User's Manual

ManualsBrandsNative Instruments ManualsComputer AudioKOMPLETE KONTROL S61 MK2 61-Key Controller for KOMPLETE

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Table Of Contents

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Table of Contents
1. Disclaimer
2. Welcome to KOMPLETE KONTROL
- 2.1. Document Conventions
- 2.2. New Features in KOMPLETE KONTROL 2.1.6
- 2.3. New Features in KOMPLETE KONTROL 2.1.3
- 2.4. New Features in KOMPLETE KONTROL 2.1.0
- 2.5. Box Contents
- 2.6. System Requirements
- 2.7. Accessibility
3. The KOMPLETE KONTROL Workflow
4. Setting up KOMPLETE KONTROL
- 4.1. Connecting the Keyboard to the Computer
- 4.2. Setting up the Stand-Alone Application
- 4.3. Setting up Host Integration
- 4.4. Connecting Pedals to the Keyboard
- 4.5. Connecting External MIDI Equipment to the Keyboard
5. Software Overview
- 5.1. Header
- 5.2. Browser
- 5.3. Perform Panel
- 5.4. Plug-in Panel
- 5.5. Plug-in Chain Panel
- 5.6. MIDI Assignment Editor
- 5.7. Plug-in Area
- 5.8. Sampler Plug-In
  - 5.8.1. Envelopes
- 5.9. Audio Plug-In
6. Keyboard Overview
- 6.1. Perform and Edit Section
- 6.2. Transport Section
- 6.3. Control Section
- 6.4. Mode Buttons
- 6.5. 4-D Encoder
- 6.6. Keybed and Light Guide
- 6.7. Touch Strip
- 6.8. Transpose and Fixed Velocity Buttons
7. Global Controls and Preferences
- 7.1. Instrument Views
- 7.2. Switching Instances
- 7.3. Transport and Tempo
  - 7.3.1. Resetting the Clock
  - 7.3.2. Adjusting Tempo
- 7.4. Adjusting Master Volume
- 7.5. Preferences
- 7.6. Keyboard Settings
- 7.7. Loading a Plug-in in Default State
8. MIDI Communication
- 8.1. Mapping MIDI Controls to Third-Party Controllers
- 8.2. Host Automation
  - 8.2.1. Recording Automation
  - 8.2.2. Automation IDs for the Perform Panel
- 8.3. Using the Keyboard in MIDI Mode
- 8.4. Using the Keyboard as Stand-Alone MIDI Controller
9. Using the MIDI Assignment Editor
- 9.1. The Mapping System
- 9.2. Opening the MIDI Assignment Editor
- 9.3. Assigning MIDI Messages to Control Elements
- 9.4. Renaming Control Elements
- 9.5. Creating a New MIDI Template
- 9.6. Renaming MIDI Templates
- 9.7. Creating Key Zones
- 9.8. MIDI Message Types and Assignments
10. Host Integration
- 10.1. Integration with MASCHINE
  - 10.1.1. Basic Control Functions
  - 10.1.2. Advanced Integration Control Functions
- 10.2. Integration with Apple Logic Pro X and GarageBand
- 10.3. Integration with Ableton Live
- 10.4. Integration with Steinberg Cubase and Nuendo
- 10.5. Integration with PreSonus Studio One
- 10.6. Integration with Hosts using MCU Protocol
11. Browsing the Library
- 11.1. Browser Basics
- 11.2. Opening the Browser
- 11.3. Loading Preset Files
- 11.4. Choosing Between Factory Content and User Content
- 11.5. Filtering Preset Files by Product
- 11.6. Filtering Preset Files by Bank
- 11.7. Resetting the Product Selection
- 11.8. Types and Characters Tags
  - 11.8.1. Filtering Preset Files by Types and Characters
  - 11.8.2. Selecting Multiple Tags from the Same Level
- 11.9. Working with Favorites
- 11.10. Performing a Text Search
- 11.11. Displaying Preset File Information
- 11.12. Auditioning your Preset Files
12. Working with Effects
- 12.1. Opening the Plug-in Chain Panel
- 12.2. Adding Effects
- 12.3. Selecting Plug-in Slots
- 12.4. Reordering Effects
- 12.5. Scrolling the Plug-in Chain
- 12.6. Bypassing Effects
- 12.7. Removing Effects
13. Working with Loops and One-Shot Samples
- 13.1. Sampler Plug-In and Audio Plug-In Use Cases
- 13.2. Loading One-Shot Samples and Loops
- 13.3. Opening the Audio Plug-In or Sampler Plug-In
- 13.4. Switching between the Audio Plug-In and the Sampler Plug-In
- 13.5. Playback Behavior of Audio Plug-In in Host Software
14. Managing the Library
- 14.1. Saving Preset Files to the User Library
- 14.2. Deleting User Preset Files from the User Library
- 14.3. Editing the Tags and Properties of User Preset Files
- 14.4. Syncing Multiple Instances
- 14.5. Working with the Files Pane
- 14.6. Loading VST Plug-ins
- 14.7. Installing NKS Instruments
- 14.8. Importing KOMPLETE KONTROL-Compatible User Files
15. Controlling Instrument, Loop, One-shot and Effect Parameters
- 15.1. About Pre-Mapped Instruments, Loops, One-shots and Effects
- 15.2. Adjusting Parameters
- 15.3. Switching Parameter Pages
- 15.4. Customizing Parameter Mappings using the Plug-in Panel
16. Smart Play – Playing and Editing Scales and Chords
- 16.1. A Note about Music Theory
- 16.2. Activating the Scale Engine
- 16.3. Selecting and Playing a Scale
- 16.4. Playing Chords
- 16.5. Editing Scales and Chords
- 16.6. Setting the SCALE Parameters
  - 16.6.1. SCALE Root Note
  - 16.6.2. SCALE Bank and Type
- 16.7. Setting the KEY MODE Parameter
- 16.8. Setting the CHORD Parameters
17. Smart Play – Playing and Editing Arpeggiator Sequences
- 17.1. Playing Arpeggiator Sequences
- 17.2. Using a Sustain Pedal to Control the Arpeggiator
- 17.3. Using Arpeggiator Snapshots on the Keyboard
- 17.4. Editing the Arpeggiator
- 17.5. MAIN Parameters
  - 17.5.1. MAIN Mode
  - 17.5.2. MAIN Type
- 17.6. RHYTHM Parameters
- 17.7. OTHER Parameters
- 17.8. ADVANCED Parameters
- 17.9. RANGE Parameters
  - 17.9.1. RANGE Min. Key
  - 17.9.2. RANGE Max. Key
- 17.10. HOLD Parameter
18. Envelopes

