User's Manual

ManualsBrandsNative Instruments ManualsComputer AudioKOMPLETE KONTROL S61 MK2 61-Key Controller for KOMPLETE

Table Of Contents

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Table of Contents
1. Disclaimer
2. Welcome to KOMPLETE KONTROL
- 2.1. Document Conventions
- 2.2. New Features in KOMPLETE KONTROL 2.1.6
- 2.3. New Features in KOMPLETE KONTROL 2.1.3
- 2.4. New Features in KOMPLETE KONTROL 2.1.0
- 2.5. Box Contents
- 2.6. System Requirements
- 2.7. Accessibility
3. The KOMPLETE KONTROL Workflow
4. Setting up KOMPLETE KONTROL
- 4.1. Connecting the Keyboard to the Computer
- 4.2. Setting up the Stand-Alone Application
- 4.3. Setting up Host Integration
- 4.4. Connecting Pedals to the Keyboard
- 4.5. Connecting External MIDI Equipment to the Keyboard
5. Software Overview
- 5.1. Header
- 5.2. Browser
- 5.3. Perform Panel
- 5.4. Plug-in Panel
- 5.5. Plug-in Chain Panel
- 5.6. MIDI Assignment Editor
- 5.7. Plug-in Area
- 5.8. Sampler Plug-In
  - 5.8.1. Envelopes
- 5.9. Audio Plug-In
6. Keyboard Overview
- 6.1. Perform and Edit Section
- 6.2. Transport Section
- 6.3. Control Section
- 6.4. Mode Buttons
- 6.5. 4-D Encoder
- 6.6. Keybed and Light Guide
- 6.7. Touch Strip
- 6.8. Transpose and Fixed Velocity Buttons
7. Global Controls and Preferences
- 7.1. Instrument Views
- 7.2. Switching Instances
- 7.3. Transport and Tempo
  - 7.3.1. Resetting the Clock
  - 7.3.2. Adjusting Tempo
- 7.4. Adjusting Master Volume
- 7.5. Preferences
- 7.6. Keyboard Settings
- 7.7. Loading a Plug-in in Default State
8. MIDI Communication
- 8.1. Mapping MIDI Controls to Third-Party Controllers
- 8.2. Host Automation
  - 8.2.1. Recording Automation
  - 8.2.2. Automation IDs for the Perform Panel
- 8.3. Using the Keyboard in MIDI Mode
- 8.4. Using the Keyboard as Stand-Alone MIDI Controller
9. Using the MIDI Assignment Editor
- 9.1. The Mapping System
- 9.2. Opening the MIDI Assignment Editor
- 9.3. Assigning MIDI Messages to Control Elements
- 9.4. Renaming Control Elements
- 9.5. Creating a New MIDI Template
- 9.6. Renaming MIDI Templates
- 9.7. Creating Key Zones
- 9.8. MIDI Message Types and Assignments
10. Host Integration
- 10.1. Integration with MASCHINE
  - 10.1.1. Basic Control Functions
  - 10.1.2. Advanced Integration Control Functions
- 10.2. Integration with Apple Logic Pro X and GarageBand
- 10.3. Integration with Ableton Live
- 10.4. Integration with Steinberg Cubase and Nuendo
- 10.5. Integration with PreSonus Studio One
- 10.6. Integration with Hosts using MCU Protocol
11. Browsing the Library
- 11.1. Browser Basics
- 11.2. Opening the Browser
- 11.3. Loading Preset Files
- 11.4. Choosing Between Factory Content and User Content
- 11.5. Filtering Preset Files by Product
- 11.6. Filtering Preset Files by Bank
- 11.7. Resetting the Product Selection
- 11.8. Types and Characters Tags
  - 11.8.1. Filtering Preset Files by Types and Characters
  - 11.8.2. Selecting Multiple Tags from the Same Level
- 11.9. Working with Favorites
- 11.10. Performing a Text Search
- 11.11. Displaying Preset File Information
- 11.12. Auditioning your Preset Files
12. Working with Effects
- 12.1. Opening the Plug-in Chain Panel
- 12.2. Adding Effects
- 12.3. Selecting Plug-in Slots
- 12.4. Reordering Effects
- 12.5. Scrolling the Plug-in Chain
- 12.6. Bypassing Effects
- 12.7. Removing Effects
13. Working with Loops and One-Shot Samples
- 13.1. Sampler Plug-In and Audio Plug-In Use Cases
- 13.2. Loading One-Shot Samples and Loops
- 13.3. Opening the Audio Plug-In or Sampler Plug-In
- 13.4. Switching between the Audio Plug-In and the Sampler Plug-In
- 13.5. Playback Behavior of Audio Plug-In in Host Software
14. Managing the Library
- 14.1. Saving Preset Files to the User Library
- 14.2. Deleting User Preset Files from the User Library
- 14.3. Editing the Tags and Properties of User Preset Files
- 14.4. Syncing Multiple Instances
- 14.5. Working with the Files Pane
- 14.6. Loading VST Plug-ins
- 14.7. Installing NKS Instruments
- 14.8. Importing KOMPLETE KONTROL-Compatible User Files
15. Controlling Instrument, Loop, One-shot and Effect Parameters
- 15.1. About Pre-Mapped Instruments, Loops, One-shots and Effects
- 15.2. Adjusting Parameters
- 15.3. Switching Parameter Pages
- 15.4. Customizing Parameter Mappings using the Plug-in Panel
16. Smart Play – Playing and Editing Scales and Chords
- 16.1. A Note about Music Theory
- 16.2. Activating the Scale Engine
- 16.3. Selecting and Playing a Scale
- 16.4. Playing Chords
- 16.5. Editing Scales and Chords
- 16.6. Setting the SCALE Parameters
  - 16.6.1. SCALE Root Note
  - 16.6.2. SCALE Bank and Type
- 16.7. Setting the KEY MODE Parameter
- 16.8. Setting the CHORD Parameters
17. Smart Play – Playing and Editing Arpeggiator Sequences
- 17.1. Playing Arpeggiator Sequences
- 17.2. Using a Sustain Pedal to Control the Arpeggiator
- 17.3. Using Arpeggiator Snapshots on the Keyboard
- 17.4. Editing the Arpeggiator
- 17.5. MAIN Parameters
  - 17.5.1. MAIN Mode
  - 17.5.2. MAIN Type
- 17.6. RHYTHM Parameters
- 17.7. OTHER Parameters
- 17.8. ADVANCED Parameters
- 17.9. RANGE Parameters
  - 17.9.1. RANGE Min. Key
  - 17.9.2. RANGE Max. Key
- 17.10. HOLD Parameter
18. Envelopes

