 frames per second (fps). (Self-timer: 10-sec./Remote control): When you press the shutter button, the picture will be taken after a 10-sec. delay.
2 Shooting Portraits The <2> (Portrait) mode blurs the background to make the human subject stand out. It also makes skin tones and the hair look softer than with the <1> (Full Auto) mode. Shooting Tips The farther the distance between the subject and background, the better. The further the distance between the subject and background, the more blurred the background will look. The subject will also stand out better in front of a plain, dark background. Use a telephoto lens.
3 Shooting Landscapes Use the <3> (Landscape) mode for wide scenery, night scenes, or to have everything in focus from near to far. The greens and blues also become more vivid and sharper than with <1> (Full Auto). Shooting Tips With a zoom lens, use the wide-angle end. When using the wide-angle end of a zoom lens, objects near and far will be in focus better than at the telephoto end. It also adds breadth to landscapes. Shooting night scenes.
4 Shooting Close-ups When you want to photograph flowers or small things up close, use the <4> (Close-up) mode. To make small things appear much larger, use a macro lens (sold separately). Shooting Tips Use a simple background. A simple background makes the flower, etc., stand out better. Move to the subject as close as possible. Check the lens for its minimum focusing distance. Some lenses have indications such as <40.45m/1.5ft>.
5 Shooting Moving Subjects To photograph a moving subject, whether it is a child running or a moving vehicle, use the <5> (Sports) mode. Shooting Tips Use a telephoto lens. Using a telephoto lens is recommended so you can shoot from afar. Use the center AF point to focus. Aim the center AF point over the subject, then press the shutter button halfway to auto focus. During autofocusing, the beeper will continue beeping softly. If focus cannot be achieved, the focus confirmation light will blink.
6 Shooting Portraits at Night To shoot someone at night and obtain a natural-looking exposure in the background, use the <6> (Night Portrait) mode. Shooting Tips Use a wide-angle lens and a tripod. When using a zoom lens, use the wide-angle end to obtain a wide night view. Also, use a tripod to prevent camera shake. Keep the person within 5 meters/16.4 feet from the camera. Under low light, the built-in flash will fire automatically to obtain a good exposure of the person.
Q Quick Control Screen In Basic Zone modes, you can press the button to display the Quick Control screen. The table below indicates the functions that can be set with the Quick Control screen in each Basic Zone mode. For the setting procedure, see page 44. Settable Functions on the Quick Control Screen in Basic Zone Modes o: Automatically set k: User selectable Function Single shooting Drive 1 7 C Automatic firing Flash firing k k Shoot by ambience selection (p.
Shoot by Ambience Selection Except in the <1> (Full Auto) and <7> (Flash Off) Basic Zone modes, you can select the ambience for shooting.
Shoot by Ambience Selection the ambience effect. 4 SetPress the key to select the effect bar so that [Effect] appears on the bottom. Press the key to select the desired effect. the picture. 5 TakeTo shoot while the Live View image is displayed, press the shutter button. To return to the viewfinder image, press the button to exit Live View shooting. Then press the shutter button completely to take the picture.
Shoot by Ambience Selection Ambience Settings (1) Standard setting Standard image characteristics for the respective shooting mode. Note that <2> has image characteristics geared for portraits and <3> is geared for landscapes. Each ambience is a modification of the respective shooting mode’s image characteristics. (2) Vivid The subject will look sharp and vivid. It makes the photo look more impressive than with [Standard setting]. (3) Soft The subject will look softer and more dainty.
Shoot by Lighting or Scene Type In the <2> (Portrait), <3> (Landscape), <4> (Close-up), and <5> (Sports) Basic Zone modes, you can shoot while the settings match the lighting or scene type. Normally, [Default setting] is adequate, but if the settings match the lighting condition or scene, the picture will look more accurate to your eye. If you use this setting together with [Shoot by ambience selection] (p.68), you should set this first for better results.
Shoot by Lighting or Scene Type the Quick Control screen, 3 On select the lighting or scene type. Press the button (7). Press the key to select [Default setting]. [Shoot by lighting or scene type] will appear on the screen’s bottom. Press the key to select the lighting or scene type. X The LCD monitor will show how the image will look with the selected lighting or scene type. the picture. 4 TakeTo shoot while the Live View image is displayed, press the shutter button.
Shoot by Lighting or Scene Type Lighting or Scene Type Settings (1) Default setting The default setting. (2) Daylight For subjects under sunlight. Produces more natural-looking blue skies and greenery and reproduces light-colored flowers better. (3) Shade For subjects in the shade. Suitable for skin tones which may look too bluish or light-colored flowers. (4) Cloudy For subjects under overcast skies. Makes skin tones and landscapes, which may otherwise look dull on a cloudy day, look warmer.
Setting the AF and Drive Modes The viewfinder has nine AF points. By manually selecting a suitable AF point, you can shoot with autofocus while composing the shot as desired. You can also select the AF mode and drive mode best matching the shooting conditions and subject. The M icon on the upper right of the page title indicates that the function can be used only in Creative Zone modes (d/ s/ f/ a/ F). In Basic Zone modes, the AF mode, AF point, and drive mode are set automatically.
f: Selecting the AF ModeN You can select the AF mode suiting the shooting conditions or subject. In Basic Zone modes, the most suitable AF mode is set automatically. 1 On the lens, set the focus mode switch to . the Mode Dial to a Creative 2 Set Zone mode. 3 Press the button. (9) the AF mode. 4 Select While looking at the LCD panel, turn the <6> or <5> dial. X: One-Shot AF 9: AI Focus AF Z: AI Servo AF One-Shot AF for Still Subjects Suited for still subjects.
f: Selecting the AF ModeN If focus cannot be achieved, the focus confirmation light in the viewfinder will blink. If this occurs, a picture cannot be taken even if the shutter button is pressed completely. Recompose he picture and try to focus again. Or see “When Autofocus Fails” (p.80). If the [1 Beep] menu is set to [Disable], the beeper will not sound when focus is achieved. AI Servo AF for Moving Subjects This AF mode is for moving subjects when the focusing distance keeps changing.
S Selecting the AF Point N Select one of the nine AF points to autofocus. Note that in Basic Zone modes, you cannot select the AF point since it is selected automatically. 1 Press the button. (9) X The selected AF point will be displayed in the viewfinder and on the LCD panel. When all AF points light up in the viewfinder, automatic AF point selection will be set. the AF point. 2 Select Pressing <0> toggles the AF point selection between the center AF point and automatic AF point selection.
S Selecting the AF Point N If you prefer to look at the LCD panel while selecting the AF point, see the illustration below. Automatic selection , center , right , top When using an EOS-dedicated external Speedlite, if focus cannot be achieved wi h the AF-assist beam, select the center AF point. AF-Assist Beam with the Built-in Flash Under low-light conditions, when you press the shutter button halfway, the built-in flash fires a brief burst of flashes.
When Autofocus Fails Autofocus can fail to achieve focus (the focus confirmation light blinks) with certain subjects such as the following: Subjects difficult to focus Very low-contrast subjects (Example: Blue sky, solid-color walls, etc.) Subjects in very low light Extremely backlit or reflective subjects (Example: Car with a highly reflective body, etc.) Near and far subjects covered by an AF point (Example: Animal in a cage, etc.
i Selecting the Drive ModeN Single and continuous drive modes are provided. In the <1> (Full Auto) mode, single shooting is set automatically. 1 Press the button. (9) the drive mode. 2 Select While looking at the LCD panel, turn the <6> or <5> dial. u : Single shooting When you press the shutter button completely, only one shot will be taken. o: High-speed continuous shooting (Max. approx. 5.3 shots/sec.) i : Low-speed continuous shooting (Max. approx. 3 shots/sec.
j Using the Self-timer Use the self-timer when you want to be in the picture. The (10 sec. timer) can be used in all shooting modes. 1 Press the button. (9) the self-timer. 2 Select While looking at the LCD panel, turn the <6> dial to select the self-timer. Q : 10-sec. self-timer k: 2-sec. self-timerN picture. 3 TakeLookthethrough the viewfinder, focus the subject, then press the shutter button completely.
Image Settings This chapter explains image-related function settings: Image-recording quality, ISO speed, Picture Style, white balance, Auto Lighting Optimizer, lens peripheral illumination correction, etc. In Basic Zone modes, only the following can be set as described in this chapter: Image-recording quality, lens peripheral illumination correction, folder creation and selection, and image file numbering.
3 Setting the Image-recording Quality You can select the pixel count and the image quality. There are eight JPEG image quality settings: 73/83/74/84/7a/8a/b/c. There are three RAW image quality settings: 1, 41, 61 (p.86) 1 Select [Quality]. Under the [1] tab, select [Quality], then press <0>. the image-recording quality. 2 Select To select a RAW setting, turn the <6> dial. To select a JPEG setting, press the key.
3 Setting the Image-recording Quality Guide to Image-recording Quality Settings (Approx.) Pixels Recorded (megapixels) Printing Size Approx. 17.9 (17.9M) A2 or larger 84 Approx. 8.0 (8M) Around A3 JPEG 7a 8a Approx. 4.5 (4.5M) Around A4 b*1 Approx. 2.5 (2.5M) c*2 1 Quality 73 File Size (MB) Possible Maximum Shots Burst 6.4 490 58 3.2 990 300 3.4 940 260 1.7 1930 1930 2.2 1500 1500 1.1 3100 3100 Around 9x13cm 1.3 2580 2580 Approx. 0.35 (0 35M) — 0.
3 Setting the Image-recording Quality If the image’s aspect ratio is different from the prin ing paper’s aspect ratio, the image may be cropped significantly if you print it as a borderless print. If the image is cropped, it may look more grainy on the paper due to the fewer number of pixels. If you select both RAW and JPEG, the same image will be recorded simultaneously to the card in both file types at the selected imagerecording quality.
3 Setting the Image-recording Quality Maximum Burst During Continuous Shooting The maximum burst during continuous shooting indicated on page 85 is the number of continuous shots that can be taken without stopping, based on a formatted 4GB card. The number is displayed on the bottom right in the viewfinder. If the maximum burst is 99 or higher, “99” will be displayed. The maximum burst is displayed even when a card is not inserted in the camera. Make sure that a card is loaded before taking a picture.
i: Setting the ISO SpeedN Set the ISO speed (image sensor’s sensitivity to light) to suit the ambient light level. In Basic Zone modes, the ISO speed is set automatically (p.89). 1 Press the button. (9) the ISO speed. 2 SetWhile looking at the LCD panel or viewfinder, turn the <6> or <5> dial. It can be set within ISO 100-6400 in 1/3-stop increments. With “A” selected, the ISO speed will be set automatically (p.89).
i: Setting the ISO SpeedN About “A” (Auto) ISO Speed If the ISO speed is set to “A”, the actual ISO speed to be set will be displayed when you press the shutter button halfway. As indicated below, the ISO speed will be set automatically to suit the shooting mode.
A Selecting a Picture StyleN By selecting a Picture Style, you can obtain image effects matching your photographic expression or the subject. In Basic Zone modes, you cannot select the Picture Style. 1 Select [Picture Style]. Under the [2] tab, select [Picture Style], then press <0>. X The Picture Style selection screen will appear. a Picture Style. 2 Select Select a Picture Style, then press <0>. X The Picture Style will be set and the menu reappears.
A Selecting a Picture StyleN S Neutral This Picture Style is for users who prefer to process images with their computer. For natural colors and subdued images. U Faithful This Picture Style is for users who prefer to process images with their computer. When the subject is captured under a daylight color temperature of 5200K, the color is adjusted colorimetrically to match the subject’s color. The image is dull and subdued. V Monochrome Creates black-and-white images.
A Customizing a Picture StyleN You can customize a Picture Style by adjusting individual parameters like [Sharpness] and [Contrast]. To see the resulting effects, take test shots. To customize [Monochrome], see the next page. 1 Select [Picture Style]. Under the [2] tab, select [Picture Style], then press <0>. X The Picture Style selection screen will appear. a Picture Style. 2 Select Select a Picture Style, then press the button. a parameter.
A Customizing a Picture StyleN By selecting [Default set.] in step 3, you can revert the respective Picture Style to its default parameter settings. To shoot with the Picture Style you modified, follow step 2 on the preceding page to select the modified Picture Style and then shoot. Monochrome Adjustment For Monochrome, you can also set [Filter effect] and [Toning effect] in addition to [Sharpness] and [Contrast] explained on the preceding page.
A Registering a Picture StyleN You can select a base Picture Style such as [Portrait] or [Landscape], adjust its parameters as desired and register it under [User Def. 1], [User Def. 2], or [User Def. 3]. You can create Picture Styles whose parameter settings such as for sharpness and contrast are different. You can also adjust the parameters of a Picture Style which has been registered to the camera with the provided software. 1 Select [Picture Style].
A Registering a Picture StyleN a parameter. 5 Select Select a parameter such as [Sharpness], then press <0>. the parameter. 6 SetPress the key to adjust the parameter as desired, then press <0>. For details, see “Customizing a Picture Style” on pages 92-93. Press the button to register the new Picture Style. The Picture Style selection screen will then reappear. X The base Picture Style will be indicated on the right of [User Def. *].
3 Setting the White BalanceN White balance (WB) is for making the white areas look white. Normally, the (Auto) setting will obtain the correct white balance. If naturallooking colors cannot be obtained with , you can select the white balance to match the light source or set it manually by shooting a white object. 1 Select [White balance]. Under the [2] tab, select [White balance], then press <0>. the white balance. 2 Select Select the white balance, then press <0>.
3 Setting the White BalanceN O Custom White Balance Custom white balance enables you to manually set the white balance for a specific light source for better accuracy. Do this procedure under the actual light source to be used. 1 Photograph a white object. The plain, white object should fill the spot metering circle. Focus manually and set the standard exposure for the white object. You can set any white balance. Spot metering circle [Custom White Balance].
3 Setting the White BalanceN If he exposure obtained in step 1 is way off, a correct white balance might not be obtained. If he image was captured while he Picture Style was set to [Monochrome] (p.91) or if a Creative filter has been applied to the image (p.220), it cannot be selected in step 3. Instead of a white object, an 18% gray card (commercially available) can produce a more accurate white balance. The personal white balance registered with the provided software will be registered under [O].
u White Balance CorrectionN You can correct the white balance that has been set. This adjustment will have the same effect as using a commercially-available color temperature conversion filter or color compensating filter. Each color can be corrected to one of nine levels. This is for advanced users who are familiar with using color temperature conversion or color compensating filters. White Balance Correction 1 Select [WB Shift/BKT]. Under the [2] tab, select [WB Shift/ BKT], then press <0>.
u White Balance CorrectionN White Balance Auto Bracketing With just one shot, three images having a different color balance can be recorded simultaneously. Based on the color temperature of the current white balance setting, the image will be bracketed with a blue/amber bias or magenta/green bias. This is called white balance bracketing (WB-BKT). White balance bracketing is possible up to ±3 levels in single-level increments. Set the white balance bracketing amount.
3 Auto Lighting OptimizerN If the image comes out dark or the contrast is low, the brightness and contrast can be corrected automatically. The default setting is [Standard]. With JPEG images, the correction is done when the image is captured. 1 Select [Auto Lighting Optimizer]. Under the [2] tab, select [Auto Lighting Optimizer], then press <0>. the correction setting. 2 SetSelect the desired setting, then press <0>. picture.
3 Lens Peripheral Illumination Correction Due to the lens characteristics, the four corners of the picture might look darker. This is called lens light fall-off or drop in peripheral illumination. The default setting is [Enable]. 1 Select [Peripheral illumin. correct.]. Under the [1] tab, select [Peripheral illumin. correct.], then press <0>. setting. 2 SetOnthethecorrection screen, check that the attached lens’ [Correction data available] is displayed.
3 Lens Peripheral Illumination Correction About the Lens Correction Data The camera already contains lens peripheral illumination correction data for about 25 lenses. In step 2, if you select [Enable], the peripheral light correction will be applied automatically for any lens whose correction data has been registered in the camera. With EOS Utility (provided software), you can check which lenses have their correction data registered in the camera.
3 Creating and Selecting a Folder You can freely create and select the folder where the captured images are to be saved. This is optional since a folder will be created automatically for saving captured images. Create a Folder 1 Select [Select folder]. Under the [5] tab, select [Select folder], then press <0>. [Create folder]. 2 Select Select [Create folder], then press <0>. a new folder. 3 Create Select [OK], then press <0>. X A new folder with a higher one-up folder number is created.
3 Creating and Selecting a Folder Selecting a Folder Lowest file number Number of images in folder With the folder selection screen displayed, select a folder and press <0>. X The folder where the captured images will be saved is selected. Subsequent captured images will be recorded into the selected folder. Folder name Highest file number About Folders As with “100CANON” for example, the folder name starts with three digits (folder number) followed by five alphanumeric characters.
3 File Numbering Methods The file number is l ke the frame number on a roll of film. The captured images are assigned a sequential file number from 0001 to 9999 and saved in one folder. You can change how the file number is assigned. The file number will appear on your computer in this format: IMG_0001.JPG. 1 Select [File numbering]. Under the [5] tab, select [File numbering], then press <0>. the file numbering method. 2 Select Select the desired setting, then press <0>.
3 File Numbering Methods Auto Reset The file numbering restarts from 0001 each time the card is replaced or a new folder is created. Whenever the card is replaced or a new folder created, the file numbering starts from 0001. This is convenient if you want to organize images according to cards or folders.
3 Setting Copyright InformationN When you set the copyright information, it will be appended to the image as Exif information. 1 Select [Copyright information]. Under the [7] tab, select [Copyright information], then press <0>. the desired option. 2 Select Select [Enter author’s name] or [Enter copyright details], then press <0>. X The text entry screen will appear. Select [Display copyright info.] to check the copyright information currently set.
