User Manual

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Table Of Contents

Title Page
Disclaimer
Contact
Table of Contents
1 Welcome to MASCHINE!
- 1.1 Where to Start?
- 1.2 What’s New in MASCHINE 2.0?
- 1.3 Manual Conventions
  - 1.3.1 Unlabeled Buttons and Knobs on the MASCHINE STUDIO Controller
2 Basic Concepts
- 2.1 Names and Concepts You Should Know
- 2.2 Adjusting the MASCHINE User Interface
- 2.3 Common Operations
- 2.4 Stand-Alone and Plug-in Mode
- 2.5 Preferences
- 2.6 Audio and MIDI Settings
- 2.7 Integrating MASCHINE into Your MIDI Setup
- 2.8 Using Footswitches with Your MASCHINE STUDIO Controller
3 Browser
- 3.1 Browser Basics
  - 3.1.1 The MASCHINE Library
  - 3.1.2 Browsing the Library vs. Browsing Your Hard Disks
- 3.2 Searching and Loading Files from the Library
- 3.3 Additional Browsing Tools
- 3.4 Editing the Files’ Tags and Properties
- 3.5 Loading and Importing Files from Your File System
- 3.6 Locating Missing Samples
- 3.7 Using Quick Browse
  - 3.7.1 Using Quick Browse on the MASCHINE STUDIO Controller
4 Managing Sounds, Groups, and Your Project
- 4.1 Overview of the Sounds, Groups, and Master
- 4.2 Managing Sounds
- 4.3 Managing Groups
- 4.4 Exporting MASCHINE Objects and Audio
- 4.5 Importing Third-Party File Formats
  - 4.5.1 Loading REX Files into Sound Slots
  - 4.5.2 Importing MPC Programs to Groups
5 Playing on Your Controller
- 5.1 Adjusting Your Pads
- 5.2 Playing Tools
6 Working with Plug-ins
- 6.1 Plug-in Overview
- 6.2 The Sampler Plug-in
- 6.3 Using Native Instruments and External Plug-ins
7 Working with Patterns
- 7.1 Pattern Basics
- 7.2 Recording Patterns in Real Time
- 7.3 Recording Patterns with the Step Sequencer
- 7.4 Editing Events
- 7.5 Recording and Editing Modulation
- 7.6 Creating MIDI Tracks from Scratch in MASCHINE
- 7.7 Managing Patterns
- 7.8 Importing/Exporting Audio and MIDI to/from Patterns
8 Audio Routing, Remote Control, and Macro Controls
- 8.1 Audio Routing in MASCHINE
- 8.2 Using MIDI Control and Host Automation
- 8.3 Creating Custom Sets of Parameters with the Macro Controls
  - 8.3.1 Macro Control Overview
    - 8.3.1.1 Macro Control Shortcut on the MASCHINE STUDIO Controller
  - 8.3.2 Assigning Macro Controls
9 Controlling Your Mix
- 9.1 Mix View Basics
  - 9.1.1 Switching between Arrange View and Mix View
    - 9.1.1.1 Switching between Arrange View and Mix View on the MASCHINE STUDIO Controller
  - 9.1.2 Mix View Elements
- 9.2 The Mixer
- 9.3 The Plug-in Chain
- 9.4 The Plug-in Strip
- 9.5 Controlling Your Mix from Your Controller
10 Using the Drumsynths
- 10.1 Drumsynths – General Handling
- 10.2 The Kicks
- 10.3 The Snares
- 10.4 The Hi-hats
- 10.5 The Toms
- 10.6 The Percussions
11 Using Effects
- 11.1 Applying Effects to a Sound, a Group or the Master
- 11.2 Applying Effects to External Audio
- 11.3 Creating a Send Effect
- 11.4 Creating Multieffects
12 Effect Reference
- 12.1 Dynamics
- 12.2 Filtering Effects
  - 12.2.1 EQ
  - 12.2.2 Filter
- 12.3 Modulation Effects
- 12.4 Spatial and Reverb Effects
- 12.5 Delays
- 12.6 Distortion Effects
13 Creating a Song Using Scenes
- 13.1 Arranger Basics
- 13.2 Managing Scenes
- 13.3 Playing with Scenes
  - 13.3.1 Selecting a Loop Range
    - 13.3.1.1 Selecting a Loop Range on the MASCHINE STUDIO Controller
  - 13.3.2 Jumping to Other Scenes
    - 13.3.2.1 Adjusting the Perform Grid on Your Controller
    - 13.3.2.2 Adjusting the Retrigger Setting on the MASCHINE STUDIO Controller
- 13.4 Triggering Scenes via MIDI (MASCHINE Plug-in Only)
14 Sampling and Sample Mapping
- 14.1 Opening the Sample Editor
  - 14.1.1 Entering Sampling Mode on Your Controller
- 14.2 Recording a Sample
- 14.3 Editing a Sample
  - 14.3.1 Using the Edit Page
    - 14.3.1.1 Using the EDIT Page on Your Controller
  - 14.3.2 Audio Editing Functions
    - 14.3.2.1 Audio Editing Functions on Your Controller
- 14.4 Slicing a Sample
- 14.5 Mapping Samples to Zones
15 Troubleshooting – Getting Help
- 15.1 Troubleshooting
- 15.2 Getting Help
16 Appendix: Tips for Playing Live
- 16.1 Preparations
- 16.2 Basic Techniques
- 16.3 Special Tricks
17 Glossary
Index

4. If you want to bypass a Plug-in of a Sound, press Button 3 to select the SOUND tab, select

its parent Group as described in the previous step, and press SELECT + the pad of that

Sound (or simply hit its pad if pads are in Group mode).

5. Press Button 5/6 to select the desired Plug-in slot.

The name of the selected Plug-in appears in the field between the left and right arrows

under Button 5 and 6. If there are no Plug-ins in the channel this will read EMPTY.

6. Press SHIFT + Button 7 (BYPASS) above the right display to bypass the selected Plug-in

slot.

→

The Plug-in is bypassed and does not affect the sound anymore. In the left display the

Plug-in icon and name are grayed out. When you hold SHIFT, Button 7 is fully lit and the

BYPASS label on the right display is highlighted to indicate that this Plug-in slot is now by-

passed:

Use the same method to unmute the effect:

►

To unmute the effect, press SHIFT + the lit Button 7 (BYPASS).

In most cases the first Plug-in slot contains an Instrument Plug-in (e.g., a Sampler). Be

careful: bypassing the slot will mute the whole Sound!

6.1.6 Using Side-Chain

Some Plug-ins provide side-chaining. This allows you to control their influence on the audio via

another audio signal sent to their secondary, side-chain input. This extra routing feature is de-

scribed in details in section ↑11.1.3, Using the Side-Chain Input.

Working with Plug-ins

Plug-in Overview

MASCHINE STUDIO - Manual - 216