User Manual

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Table Of Contents

Title Page
Disclaimer
Contact
Table of Contents
1 Welcome to MASCHINE!
- 1.1 Where to Start?
- 1.2 What’s New in MASCHINE 2.0?
- 1.3 Manual Conventions
  - 1.3.1 Unlabeled Buttons and Knobs on the MASCHINE STUDIO Controller
2 Basic Concepts
- 2.1 Names and Concepts You Should Know
- 2.2 Adjusting the MASCHINE User Interface
- 2.3 Common Operations
- 2.4 Stand-Alone and Plug-in Mode
- 2.5 Preferences
- 2.6 Audio and MIDI Settings
- 2.7 Integrating MASCHINE into Your MIDI Setup
- 2.8 Using Footswitches with Your MASCHINE STUDIO Controller
3 Browser
- 3.1 Browser Basics
  - 3.1.1 The MASCHINE Library
  - 3.1.2 Browsing the Library vs. Browsing Your Hard Disks
- 3.2 Searching and Loading Files from the Library
- 3.3 Additional Browsing Tools
- 3.4 Editing the Files’ Tags and Properties
- 3.5 Loading and Importing Files from Your File System
- 3.6 Locating Missing Samples
- 3.7 Using Quick Browse
  - 3.7.1 Using Quick Browse on the MASCHINE STUDIO Controller
4 Managing Sounds, Groups, and Your Project
- 4.1 Overview of the Sounds, Groups, and Master
- 4.2 Managing Sounds
- 4.3 Managing Groups
- 4.4 Exporting MASCHINE Objects and Audio
- 4.5 Importing Third-Party File Formats
  - 4.5.1 Loading REX Files into Sound Slots
  - 4.5.2 Importing MPC Programs to Groups
5 Playing on Your Controller
- 5.1 Adjusting Your Pads
- 5.2 Playing Tools
6 Working with Plug-ins
- 6.1 Plug-in Overview
- 6.2 The Sampler Plug-in
- 6.3 Using Native Instruments and External Plug-ins
7 Working with Patterns
- 7.1 Pattern Basics
- 7.2 Recording Patterns in Real Time
- 7.3 Recording Patterns with the Step Sequencer
- 7.4 Editing Events
- 7.5 Recording and Editing Modulation
- 7.6 Creating MIDI Tracks from Scratch in MASCHINE
- 7.7 Managing Patterns
- 7.8 Importing/Exporting Audio and MIDI to/from Patterns
8 Audio Routing, Remote Control, and Macro Controls
- 8.1 Audio Routing in MASCHINE
- 8.2 Using MIDI Control and Host Automation
- 8.3 Creating Custom Sets of Parameters with the Macro Controls
  - 8.3.1 Macro Control Overview
    - 8.3.1.1 Macro Control Shortcut on the MASCHINE STUDIO Controller
  - 8.3.2 Assigning Macro Controls
9 Controlling Your Mix
- 9.1 Mix View Basics
  - 9.1.1 Switching between Arrange View and Mix View
    - 9.1.1.1 Switching between Arrange View and Mix View on the MASCHINE STUDIO Controller
  - 9.1.2 Mix View Elements
- 9.2 The Mixer
- 9.3 The Plug-in Chain
- 9.4 The Plug-in Strip
- 9.5 Controlling Your Mix from Your Controller
10 Using the Drumsynths
- 10.1 Drumsynths – General Handling
- 10.2 The Kicks
- 10.3 The Snares
- 10.4 The Hi-hats
- 10.5 The Toms
- 10.6 The Percussions
11 Using Effects
- 11.1 Applying Effects to a Sound, a Group or the Master
- 11.2 Applying Effects to External Audio
- 11.3 Creating a Send Effect
- 11.4 Creating Multieffects
12 Effect Reference
- 12.1 Dynamics
- 12.2 Filtering Effects
  - 12.2.1 EQ
  - 12.2.2 Filter
- 12.3 Modulation Effects
- 12.4 Spatial and Reverb Effects
- 12.5 Delays
- 12.6 Distortion Effects
13 Creating a Song Using Scenes
- 13.1 Arranger Basics
- 13.2 Managing Scenes
- 13.3 Playing with Scenes
  - 13.3.1 Selecting a Loop Range
    - 13.3.1.1 Selecting a Loop Range on the MASCHINE STUDIO Controller
  - 13.3.2 Jumping to Other Scenes
    - 13.3.2.1 Adjusting the Perform Grid on Your Controller
    - 13.3.2.2 Adjusting the Retrigger Setting on the MASCHINE STUDIO Controller
- 13.4 Triggering Scenes via MIDI (MASCHINE Plug-in Only)
14 Sampling and Sample Mapping
- 14.1 Opening the Sample Editor
  - 14.1.1 Entering Sampling Mode on Your Controller
- 14.2 Recording a Sample
- 14.3 Editing a Sample
  - 14.3.1 Using the Edit Page
    - 14.3.1.1 Using the EDIT Page on Your Controller
  - 14.3.2 Audio Editing Functions
    - 14.3.2.1 Audio Editing Functions on Your Controller
- 14.4 Slicing a Sample
- 14.5 Mapping Samples to Zones
15 Troubleshooting – Getting Help
- 15.1 Troubleshooting
- 15.2 Getting Help
16 Appendix: Tips for Playing Live
- 16.1 Preparations
- 16.2 Basic Techniques
- 16.3 Special Tricks
17 Glossary
Index

Parameter Description

STRETCH section

TUNE

Adjusts the detuning (pitch shifting) to be applied (in semitones and cents). Leave

this value to 0.00 to leave the original pitch untouched.

FORMANT C

(Formant Correction)

Enables/disables the formant correction. Formant correction allows the pitch-shif-

ted audio to retain the timbre (or “color”) of the original audio as much as possi-

ble. This is especially useful for melodic instruments.

MODE

Selects from the two available time shifting modes.

BEAT: In Beat mode, the new tempo is defined relative to the time signature (the

beats and bars) of the original audio. This can be useful if you sampled a loop

with a clearly defined rhythm (e.g., a drum loop).

FREE: In Free mode, the new tempo is defined independently from the time signa-

ture of the source. This is more suited for non-rhythmic Samples. In this mode on-

ly one parameter is available: SPEED (see below).

AUTO DTCT

(Auto Detection, Beat

mode only)

If AUTO DTCT (Auto Detection) is enabled, MASCHINE automatically detects the

tempo of the original audio.

SRC BPM

(Source BPM, Beat

mode only)

SRC BPM (Source BPM) allows to define the tempo of the original audio (in BPM).

This tempo is defined in different ways according to the AUTO DTCT value:

If AUTO DTCT is enabled, you can set the length (in bars) of the original audio. You

can choose between 1/2, 1, and 2 bars. The number between brackets indicates

the resulting tempo (in BPM) derived from the number of bars you have set and

the computed tempo value.

If AUTO DTCT is disabled, you can directly define the tempo of the original audio (in

BPM).

NEW BPM

(Beat mode only)

Defines the target tempo of the time-shifted audio (in BPM).

Sampling and Sample Mapping

Editing a Sample

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