3 Setting Copyright InformationN Text Entry Procedure Changing the entry area Press the button to toggle between the top and bottom entry areas. Moving the cursor Press the key to move the cursor. Entering text In the bottom area, press the or key to select a character, then press <0> to enter it. Deleting a character Press the button to delete a character. Exiting After entering the text, press the button to finalize the text entry and return to the screen in step 2.
3 Setting the Color SpaceN The color space refers to the range of reproducible colors. With this camera, you can set the color space for captured images to sRGB or Adobe RGB. For normal shooting, sRGB is recommended. In Basic Zone modes, sRGB is set automatically. 1 Select [Color space]. Under the [2] tab, select [Color space], then press <0>. the desired color space. 2 SetSelect [sRGB] or [Adobe RGB], then press <0>.
Advanced Operations Creat ive Zo ne In Creative Zone modes, you can set the shutter speed and/ or aperture to set the exposure as desired. By changing the camera settings, you can obtain various results. The M icon on the upper right of the page title indicates that the function can be used only in Creative Zone modes (d/ s/ f/ a/ F). After you press the shutter button halfway and let go, the LCD panel and viewfinder information will remain displayed for approx. 4 sec. (0).
d: Program AE The camera automatically sets the shutter speed and aperture to suit the subject’s brightness. This is called Program AE. * stands for Program. * AE stands for Auto Exposure. 1 Set the Mode Dial to . the subject. 2 Focus Look through the viewfinder and aim the selected AF point over the subject. Then press the shutter button halfway. X The AF point which achieves focus flashes in red, and the focus confirmation light in the viewfinder’s bottom right lights (with One Shot AF).
d: Program AE If he “30"” shutter speed and the maximum aperture blink, it indicates underexposure. Increase the ISO speed or use flash. If the “8000” shutter speed and the minimum aperture blink, it indicates overexposure. Lower the ISO speed or use an ND filter (sold separately) to reduce the amount of light entering the lens. Differences Between and <1> (Full Auto) With <1>, many functions such the AF mode, drive mode, and built-in flash are set automatically to prevent spoiled shots.
s: Shutter-Priority AE In this mode, you set the shutter speed and the camera automatically sets the aperture to obtain the standard exposure suiting the brightness of the subject. This is called shutter-priority AE. A faster shutter speed can freeze the action or moving subject. Or a slower shutter speed can create a blurred effect, giving the impression of motion. * stands for Time value. Frozen action (Fast shutter speed: 1/2000 sec.) 1 Blurred motion (Slow shutter speed: 1/30 sec.
s: Shutter-Priority AE If the maximum aperture blinks, it indicates underexposure. Turn the <6> dial to set a slower shutter speed until the aperture stops blinking or set a higher ISO speed. If the minimum aperture blinks, it indicates overexposure. Turn the <6> dial to set a faster shutter speed until the aperture stops blinking or set a lower ISO speed. Shutter Speed Display The shutter speeds from “8000” to “4” indicate the denominator of the fractional shutter speed.
f: Aperture-Priority AE In this mode, you set the desired aperture and the camera sets the shutter speed automatically to obtain the standard exposure suiting the subject brightness. This is called aperture-priority AE. A higher f/number (smaller aperture hole) will make more of the foreground and background fall within acceptable focus. On the other hand, a lower f/number (larger aperture hole) will make less of the foreground and background fall within acceptable focus.
f: Aperture-Priority AE If the “30"” shutter speed blinks, it indicates underexposure. Turn the <6> dial to set a larger aperture (smaller f/number) until the blinking stops or set a higher ISO speed. If the “8000” shutter speed blinks, it indicates overexposure. Turn the <6> dial to set a smaller aperture (larger f/number) until the blinking stops or set a lower ISO speed. Aperture Display The higher the f/number, the smaller the aperture opening will be.
a: Manual Exposure In this mode, you set both the shutter speed and aperture as desired. To determine the exposure, refer to the exposure level indicator in the viewfinder or use a commercially-available exposure meter. This method is called manual exposure. * stands for Manual. 1 Set the Mode Dial to . the shutter speed and 2 Set aperture. To set the shutter speed, turn the <6> dial. To set the aperture, turn the <5> dial.
q Selecting the Metering ModeN You can select one of four methods to measure the subject brightness. In Basic Zone modes, evaluative metering is set automatically. 1 Press the button. (9) the metering mode. 2 Select While looking at the LCD panel, turn the <6> dial. q Evaluative metering This is a general-purpose metering mode suited for portraits and even backlit subjects. The camera sets the exposure automatically to suit the scene.
Setting Exposure CompensationN Exposure compensation can brighten (increased exposure) or darken (decreased exposure) the standard exposure set by the camera. Although you can set the exposure compensation up to ±5 stops in 1/3stop increments, the exposure compensation indicator on the LCD panel and in the viewfinder can only display the setting up to ±3 stops. If you want to set the exposure compensation setting beyond ±3 stops, you should use the Quick Control screen (p.
h Auto Exposure Bracketing (AEB)N By changing the shutter speed or aperture automatically, the camera brackets the exposure up to ±3 stops in 1/3-stop increments for three successive shots. This is called AEB. * AEB stands for Auto Exposure Bracketing. 1 Select [Expo. comp./AEB]. Under the [2] tab, select [Expo. comp./AEB], then press <0>. amount. 2 SetTurnthetheAEB <6> dial to set the AEB amount. AEB amount Press the key to set the exposure compensation amount.
A AE LockN Use AE lock when the area of focus is to be different from the exposure metering area or when you want to take multiple shots at the same exposure setting. Press the button to lock the exposure, then recompose and take the shot. This is called AE lock. It is effective for backlit subjects. 1 Focus the subject. Press the shutter button halfway. X The exposure setting will be displayed. the button.
F: Bulb Exposures When bulb is set, the shutter stays open as long as you hold down the shutter button completely, and closes when you let go of the shutter button. This is called bulb exposure. Use bulb exposures for night scenes, fireworks, the heavens, and other subjects requiring long exposures. 1 Set the Mode Dial to . the desired aperture. 2 SetWhile looking at the LCD panel, turn the <6> or <5> dial. 3 TakeWhiletheyoupicture. hold down the shutter button, the exposure will continue.
F: Bulb Exposures Using the Eyepiece Cover If you take a picture without looking at the viewfinder, light entering the eyepiece can throw off the exposure. To prevent this, use the eyepiece cover (p.23) attached to the camera strap. During Live View shooting and movie shooting, attaching the eyepiece cover is unnecessary. 1 Remove the eyecup. Push the bottom of the eyecup to remove. the eyepiece cover. 2 Attach Slide the eyepiece cover down into the eyepiece groove to attach it.
Mirror LockupN Although using the self-timer or Remote Switch can prevent camera shake, using mirror lockup to prevent camera v brations (mirror shock) can also help when you use a super telephoto lens or shoot close ups (macro photography). When [8C.Fn III -5: Mirror lockup] is set to [1: Enable], shooting with mirror lockup will be possible (p.257). 1 Focus the subject, then press the shutter button completely. X The mirror will swing up. 2 Press the shutter button completely again.
R Remote Control Shooting With Remote Controller RC-6 (sold separately), you can shoot remotely up to approx. 5 meters/16.4 feet from the camera. You can either shoot immediately or use a 2-sec. delay. You can also use Remote Controller RC-1 and RC-5. 1 Focus the subject. the lens focus mode switch to 2 Set . You can also shoot with . 3 Press the button. (9) the self-timer. 4 Select Look at the LCD panel and turn the <6> dial to select or .
Q Displaying the Electronic Level To help level the camera, the electronic level can be displayed on the LCD monitor, in the viewfinder, and on the LCD panel. Note that only the horizontal level will be displayed. (No vertical level.) Displaying the Electronic Level on the LCD Monitor 1 Press the button. Each time you press the button, the screen display will change. Display the electronic level. If the electronic level does not appear, set the menu’s [7 INFO.
Q Displaying the Electronic Level Displaying the Electronic Level in the Viewfinder The electronic level display in the viewfinder and on the LCD panel uses the exposure level scale. Note that the electronic level is only displayed when shooting in horizontal orientation. It is not displayed in vertical orientation. 1 Select Custom Functions IV. Select the [8C.Fn IV: Operation/ Others] menu, then press <0>. C.Fn IV -2 [Assign SET 2 Select button].
Flash Photography With the built-in flash, you can shoot with autoflash, manual flash, and wireless flash. In Creative Zone modes, just press the button to pop-up the built-in flash. To retract the built-in flash, push it back down with your fingers. In Basic Zone modes (except <7> <3> <5>), the built-in flash will pop-up and fire automatically in lowlight and backlit conditions. The mode enables you to select between automatic flash firing and flash on/off (p.61).
D Using the Built-in Flash In Basic Zone modes and Creative Zone modes, the shutter speed and aperture for flash photography will be set as shown below. By default, E-TTL II autoflash control (flash autoexposure) will be used in all shooting modes. Shooting Mode 1C 24 Shutter Speed Aperture Automatically set within 1/250 sec. - 1/60 sec. Automatically set 6 Automatically set within 1/250 sec. - 2 sec. d Automatically set within 1/250 sec. - 1/60 sec.
D Using the Built-in Flash Effective Range of Built-in Flash Aperture f/3.5 f/4 f/5.6 [Approx. meters/feet] ISO Speed 100 200 400 800 1600 3200 6400 H: 12800 3.5 / 12 5.5 / 17 7.5 / 24 11 / 34 15 / 49 21 / 69 30 / 97 42 / 138 3 / 11 4.5 / 15 6.5 / 21 9 / 30 13 / 43 18 / 60 26 / 85 36 / 121 2.5 / 7.5 3.5 / 11 4.5 / 15 6.5 / 22 9.5 / 30 13 / 43 19 / 61 26 / 86 For close subjects, the subject should be at least 1 meter/3.3 feet away when using flash.
D Using the Built-in Flash y Flash Exposure CompensationN Set flash exposure compensation if the flash exposure of the subject does not come out as desired. You can set flash exposure compensation up to ±3 stops in 1/3-stop increments. 1 Display the Quick Control screen. Press the button (p.44). X The Quick Control screen will appear (7). [y]. 2 Select Press the and key to select [y*], then press <0>. X The flash exposure compensation screen will appear.
D Using the Built-in Flash If the [2 Auto Lighting Optimizer] (p.101) is not set to [Disable], the image may still look bright even if a darker flash exposure has been set. If you set flash exposure compensation with both the camera and EXseries Speedlite, the Speedlite’s flash exposure compensation setting will override the camera’s. If you have set flash exposure compensation with an EX-series Speedlite, any flash exposure compensation set with the camera will not take effect.
D Using the Built-in Flash A FE LockN FE (flash exposure) lock obtains and locks the standard flash exposure reading for any part of a subject. 1 Press the button to pop-up the built-in flash. Press the shutter button halfway and look in the viewfinder to check that the icon is lit. 2 Focus the subject. the button. (8) 3 Press Aim the viewfinder center over the subject where you want to lock the flash exposure, then press the button.
3 Setting the FlashN The built-in flash and external Speedlite settings can be set with the camera’s menu. You can use those menu options for the external Speedlite only if the attached EX-series Speedlite are compatible with them. The setting procedure is the same as setting a camera menu function. Select [Flash control]. Under the [1] tab, select [Flash control], then press <0>. X The flash control screen will appear. [Flash firing] Normally, set this to [Enable].
3 Setting the FlashN [Built-in flash func. setting] and [External flash func. setting] Settable Functions Function [Built-in flash func. setting] [External flash func. setting] Page Flash mode k 136 Shutter sync. k 137 FEB* k — — Flash exposure compensation k 132 E-TTL II flash metering k 137 Zoom* Wireless flash k — k — 139 * For [FEB] (Flash exposure bracketing) and [Zoom], refer to the Speedlite’s instruction manual.
3 Setting the FlashN Shutter sync. Normally, set this to [1st curtain] so that the flash fires immediately after the exposure starts. If [2nd curtain] is set, the flash will fire right before the exposure ends. When this is combined with a slow sync speed, you can create a trail of light such as from car headlights at night. With 2nd curtain sync, two flashes will be fired, once when you press the shutter button completely, and once immediately before the exposure ends.
3 Setting the FlashN Setting the External Speedlite Custom Functions 1 Display the Custom Function. With the camera ready to shoot with an external Speedlite, select [External flash C.Fn setting], then press <0>. the Custom Function. 2 SetPress the key to select the function number, then set the function. The procedure is the same as setting the camera’s Custom Functions (p.250). To clear all the Custom Function settings, select [Clear ext. flash C.Fn set.] in step 1.
Using Wireless FlashN The camera’s built-in flash can work as a master unit with Canon Speedlites having a wireless slave feature and wirelessly trigger the Speedlite to fire. Be sure to read about wireless flash photography in the Speedlite’s instruction manual. Slave Unit Settings and Position Regarding your Speedlite (slave unit), refer to its instruction manual and set it as follows. Slave unit control settings other than the below are all set with the camera.
Using Wireless FlashN Fully Automatic Shooting with One External Speedlite This shows the most basic setup for fully-automatic wireless flash with one Speedlite. Steps 1 to 3 and 6 to 7 apply to all wireless flash shooting. Therefore, these steps are omitted in the other wireless flash setups explained on the pages hereafter. On the menu screens, the <0> and <1> icons refer to the external Speedlite, and the <3> and <2> icons refer to the built-in flash.
Using Wireless FlashN [Wireless func.]. 5 Select For [Wireless func.], select [0], then press <0>. X Under [Wireless func.], [Channel], etc., will be displayed. 6 SetSet[Channel]. the channel (1-4) to the same one as the slave unit. [Firing group]. 7 Select For [Firing group], select [1All], then press <0>. picture. 8 TakeAs the with normal flash shooting, you can set the camera and take the picture in the same way. To terminate wireless flash shooting, set [Wireless func.] to [Disable].
Using Wireless FlashN Fully-automatic Shooting with One External Speedlite and Built-in Flash This shows fully-automatic wireless flash shooting with one external Speedlite and the built-in flash. You can change the flash ratio between the external Speedlite and built-in flash to adjust how the shadows look on the subject. 1 Select [Wireless func.]. Follow step 5 on page 141 to select [0:3] for [Wireless func.], then press <0>. the desired flash ratio and 2 Set shoot.
Using Wireless FlashN Fully-automatic Shooting with Multiple External Speedlites Multiple Speedlite slave units can be treated as one flash unit or separated into slave groups whose flash ratio can be set. The basic settings are shown below. By changing the [Firing group] setting, you can shoot with various wireless flash setups with multiple Speedlites. Basic settings: Flash mode E-TTL II meter. Wireless func.
Using Wireless FlashN [1 (A:B)] Multiple slave units in multiple groups A B 1 Divide the slave units into groups A and B, and change the flash ratio to obtain the desired lighting effect. Refer to your Speedlite’s instruction manual to set one slave unit’s slave ID to A (Group A) and the other slave unit’s ID to B (Group B) and position them as shown in the illustration. Set [Firing group] to [1 (A:B)]. the desired flash ratio and 2 Set shoot. Select [A:B fire ratio] and set the flash ratio.
Using Wireless FlashN Fully-automatic Shooting with the Built-in Flash and Multiple External Speedlites The built-in flash can also be added to wireless flash shooting explained on pages 143-144. The basic settings are shown below. By changing the [Firing group] setting, you can shoot with various wireless flash setups of multiple Speedlites complemented with the built-in flash. 1 Basic settings: Flash mode E-TTL II meter. Wireless func.
Using Wireless FlashN Creative Wireless Flash Shooting Flash exposure compensation When [Flash mode] is set to [E-TTL II], flash exposure compensation can be set. The flash exposure compensation settings (see below) which can be set will differ depending on the [Wireless func.] and [Firing group] settings. [Flash exp. comp] The flash exposure compensation is applied to the built-in flash and all external Speedlites. [2 exp. comp.] The flash exposure compensation is applied to the built-in flash. [1 exp.
Using Wireless FlashN Setting the Flash Output Manually for Wireless Flash When [Flash mode] is set to [Manual flash], the flash output can be set manually. The flash output settings ([1 flash output], [Group A output], etc.) that can be set will differ depending on the [Wireless func.] setting (see below). [Wireless func.: 0] [Firing group: 1All]: The manual flash output setting will be applied to all the external Speedlites.
External Speedlites EOS-dedicated, EX-series Speedlites Basically operates like a built-in flash for easy operation. When an EX-series Speedlite (sold separately) is attached to the camera, almost all the autoflash control is done by the camera. In other words, it is like a high-output flash attached externally in place of the built-in flash. For detailed instructions, see the EX-series Speedlite’s instruction manual. This camera is a Type-A camera that can use all the features of EX-series Speedlites.
External Speedlites Using Non-Canon Flash Units Sync Speed The camera can synchronize with non-Canon compact flash units at 1/250 sec. and slower speeds. With large studio flash units, since the flash duration is longer than compact flash units, set the sync speed within 1/60 sec. to 1/30 sec. Be sure to test the flash synchronization before shooting. Cautions for Live View shooting If you use a non-Canon flash with Live View shooting, set [z Silent shooting] to [Disable] (p.159).
Shooting with the LCD Monitor (Live View Shooting) You can shoot while viewing the image on the camera’s LCD monitor. This is called “Live View shooting”. Live View shooting is effective for still subjects which do not move. If you handhold the camera and shoot while viewing the LCD monitor, camera shake can cause blurred images. Using a tripod is recommended.
A Shooting with the LCD Monitor 1 Display the Live View image. Press the button. X The image will appear on the LCD monitor. The image’s field of view is approx. 100%. the subject. 2 Focus When you press the shutter button halfway, the camera will focus with the current AF mode (p.160-167). the picture. 3 TakePress the shutter button completely. X The picture will be taken and the captured image is displayed on the LCD monitor.