5.9. Audio Plug-In

When you load a sample of content type Loop from the Browser, the sample is automatically loa-

ded into the Audio plug-in so you can play it immediately. The Audio plug-in specializes in keeping

audio loops playing in-sync with the project in your host software and has the optional ability to do

so without influencing the key of the loop. Furthermore, you can transpose the loop while it plays

so that it fits the key of your song. Important parameters can be accessed via the GUI, but all pa-

rameters for the Audio plug-in can be accessed via the Plug-in panel or a connected keyboard. As

for any Instrument or the Sampler plug-in, the Audio plug-in uses the first Plug-in slot in the Plug-in

chain.

For more information on using the Audio plug-in, refer to Working with Loops and One-Shot Sam-

ples.

The Audio plug-in provides you with the following elements and parameters:

Audio plug-in.

(1) Timeline: Shows the timeline of the loop in musical units, including bars and beats.

(2) Waveform display: Shows the waveform of the loaded loop. When a sample is played back, a

playhead is shown in the waveform display. With the scroll wheel of your mouse, you can zoom in

and out the waveform display. Right-clicking on the waveform display opens a context menu for

finding the loop on your computer.

(3) Start Marker: Determines the start point of the loop by moving it left or right. You can adjust the

Start Marker only from within the software.

(4) End Marker: Determines the end point of the loop by moving it left or right. You can adjust the

End Marker only from within the software.

(5) Fade: Sets a simple fade-in/fade-out amount to avoid pops or clicks that may occur when play-

ing loops with the Audio Plug-in.

(6) Tune: Transposes the tune of the loop within the range of -36 to +36 semitones. You can use

this control to set the playback pitch of the loop to 'C', and then the loop's pitch will match the pitch

of notes programmed into the host sequencer. This parameter is only available in Stretch and

Formant Engine mode (8).

(7) Pitchbend: Sets the Pitchbend range of the loop from -12 to +12 which is relative to the Tune

parameter. This parameter controls the effect of the Pitch Wheel/Slider on your MIDI controller.

This parameter is only available in Stretch and Formant Engine mode (8).

Software Overview