HP Designjet Z3200ps Photo Printer Series - User Guide [English]
Table Of Contents
- Introduction
- Installing the software
- Personalizing the printer
- Turn the printer on and off
- Change the language of the front-panel display
- Access the HP Printer Utility
- Access the Embedded Web Server
- Change the language of the HP Printer Utility
- Change the language of the Embedded Web Server
- Password-protect the Embedded Web Server
- Set the date and time
- Change the sleep mode setting
- Turn the buzzer on and off
- Change the front-panel display contrast
- Change the units of measurement
- Configure network settings
- Change the graphic language setting
- Paper handling
- General advice
- Load a roll onto the spindle
- Load a roll into the printer
- Unload a roll
- Load a single sheet
- Unload a single sheet
- View information about the paper
- Paper presets
- Print on loaded paper
- Move the paper
- Maintain the paper
- Change the drying time
- Turn the automatic cutter on and off
- Feed and cut the paper
- Printing
- Create a print job
- Select print quality
- Select paper size
- Select margins options
- Print with shortcuts
- Rescale a print
- Preview a print
- Print a draft
- High-quality printing
- Print 16-bit color images
- Print in gray shades
- Print with no margins
- Rotate an image
- Print with crop lines
- Print on sheet paper
- Use paper economically
- Nest jobs to save roll paper
- Use ink economically
- Color management
- What is color?
- The problem: color in the computer world
- The solution: color management
- Color and your printer
- A summary of the color management process
- Color calibration
- Color profiling
- Color management options
- Perform black point compensation
- Set the rendering intent
- Color emulation
- HP Professional PANTONE Emulation
- Color adjustment options
- Color management scenarios
- Print a color photo for an exhibition (Photoshop, PS driver)
- Print a color photo for an exhibition (Photoshop, PCL3 driver)
- Print a black-and-white photo for an exhibition (Photoshop, PS driver)
- Print a black-and-white photo for an exhibition (Photoshop, PCL3 driver)
- Print a digital album (Aperture, PS driver)
- Print a digital album (Aperture, PCL3 driver)
- Proof the output on the monitor (InDesign, PS driver)
- Proof the output on the printer (QuarkXPress, PS driver)
- Job queue management
- Retrieving printer usage information
- Handling ink cartridges and printheads
- Maintaining the printer
- Accessories
- Troubleshooting paper issues
- The paper cannot be loaded successfully
- The paper type is not in the driver
- The paper has jammed
- Prints do not fall neatly into the basket
- The sheet stays in the printer when the print has been completed
- The paper is cut when the print has been completed
- The cutter does not cut well
- The roll is loose on the spindle
- A strip stays on the output tray and generates jams
- Recalibrate the paper advance
- Troubleshooting print-quality issues
- General advice
- Print quality troubleshooting wizard
- Horizontal lines across the image (banding)
- The whole image is blurry or grainy
- The paper is not flat
- The print is scuffed or scratched
- Ink marks on the paper
- Vertical dotted or dashed lines on the print
- Vertical continuous lines on the print
- Black ink comes off when you touch the print
- Edges of objects are stepped or not sharp
- Edges of objects are darker than expected
- Bronzing
- Horizontal lines at the end of a cut sheet print
- Vertical lines of different colors
- White spots on the print
- Colors are inaccurate
- The image is incomplete (clipped at the bottom)
- The image is clipped
- Some objects are missing from the printed image
- Lines are too thick, too thin or missing
- Lines appear stepped or jagged
- Lines print double or in the wrong colors
- Lines are discontinuous
- Lines are blurred
- The Image Diagnostics Print
- If you still have a problem
- Troubleshooting ink cartridge and printhead issues
- Troubleshooting general printer issues
- The printer does not print
- The printer seems slow
- Communication failures between computer and printer
- Cannot access the HP Printer Utility
- Some Color Center options are unavailable
- Cannot access the Embedded Web Server
- Automatic file system check
- No output when printing from Microsoft Visio 2003
- Unavailable driver features when printing from QuarkXPress
- Printer alerts
- Front-panel error messages
- HP Customer Care
- Printer specifications
- Glossary
- Index
To control the output of color imaging devices, the following color spaces are normally used:
●
RGB (Red, Green and Blue) is the color space typically used for additive devices. A color is
represented as a combination of specific quantities of red, green and blue colorants and all such
combinations address the range of colors (color gamut) of the chosen device.
NOTE: Subtractive devices can also be controlled using RGB data and, especially when you do
not require control over how you want to use your printer’s black ink, this is an efficient option.
●
CMYK (Cyan, Magenta, Yellow and Black) is the color space for subtractive devices, such as
printers or presses. A color is represented as a combination of cyan, magenta, yellow and black
(K) inks and all such combinations let you address the entire range of colors of the chosen device.
Both of these color spaces are only ways of controlling different color imaging devices and their values
do not describe colors directly. The same CMYK values, for example, will give different colors when
sent to different printers that use different inks and paper types. For example, consider a printer that
can use indoor inks or outdoor inks. The printer (hardware) is the same, but it has two different color
gamuts due to the different chemistry of the inks (dye-based versus pigmented). Furthermore, they need
to work with different paper types, as ink interaction with the paper depends on its chemistry. Thus, the
colors resulting from given CMYK values depend on the types of inks and papers that you use with a
printer. If this is the case using the same printer, you can easily imagine how different results can be
obtained with printers using different technologies and therefore using different ink chemistry.
The same happens with RGB-controlled devices. For example, imagine that two different monitors from
the same manufacturer have their white points at 9600 K and 6500 K respectively. Their colors are going
to be different because they will be related to a different white point reference. The situation is even
worse when comparing monitors from different manufacturers. As a recommendation, set the white point
of your monitor to 5000 K (also called D50), since this is the standard color temperature for the graphic
arts industries. If you dislike the appearance of D50 (you may find it too yellowish), the second choice
is to set the display to 6500 K (D65).
NOTE: The white point is the brightest neutral color that a device can reproduce or that is present in
an image. The human visual system automatically adapts to the content of an image with respect to its
white point.
Furthermore, an RGB image, such as an image obtained from a digital camera and edited on a monitor,
needs to be first converted to CMYK for a specific printer before printing. Unfortunately different devices
do not give access to the same color gamuts: there are some colors that can be shown on a display
that cannot be matched in print and vice versa. The following graphic illustrates how colors visible to
the human eye are greater than those reproduced by a typical display or printer using a specific paper
type and also how the color gamuts accessible using these two color imaging devices do not match
each other.
64 Chapter 6 Color management ENWW
Color management