A Shooting with the LCD Monitor Enabling Live View Shooting Set the [z Live View shoot.] menu to [Enable]. Battery Life with Live View Shooting [Approx. number of shots] Temperature Shooting Conditions No Flash 50% Flash Use At 23°C / 73°F 350 320 At 0°C / 32°F 310 280 The figures above are based on a fully-charged Battery Pack LP-E6 and CIPA (Camera & Imaging Products Association) tes ing standards.
A Shooting with the LCD Monitor About the Information Display Each time you press the button, the information display will change.
A Shooting with the LCD Monitor Final Image Simulation The final image simulation reflects the effects of the Picture Style, white balance, etc., in the Live View image so you can see what the captured image will look like. During still photo shooting, the Live View image will automatically reflect the settings listed below. Final image simulation for still images Picture Style * All settings such as sharpness, contrast, color saturation, and color tone will be reflected.
Shooting Function Settings f / R / i Settings During Live View shooting, you can press the , , or button to display the respective setting screen on the LCD monitor, and press the key to set the function. Q Quick Control With the LCD monitor displaying an image, pressing the button will display the settable functions. In Basic Zone modes, you can change the AF mode and the settings listed on page 67.
z Menu Function Settings Function settings particular to Live View shooting are explained here. The menu options under the [z] tab are explained below. The functions settable on this menu screen only apply during Live View shooting. These functions do not take effect during viewfinder shooting. Live View shooting Set Live View shooting to [Enable] or [Disable]. AF mode You can select [Live mode] (p.160), [u Live mode] (p.161), or [Quick mode] (p.165).
z Menu Function Settings Quality Aspect Ratio and Pixel Count 3:2 4:3 16:9 1:1 3 1 4608x3456 5184x2912* 3456x3456 5184x3456 (18.0 megapixels) (16.0 megapixels) (15.1 megapixels) (11 9 megapixels) 4 3456x2304 (8.0 megapixels) 3072x2304 (7.0 megapixels) 3456x1944 (6.7 megapixels) 2304x2304 (5.3 megapixels) 41 3888x2592 3456x2592 (10.1 megapixels) (9.0 megapixels) 3888x2188* (8.5 megapixels) 2592x2592 (6.7 megapixels) a 61 2592x1728 (4.5 megapixels) 2304x1728 (4.0 megapixels) 2592x1456* (3.
z Menu Function Settings Silent shootingN • Mode 1 The shooting operation noise is quieter than with normal shooting. Continuous shooting is also possible. High-speed continuous shooting will be approx. 5 fps. • Mode 2 When you press the shutter button completely, only one shot will be taken. While you keep holding down the shutter button, the camera operation will be suspended. Then when you return to the shutter button’s halfway position, the camera operation will resume.
Using AF to Focus Selecting the AF Mode The AF modes available are [Live mode], [u Live mode] (face detection, p.161), and [Quick mode] (p.165). If you want to achieve precise focus, set the lens focus mode switch to , magnify the image, and focus manually (p.167). Select the AF mode. Under the [z] tab, select [AF mode]. While the Live View image is displayed, you can press the button to select the AF mode on the setting screen displayed. Live Mode: d The image sensor is used to focus.
Using AF to Focus the subject. 3 Focus Aim the AF point over the subject and press the shutter button halfway. X When focus is achieved, the AF point will turn green and the beeper will sound. X If focus is not achieved, the AF point will turn orange. the picture. 4 TakeCheck the focus and exposure, then press the shutter button completely to take the picture (p.152). u (Face detection) Live Mode: c With the same AF method as the Live mode, human faces are detected and focused.
Using AF to Focus the subject. 2 Focus Press the shutter button halfway and the camera will focus the face covered by the < > frame. X When focus is achieved, the AF point will turn green and the beeper will sound. X If focus is not achieved, the AF point will turn orange. If a face cannot be detected, the AF point < > will be displayed and AF will be executed at the center. the picture. 3 TakeCheck the focus and exposure, then press the shutter button completely to take the picture (p.152).
Using AF to Focus Live Mode and u (Face Detection) Live Mode Notes AF operation Focusing will take slightly longer. Even when focus has been achieved, pressing the shutter button halfway will focus again. The image brightness may change during and after the AF operation. If the light source changes while the Live View image is displayed, the screen might flicker and focusing can be difficult. If this happens, stop the Live View shooting and autofocus under the actual light source first.
Using AF to Focus Shooting conditions which can make focusing difficult: Low-contrast subjects such as the blue sky and solid-color, flat surfaces. Subjects in low light. Stripes and other patterns where there is contrast only in the horizontal direction. Under a light source whose brightness, color, or pattern keeps changing. Night scenes or points of light. Under fluorescent lighting or when the image flickers. Extremely small subjects. Subjects at the edge of the picture.
Using AF to Focus Quick Mode: f The dedicated AF sensor is used to focus in the One-Shot AF mode (p.76), using the same AF method as with viewfinder shooting. Although you can focus the target area quickly, the Live View image will be interrupted momentarily during the AF operation. AF point 1 Display the Live View image. Press the button. X The image will appear on the LCD monitor. The small boxes on the screen are the AF points, and the larger box is the magnifying frame.
Using AF to Focus the subject. 3 Focus Aim the AF point over the subject and press the shutter button halfway. X The Live View image will turn off, the reflex mirror will go back down, and AF will be executed. X When focus is achieved, the beeper will sound and the Live View image will reappear. X The AF point used to focus will light in green. the picture. 4 TakeCheck the focus and exposure, then press the shutter button completely to take the picture (p.152).
Focusing Manually You can magnify the image and focus precisely manually. 1 Set the lens focus mode switch to . Turn the lens focusing ring to focus roughly. the magnifying frame. 2 Move Use <9> to move the magnifying Magnifying frame frame to the position where you want to focus. To return the magnifying frame to the center, press the button. the image. 3 Magnify Press the button. X The area within the magnifying frame will be magnified.
Notes About the Live View Image Under low- or bright-light conditions, the Live View image might not reflect the brightness of the captured image. If he light source within the image changes, the screen might flicker. If this happens, stop the Live View shooting and resume shooting under the actual light source to be used. If you point the camera in a different direction, it might throw off the Live View image’s correct brightness momentarily. Wait until the brightness level stabilizes before shooting.
Notes About the Shooting Results When you shoot continuously with the Live View function for a long period, the camera’s internal temperature may increase and it can degrade image quality. Terminate Live View shooting when not shooting images. Before taking a long exposure, stop Live View shooting temporarily and wait several minutes before shooting. This is to prevent image degradation. Live View shooting in high temperatures and at high ISO speeds may cause noise or irregular colors.
Shooting Movies Set the Mode Dial to to shoot movies. The movie recording format will be MOV. Cards which can record movies When shooting movies, use a large-capacity SD card with SD Speed Class 6 “ ” or higher rating. If you use a slow-writing card when shooting movies, the movie might not be recorded properly. And if you playback a movie on a card having a slow reading speed, the movie might not playback properly. To check the card’s read/write speed, refer to the card manufacturer’s Web site.
k Shooting Movies Connecting the camera to a TV set is recommended to playback movies (p.209, 212). Autoexposure Shooting 1 Set the Mode Dial to . X The reflex mirror will make a sound, then the image will appear on the LCD monitor. the subject. 2 Focus Before shooting a movie, autofocus or manual focus (p.160-167). When you press the shutter button halfway, the camera will focus with the current AF mode. the movie.
k Shooting Movies During movie shooting, do not point the lens toward the sun. The sun’s heat can damage the camera’s internal components. Cautions for movie shooting are on pages 187 and 188. If necessary, also read the Live View shooting cautions on pages 168 and 169. About the White < > and Red Internal Temperature Warning Icons If the camera’s internal temperature increases due to prolonged movie shooting or a high ambient temperature, a white < > icon will appear.
k Shooting Movies Manual Exposure Shooting You can manually set the shutter speed, aperture, and ISO speed for movie shooting. Using manual exposure to shoot movies is for advanced users. 1 Set the Mode Dial to . X The reflex mirror will make a sound, then the image will appear on the LCD monitor. [Movie exposure]. 2 Select Press the button and under the [n] tab, select [Movie exposure], then press <0>. [Manual]. 3 Select Select [Manual], then press <0>. Exit the menu.
k Shooting Movies the ISO speed. 5 SetPress the button. X The ISO speed setting screen will appear on the LCD monitor. Press the key to set the ISO speed. • Auto ISO setting : ISO 100 - 6400 • Manual ISO setting: ISO 100 - 6400 and shoot the movie. 6 Focus The procedure is the same as steps 2 and 3 for “Autoexposure Shooting” (p.172). AE lock and exposure compensation cannot be set.
k Shooting Movies About the Information Display Each time you press the button, the information display will change.
k Shooting Movies One continuous movie will be recorded as one file. Monaural sound is recorded by the camera’s built-in microphone (p.172). Stereo sound recording is possible by connecting an external microphone (commercially available) equipped with a stereo mini plug (3.5mm dia.) to the camera’s external microphone IN terminal (p.16). Movie-related settings are under the [n], [o], and [Z] menu tabs (p.182). You can use Remote Controller RC-6 (sold separately, p.
k Shooting Movies Shooting Still Photos While shooting a movie, you can also take a still photo by pressing the shutter button completely. Shooting Stills in the Mode When the movie-recording size is [1920x1080] or [1280x720], the aspect ratio will be 16:9. When the movie-recording size is [640x480], the aspect ratio will be 4:3. If you take a still photo during movie shooting, the movie will record a still moment lasting approx. 1 sec.
Shooting Function Settings f / R / i Settings You can press the or button to display the respective setting screen on the LCD monitor, and press the key to set the function. For manual exposure (p.174), press the button and press the key to set the ISO speed.
3 Setting the Movie-recording Size Under the [o] tab, the [Movie rec. size] menu enables you to select the movie’s image size [****x****] and frame rate [9] (frames recorded per second). The 9 (frame rate) switches automatically depending on the [6 Video system] setting. Image size [1920x1080] [1280x720] [640x480] : Full HD (Full High-Definition) recording quality. : HD (High-Definition) recording quality. : Standard-definition recording quality. The aspect ratio will be 4:3.
3 Setting the Movie-recording Size Total Movie Recording Time and File Size Per Minute Due to file system limitations, if the file size of a single movie clip reaches 4 GB, movie shooting will stop automatically. At [1920x1080] and [1280x720], the maximum recording time of a single movie clip will be approx. 12 min. At [640x480] and [Crop 640x480], the maximum recording time of a single movie clip will be approx. 24 min. To shoot a movie again, press the button. (A new movie file starts being recorded.
3 Menu Function Settings The menu options under the [n], [o], and [Z] tabs are explained below. Note that the settings under the [n], [o], and [Z] menu tabs will take effect only when the Mode Dial is set to . They will not take effect when the Mode Dial is set to any another shooting mode. [n] Menu Movie exposure Normally, set this option to [Auto]. Setting [Movie exposure] to [Manual] enables you to manually set the ISO speed, shutter speed, and aperture for movie shooting (p.174).
3 Menu Function Settings AF and metering buttons for k You can change the function assigned to the halfway pressing of the shutter button, the AF start button, and the AE lock button. You can assign the following functions to the buttons in one of ten combinations: Metering & AF start, AE lock, metering start, AF stop, and no function. kISO speed setting increments You can set the ISO speed manually in 1/3- or 1-stop increments.
3 Menu Function Settings [o] Menu Sound recording Level meter Normally, the built-in microphone will record monaural sound. Stereo sound recording is possible by connecting an external microphone equipped with a stereo mini plug (3.5mm dia.) to the camera’s external microphone IN terminal (p.16). When an external microphone is connected, sound recording will switch automatically to the external microphone. [Sound rec.] options [Auto] : The sound recording level will be adjusted automatically.
3 Menu Function Settings [Wind filter] If [Enable] is set, outdoor wind noise entering the microphone will be reduced. Note that, some low-tone noise might also be reduced. When shooting in places where there is no wind, set this to [Disable] for a more natural sound recording. The sound volume balance between L (left) and R (right) cannot be adjusted. The 48 kHz sampling frequency will be 16-bit recordings for both L and R. Silent shooting This function applies to still photo shooting (p.159).
3 Menu Function Settings [Z] Menu Exposure compensation Although exposure compensation can be set up to ±5 stops, exposure compensation for movies can be set only up to ±3 stops. For still photos, exposure compensation can be set up to ±5 stops. Auto Lighting Optimizer The Auto Lighting Optimizer can be set as explained on page 101. It will be applied to both movie shooting and still photos taken during movie shooting.
Notes on Movie Shooting Recording and Image Quality If the attached lens has an Image Stabilizer, the Image Stabilizer will operate at all times even if you do not press the shutter button halfway. The Image Stabilizer will thereby consume battery power and may shorten the total movie shoo ing time or decrease he number of possible shots. If you use a tripod or if the Image Stabilizer is not necessary, you should set the IS switch to <2>.
Notes on Movie Shooting Playback and TV connection If he brightness changes during autoexposure movie shooting, that part might look momentarily still when you playback the movie. In such cases, shoot movies with manual exposure. If you connect the camera to a TV set with an HDMI cable (p 209) and shoot a movie in [1920x1080] or [1280x720], the movie being shot will be displayed at a small size on the TV. However, the actual movie will be properly recorded at the movie recording size that was set.
Image Playback This chapter explains how to playback and erase photos and movies, how to display images on a TV screen, and other playback-related functions. About images taken with another camera: The camera might not be able to properly display images captured with a different camera or edited with a computer or whose file name was changed.
x Image Playback Single Image Display 1 Playback the image. Press the button. X The last captured image or last image viewed will appear. the image. 2 Select To playback images starting with he last image, turn the <5> dial counterclockwise. To playback images starting with he first captured image, turn the dial clockwise. Each time you press the button, the display format will change. No information Histogram With basic information With detailed information the image playback.
B Shooting Information Display Sample of Image Taken in a Creative Zone Mode Exposure compensa ion amount Protect Flash exposure compensation amount Rating Folder number - File number Aperture Histogram (Brightness/RGB) Shutter speed Picture Style/Settings Metering mode Shooting mode ISO speed Highlight tone priority White balance Image-recording quality Playback number/ Total images recorded Color temperature when
is set Color space Shooting date and time Image verification data appended Whi
B Shooting Information Display Sample of Image Taken in a Basic Zone Mode Shooting mode Ambience and ambience effects Lighting or scene * For images taken in Basic Zone modes, the information displayed may differ depending on the shooting mode.
B Shooting Information Display About the AF Point Display When the [4 AF point disp.] menu option is set to [Enable], the AF point which achieved focus will be displayed in red. If automatic AF point selection was used, multiple AF points may be displayed in red. About the Histogram The brightness histogram shows the exposure level distribution and overall brightness. The RGB histogram is for checking the color saturation and gradation. The display can be switched with the [4 Histogram] menu option.
x Searching for Images Quickly H Display Multiple Images on One Screen (Index display) Search for images quickly with the index display showing four or nine images on one screen. 1 Î Switch to the index display. During image playback, press the button. X The 4-image index display will appear. The currently-selected image will be highlighted in a blue frame. Press the button again to switch to the 9-image index display.
x Searching for Images Quickly I Jump through Images (Jump display) With the single image display, you can turn the <6> dial to jump through the images. 1 Select the jump method. In the [4 Image jump w/6] menu, select the jump method, then press <0>. d: e: f: g: h: i: j: k: Display images one by one Jump 10 images Jump 100 images Display by date Display by folder Display movies only Display stills only Display by image rating (p.198) Turn the <6> dial to select the rating. by jumping.
u/y Magnified View You can magnify a shot image by 1.5x to 10x on the LCD monitor. 1 Magnify the image. During image playback, press the button. X The image will be magnified. If you hold down the button, the image will be magnified until it reaches the maximum magnification. Press the button to reduce the magnification. If you hold down the button, the magnification will be reduced to the single image display. Magnified area position around the image.
b Rotating the Image You can rotate the displayed image to the desired orientation. 1 Select [Rotate]. Under the [3] tab, select [Rotate], then press <0>. the image. 2 Select Turn the <5> dial to select the image to be rotated. You can also select an image on the index display. the image. 3 Rotate Each time you press <0>, the image will rotate clockwise as follows: 90° o 270° o 0° To rotate another image, repeat steps 2 and 3. To exit and return to the menu, press the button.
3 Setting Ratings With the [4 Rating] menu, you can give one of five ratings (l, m, n, o, p) to images and movies. 1 Select [Rating]. Select the [4 Rating] menu, then press <0>. an image or movie. 2 Select Turn the <5> dial to select the image or movie to be rated. You can display three images by pressing the button. To return to the single-image display, press the button. the image or movie. 3 RatePress the key to select a rating mark.
3 Setting Ratings The number of images and movies for each rating will be counted up to 3 digits (999). If rated images reaches 1000 or higher, [###] will be displayed. Taking advantage of ratings With the [4 Image jump w/6] menu, you can display only the rated images and movies. With the [4 Slide show] menu, you can playback only the rated images and movies. With the provided software, you can select only the rated images and movies.
Q Quick Control During Playback When you press the button during playback, you can set the following: [3 Protect Images, 3 Rotate, 4 Rating, 3 Creative filters, 3 Resize (JPEG images only), 4 Highlight alert, 4 AF point display, and 4 Image jump w/6]. For movies, only the functions in bold above can be set. 1 Press the button. During image playback, press the button. X The Quick Control screen will appear. a function and set it. 2 Select Press the key to select a function.
