User Manual
Table Of Contents
- Title Page
- Disclaimer
- Contact
- Table of Contents
- 1 Welcome to MASCHINE!
- 2 Basic Concepts
- 2.1 Names and Concepts You Should Know
- 2.2 Adjusting the MASCHINE User Interface
- 2.3 Common Operations
- 2.4 Stand-Alone and Plug-in Mode
- 2.5 Preferences
- 2.6 Audio and MIDI Settings
- 2.7 Integrating MASCHINE into Your MIDI Setup
- 2.8 Using Footswitches with Your MASCHINE STUDIO Controller
- 3 Browser
- 3.1 Browser Basics
- 3.2 Searching and Loading Files from the Library
- 3.3 Additional Browsing Tools
- 3.4 Editing the Files’ Tags and Properties
- 3.5 Loading and Importing Files from Your File System
- 3.6 Locating Missing Samples
- 3.7 Using Quick Browse
- 4 Managing Sounds, Groups, and Your Project
- 4.1 Overview of the Sounds, Groups, and Master
- 4.2 Managing Sounds
- 4.3 Managing Groups
- 4.4 Exporting MASCHINE Objects and Audio
- 4.5 Importing Third-Party File Formats
- 5 Playing on Your Controller
- 6 Working with Plug-ins
- 6.1 Plug-in Overview
- 6.1.1 Plug-in Basics
- 6.1.2 First Plug-in Slot of Sounds: Choosing the Sound’s Role
- 6.1.3 Loading, Removing, and Replacing a Plug-in
- 6.1.4 Adjusting the Plug-in Parameters
- 6.1.5 Bypassing Plug-in Slots
- 6.1.6 Using Side-Chain
- 6.1.7 Moving Plug-ins
- 6.1.8 Alternative: the Plug-in Strip
- 6.1.9 Saving and Recalling Plug-in Presets
- 6.2 The Sampler Plug-in
- 6.3 Using Native Instruments and External Plug-ins
- 6.1 Plug-in Overview
- 7 Working with Patterns
- 7.1 Pattern Basics
- 7.1.1 Pattern Editor Overview
- 7.1.2 Navigating the Event Area
- 7.1.3 Following the Playback Position in the Pattern
- 7.1.4 Jumping to Another Playback Position in the Pattern
- 7.1.5 Group View and Keyboard View
- 7.1.6 Adjusting the Pattern Grid and the Pattern Length
- 7.1.7 Adjusting the Step Grid and the Nudge Grid
- 7.2 Recording Patterns in Real Time
- 7.3 Recording Patterns with the Step Sequencer
- 7.4 Editing Events
- 7.5 Recording and Editing Modulation
- 7.6 Creating MIDI Tracks from Scratch in MASCHINE
- 7.7 Managing Patterns
- 7.8 Importing/Exporting Audio and MIDI to/from Patterns
- 7.1 Pattern Basics
- 8 Audio Routing, Remote Control, and Macro Controls
- 9 Controlling Your Mix
- 10 Using the Drumsynths
- 11 Using Effects
- 11.1 Applying Effects to a Sound, a Group or the Master
- 11.2 Applying Effects to External Audio
- 11.3 Creating a Send Effect
- 11.4 Creating Multieffects
- 12 Effect Reference
- 13 Creating a Song Using Scenes
- 13.1 Arranger Basics
- 13.2 Managing Scenes
- 13.3 Playing with Scenes
- 13.4 Triggering Scenes via MIDI (MASCHINE Plug-in Only)
- 14 Sampling and Sample Mapping
- 14.1 Opening the Sample Editor
- 14.2 Recording a Sample
- 14.3 Editing a Sample
- 14.4 Slicing a Sample
- 14.5 Mapping Samples to Zones
- 15 Troubleshooting – Getting Help
- 16 Appendix: Tips for Playing Live
- 17 Glossary
- Index
▪ Context menu: Right-click (Mac OS X: [Ctrl]-click) anywhere in a Slice to open a context
menu with the following commands:
Command Description
Open containing folder Opens the folder on your hard disk containing the Sample, providing quick ac-
cess to the original file.
Save Sample As… Opens a Save Sample As dialog allowing to save the Slice under as a distinct file
on your computer.
By default, you can adjust Slices with your mouse as follows:
▪ Click inside a Slice (i.e. anywhere between its borders) to play it back on the Cue bus (see
section ↑9.2.6, Using the Cue Bus for more information).
▪ Drag the borders of a Slice to adjust them. You have two possibilities:
◦ If the end point of the previous Slice and the start point of the next Slice are joined,
drag the border’s vertical line to move both the end point of the previous Slice and the
start point of the next Slice together, so that both Slices stay joined.
◦ Drag the little “S” (or “E”) marker at the bottom of the vertical line to move the start
(or end) point of a Slice independently of the end (or start) point of the previous (or
next) Slice. If you want this border to stick again with that of the previous (or next)
Slice, drag the vertical line (instead of the “S”/“E” marker) toward that of the previ-
ous (or next) Slice.
By moving the start and end points of Slices independently, you can create overlapping Sli-
ces or gaps between Slices.
These default mouse actions are valid only if the SLICE and REMOVE buttons are disabled in
the edit tools (5). Enabling any of them provides alternative mouse controls described below.
(2) Zooming scroll bar
Click the main part of the scroll bar and drag your mouse horizontally to scroll through the
waveform on the horizontal axis (time), or drag it vertically to zoom in/out on this time axis.
You can also click the left or right handle of the scroll bar and drag it horizontally to zoom in/
out while keeping the opposite border of the display at a fix position in the waveform. Double-
click the main part of the bar to reset the zoom and display the entire waveform. Alternatively
you can use the scroll wheel of your mouse when hovering the waveform display (1) to zoom in/
out.
Sampling and Sample Mapping
Slicing a Sample
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