17.8.2. ADVANCED Repeat

The second ADVANCED parameter, Repeat, is only available in Arp mode. On the keyboard, it is

mapped to Knob 2 of the Control section when page 2 is selected in Arp Edit mode. Repeat sets a

number by which each step in the arpeggiator sequence is repeated.

For example:

• If the arpeggiator sequence consists of a 3 note cycle (1 - 2 - 3) and Repeat is set to 3, the

Arpeggiator output is 1 - 1 - 1 - 2 - 2 - 2 - 3 - 3 - 3 - repeat.

17.8.3. ADVANCED Offset

The third ADVANCED parameter, Offset, is only available in Arp mode. On the keyboard, it is

mapped to Knob 3 of the Control section when page 2 is selected in Arp Edit mode. Offset sets a

number by which the steps in the arpeggiator sequence are shifted in the cycle.

For example:

• If the arpeggiator sequence consists of a 5 note cycle (1 - 2 - 3 - 4 - 5) and Offset is set to 0,

the Arpeggiator output is 1 - 2 - 3 - 4 - 5 - repeat.

• If the arpeggiator sequence consists of a 5 note cycle (1 - 2 - 3 - 4 - 5) and Offset is set to +1,

the Arpeggiator output is 2 - 3 - 4 - 5 - 1 - repeat.

• If the arpeggiator sequence consists of a 5 note cycle (1 - 2 - 3 - 4 - 5) and Offset is set to -1,

the Arpeggiator output is 5 - 1 - 2 - 3 - 4 - repeat.

17.8.4. ADVANCED Inversion

The fourth ADVANCED parameter, Inversion, is only available in Arp mode. On the keyboard, it

is mapped to Knob 4 of the Control section when page 2 is selected in Arp Edit mode. Inversion

adds inverted alternations of the arpeggiator sequence to the cycle.

For example:

• If the arpeggiator sequence consists of a 3 note cycle (1 - 2 - 3), Type is set to Up, and Inver-

sion is set to 0, the Arpeggiator output is 1 - 2 - 3 - repeat.

• If the arpeggiator sequence consists of a 3 note cycle (1 - 2 - 3), Type is set to Up, and Inver-

sion is set to 1, the Arpeggiator output is 1 - 2 - 3 - 2 - 3 - repeat.

• If the arpeggiator sequence consists of a 3 note cycle (1 - 2 - 3), Type is set to Up, and Inver-

sion is set to 2, the Arpeggiator output is 1 - 2 - 3 – (2 - 3 - 1 octave up) - (3 - 1 - 2 octave up) -

repeat.

17.9. RANGE Parameters

The RANGE parameters Min. Key and Max. Key allow you to change the range of keys that trig-

ger the arpeggiator sequence.

Smart Play – Playing and Editing Arpeggiator Sequences

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