Q Quick Control During Playback To rotate an image, set the [5 Auto rotate] menu to [OnzD]. If it is set to any other set ing, the image will not rotate. If you shoot in RAW+JPEG image quality, the JPEG image will be displayed. Pressing the button during the index display will switch to the single-image display and the Quick Control screen will appear. Pressing the button again will return to the index display. Regarding images not taken with the EOS 60D, selectable functions may be limited.
k Enjoying Movies Basically, you can playback movies in the following three ways: Playback on a TV set (p.209, 212) Use the provided AV cable or an HDMI Cable HTC-100 (sold separately) to connect the camera to a TV set. Then you can playback the captured movies and photos on the TV. If you have a High-Definition TV set and connect your camera with an HDMI cable, you can watch Full HD (Full HighDefinition: 1920x1080) and HD (HighDefinition: 1280x720) movies with higher image quality.
k Enjoying Movies Playback on the Camera’s LCD Monitor (p.204-208) You can playback movies on the camera’s LCD monitor and even edit out the first and last scenes. You can also playback the photos and movies recorded in the card as an automatic slide show. A movie edited with a personal computer cannot be rewritten to the card and played back with the camera.
k Playing Movies 1 Playback the image. Press the button to display the images. a movie. 2 Select Turn the <5> dial to select the movie to be played. With the single-image display, the <1s> icon displayed on the upper left indicates that it is a movie. On the index display, the perforation on the left edge of the image indicates that it is a movie. As movies cannot be played on the index display, press <0> to switch to the single-image display. the single-image display, press <0>.
k Playing Movies Function Playback Description 2 Exit Returns to the single-image display. 7 Play Pressing <0> toggles between play and stop. 8 Slow motion Adjust the slow motion speed by pressing the key. The slow-motion speed is indicated on the upper right. 5 First frame Displays the movie’s first frame. 3 Previous frame Each time you press <0>, a single previous frame is displayed. If you hold down <0>, it will rewind the movie.
X Editing the Movie’s First and Last Scenes You can edit out the first and last scenes of a movie in 1-sec. increments. 1 On the movie playback screen, select [X]. X The editing screen will be displayed. the part to be edited out. 2 Specify Select either [U] (Cut beginning) or [V] (Cut end), then press <0>. Press the key to fast forward or turn the <5> dial (next frame) to specify the part to be edited out, then press <0>. After deciding which part to edit out, press <0>.
3 Slide Show (Auto Playback) You can playback the images in the card as an automatic slide show. 1 Number of images to be played Select [Slide show]. Under the [4] tab, select [Slide show], then press <0>. the images to be played. 2 Select Press the key to select the desired option, then press <0>. [All images/Movies/Stills] Press the key to select one of the following: [jAll images/ kMovies/zStills]. Then press <0>.
3 Slide Show (Auto Playback) [Set up] as desired. 3 SetPress the key to select [Set up], then press <0>. Set the [Display time] (still photos), [Repeat], and [Transition effect] options, then press the button. [Display time] [Repeat] [Transition effect] the slide show. 4 StartPress the key to select [Start], then press <0>. X After [Loading image...] is displayed, the slide show will start. slide show. 5 QuitTo the quit the slide show and return to the setting screen, press the button.
Viewing the Images on TV You can also view the still photos and movies on a TV set. Before connecting or disconnecting the cable between the camera and television, turn off the camera and television. * Adjust the movie’s sound volume with the TV set. * Depending on the TV set, part of the image displayed might be cut off. Viewing on HD (High-Definition) TV Sets The HDMI Cable HTC-100 (sold separately) is required. 1 Connect the HDMI cable to the camera.
Viewing the Images on TV the button. 5 Press X The image will appear on the TV screen. (Nothing will be displayed on the camera’s LCD monitor.) The images will be displayed at the TV’s optimum resolution automatically. By pressing the button, you can change the display format. To playback movies, see page 204. Do not connect any other device’s output to the camera’s terminal. Doing so may cause a malfunction. Some TVs might not be able to display the captured images.
Viewing the Images on TV For HDMI CEC TV sets When a TV set compatible with HDMI CEC* is connected to the camera with the HDMI cable, you can use the TV set’s remote control for playback opera ions. * An HDMI-standard function enabling you to control multiple HDMI devices with one remote control unit. 1 Still photo playback menu Select [Ctrl over HDMI]. Under the [4] tab, select [Ctrl over HDMI], then press <0>. Select [Enable], then press <0>.
Viewing the Images on TV Viewing on Non-HD (High-Definition) TV Sets 1 Connect the provided AV cable to the camera. With the plug’s logo facing the front of the camera, insert it into the terminal. (Red) (White) (Yellow) the AV cable to the TV 2 Connect set. Connect the AV cable to the TV’s video IN terminal and audio IN terminal. on the TV and switch the 3 Turn TV’s video input to select the connected port. the camera’s power switch to 4 Set <1>. the button.
K Protecting Images Protecting an image prevents it from being erased accidentally. 1 Select [Protect images]. Under the [3] tab, select [Protect images], then press <0>. X The protect setting screen will appear. the image and protect it. 2 Select Select [Select images], then press Image protect icon <0>. Turn the <5> dial to select the image to be protected, then press <0>. X When an image is protected, the icon will appear on the top of the screen. To cancel the image protection, press <0> again.
K Protecting Images 3 Protecting All Images in a Folder or Card You can protect all the images in a folder or card at one time. When the [3 Protect images] menu option is set to [All images in folder] or [All images on card], all the images in the folder or card will be protected. To cancel the image protection, select [Unprotect all images in folder] or [Unprotect all images on card]. If you format the card (p.48), the protected images will also be erased. Movies can also be protected.
L Erasing Images You can either select and erase images one by one or erase them in one batch. Protected images (p.213) will not be erased. Once an image is erased, it cannot be recovered. Make sure you no longer need the image before erasing it. To prevent important images from being erased accidentally, protect them. Erasing a RAW+JPEG image will erase both the RAW and JPEG images. Erasing a Single Image 1 Playback the image to be erased. the button.
L Erasing Images [Select and erase images]. 2 Select Select [Select and erase images], then press <0>. X The images will be displayed. To display the three-image display, press the button. To return to the single-image display, press the button. the images to be erased. 3 Select Turn the <5> dial to select the image to be erased, then press the key. X A checkmark will be displayed on the upper left. To select other images to be erased, repeat step 3. the images.
Changing Image Playback Settings 3 Adjusting the LCD Monitor Brightness You can adjust the brightness of the LCD monitor to make it easier to read. 1 Select [LCD brightness]. Under the [6] tab, select [LCD brightness], then press <0>. the brightness. 2 Adjust While referring to the gray chart, press the key to adjust the brightness, then press <0>. To check the image’s exposure, looking at the histogram is recommended (p.193).
Changing Image Playback Settings 3 Auto Rotation of Vertical Images Vertical images are rotated automatically so they are displayed vertically on the camera’s LCD monitor and computer instead of horizontally. The setting of this feature can be changed. 1 Select [Auto rotate]. Under the [5] tab, select [Auto rotate], then press <0>. the auto rotation. 2 SetSelect the desired setting, then press <0>.
Post-Processing Images After shooting images, you can apply Creative filters or resize the image (downsize the pixel count). You can also process RAW images with the camera. It may not be possible to process images shot with a camera other than the EOS 60D. Post-processing images as described in this chapter cannot be done while the camera is connected to a personal computer via the terminal.
Creative Filters You can apply the following Creative filters to an image and save it as a new image: Grainy B/W, Soft focus, Toy camera effect, and Miniature effect. Creative filters cannot be applied to 41 and 61 images. 1 Select [Creative filters]. Select the [3 Creative filters] menu option, then press <0>. X Images will be displayed. an image. 2 Select Select the image you want to apply a filter to. By pressing the button, you can switch to the index display and select an image. a filter.
Creative Filters the image. 5 Save Select [OK] to save the image. Note the destination folder and image file number, then select [OK]. To apply a filter to another image, repeat steps 2 to 5. To exit and return to the menu, press the button. With 1+JPEG images, the 1 image will be applied with the Creative filter and saved as a JPEG image. With 41+JPEG and 61+JPEG images, the Creative filter will be applied to the JPEG image.
S Resize You can resize an image to make the pixel count lower and save it as a new image. Resizing an image is possible only with JPEG 3/4/a/b images. JPEG c and RAW images cannot be resized. 1 Select [Resize]. Select the [3 Resize] menu option, then press <0>. X Images will be displayed. an image. 2 Select Select the image you want to resize. By pressing the button, you can switch to the index display and select an image. the desired image size. 3 Select Press <0> to display the image sizes.
S Resize Resize Options According to Original Image Size Original Image Size 3 Available Resize Settings 4 a b c k k k k k k k k k 4 a k b c About Image Sizes The [8.0M 3456x2304] image size displayed in step 3 has a 3:2 aspect ratio. The image size according to aspect ratios is shown in the table below. For asterisked image-recording quality, the pixel count does not exactly match the aspect ratio. The image will be slightly cropped.
R Processing RAW Images with the CameraN You can process 1 images with the camera and save them as JPEG images. While the RAW image itself does not change, you can process the RAW image according to different conditions to create any number of JPEG images from it. Note that 41 and 61 images cannot be processed with the camera. Use Digital Photo Professional (provided software) to process those images. 1 Select [RAW image processing]. Select the [3 RAW image processing] menu option, then press <0>.
R Processing RAW Images with the CameraN Displaying the setting screen Press <0> to display the setting screen. Turn the <6> or <5> dial to change the setting. To return to the screen in step 3, press <0>. the image. 4 Save Select [W] (Save), then press <0>. Select [OK] to save the image. Note the destination folder and image file number, then press [OK]. X The screen in step 2 will reappear. To process another image, repeat steps 2 to 4. To exit and return to the menu, press the button.
R Processing RAW Images with the CameraN RAW Image-processing Options Brightness You can adjust the image brightness up to ±1 stop in 1/3-stop increments. The displayed image will reflect the setting’s effect. White balance (p.96) You can select the white balance. If you select [P], use the <6> dial to set the color temperature. The displayed image will reflect the setting’s effect. Picture Style (p.90) You can select the Picture Style.
R Processing RAW Images with the CameraN Color space (p.110) You can select either sRGB or Adobe RGB. Since the camera’s LCD monitor is not compatible with Adobe RGB, the image will not look very different when either color space is set. Peripheral illumination correction (p.102) You can set [Enable] or [Disable]. If [Enable] is set, the corrected image will be displayed. If the effect is difficult to discern, press the button to magnify the image and look at the image corners.
R Processing RAW Images with the CameraN Chromatic aberration correction When [Enable] is set, lateral chromatic aberration caused by the lens is corrected. If [Enable] is set, the corrected image will be displayed. (The image periphery will also be slightly cropped.) If the effect is difficult to discern, press the button to magnify the image. (Press the button to return to the normal view.
Sensor Cleaning The camera has a Self Cleaning Sensor Unit attached to the image sensor’s front layer (low-pass filter) to shake off dust automatically. The Dust Delete Data can also be appended to the image so that the dust spots remaining can be erased automatically by Digital Photo Professional (provided software).
f Automatic Sensor Cleaning Whenever you set the power switch to <1> or <2>, the Self Cleaning Sensor Unit operates to automatically shake off the dust on the front of the sensor. Normally, you need not pay attention to this operation. However, you can execute the sensor cleaning at anytime as well as disable it. Cleaning the Sensor Now 1 Select [Sensor cleaning]. Under the [6] tab, select [Sensor cleaning], then press <0>. [Clean nowf]. 2 Select Select [Clean nowf], then press <0>.
3 Appending Dust Delete DataN Normally, the Self Cleaning Sensor Unit will eliminate most of the dust that might be vis ble on captured images. However, in case vis ble dust still remains, you can append the Dust Delete Data to the image for erasing the dust spots later. The Dust Delete Data is used by Digital Photo Professional (provided software) to erase the dust spots automatically. Preparation Get a solid-white object (paper, etc.). Set the lens focal length to 50mm or longer.
3 Appending Dust Delete DataN a solid-white object. 3 Photograph At a distance of 20 cm - 30 cm (0.7 ft. - 1.0 ft.), fill the viewfinder with a patternless, solid-white object and take a picture. X The picture will be taken in the aperture-priority AE mode with an aperture of f/22. Since the image will not be saved, the data can still be obtained even if there is no card in the camera. X When the picture is taken, the camera will start obtaining the Dust Delete Data.
3 Manual Sensor CleaningN Dust which could not be removed by the automatic sensor cleaning can be removed manually with a blower, etc. The surface of the image sensor is extremely delicate. If the sensor needs to be cleaned directly, having it done by a Canon Service Center is recommended. Before cleaning the sensor, detach the lens from the camera. 1 Select [Sensor cleaning]. Under the [6] tab, select [Sensor cleaning], then press <0>. [Clean manually]. 2 Select Select [Clean manually], then press <0>.
3 Manual Sensor CleaningN While cleaning the sensor, never do any of the following. Doing any of the following will cut off the power and close the shutter. The shutter curtains and image sensor might get damaged. • Setting the power switch to <2>. • Opening the battery compartment cover. • Opening the card slot cover. The surface of the image sensor is extremely delicate. Clean the sensor with care. Use a plain blower without any brush attached. A brush can scratch the sensor.
Printing Images Printing (p.236) You can connect the camera directly to a printer and print out the images in the card. The camera is compatible with “wPictBridge” which is the standard for direct printing. Digital Print Order Format (DPOF) (p.245) DPOF (Digital Print Order Format) enables you to print images recorded in the card according to your printing instructions such as the image selection, quantity to print, etc. You can print multiple images in one batch or give the print order to a photofinisher.
Preparing to Print The direct printing procedure is done entirely with the camera while you look at the LCD monitor. Connecting the Camera to a Printer 1 Set the camera’s power switch to <2>. the printer. 2 SetForupdetails, see the printer’s instruction manual. the camera to the 3 Connecting printer. Use the interface cable provided with the camera. Connect the cable to the camera’s terminal with the cable plug’s icon facing the back of the camera.
Preparing to Print wPictBridge the image. 6 Playback Press the button. X The image will appear, and the icon will appear on the upper left to indicate that the camera is connected to a printer. Movies cannot be printed. The camera cannot be used with printers compatible only with CP Direct or Bubble Jet Direct. Do not use any interface cable other than the one provided. If there is a long beeping sound in step 5, it indicates a problem with the printer.
wPrinting The screen display and setting options will differ depending on the printer. Some settings might not be available. For details, see the printer’s instruction manual. Printer-connected icon 1 Select the image to be printed. Check that the icon is displayed on the upper left of the LCD monitor. Turn the <5> dial to select the image to be printed. <0>. 2 Press X The print setting screen will appear. Print setting screen Sets the printing effects (p.240).
wPrinting QSetting the Paper Size Select the size of the paper loaded in the printer, then press <0>. X The paper type screen will appear. YSetting the Paper Type Select the type of the paper loaded in the printer, then press <0>. X The page layout screen will appear. USetting the Page Layout Select the page layout, then press <0>. X The print setting screen will reappear. Bordered The print will have white borders along the edges. Borderless The print will have no borders.
wPrinting effects. 4 SetSettheasprinting necessary. If you need not set any printing effects, go to step 5. What is displayed on the screen differs depending on the printer. Select the option on the upper right (circled in the screenshot), then press <0>. Select the desired printing effect, then press <0>. If the icon is displayed next to , you can also adjust the printing effect (p.242). Printing Effect Description EOn The image will be printed according to the printer’s standard colors.
wPrinting the date and file number 5 Set imprinting. Set as necessary. Select , then press <0>. Set as desired, then press <0>. of copies. 6 SetSettheasnumber necessary. Select , then press <0>. Set the number of copies, then press <0>. printing. 7 StartSelect [Print], then press <0>. With Easy printing, you can print another image using the same set ings. Just select the image and press the button. With Easy printing, the number of copies will always be 1.
wPrinting e Adjustment of Printing Effects In step 4 on page 240, select the printing effect. When the icon is displayed brightly next to , press the button. You can then adjust the printing effect. What can be adjusted or what is displayed will depend on the selection made in step 4. Brightness The image brightness can be adjusted. Adjust levels When you select [Manual], you can change the histogram’s distr bution and adjust the image’s brightness and contrast.
wPrinting Trimming the Image Tilt correction You can crop the image and print only the trimmed portion as if the image was recomposed. Do the trimming right before printing. If you set the trimming and then set the print settings, you may have to set the trimming again. 1 On the print setting screen, select [Trimming]. 2 Set the trimming frame size, position, and aspect ratio. The image area within the trimming frame will be printed. The trimming frame’s aspect ratio can be changed with [Paper settings].
wPrinting Depending on the printer, the trimmed image area might not be printed as you specified. The smaller you make the trimming frame, he grainier the picture will look in the print. While trimming the image, look at the camera’s LCD monitor. If you look at the image on a TV screen, the trimming frame might not be displayed accurately. Handling Printer Errors If you resolve a printer error (no ink, no paper, etc.
W Digital Print Order Format (DPOF) You can set the print type, date imprinting, and file No. imprinting. The print settings will be applied to all print-ordered images. (They cannot be set individually for each image.) Setting the Printing Options 1 Select [Print order]. Under the [3] tab, select [Print order], then press <0>. [Set up]. 2 Select Select [Set up], then press <0>. as desired. 3 SetSetthetheoption [Print type], [Date], and [File No.]. Select the option to be set, then press <0>.
W Digital Print Order Format (DPOF) Print type Date File number K L K L Standard Prints one image on one sheet. Index Multiple thumbnail images are printed on one sheet. Both Prints both the standard and index prints. On Off On Off [On] imprints the recorded date on the print. [On] imprints the file No. on the print. 4 Exit the setting. Press the <7> button. X The print order screen will reappear. Next, select [Sel.Image], [Byn], or [All image] to order the images to be printed.
W Digital Print Order Format (DPOF) Print Ordering Sel.Image Select and order images one by one. To display the three-image display, press the button. To return to the single-image display, press the button. After completing the print order, press the button to save the print order to the card. Quantity Total images selected Check mark Index icon [Standard] [Both] Press the key to set the number of copies to be printed for the displayed image.
W Direct Printing with DPOF With a PictBridge printer, you can easily print images with DPOF. 1 Prepare to print. See page 236. Follow the “Connecting the Camera to a Printer” procedure up to step 5. 2 Under the [3] tab, select [Print order]. 3 Select [Print]. [Print] will be displayed only if the camera is connected to the printer and printing is possible. 4 Set the [Paper settings] (p.238). Set the printing effects (p.240) if necessary. 5 Select [OK]. Before printing, be sure to set the paper size.
Customizing the Camera With Custom Functions, you can change the camera functions to suit your preferences. Also, the current camera settings can be saved under the Mode Dial’s position. The functions explained in this chapter will take effect only in the Creative Zone modes.
3 Setting Custom FunctionsN 1 Select [8]. the group. 2 Select Select a Custom Function group (I to IV), then press <0>. Custom Function No. the Custom Function No. 3 Select Press the key to select the number of the Custom Function to be set, then press <0>. the setting as desired. 4 Change Select the desired setting (number), then press <0>. Repeat steps 2 to 4 if you want to set other Custom Functions.
3 Custom FunctionsN A LV shooting C.Fn I: Exposure k 1 Exposure level increments 2 ISO speed setting increments 3 ISO expansion 4 Bracketing auto cancel k 5 Bracketing sequence k 6 Safety shift 7 Flash sync. speed in Av mode p.252 p.253 k k k k C.Fn II: Image 1 Long exposure noise reduction 2 High ISO speed noise reduction 3 Highlight tone priority p.254 p.255 k k k C.
3 Custom Function SettingsN C.Fn I: Exposure C.Fn I -1 Exposure level increments 0: 1/3-stop 1: 1/2-stop Sets 1/2-stop increments for the shutter speed, aperture, exposure compensation, AEB, flash exposure compensation, etc. Effective when you prefer to control the exposure in less fine increments than 1/3-stop increments. With setting 1, the exposure level will be displayed in the viewfinder and on the LCD panel as shown below. C.Fn I -2 ISO speed setting increments 0: 1/3-stop 1: 1-stop C.
3 Custom Function SettingsN C.Fn I -5 Bracketing sequence The AEB shooting sequence and white balance bracketing sequence can be changed. 0: 0, -, + 1: -, 0, + WB Bracketing B/A Direction M/G Direction 0 : Standard exposure 0 : Standard white balance 0 : Standard white balance - : Decreased exposure - : Blue bias - : Magenta bias + : Increased exposure + : Amber bias + : Green bias AEB C.
3 Custom Function SettingsN C.Fn II: Image C.Fn II -1 Long exposure noise reduction 0: Off 1: Auto For 1 sec. or longer exposures, noise reduction is performed automatically if noise typical of long exposures is detected. This [Auto] setting is effective in most cases. 2: On Noise reduction is performed for all exposures of 1 sec. or longer. The [On] setting may be able to reduce noise which otherwise cannot be detected with the [Auto] setting.
3 Custom Function SettingsN C.Fn II -3 Highlight tone priority 0: Disable 1: Enable Improves the highlight detail. The dynamic range is expanded from the standard 18% gray to bright highlights. The gradation between the grays and highlights becomes smoother. With setting 1, the Auto Lighting Optimizer (p.101) is automatically set to [Disable] and the setting cannot be changed. With setting 1, noise may become slightly more pronounced than usual. With setting 1, the settable range will be ISO 200 - 6400.
3 Custom Function SettingsN C.Fn III -3 Superimposed display 0: On 1: Off When focus is achieved, the AF point will not light up in red in the viewfinder. Set this if the AF points lighting up is too distracting. The AF point will still light up when you select it. C.Fn III -4 AF-assist beam firing The AF-assist beam can be emitted by the camera’s built-in flash or by an external, EOS-dedicated Speedlite. 0: Enable 1: Disable The AF-assist beam is not emitted.
3 Custom Function SettingsN C.Fn III -5 Mirror lockup 0: Disable 1: Enable Prevents camera v brations caused by the reflex mirror action that can disturb shooting with super telephoto lenses or close-up (macro) shooting. See page 125 for the mirror lockup procedure. C.Fn IV: Operation/Others Customizing camera controls with the Quick Control screen (p.45) The Custom Controls function on the Quick Control screen is the same as the Custom Functions below: [AF and metering buttons] : C.
3 Custom Function SettingsN C.Fn IV -2 Assign SET button You can assign a frequently-used function to <0>. Press <0> when the camera is shooting-ready. 0: Default (no func) 1: Image quality Pressing <0> will display the image-recording quality setting screen on the LCD monitor. Select the desired image-recording quality, then press <0>. 2: Picture Style Pressing <0> will display the Picture Style selection screen on the LCD monitor. Select a Picture Style, then press <0>.
3 Custom Function SettingsN C.Fn IV -4 Focusing Screen If you change the focusing screen, change this setting to match the focusing screen type. This is to obtain the standard exposure. 0: Ef-A 1: Ef-D 2: Ef-S About focusing screen characteristics Ef-A: Standard Precision Matte Standard focusing screen which comes with the camera. It provides a good balance between viewfinder brightness and manual focusing ease. Ef-D: Precision Matte with Grid Grid lines are added to the Ef-A focusing screen.
3 Custom Function SettingsN C.Fn IV -5 Add image verification data 0: Disable 1: Enable Data for verifying whether the image is original or not is appended to the image automatically. When the shooting information of an image appended with the verification data is displayed (p.191), the icon will appear. To verify whether the image is original, the Original Data Security Kit OSK-E3 (sold separately) is required.
3 Registering My MenuN Under the My Menu tab, you can register up to six menu options and Custom Functions whose settings you change frequently. 1 Select [My Menu settings]. Under the [9] tab, select [My Menu settings], then press <0>. [Register to My Menu]. 2 Select Select [Register to My Menu], then press <0>. the desired items. 3 Register Select the item to be registered, then press <0>. On the confirmation dialog, select [OK] and press <0> to register the item. You can register up to six items.
w: Register Camera User SettingsN Under the Mode Dial’s position, you can register most of the current camera settings including your preferred shooting mode, menus, Custom Function settings, etc. 1 Set the camera. First set the functions you want to register: Shooting mode, shutter speed, aperture, ISO speed, AF mode, AF point, metering mode, drive mode, exposure compensation, and flash exposure compensation. When setting the menu functions, refer to the next page. [Camera user settings].
w: Register Camera User SettingsN Menu Options which can be Registered [1] [2] [y] [z] [4] [5] [6] [7] [8] Quality, Beep, Release shutter without card, Image review, Peripheral illumination correction, Red-eye reduction, Flash control (Flash firing, Shutter sync.
Reference This chapter provides reference information for camera features, system accessories, etc.
B Button Functions When you press the button while the camera is ready to shoot, you can display [Displays camera settings], [Displays shooting functions] (p.267), and [Electronic level] (p.127). Under the [7] tab, the [INFO. button display options] option enables you to select what the button is to display when pressed. Select the desired display option and press <0> to append a checkmark . After making the selection, select [OK], then press <0>.
B Button Functions Shooting Settings Picture Style Shutter speed Shooting mode Exposure level/ AEB range Flash exposure compensation* Aperture AE lock ISO speed Highlight tone priority Electronic level Custom controls AF mode Quick Control icon Battery check AF point White balance correction Metering mode Eye-Fi card transmission status White balance Possible shots Image-recording quality Maximum burst Auto Lighting Op imizer Drive mode * If flash exposure compensation is set wi h an external Speedlite
3 Checking the Battery Information You can check the battery’s condition on the LCD monitor. Each Battery Pack LP-E6 has a unique serial No., and you can register multiple battery packs to the camera. When you use this feature, you can check the registered battery pack’s remaining capacity and operation history. Select [Battery info.]. Under the [7] tab, select [Battery info.], then press <0>. X The battery info screen will appear.
3 Checking the Battery Information Registering the Battery to the Camera You can register up to six Battery Packs LP-E6 to the camera. To register multiple battery packs to the camera, do the procedure below for each battery pack. 1 Press the button. With the battery info. screen displayed, press the button. X The battery history screen will appear. X If the battery has not been registered, it will be grayed out. [Register]. 2 Select Select [Register], then press <0>.
3 Checking the Battery Information Labeling the Serial No. on the Battery Affixing a serial No. label onto all the registered Battery Pack LP-E6’s makes it convenient. 1 Serial No. 7c40 0300 Write the serial No. on a label. Write the serial No. displayed on the battery history screen on a label approx. 25 mm x 15 mm / 1.0 in. x 0.6 in. in size. out the battery and affix the 2 Take label. Set the power switch to <2>. Open the battery compartment cover and remove the battery.
3 Checking the Battery Information Checking the Remaining Capacity of a Registered Battery Pack You can check the remaining capacity of any battery pack (even while not installed) and also when it was last used. Serial No. Date last used Look for the serial No. Refer to the battery’s serial No. label and look for the battery’s serial No. on the battery history screen. X You can check the respective battery pack’s remaining capacity and the date when it was last used.
Using a Household Power Outlet With the AC Adapter Kit ACK-E6 (sold separately), you can connect the camera to a household power outlet and not worry about the remaining battery level. 1 Connect the DC Coupler’s plug. Connect the DC Coupler’s plug to the AC Adapter’s socket. the power cord. 2 Connect Connect the power cord as shown in the illustration. After using the camera, unplug the power plug from the power outlet. the cord in the groove.
Using Eye-Fi Cards With a commercially-available Eye-Fi card already set up, you can automatically transfer captured images to a personal computer or upload them to an online service via a wireless LAN. The image transfer is a function of the Eye-Fi card. For instructions on how to set up and use the Eye-Fi card or to troubleshoot any image transfer problems, refer to the Eye-Fi card’s instruction manual or inquire the card’s manufacturer.
Using Eye-Fi Cards the connection 4 Display information. Select [Connection info.], then press <0>. the [Access point SSID:]. 5 Check Check that an access point is displayed for [Access point SSID:]. You can also check the Eye-Fi card’s MAC address and firmware version. Press the button three times to exit the menu. the picture. 6 Take X The images will be displayed. For transferred images, O is displayed in the detailed information display (p.191).
Using Eye-Fi Cards Cautions for Using Eye-Fi Cards If “ ” is displayed, an error occurred while retrieving the card information. Turn he camera off and on again. Even if [Eye-Fi trans.] is set to [Disable], it may still transmit a signal. In hospitals, airports, and other places where wireless transmissions are prohibited, remove the Eye-Fi card from the camera. If the image transfer does not function, check the Eye-Fi card and personal computer settings. For details, see the card’s instruction manual.
Function Availability Table According to Shooting Modes o: Set automatically k: User selectable Basic Zone Mode Dial All recording quality settings selectable Creative Zone k 1 7 C 2 3 4 5 6 d sf a F k z k k k k k k k k k k k k k k o o o o o o o o k k k k k k Manual k k k k k k* Settable maximum ISO speed limit k k k k k Auto ISO speed : Not selectable Manual selection Picture Style Automatic setting k k k k k k o o o o o o o o k k k k k k k k k k k k k k k k k k PPPQRPPP Shoot by am
Function Availability Table According to Shooting Modes Basic Zone Mode Dial o k k k k k o o o o AI Servo k k k k k o o o AF point selection o o o o o o o o k k k k k AF-assist beam o o o o o o o o o o o k k k k k k k k k k Program shift k Exposure compensation k k k AE lock k k k Depth-of-field preview k k k k k o o k High-speed continuous Low-speed continuous Q 10 sec.
Menu Settings 1 Shooting 1 (Red) Quality Page 73 / 83 / 74 / 84 / 7a / 8a / b / c 1 / 41 / 61 84 Beep Enable / Disable – Release shutter without card Enable / Disable 32 Image review Off / 2 sec. / 4 sec. / 8 sec. / Hold 50 Peripheral illumination Enable / Disable correction 102 Red-eye reduction Disable / Enable 131 Flash control Flash firing / Built-in flash function setting / External flash function setting / External flash C.Fn setting / Clear external flash C.
Menu Settings z Shooting 4 (Red) Page Live View shooting Enable / Disable 157 AF mode Live mode / u Live mode / Quick mode 160 Grid display Off / Grid 1l / Grid 2m 157 Aspect ratio 3:2 / 4:3 / 16:9 / 1:1 157 Exposure simulation Enable / Disable 158 Silent shooting Mode 1 / Mode 2 / Disable 159 Metering timer 4 sec. / 16 sec. / 30 sec. / 1 min. / 10 min. / 30 min.
Menu Settings 5 Set-up 1 (Yellow) Page Auto power off 1min. / 2 min. / 4 min. / 8 min. / 15 min. / 30 min. / Off 50 Auto rotate OnzD / OnD / Off 218 Format Initialize and erase data on he card 48 File numbering Continuous / Auto reset / Manual reset 106 Select folder Create and select a folder 104 Eye-Fi settings* Eye-Fi transmission: Disable / Enable Connection information 273 * Displayed only when an Eye-Fi card is used.
Menu Settings 8 Custom Functions (Orange) Page C.Fn I : Exposure 252 C.Fn II : Image 254 C.Fn III : Autofocus/ Drive Customize camera functions as desired C.Fn IV : Operation/ Others Clear all Custom Functions (C.
Menu Settings o Movie 2 (Red) Movie recording size Page 1920x1080 (6 / 5 / 4) / 1280x720 (8 / 7) / 640x480 (8 / 7) / Crop 640x480 (8 / 7) 180 Sound recording: Auto / Manual / Disable Sound recording Recording level 184 Wind filter: Disable / Enable Silent shooting Mode 1 / Mode 2 / Disable 185 Metering timer 4 sec. / 16 sec. / 30 sec. / 1 min. / 10 min. / 30 min.
Troubleshooting Guide If a problem occurs with the camera, first refer to this Troubleshooting Guide. If this Troubleshooting Guide does not resolve the problem, contact your dealer or nearest Canon Service Center. Power-Related Problems The battery pack does not recharge. If the battery’s remaining capacity (p.268) is 94% or higher, the battery will not be recharged. Do not recharge any battery pack o her han genuine Canon Battery Pack LP-E6. The charger’s lamp blinks at high speed.
Troubleshooting Guide The access lamp still blinks even when the power switch is set to <2>. If the power is turned off while an image is being recorded to the card, the access lamp will still continue to light/blink for a few seconds. When the image recording is completed, the power will turn off automatically. The battery becomes exhausted quickly. Use a fully-charged battery pack (p.24). The battery performance might have degraded. See the [7 Battery info.
Troubleshooting Guide The card cannot be used. If a card error message is displayed, see page 33 or 291. The image is out of focus. Set the lens focus mode switch to (p.34). To prevent camera shake, press the shutter button gently (p.39, 40). If the lens has an Image Stabilizer, set the IS switch to <1>. The maximum burst during continuous shooting is lower. Set [8C.Fn II -2: High ISO speed noise reduction] to one of the following settings: [Standard/Low/Disable].
Troubleshooting Guide When I use the mode with flash, the shutter speed becomes slow. If you shoot at night when the background is dark, the shutter speed becomes slow automatically (slow-sync shooting) so that both the subject and background are properly exposed. If you do not want a slow shutter speed to be set, set [8C.Fn I -7: Flash sync. speed in Av mode] to 1 or 2 (p.253). The built-in flash does not fire.
Troubleshooting Guide The shutter makes two shooting sounds during Live View shooting. If you use flash, the shutter will make two sounds each time you shoot (p.153). The camera button/dial’s function has changed. On the Quick Control screen, check the [Custom Controls] setting (p.257). Movie shooting terminates by itself. If the card’s writing speed is slow, movie shooting may stop automatically. Use an SD Speed Class 6 “ ” or faster card.
Troubleshooting Guide When the movie is played, camera operation noise can be heard. If you operate the camera’s dials or lens during movie shooting, the operation noise will also be recorded. Use an external microphone (commercially available) (p.187). Display & Operation Problems The LCD monitor does not display a clear image. If the LCD monitor is dirty, use a soft cloth to clean it. In low or high temperatures, the LCD monitor display may seem slow or might look black.
Troubleshooting Guide The file name’s first character is an underscore (“_MG_”). Set the color space to sRGB. If Adobe RGB is set, the first character will be an underscore (p.110). The file numbering does not start from 0001. If you use a card which already has images recorded, the file numbering might start from the last image in the card (p.106). The shooting date and time displayed is incorrect. The correct date and time has not been set (p.30). No image appears on the TV screen.
Troubleshooting Guide [###] is displayed. [###] will be displayed when the number of images/movies exceeds the number of digits that can be displayed. The [Eye-Fi settings] menu item does not appear. [Eye-Fi settings] will appear only when an Eye-Fi card is inserted into the camera. If the Eye-Fi card has a write-protect tab set to the LOCK position, you will not be able to check the card’s connection status or disable Eye-Fi card transmission.
Error Codes Error No. If there is a problem with the camera, an error message will appear. Follow the onscreen instructions. Countermeasures No. Error Message & Solution Communications between the camera and lens is faulty. Clean the lens contacts. 01 Î Clean the electrical contacts on the camera and lens and use a Canon lens (p.13, 16). Card cannot be accessed. Reinsert/change card or format card with camera. 02 Î Remove and insert the card again, replace the card, or format the card (p.32, 48).
System Map Eyepiece Extender EP-EX15 ST-E2 Rubber Frame Eb E-series Dioptric Adjustment Lenses 270EX 430EX II 580EX II Macro Ring Lite MR-14EX Macro Twin Lite MT-24EX Bundled Accessories Focusing Screen Ef-A Eyecup Eb Angle Finder C Wide Strap EW-EOS60D Focusing Screen Ef-D Ef-S Hand Strap E2 Battery Grip BG-E9 AC Adapter DC Coupler AC-E6 DR-E6 AC Adapter Kit ACK-E6 292 Battery Pack LP-E6 Battery Magazine BGM-E9L for two LP-E6 battery packs Battery Charger LC-E6 or LC-E6E Car Battery Cable C
System Map Leather Case EH21-L Remote Controller RC-6 Remote Switch RS-60E3 EF lenses EF-S lenses External microphone HDMI Cable HTC-100 (2.9 m/9.5 ft.) TV/Video Stereo AV Cable AVC-DC400ST (1.3 m/4.3 ft.) EOS DIGITAL Software Instruction Solution Disk Manual PictBridge-compatible printer Interface Cable (1.3 m/4.3 ft.) Interface Cable IFC-200U/500U (1.9 m/6.2 ft.) / (4.7 m/15.4 ft.
Specifications • Type Type: Recording media: Image sensor size: Compatible lenses: Lens mount: Digital, single-lens reflex, AF/AE camera with built-in flash SD memory card, SDHC memory card, SDXC memory card 22.3 x 14.9 mm Canon EF lenses (including EF-S lenses) (35mm-equivalent focal length is approx. 1.6 times the lens focal length) Canon EF mount • Image Sensor Type: Effective pixels: Aspect ra io: Dust delete feature: CMOS sensor Approx. 18.
Specifications Automatic image bri!~htness correction: Hinhlight tone priority: Leins peripheral illumination correction: Auto Lighting Optimizer Provided Provided • Viewfinder Type: Coverage: Eye-level pentaprism Vertical/Horizontal approx. 96% (with Eye point approx. 22 mm) Mclgnification: Approx. 0.95x (-1 m- 1 with 50mm lens at infinity) Ey,e point: Approx. 22 mm (From eyepiece lens center at -1 m- 1 ) Built-in dioptric adjustment: Approx. -3.0 - +1.
Specifications Exposure compensation: Manual: ±5 stops in 1/3- or 1/2-stop increments AEB: ±3 stops in 1/3- or 1/2-stop increments (Can be combined with manual exposure compensation) Auto: Applied in One-Shot AF mode with evaluative AE lock: metering when focus is achieved Manual: By AE lock button • Shutter Type: Shutter speeds: Electronically-controlled, focal-plane shutter 1/8000 sec. to 1/60 sec. (Full Auto mode), Flash X-sync at maximum 1/250 sec. 1/8000 sec. to 30 sec.
----------------- Specifications • L.ive View Shooting Aspect ratio settings: Focusing: MHtering modes: MHtering range: Silent shooting: Grid display: 3:2, 4:3, 16:9, 1: 1 Live mode, Face detection Live mode (Contrast detection) Quick mode (Phase-difference detection) Manual focusing (Approx. 5x /1 Ox magnification possible) Evaluative metering with the image sensor EV 0 - 20 (at 23°Cn3°F with EF50mm f/1.
Specifications Sound recording: Grid display: Built-in monaural microphone External stereo microphone terminal provided Sound recording level adjustable, wind filter provided Two types • LCD Monitor Type: Monitor size and dots: Coverage: Angle adjustment: Brightness adjustment: Electronic level: Interface languages: TFT color, liquid-crystal monitor Wide, 3.0-in. (3:2) with approx. 1.04 million dots Approx.
Specifications • Custom Functions Custom Functions: Camera user settings: My Menu registration: Copyright information: 20 Register under Mode Dial's C Possible Entry and inclusion enabled • Interface Audio/video OUT/ Di!~ital terminal: Analog video (Compatible with NTSC/PAL)/stereo audio output For personal computer communication and direct printing (Hi-Speed USB equivalent) HDMI mini OUT terminal: Type C (Auto switching of resolution), CEC-compatible External microphone 3.5mm dia.
Specifications • Battery Pack LP-E6 Type: Rated voltage: Battery capacity: Dimensions (W x H x D): Weight: Rechargeable lithium-ion battery 7.2 V DC 1800 mAh Approx. 38.4 x 21.0 x 56.8 mm /1.5 x 0.8 x 2.2 in. Approx. 80 g /2.8 oz. • Battery Charger LC-E6 Compatible battery: Recharging time: Rated input: Rated output: Working temperature range: Working humidity: Dimensions (W x H x D): Weight: Battery Pack LP-E6 Approx. 2 hr. 30 min. 100 - 240 V AC (50/60 Hz) 8.4 V DC / 1.
Specifications • EF-S18-55mm f/3.5-5.6 IS Angle of view: Diagonal extent: 74°20' - 27°50' Horizontal extent: 64°30' - 23°20' Vertical extent: 45°30' - 15°40' 11 elements in 9 groups Lens construction: f/22 - 36 Minimum aperture: Closest focusing distance: 0.25 m / 0.82 ft. (From image sensor plane) 0.34x (at 55 mm) Max. magnification: Field of view: 207 x 134 - 67 x 45 mm /8.1 x 5.3 - 2.6 x 1.8 in. (at 0.25 m / 0.82 ft.) Image Stabilizer: Lens shift type Filter size: 58 mm Lens cap: E-58 Max.
Specifications • EF-S18-135mm f/3.5-5.6 IS Angle of view: Diagonal extent: 74°20' - 11 °30' Horizontal extent: 64°30' - 9°30' Vertical extent: 45°30' - 6°20' Lens construction: 16 elements in 12 groups Minimum aperture: f/22 - 36 Closest focusing distance*: At 18mm focal length: 0.49 m I 1.61 ft. (327 x 503 mm I 12.9 x 19.8 in. field of view) At 135mm focal length: 0.45 m /1.48 ft. (75 x 112 mm I 3.0 x 4.4 in. field of view) * Distance from image sensor plane Max. magnification: 0.
Specifications • EF·S17·85mm f/4·5.6IS USM Angle of view: Diagonal extent: 78°30' - 18°25' Horizontal extent: 68°40' - 15°25' Vertical extent: 48°00' - 10°25' Lens construction: 17 elements in 12 groups Minimum aperture: f/22 - 32 Closest focusing distance: 0.35 m /1.15 ft. (From image sensor plane) Max. magnification: 0.2x (at 85mm) Field of view: 328 x 219 - 112 x 75 mm /12.9 x 8.6 - 4.4 x 3.0 in. (at 0.35 m) Lens shift type Image Stabilizer: 67 mm Filter size: E-67U Lens cap: Max.
About MPEG-4 Licensing "This product is licensed under AT&T patents for the MPEG-4 standard and may be used for encoding MPEG-4 compliant video and/or decoding MPEG-4 compliant video that was encoded only (1) for a personal and non-commercial purpose or (2) by a video provider licensed under the AT&T patents to provide MPEG-4 compliant video. No license is granted or implied for any other use for MPEG-4 standard." * Notice displayed in English as required . .~:J:t;;~:t:,:;t~=~=~~~~~~c\i1 . geouiriil·•.
Safety Warnings Follow these safeguards and use the equipment properly to prevent injury, death, and material damage. Preventing Serious Injury or Death • To prevent fire, excessive heat, chemical leakage, and explosions, follow the safeguards below: - Do not use any batteries, power sources, and accessories not specified in this booklet. Do not use any home-made or modified batteries. - Do not short-circuit, disassemble, or modify the battery pack or back-up battery.
• If you drop the equipment and the casing breaks open to expose the internal parts, do not touch the internal parts due to the possibility of electrical shock. • Do not disassemble or modify the equipment. High-voltage internal parts can cause electrical shock. • Do not look at the sun or an extremely bright light source through the camera or lens. Doing so may damage your vision. • Keep the camera from the reach of small children. The neck strap can accidentally choke the child.
Digital Camera Model 05126281 Systems This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation. Note: This equipment has been tested and found to comply with the limits for class B digital devices, pursuant to Part 15 of the FCC Rules.
IMPORTANT SAFETY INSTRUCTIONS 1. SAVE THESE INSTRUCTIONS - This manual contains important safety and operating instructions for Battery Charger LC-E6 & LC-E6E. 2. Before using the charger, read all instructions and cautionary remarks on (1) the charger, (2) the battery pack, and (3) the product using the battery pack. 3. CAUTION - To reduce risk of injury, charge only the Battery Pack LP-E6. Other types of batteries may burst, causing personal injury and other damage. 4.
MEMO I 309
MEMO .. _-_ _._ __ ..• _ ,_._ _. __ .__ ._.. _._ ------------------------------------- 310 _-_.~._._._ .. _.~-_._--_. __ .,,_...•_..__ .._ -.-----_.. ~.-._----_.~_. __.._._ _•..-._.. ..• _.
MEMO I 311
MEMO 312
• Software Start Guide and Instruction Manual Index EGS DIGITAL Solution Disk 314 Installing the Software 315 Software Instruction Manual 316 Index 317 EOS DIGITAL Solution Disk Software Instruction (Software) ManuaJ
Software Start Guide EOS DIGITAL Solution Disk This disk contains various software for EOS DIGITAL cameras. ;'i§§1$,,;q'il.i~··.•·.• With the camera connected to a personal computer, EOS Utility enables you to transfer still images and movies shot with the camera to the computer. You can also use the personal computer to set various camera settings and shoot remotely with the computer connected to the camera. tJ,gital.·P,bq*<>'~t().fe~.
Software Start Guide 1 Insert EOS DIGITAL Solution Disk (CD). • For Macintosh, double-click to open the CD-ROM icon displayed on the desktop, and double-click on [Canon EOS Digital Installer]. 2 Click [Easy Installation] and follow the on-screen instructions to install. • For Macintosh, click [Install]. eos C~n"n DIGITAL . .......................Solution Disk __ D.glt.II~~ User Regisotratlon __ 3 ~~~~ {;.I~J . ._ =._.... _._l •.••.
Software Start Guide O • Software Instruction Manual Contains the Instruction Manual files for the software programs provided. e~gMi;~gre~'d~1~il~!;~I~\;~~~,tlit;;i'/7>1;: 1 Insert the [Software INSTRUCTION MANUAL] CD into your computer. 2 Double-click the CD-ROM icon. • For Windows, the icon displayed in [My Computer]. • For Macintosh, the icon is displayed on the desktop. 3 Copy the [English] folder to your computer. • Instruction Manual PDFs with the names below are copied.
Index 10-sec. or 2-sec. delay 1280x720 1920x1080 1st-curtain sync 2nd-curtain sync 4- or 9-image index display 640x480 9-point AF auto selection 82 180 180 137 137 194 180 78 Battery " Battery check Battery Grip Beeper Black-and-white image Bracketing Bulb : C AN OUT 202, 212 AC Adapter Kit 272 Access lamp 33 Adobe RGB 110 AE lock 122 AEB 121, 252 AF 76, 78 AF point. 78 AF-ON (AF start) button .
Index Creative filters icon Crop 640x480 Cross-type focusing Custom Controls Custom Functions * 220 4 180 79 45, 257 250 Date/Time 30 DC coupler 272 Depth-of-field preview 117, 155, 156 Dial 41 Main Dial Quick Control Dial 42 Digital terminal 236 Dioptric adjustment 39 Direct printing 235 Direct selection (AF point) 255 DPOF 245 Drive mode 81 Dust Delete Data 231 Electronic level Erase (image) Error codes Evaluative metering Exposure compensation 127 215 291 119 120 ~xpQ~ure 252 level inGrements Ex
Index Full Auto 54 171 Full HO Full High-Definition 180, 202, 209 Function availability table 276 Grainy BIW Grid display 221 157, 185 HDMI 202, HOMI CEC High ISO speed noise reduction High-Definition 180, 202, Highlight alert Highlight detail loss Highlight tone priority 183, Histogram (Brightness/RGB) Hot shoe Household power outlet 209 211 254 209 192 192 255 193 149 272 ICC profile Illumination (LCD panel) Image AF point display Auto playback Auto rotate Erased Highlight alert Histogram Index Jump
Index Live View shooting 57, Exposure simulation Face detection Live mode (AF) Grid display Information display Live mode (AF) Manual focusing 80, Metering timer Possible shots Quick Control.
Index Peripheral illumination correction .. 102 Personal white balance 98 PictBridge 235 Picture Style 90 - 95 Pixels 84 Playback 189 Portrait 62, 90 Possible shots 29, 85, 153 Power Auto power off 50 Battery check 29 Battery info 268 Household power. 272 Possible shots 29, 85, 153 Recharge 24 Pressing completely 40 Pressing halfway 40 Print.
Index Shooting settings display .
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Canon CANON INC. 30-2, Shimomaruko 3-chome, Ohta-ku, Tokyo 146-8501, Japan USA - - - - CANON U.S.A. INC. One Canon Plaza, Lake Success, NY 11042-1198, U.S.A. For all inquires concerning this product, call toll free in the U.S. 1-800-0K-CANON CANADA - - - CANON CANADA INC. HEADQUARTERS 6390 Dixie Road, Mississauga, Ontario L5T 1P7, Canada CANON CANADA INC. MONTREAL BRANCH 5990, C6te-de-Liesse, Montreal Quebec H4T 1V7, Canada CANON CANADA INC. CALGARY OFFICE 2828, 16th Street. N.E.
Quick Start Guide 1 2 In$ert the battery. ~~~~g~ Attach the lens. ~~~~. Align the lens' White or red ~ index with the camera's index in the matching color. 6 Flip out the LCD monitor. 7 Image Playback ~ ~ Focus the subject. Aim the viewfinder center over the subject and press the shutter button halfway to autofocus. Index @-_.. . 3 Set the lens focus ~~~I mode switch to < AF >. Open the cover and insert a SO card.
Preparation - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - l.cordin,g:Quality Menu Operations -1.------<- < MENU> button ... <@> button LCD---++-~ < .... ~> monitor . •• •• . .L IBM 1184'34561514 .... MrEJ - ~L .L .M .M .51 .51 52 Movie Shooting Mode ~ Menu settings ~ '" • Press the < [Q) > button. .. The Quick Control screen will I appear. I .. 53~ Shutter speed Shooting mode RAW: Turn the dial to select the quality.
Custom Functions 1_1_I_il 1 Exposure level increments 1 Lens drive when AF impossible 2 ISO speed setting increments 2 AF point selection method 3 ISO expansion 3 Superimposed display 4 Bracketing auto cancel 4 5 Bracketing sequence 6 Safety shift 7 Flash sync. speed in Av AF-assist beam firing 5 Mirror lockup - 1 AF and metering buttons mode _111 -__._._.__ _---_ _._._._ _-_ _._ .. Highlight tone priority _•............._...........•..
Shooting Operation - - - - - - - - - - - - - - - - - - - - - - - - - - - LCD Panel Nomenclature ISO speed setting button Drive mode selection button AF mode selection button Basic Zone Modes ~U!!! Drive mode ~ ~~.
• Creative Zone Modes You can change the camera settings as desired to shoot in various ways. The camera automatically sets the shutter speed and aperture in the same way as the <0> mode. • Set the Mode Dial to < P >. ~~~~ • Press the button, then turn the dial. • ISO 100 to 6400 can be set in 1/3-stop increments. • When "A" is selected, the ISO speed is set automatically. When you press the shutter button halfway, the ISO speed setting will be displayed.
01 Live View Shooting ' - - - - ="" • Press the < 0 01 > button to display the Live View image. -" Shooting Movies "l___J§jJ) ~- - - "~l!"'!lo.~- Li:Z~ 1• Set the Mode Dial to <'''>. , • Press the shutter button halfway to focus. • Press the shutter button halfway to focus. ------ ~ • Press the < 0> 01 > button to start shooting a movie. To stop movie shooting, press <0> again . • Press the shutter button completely to take the picture.
canon EOS DIGITAL ............................................. Solution Disk ver.23.0 For Macintosh For Windows c..nonutil~ Qonon UtilitiK: Dig;u,1 Photo ••"'Oft"lionol 3.9 Zoom8rO\Mef£X 6.6 EOS Utility 2.9 ~ PlIOIC Pnlf...m.l U ImiloeBrowser 6,6 EOS Utility 2.9 PhotoStitch 3.2 Picture S\)'Ie Editor 1.8 WFT Utility 3.5 PhotoStitch ),1 OriglNI o.olil Secutity Took t.9 Picture Style Editor 1.8 WFT utility 3.
T ..gMy Pilato Your Images Printed Free From conc~pllo prinl.lhe professional's choic~ is Canon. Haw your images printed on a professional mod~l 101 free.' .. . . . ._.Ie . . . . . . liyR . .
Register Now! Visit www.registercanon.com to register your new EOS camera today and receive the following*: • Automatic notification of firmware and software updates • Priority telephone support • Exclusive priority e-mail support address • Exclusive savings on select products, classes and workshops There is no charge to register or for the benefits offered. * These benefits valid in the U.S. only. Please read the Terms and Conditions at www.registercanon.com for complete details.
Canon mill 13)( 5uemmBJJlI p.252 rC.Fn 1-4 7'577.{::J~'E1I1.JM~J O)iELJ~'P'Ja O:"f-l> ~5J]tA-{~7 (OFF), 1J;>("7~~*}]WHt~~=r3c:, AEB, WB-BKT 0)~~1J\ ~~~n*go*~, A~D~ft~(~7),~~~~t-~~O)wn~~c AEB o)~~1J\MIJ*~n*g 0 Camera Instruction Manual p.252 . . Correction about [C.Fn I -4 Bracketing auto cancel] 0: On The AEB and WB-BKT settings will be canceled if you set the power switch to < OFF>, or clear the camera settings.
Canon
Taking too many fuzzy pictures? Canon IS * Lenses are the solution! I 01
Nice shot! Or is it? When you enlarge your image, the print looks fuzzy. Frustrating! But a common experience. In most cases, this occidental blurring is caused by camero shake - especially when shooting with a telephoto lens or at slow shutter speeds in dark places. Even if you try to stay still, the camero isn't perfectly steady in your hands when the shutter button is pressed. But now there's a great solution: Conan IS· Lenses. For beautifully clear, blur-free photos. With ease.
Day or night, indoors or outdoors.
Contents - ----- • • • • Page 5 11 :OOAM / Zoo pictures Page 7 12:00PM / Kids in motion Page 9 2:00PM / Animal snapshots Page 11 7:OOPM / Night shots Page 13 8:00PM /Indoor shots Page 15 9:00PM / Sleeping faces • Page 17 Camero shake • Page 25 IS Lens lineup • • .- _.- - ..- - -- I O.
1 1:OOAM / Zoo pictures Most children love going to the zoo.
• 11 :OOfI.M / Zoo pictures. Trying to take snapshots of the animals, but bars get in the way? What to do? ~.,* ~'f* 1,16 It's easy to get rid of distracting elements like cage bars - with a linle know-haw! 1. Simply set your lens to telephoto. 2. Choose the Av mode and hold the aperture as wide open as possible. 3. Approach the cage as close as safely possible and shoot Now, see how well the shot turns out. The cage bars are gone, and the animals took like they're in the wild.
12:00PM / Kids in motion Your child is swinging, running, playing actively. Now you can capture pure energy in pictures! Kid won't slow down? Panning' technique is tricky, but worth trying. Just set a Conan IS lens to Mode 2 to correct vertical camero shake while taking pictures. The result? Panning shots mode easy - so you can catch that kid for keeps! Picture problems Cnosing your child with Ihe comera21t's hord 10 even keep the kid in your viewfinder I And when you loke the shol.
• I 2:00PM / Kids in motion. Fa.t moving subject, slow background. Ho 'ran 'ou get g00d pnnning ~hots2 If you know the optimal setting, ponning techniques can get better results. Here's one example (with EF70-300mm f/ 4·5.6 IS USMI: 1. Turn the IS function on and select IS Mode 2. 2. To ,mprove your success, shoot at around 100·200mm (rother than on extreme 300mm telephoto setting). 3. Select the camero Tv exposure mode and 1/60 sec. shuHer speed. Select AI Servo AF as the outofocus mode.
2:00PM / Animal snapshots Turn a tiny creature into a great picture. Canon IS telephoto zoom makes it easy! You're in the pork and a cute chipmunk is posing within range! You lower your camera and focus an its eyes. All set? No, you're nat steady enough. You need a Canon IS lens to stop camero shake - and even create a softly hazy background.
• 2;ooPM / Animol snopshots • Catch that little chipmunk with telephoto in a beautifully blurred natural setting Here's how to toke a charming picture and get on intentionally blurred background (using EF70-300mm 114-5.6 IS USM): 1. Set the lens as for as possible to the telephoto side 1200-300mml. for the longest focusing distance. 2. Select the Av exposure mode and keep the aperture open. 3. Choose natural elements as a background - flowers, gleams of sunlight on leaves, etc. 4.
7:00PM / Night shots • Evening enchantment. Canon's standard IS Zoom Lens is ready for brilliant shots! As the sun sets and the dusk grows darker with every passing second, the city lights up with exciting possibilities for glomorous night shots. And you're ready to toke dazzling handheld pictures with Conan's standard IS Zoom Lens. Perfect! Picture problems What, the difference between the.. twa nighl Whal' shots? Some low light conditions, some low snuner speed.
• 7:00PM I Night ~hol~ • ".. , Great photo tips How can you capture twilight scenes when the light changes each second? Simple! Just use the convenient AEB (Auto Exposure BrackeHng) funcHan in conjuncHan with on IS lens such as the EF-S 15-85mm f/3.5-5.6 IS USM to generate three different brightness variations for a single shot. I Set the camero's drive mode to continuous shooting mode. 2 Set the camera's AEB adiustmentto 2/3 in I-step increments. 3. Turn the IS fundion of the lens "on." 4.
8:00PM / Indoor shots It's happy birthday time! Take pictures in low light without spoiling the mood. Low light? No flosh? Don't be concerned - be inspired! Canon IS lenses let you take full advantage of candlelight and other low light conditions ta create breathtakingly beautiful indaor pictures in available illumination. On any occasion.
• 8 OOPM / Indoor sholS _ Picture problems Dim light, didn't use Aosh, camero shake, fuzzy photos. !here are so many excuses lor lost photo opportunitiesl BUI now, you don'l have to apologize any more because Conan IS lenses show ootstanding performance in mony different kinds of indoor shooting situations Without a Roshl Coke, candles and a ch Id's face. How co yot., capture It all beautifully - w thout a flas"? Flash sometimes destroys the mood of a roam.
9:00PM / Sleeping faces A child falls asleep. Now, take pictures quietly without waking the sleeper! Achild's expression when asleep is especially endearing. Conan IS lenses are the ideal choice to quietly capture these precious moments. Without distracting flash or blurred images. Without waking a child up and missing that sleeping face! Picture problems Well, yoo didn't woke the child up by using a Rosh, bul yoo didn't get the picture either.
• 9 OOPM I Sleeping faces _ .. \ ? Fro I .<>,., rQ2 How co y u ap'''' e I 11 I,." rl.,.. ? Shooting angles really molter in photo composition, changing the whole nuance of expression. For example, here's how to use the EF-S 15-85mm 1/3.5-5.6 IS USM: 1 Choose the Av mode for exposure and keep 11e opt:rt Ire fUlly open 2 Turn Ihe IS function of the len' "on.
IS benefits ,, ,, ~ - - - - - - - - -- ----- --------- --- - - --- -- - - - - - - - - - - - - When does camera shake tend to happen, and what causes it to occur? Perhaps you've encountered blurred images when enlarging pictures: photos that look fine in smaller postcard sizes appear quite fuzzy 01 greater size. In fact, camero shoke happens more frequently thon you'd think. There are several reasons for occidental blurring.
• Camera hak._ How do Canon IS Lenses repress blurring caused by camera shake? Conon IS lenses detect camero shake with a pair of buill-in gyro sensors, shifting lens components in the direction of the vibration to counteract il and Image Stabilizer Parallel Movement Principle I lens When $I~I prevent blurring. When the shutter button is pressed halfway while the IS function is on, compensotion for camero shake is activated in just 0.
---------------------------------------------------\, In-lens image stabilizer design benefits 'Why is each individual lens optimized for shake correction? Each Conan IS Lens has a unique optical design for specialized performance. So, Canon's Conan's optical correction systems and conlrol mechanisms ore customized for effective positioning in each lens model. Conan builds these mechanisms into the lenses to ensure that the optical correction system is optimized for each individual lens.
• '·omet ok._ How does a stable viewfinder image help you take better picture? looking into the viewfinder while focusing and framing is essential to SlR shooting, so a stable viewfinder image is crucial Canon IS lenses correct for camera shake by shifting certain optical components in inverse relation to the lens movement, maintaining the position of incoming light rays on the film or capturing elements.
, In-lens image stabilizer design benefits \ Improve your framing accuracy! Blurry viewfinder imoges lead to framing errors, so you con inadvertently cui off important details, especially when using a telephoto zoom lens. With Conon IS lenses such framing errors are a thing of the post. Canon's in·lens image stabilizers enable accurate framing when you fill the frome with port of your subject. Since the viewfinder image is blur-free, you can check every delail and make subtle framing adjustments.
• era ho~ • Capture fleeting photo opportunities! Concentrating on your subject is difficult iF the viewFinder image is blurred. When you lose concentration, you tend to miss small gestures and other momentary photo occasions. Canon IS in· lens image stabilizer gives you a clear viewfinder image, so itls easier to notice and capture such photo opportunities.
Background information: A new IS lens for macro What is Hybrid IS? Macro photography involves shooting close-ups of subjects, including Rowers, insects, and jewelry. Until recently, however, there was no technology thol could compensate for the type of camero shake common to macro photog ropy.
• eo photography There ore two rypes of camero shoke lhat con negatively offecl offec.l Image quality angle camero shoke cnd shift COr'lOO IS technology II"ICOfporotes 0 vibration gyro {angular speed K!nSOl'I to comero shake Conventional COI'lOO compensate for angle camero sho~e This is on excellent $OkIhon for mm.
, Product overview \, Beautifully designed standard zoom lens realizes high image quality and easy operability. EF-S 15-85mm f/3.5-5.6 IS USM This slandard zoom lens, special~ designed lor EOS 70 and EOS REBEl T2i/5500' but also campanble with all cameros designed 10 lake EF-S lenses, covers local lengths ranging from 24mm through 136mm in the 35mm formal. The wide zoom range handles most shoonng situations, making the EF·S 15B5mm 1/3.5-5.6 IS USM on ideal 'standard' lens.
• • .p- ~ .,gle focollength lenses F1OOmmf2 lM E 300mm N 2 8llS E2'n oSLI$M USM £ 3C 2lSUSM 1"11 I 4l USM EF400mn f 2 ellS II U$M fF400mn f 400 Ii USN! Ef500mm f!.4l1S USM EF600mm f/4l S USM EF800mm 1/5 6l IS $M .. Zoom len~es F 17 5ml"ll12 8 )uSM EF SI785mn F4 5 6 S LlSM F$ B55mnd/1 B55mnd!1 EFS B 351"111"1111556 S EF24 IO~m EF2tP E o ) I) - 2 7 3 56 S IIdl I..,. USM J <6l EF c.sS-2SOnm f 4·561$ M E7 2 ml28lliUSM f4S'" I ']'i56ISUSM EF2a.
Canon E-9 Pmttfd ...
Canon •••
Just a snapshot? No it's a chance to take state-of-the-art pictures.
acro lenses let you approach small subjects and capture But that's not the only reason to use them. By making the most of Canon Macro Lenses, you can turn everyday scenes into dramatic photographs.
Contents 03 .03 Contents .04 Start enjoying your macro lens .20 Original ways to enJoy your photos .25 Learn more obout macro lenses .31 Canon's Macro Lens lineup .
r-----------------~----___,. L,;;,.....
Monday: "Afternoon teatime" Ho*tw"ult cAker w(tk hAr How 1I'.0",t " fA,,"n.., favoritt - !nt(t tII.rtf to"t;' wftk I"'f(;o~' k(w((1 .114~hrT(t' .. "..... n,e,_trr(c(! Wow .. omt 1II tlllfn, trtlllt (.. to Ill.
Stort enjoying your macro lens. Monday Afternoon leohme Draw fresh attention to everyday things with a Canon Macro Lens. If you think that macro lenses ore just for enlorging images of small subjects or taking extreme close-ups, think again. A macro lens shows close-up pictures of ordinary subjects - revealing on unknown world! For example, you can toke pictures of a colorful subject like a coke, using a blurred background for effect, and get striking professionol·looking results.
Tuesday: "Our Hero" rlo«rt Art MIt"It" 'lttiltl ''''''jtctf for ,rtAt ch",r r"" • .,t rkotol ,,,,(IiI for CJl'U"rlt. U'(M, " (AMIt l'liltcro LUL - It k'r r0rtr"rt look! It Htth .trfttrt"t' fro,," onH"iIIl"1 'MArf"otfJ w(tlo. "" A«'rJutflit "hi-rnt h.(.. ,ro~I1i.. Ht look' ltkt « ,nllt leffie fellow MOW J 40ff"' t ktr WOM't 07 "t • ,rutt '}M~ WktM lor ,row! \ltrr
Stort enloYlng your macro lens. Tuesday QUI ~el 0 Let the subject stand out clearly against a blurred background. Macro lenses are ideal for taking partroit photos. Since the subject stands aut crisply against a hazy background, you can capture the whale scene in an anractive image. To create a beautifully blurred background, just choose the Av made sening while keeping the aperture fully open (for example, f/2.8 or an even lower f/number, depending an your lensj.
Wednesday: "Home garden" A rn.ttlj f1o"ltr j1o"ltr rtt,,1 w(tio. ((""1 r",'" r",'" llrorltt{ .,Ufft.., after" ~ol1tf"lJ (Jo.owtr. .fter " ll,"t ~ol1tf"lJ .,U'ft"' ll,"t "10M'rt tMcI"'l.Itttt tMclul.ltttt ~'1 t1I({ '''''All ,.trlulift, ('"'1 ,I
Starl enloYlng your macro lens. Wednesday Home garden Natural ~ub;ect~ for macro shooting. Am 'ers reveal beautiful surprises. Rich color variations. Amazing natural paNerns. Flowers are the supreme subject of macro shooting, and the ideal way to learn the basics of macro techniques. Only the close-up power of micro photography is really capable of revealing the tiniest details of petals, pistil, and stamens.
Thursday: "Dad's study" D.tr t1-t '1tarf .. 1-lfI4l1'1 kttrfAAt{ "Mt IOM,-tTt.'''rti klirtoo"'" {mM to ,row 1M wort1l .. nj'itct(M, itt, (lfI40tlOM,,1 .. ttaclo.MltMt aC .. til a' t1t'l"MH Yo.. efl." ""t ttot ."'AL'", ,..,dnai'll of ".{(-"', ",,,(TO ''''OtlM, ' ' ck to cltrtltrt ttot '14H1t ""I"" of daH'e '''jtrtf - ftotrr .",r" 01 ""(",,.ritf. ".
Start enjoying your macro lens. Thundoy Dod1s study Antiques are fa cinating macro subject, revealing craftsmanship and color to a Canon Macro Lens. Why not toke pictures 01 family antiques, such as Dod's old watch or camero? You can make full advantage of macro capabilities for clear detail and sok blurring of unfocused fields, and also emphasize aged texture and quality feeling in your images.
Friday: "Our watchdog" Woof! Nt ."ft.f jMft 01'1(( At ftr", .. ,crf.. t~C" h.. ~tM"ttl':l ,tArtf t",n, It~' "'111ft to coMMt 0" for ,rowt(oM fro .... h"r,l"rf, \oII""i'", "" "''M IIlo4t "t 40t{ ('''n"k tlo.t ict'" wrtk v(Htor,. TkAt ~ I o~r frttMtl':l "WAfCUO,.
Star SiorlI enioylng your macro lens. Ffldoy Macro lenses take detailed portraits of pets from head to tail. When you spend a lot of time with pels, you'll notice a surprising range of facial expressions. Macro lens close-ups can capture these changing looks at just the right moments, for memorable images to save and treasure. Try taking detailed pet pictures of fur or different ports of Ihe body, using focus sellings different from ordinary snapshots.
Saturday: At the park" 11 h'ltctl chHttrh., - - Id'1"~"" It 1I10olt4(.., jlowtrhlll "..«trfHtl, clflt'OKfHtt \lM"'"~ I(vt' (M Yo~ Cit" w(f1,.o",t I 15 llro~H.cI It tfH'1 0rUI frACto \IlolHI "II t1o.t IllfftV(t11 '" «0.(( I( ,,"Aero It''I.
Star enloylng your macro Safurday Saturday lens. AI the park U e high magnification' to explore the hidden beauty and derail of in eelS, Use the zoom-in feature of Conan Macro lenses to photograph insects. You'll be amazed and captivated by the intricate structures and delicate textures against a beautiful natural background. Make full use of macro artistry to toke shots of this micro world! Insecr are sensirive to sound and morion.
Sunday: "Small world, big dreams" w., " To.".., lloUtl"''11 "h;' " COlt"" CAit't ovtr to "Iflt. 'Ilflt. Ht ~rot(, ... t ..." j"'Iorltt j"vontt to'1 - • c1aU(c ""h",,~rt car ,,"ocld tk"t t"~tf wlotrtl'tr Ne, tlreAW! " to ~t('" t1o.t rcal CAr iOMolttl,,'1 "t AMi franl .11 Wo"""'11 ~t 17 '10t( Olin tilt won' Ill; 'to I(kc to '0 tlrM", wit'" 10.(... {O\llj4tiA'1r "t ,ott.
• ( reate a \\orld of imagination and take pictuRs of It ea 11). Diorama shots usually require a lorge-scale photo setup, but it's easy with a macro lens. For instance, lust put a beautiful scenic photo In the background, and photograph a model against it. The photo looks like you're really there! Camera setting plays all important part in diorama photography. Seleci Selecl -Av Mode- for a camero exposure mode. Try shooling from one angle .
Change Picture Style to try monochrome pictures - a little different from color photos Conan digital SlR cameros make it possible to toke pictures in block and while or sepia tones. Monochrome (B/W) photography extends your shooting capobilities while preserving original detail. Just choose these options from the menu for easy set-up. SeHing methods IEOS REBEL T2i/550D) • • f r . • C'U 19 .'..
Photo lampshade Enjoy favorite pictures. illuminated by the flickering light of a candle flame. And you can also enjoy the fragrance of a scented candle. Needed: r I 21 I Print out a favorite photo and trim it to the some size as the outer circumference of a candleholder. Then roll the trimmed photo around the holder. You can choose any kind of favorite shot - flowers, landscapes, your child. or even your pel. Then enioy different moods by changing photo subjects.
• Recipe book - .. ,-.._-- ~ •• ". ,_ ,-.- ..r: ----• ..:t, .-.-..., - ..- • • ~~. '"': ,~. ~-- '---':....:::-- --~ oked and add a 1m e deeo (on [0 IOU ~e dl and eaI ~ of e lur 1'1 g aIln app e rak ongmal recipe ookbook rour hot. oon J ou /I hale a mme/ou l---.r-~-~ ur (0 b a tl\orite llh Our frIends N ee de d' You ve put oil your culinory skills dinner, into a delicious mOln Course for cok e ond ser ved 0 beoutifully dec oro ted for dessert. Wh y not loke speciol shots of AI"~ ...
Photo stand Mount photographs on cardboard folded in an accordion shape. Just tie with a suing and you have a portable photo stand! It's a unique present that friends wiIllove. Needed: r This stylish photo stond doubles os on olbum. You can mount many photos and put them an display, or carry the album around to shaw friends. To make it, simply fold stiff cardboard , into on accordion shope h,otor J I 23 I and decorate it with cloth and paper.
• Desktop calendar 09 _ .,. _ lIoo , 'p -$o'l 1 , 4"'la'k ~1JJ4.f'i~J) n'-Sltlt.l~ "'121"'" fter }OU collect a tack of fa\Orite photo, ju t mount th m on dated ~ards to create .10 original calendar. fh,ll \Va} ou can enJoy fa onte photo throughout the pa 109 \ear. ." Needed' ....... ....... ,,,"0(0 1 "l"l)'~ rim' oj (ottO" ftr'Mll. etc. . .., An attractive calendar " a u.eful item that'. 01.0 important in your daily life. To make one lu.t wnte date. and week.
USM +- Inne focus Benefits of Qu el fast aulafoeus achon W th 0 expon 10 0 controcl on 01 I e en p t ctl ns nVel"lent. r When you wonl 10 phologroph a 'moll animal or on ,",eel, it', impartanl 10 get cla,e qUietly without scaring the ,ubject.
Full-time manual focus Fine·tune the focus while in AF mode. Useful at times like these' MiJero photogrophy con on~ focus on 0 smoll moo. The impression do ~ cI10rges drorrdicoIy by moking 0 smol shift in !he focusing point. Use olOOfocus for quick focus, ond then tum !he focus ring.
• Tr pod mount r ng ~tlt tv n ,ke t e t Perhaps you shoot a horizontal camposilian, then feel like taking a similar photo ,n a vertical homing With a regular tripod, the subiect posilian through the viewfinder inevitably shifts and the photographer has to refocus hom the start. W,th a tnpod mount ring however. you can maintain the position of the subject in the viewfinder - for an easy. instant home change to a vertical. horizontal, or even on angled compositiao Terns W r I Trpod.\ re a r QYOxedd
Hybrid IS advantages Hybrid Image stabilizing technology is eHective in both macro and standard shooling Hybrid IS perle'l in vcr' u situali ,n In macro shooting, the closer you get to your subject, the mare likely you'll experience camera shake. Canan's new Hybrid IS changes all that. It's an advanced image stabilizing technalagy that lets you take clear, close-up macro photos, even in casual situations without a ~ipod where camero shake is likely.
• T S 0 Itob by -"9 the '«Id ng op CO _ :e e and W ~.oge H S? ngJe camero silo e ... by wdden _ "*" gle pholog'OPhY ~ angle camero e 10 '9 The Icon l"*" "'" e """ P ... ybnd s wodd s • o¢col "ll occu comero "'" • and eds them 'Nhile )nYen detects It mere shake wittI a or gyr 1"",""',.\x;Iy lene""',.\x;Iy """'" Hybrid S olio .... occeJeoot, """" 10 deleel camero...... 80... on 0""'0 """" _ by IWo sensors a newly ....
Canon's Macro Lens lineup Ideal comblnollon w,th EOS REBEl T2i/550D EF·S60mm f/2 8 Macro USM Et'IfO)' Et'IfOY macro sJ..oofing anyt me Wlfh e.llcel.enl quo ty tep4'odu
• EF OOrT"'! 1/2 8 Macro USM EFltlOmlT' 1/3.5 Macro USM EF50 'Il t/"/.
Useful info: Basics of macro photography This ratio expresses the relative size of the image, compared to the subject. T~e larger the mogr fICo! o~ ratIo Ihe larger 'he sublecl appears The mognj~colion roho indicoles the roho of imoge size captured on sensor or film to the octual size of the subject When using a magnification rolio of I., lor e.omple, the image coptu,ed on the sensor or film is the some size as the subiec!.
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Canon Your Guide to Better photos Flash Classroom ",em orClble moments at h . \ nolOS - ome captured in beClul1ful ~ ---~ -----
Day or night capture precious moments at home in natural-looking photos. Shoot beoutiful photos with 'elS'_ Accent the n4tur4l (" Clmbi'~:~:~ you.r ) ~ @ External flash empowers you with the means to dramatically improve photos. fry it and see everyday life transformed into rich. photogenic imagery. fhe essence of precious moments in time. preserved in vivid photos you will cherish for years. Delight and surprise with the magic of external flash.
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contentsJ My home '--''-''<'' / 03 Contents Oil flash techniques 25 Shooting tips 27 Recommended Canon Speedlites 28 Other flash functions \ ---~'~ "?; -::r .,-MY camero. Keys to Better flash Photography lhrn Flash IlOunCfd on MOO AIsh bounced otlllA' Bounce flash flash pointed directly at Q sub jett produces harsh. WlnQtural light. An tXttrnGl flosh lUlit. however. gives you the freedom to point flash at \NGlIs or ceilings to reflect (or ~b(M.lnce~) light from the flash.
Make your home photos shine. EaSY! Flash techniques ~ I'iZiIU Sumptuous cuisine ~ ...
My Home Photo . . @ Cuisine Three star cafe ShootIng d.lIti; Ef-S 60mm 112 8 ~ USM ·1/80 SIt. ·114 5· ISO 100' we AuIO Increase exposure compensation 10 give food a fresh look. Photographing food served on white dJshtS can produCl drab. anoppetiting results. To avotd thi$. simply incrt4SC oposurc cOmplnSCltion. Your food photos will havc instant _ I witII • fresh. ""'fIuGlIS loak.
ieatime, day or nighl! Side lighting gives food (1 r \ temptingly delicious look. When shoaling food and sweels. lighl from the side or diagonally from the bock. The flexibility afforded by external flash leIs you create Ihe charming ambience of a core terrace at teolime. even 01 night! lSuilt-in flash I p, v Dork. 9toom1 Nck9rouncl UMGtvral shadow _.A::'-_-' unclft' dish ~ like window light. bounce flash produces a 14'fout and ft4Sh positi n bright.
Off-cam.ra flash. gr.at lighting! KEY P011r11" fwo lights reveal the appetiting color and sheen of fine cuisine. freshl.,. cook.d food has a uniqu. sh••n Ihat adds 10 app.al. 10 captur. this look. tr'f using two flash units - on' for ov.rall brightn.ss and th. oth.r to produc. a nic. sh••n. Ev.n hom. dishes will look lik. cuisin. from a gr.al r.staurant! SIloot.-.g . . EHl"'S5trIa 113 ~!l.61S 01110 Nt..
M'/ 1I0"'~ Pholo @ CUISIne -i Built-in flash) pOln' nash at cutting boo.rd J Arrllng.m.nt lost in ITIIIddy colol1: rrll$h. apptfiting llpplCll miuirt9 ~ Add a tantaliling accent with the camera's built-in flash! Ldyout Qnd flash posit Bounc••xlernol flash 10 produc. Ih. ov.roll lighling. and us. Ih. camero's buill-in flash 10 odd a d.licious sh.en 10 marinades and olher dishes. If Ih.r. is no nearby wall. bounce exlernal flash off a while culling board.
My Home Photo . . @ Veranda I I Slovv life 5/lootJrlg dW. EF-S llJ.l:J5mm 113 5-5 615' llSO sec. '115.6 • ISO 100· WB.
~ Sub ject in shode. sunny ond bright! l r A little ingenuity is all it takes to create your own sunshine. Verondas filled with lush folioge look best in sunshine. Externol flosh provides the meanS to creote 0 sunlit atmosphere. giving shaded greenery 0 bright. refreshing look. -{ Built-in flash I flat. ortincial looking I,aves 14yout and flash position ~ Capture the feeling of natural sunlight with bounce flash! Add 0 feeling of bright sunlight by bouncing f10sh off 0 1'1011.
Close-ups of flowers. delicate and fine! ShoolIno dau EF-SIOrrn 112.1 Mco USN' O,IIe.
Io\y +10'" ,hoto . . @ Veranda t'§~ Enhance the beauty of flowers with the magic of light. Capluring Ihe nalural color and form of flora can be difficult when shooting close-ups. You can easily solve this problem by positioning the flash off-camera. [Built-in flash I , v No ~ n.sn d"!lO""lIj from back due to Clb$fnCeof I14turaHootift9 ......... flowm -nooti", irl air- due to block backgrouMl ~ Diagonal back lighting gives flowers a fresh.
Works of) art • SfIoobng daL EF-S la-l35mm 113.5-5 lIS '1/&0 _ 11....5 • ISO QI. WB MInuII Use bounce fl4Sh to shoot framed pictures. fr.'llfd pictarlS art diffie.1t to phologrGf'h with bailt-i. nash .... to 1;,IIt ,onocti", off tho 914$$0 Ioonc. flash avoids this probl'M, vastly ra.:ing distracmg ron-. O,j II(i, "l1i::1 ,,1.'..f!.
Light and shadow. \ stunning photos! I Create a digital scrapbook of kids' creati~e moments. Those precious creative gems that all children make Can disappear or become damaged over the years. A digital scrapbook containing photos of this very special artwork is a great way to preserve fond memories.
Arts and crafts. collector's edition! ~Gna.. Ef·SlI-1J5lMlIl3S-SIIS· loW). '1i,6'l$OlIOO'W8 Auto Combine external flash bounced off ceiling with built-in flash for large items. It"'" bounclld off tile ,tit;" creates soli light that ,....... brHd arlO. makin' it idlol for shoetin9 torgt it'MS or orron9f1lttnts of many SMail rttMs. Whtn used off~CGmlTo will> baill-in photos , _ to I~. will> vivid CUld • natural ..... aI dtptl>. _--_~ n""'.
""1 .,.. rho•• . . "o~b., Room • Showcase your finest creations around the world. Shoring photos of crafls on the web or collecting them in albums is a satisfying experience anyone can enjoy. A little extra attention to lighting is all it tokes to make crafls and artwork look their best. (Built-in flosh 1 v ~ Proper lighting is key to reolistic looking model photos. layout ond nosh position Position external flash off-camero and bounce off the ceiling. fa simulate sunset.
My Home Photo ~ @ Garden I Smile! >~ •.6.1- 0Ma. Ef SOmm V1811' 11250 SIC .1/5 6· ISO 800' WB AWl Combine bounce flClSh with built-in flClSh when photographing people indoors. Bocmcing "'1."..1 flash off the ceiling bol"" both peopl. and sarroondings in ..turdl-looking light similar to window light. In addijion. the camtrG's built~in nash creates a bright catch light in ..,.. for • INctv, "",gelic look.
r retching smiles. \ lovely backgrounds! Brighten facial expressions with external flash during the day! External flash can be used during the day for a wide variety of situations. such as eliminating shadows on a subject and brightening cute faces. rhe flexibility of external flash also lets you control background blur to frame smiling subjects. [Without flash 1 v Oart. f4'. del.
M)' Home photo . . @ Pets Adorable pets ~ SlllloItJe lSI&I EF-S I&-S5InnI v.l H' IS- 1150 _ - V.U-ISO 100 - WI . . Use external flash for enchanting aqWlrium shots. ,hotographin9 fish in (In aquarium with builHn nash is dork.lt due to 1i9ht rtflll
r Adoroble pets, \ soft ond cuddly! capture tne soft warmtn of adorable pets. Built-in flosh con't 'luite coplure the feel of your pet's soft. downy fur. But with external flosh, your pet photos come olive with 0 cuddly warmth you Can almost feel. ~ Bounce flash makes pet photos look more natural! Photogroph pets with bounce f10sh for photos thot show pets os cute ond lovoble as they ore in reol life.
My Mome Photo . . @ Private Room DaIl Ef-S ~ tr.! llAXro LlSIoI- 1150 lilt 21 Personal treasur 'IJ~ 5 -ISO 100' WI ....
r es Personal items. \ premium Look! .~ Side lighting accentuates metallic finish and adds depth. When shooting for blogs or online auctions, you'll wont products to look their best. Experiment with different lighting angles and see the difference a little extra effort makes. ISuilt-in flash 1 v btrrnl1l nosh f ell. Q flAsh diffll$rd with tread"g pClpff 110 Mtt4ltic 1ft'! (ab$ac. of rtflcHons). 110 depth ~ utility layout and makes product photography 0.
How to use off-camera flash I Canon Speedlites COn be connected to EOS cameros either wirelessly or via extension f10sh cord. fhis offers a great deal of fleXibility in choosing flosh plocement. the end result being easier creative expression and more beautiful photos! I Wireless Speedlites" The wireless capability of these Speedlites - when used with compatible EOS cameros - gives you a greot deal of freedom in flash plocement. expanding creative possibilities for stunning photographs.
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. .. . • ... . . . •• . Basic flash knowledge learn how to control brightness Adjust exposure compensation or flash intensity There are two ways to control brightness when shooting with flash: You can adjust either exposure compensation or flash intensity. Adjusting exposure compensation changes brightness over the entire photo. with the subject and background equally affected by any adjustments you make. On the other hand.
.. • . .. . • .. •• Eliminating shadows caused by strong backlight during the day oaylight sync and high-speed sync When photographing a strongly backlit subject or wh.n the subject is in shod. and you wont to ..oid background whit.out. use doylight sync. This us.s light from th. f10sh to bright.n shadows, .ffectively balancing subject and background brightness. Since most externIII flash units produce fairly strong light. they co.n reach distant subjects and allow uS, of huge f-numbers. However.
• . .... Other flash functions Slow sync This function uses a slow shutter speed with flash. The end result is a photo that combines a foreground lit by flash with a background lit using the scene's e.isting light, with both properly exposed. liotr. USt of 0 tripod is rccOlllrncnOtd to p1'fVltnf !JdckgrOCUld blur. Rear curtain sync and front curtain sync Slow sync can be used to express motion and has Iwo options. depending on Ihe Scene and type of movement.
,. Recommended Canon Speedlites Speedlites speedlite 580EX II canon's flogship flash un". Meets the d.monds of professionol photosroph.rs. • SIlt 76x137 x 117 mm/ 30 l 5 4 l 4 6 lOCh ('lcludJIIg Gust· mel cnp-proal adapler) • WetOht 405 gll4 3 Ol (apprOJl ucludlllQ ban,ry) • Power SOIltce Fool ""-SIll! alJca~ne, Irtl\lum or Nl-MH blllwes Speedlite 1I30EX II ~ I - I - .• Powerful unit provid.s ompl. IiSht. Supports wirel.ss use. • SIn nll 122 It 101 mmJ 2 ax u ...
.... .. . .. .. .. Recommended Canon Speedlites Accessories Speedlite Transmitter ST-E2 Allaches to EOS and allows wireless control of Speedlile S80EX II and Speedlile Q30EX II. liot.: EOS 70 aM EOS 600 MY' th. scm. runctionality builHn. Off-Camera Shoe Cord OC-E3 Allows an exlernal flash unit 10 be posilioned off-camera. Cord length is approx. 60 cml 2 fl.
•• • • . ~ \ Common household items make ~ great lighting accessories. When shooting with flash. try some of these common household items to heighten creative expression. Whit. culli"9 board and drawing p4per Colored cellophan. r r---I;""---fil----:~I ,Bounce f1cuh oFf oth'r $urfocts brstdn 0 wall or uiling. Simply bounet off 4 pilei of pol'''" or hI" 4 whit. cutting board. raper towel and tracing paper Colored ull",""'" Direct the flosh through colorld "Hophon. to simulot. th.
canon £·1 PmlId lit JacrrIll CTOol11l).
Ca.....on Dealer Record of Canon Purchase Fiche d'Achat our Concessionnaire Canon III Complete this card at time of sale. A remplir au moment de I'achat PRESENT OWNERSHIP AND PRODUCTS INTERESTED IN Articles deja en possession ou juges dignes d'interet CAMERAS APPAREILS -PHOTO (Camera) (Appareil) (Camera) (Appareil) INTERCHANGEABLE LENS Objectif interchangeable ~I I I I~I I I I I I I I I I I I I I I CANON U.S.A., INC.
Canon CANON@ EF Lens and Accessories Limited Warranty· For U.S.A. & Canada Only The limited warranty set forth below is given by Canon U.S.A" Inc. (Canon U.S.A.) in the United Slales or Canon Canada, Inc. (Canon Canada) in Canada with respecllo the Canon brand EF lens, as well as with respect to the accessories packaged with this limited warranty (collectively the "Products"), when purchased and used in the United States or Canada.
Canon Garantie Iimitee des pbjectifs EF et des accessoires de CANON@ Pour les Etats-Unis et Ie Canada seulement La pn!!senle garantie limilee est foumie par Canon U.S.A., Inc. (Canon U.S.A.) awe Etats-Unis ou Canon Canada. Inc. (Canon Canada) au Canada a regard des objeclils EF de marque Canon, des aceessoires garantie Iimitee s'applique livres (Nee cetle garantie limitee (collectivernentles " produits »), lorsqu'jls sont achet€s et utilises aUl( Etats-Unis ou au Canada.
REMARKS Canon U.S.A. You may obtain technical support for your Products as follows: -Internet support at www.usa.canon.com/support (E-mail support also available) -• Telephone assistance from a Canon U.S.A. Customer Care representative free of charge during regular business hours at 1·800·0K·CANON (1·800·652-2666). (1-800·652·2666). Canon Canada You may obtain technical support for your Producfs Products as follows: -Internet www.canon.
Ca-on ,.. CANON" EOS Digital Camera™ and Accessories Limited WarrantyFor U.S.A. & Canada Only The limited warranly set forth below is given by Canoo U.S.A., hIe. (Ganoo U,S.A.) in the United States or Canon Canada Inc. \Ganoo Canada) in Canada with respecllO the Canon brand EOS Digital Camera, as well as with respect 10 Ihe accessories packaged with Ittis limited warranty (collectively the ·Products·)'.
Canon Garant" hmltee des apparells photo numenques EOS Digital Camera' et des accessom de CANON Pour les Etats·Ums etle Canada seulement La Pfesente Qll.anlie Iim~ee ItS! loumie par Canon U.S,A.• tnc. (Canon U.S.A_) alii l:tats·Unis 011 Canon Canada Inc. (Canon Can.d3) au Canada ~ regard de rappare~ pIlOlO r'\I.III\&rique fOS de rTIIIfqUll Canon. des aeeessoires livre. avec cene II"fanlie 1imi18e (colklcliYement les· produits .r. ~'b 5OIl1 lIChotl!s III utilise aWl l:tats-Un.s au au Canada.
