User's Manual

ManualsBrandsNative Instruments ManualsComputer AudioKOMPLETE KONTROL S61 MK2 61-Key Controller for KOMPLETE

Table Of Contents

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Table of Contents
1. Disclaimer
2. Welcome to KOMPLETE KONTROL
- 2.1. Document Conventions
- 2.2. New Features in KOMPLETE KONTROL 2.1.6
- 2.3. New Features in KOMPLETE KONTROL 2.1.3
- 2.4. New Features in KOMPLETE KONTROL 2.1.0
- 2.5. Box Contents
- 2.6. System Requirements
- 2.7. Accessibility
3. The KOMPLETE KONTROL Workflow
4. Setting up KOMPLETE KONTROL
- 4.1. Connecting the Keyboard to the Computer
- 4.2. Setting up the Stand-Alone Application
- 4.3. Setting up Host Integration
- 4.4. Connecting Pedals to the Keyboard
- 4.5. Connecting External MIDI Equipment to the Keyboard
5. Software Overview
- 5.1. Header
- 5.2. Browser
- 5.3. Perform Panel
- 5.4. Plug-in Panel
- 5.5. Plug-in Chain Panel
- 5.6. MIDI Assignment Editor
- 5.7. Plug-in Area
- 5.8. Sampler Plug-In
  - 5.8.1. Envelopes
- 5.9. Audio Plug-In
6. Keyboard Overview
- 6.1. Perform and Edit Section
- 6.2. Transport Section
- 6.3. Control Section
- 6.4. Mode Buttons
- 6.5. 4-D Encoder
- 6.6. Keybed and Light Guide
- 6.7. Touch Strip
- 6.8. Transpose and Fixed Velocity Buttons
7. Global Controls and Preferences
- 7.1. Instrument Views
- 7.2. Switching Instances
- 7.3. Transport and Tempo
  - 7.3.1. Resetting the Clock
  - 7.3.2. Adjusting Tempo
- 7.4. Adjusting Master Volume
- 7.5. Preferences
- 7.6. Keyboard Settings
- 7.7. Loading a Plug-in in Default State
8. MIDI Communication
- 8.1. Mapping MIDI Controls to Third-Party Controllers
- 8.2. Host Automation
  - 8.2.1. Recording Automation
  - 8.2.2. Automation IDs for the Perform Panel
- 8.3. Using the Keyboard in MIDI Mode
- 8.4. Using the Keyboard as Stand-Alone MIDI Controller
9. Using the MIDI Assignment Editor
- 9.1. The Mapping System
- 9.2. Opening the MIDI Assignment Editor
- 9.3. Assigning MIDI Messages to Control Elements
- 9.4. Renaming Control Elements
- 9.5. Creating a New MIDI Template
- 9.6. Renaming MIDI Templates
- 9.7. Creating Key Zones
- 9.8. MIDI Message Types and Assignments
10. Host Integration
- 10.1. Integration with MASCHINE
  - 10.1.1. Basic Control Functions
  - 10.1.2. Advanced Integration Control Functions
- 10.2. Integration with Apple Logic Pro X and GarageBand
- 10.3. Integration with Ableton Live
- 10.4. Integration with Steinberg Cubase and Nuendo
- 10.5. Integration with PreSonus Studio One
- 10.6. Integration with Hosts using MCU Protocol
11. Browsing the Library
- 11.1. Browser Basics
- 11.2. Opening the Browser
- 11.3. Loading Preset Files
- 11.4. Choosing Between Factory Content and User Content
- 11.5. Filtering Preset Files by Product
- 11.6. Filtering Preset Files by Bank
- 11.7. Resetting the Product Selection
- 11.8. Types and Characters Tags
  - 11.8.1. Filtering Preset Files by Types and Characters
  - 11.8.2. Selecting Multiple Tags from the Same Level
- 11.9. Working with Favorites
- 11.10. Performing a Text Search
- 11.11. Displaying Preset File Information
- 11.12. Auditioning your Preset Files
12. Working with Effects
- 12.1. Opening the Plug-in Chain Panel
- 12.2. Adding Effects
- 12.3. Selecting Plug-in Slots
- 12.4. Reordering Effects
- 12.5. Scrolling the Plug-in Chain
- 12.6. Bypassing Effects
- 12.7. Removing Effects
13. Working with Loops and One-Shot Samples
- 13.1. Sampler Plug-In and Audio Plug-In Use Cases
- 13.2. Loading One-Shot Samples and Loops
- 13.3. Opening the Audio Plug-In or Sampler Plug-In
- 13.4. Switching between the Audio Plug-In and the Sampler Plug-In
- 13.5. Playback Behavior of Audio Plug-In in Host Software
14. Managing the Library
- 14.1. Saving Preset Files to the User Library
- 14.2. Deleting User Preset Files from the User Library
- 14.3. Editing the Tags and Properties of User Preset Files
- 14.4. Syncing Multiple Instances
- 14.5. Working with the Files Pane
- 14.6. Loading VST Plug-ins
- 14.7. Installing NKS Instruments
- 14.8. Importing KOMPLETE KONTROL-Compatible User Files
15. Controlling Instrument, Loop, One-shot and Effect Parameters
- 15.1. About Pre-Mapped Instruments, Loops, One-shots and Effects
- 15.2. Adjusting Parameters
- 15.3. Switching Parameter Pages
- 15.4. Customizing Parameter Mappings using the Plug-in Panel
16. Smart Play – Playing and Editing Scales and Chords
- 16.1. A Note about Music Theory
- 16.2. Activating the Scale Engine
- 16.3. Selecting and Playing a Scale
- 16.4. Playing Chords
- 16.5. Editing Scales and Chords
- 16.6. Setting the SCALE Parameters
  - 16.6.1. SCALE Root Note
  - 16.6.2. SCALE Bank and Type
- 16.7. Setting the KEY MODE Parameter
- 16.8. Setting the CHORD Parameters
17. Smart Play – Playing and Editing Arpeggiator Sequences
- 17.1. Playing Arpeggiator Sequences
- 17.2. Using a Sustain Pedal to Control the Arpeggiator
- 17.3. Using Arpeggiator Snapshots on the Keyboard
- 17.4. Editing the Arpeggiator
- 17.5. MAIN Parameters
  - 17.5.1. MAIN Mode
  - 17.5.2. MAIN Type
- 17.6. RHYTHM Parameters
- 17.7. OTHER Parameters
- 17.8. ADVANCED Parameters
- 17.9. RANGE Parameters
  - 17.9.1. RANGE Min. Key
  - 17.9.2. RANGE Max. Key
- 17.10. HOLD Parameter
18. Envelopes

Type Mode Value Number Note

Control Change Toggle Off/On 0-127 0-127

Trigger 0 - 127

Program Change Toggle Off/On 0-127

Trigger 0 - 127

Note Toggle 0 - 127 C-2 – G8

Gate 0 - 127 C-2 – G8

Mode Menu Values for Buttons

For the buttons control elements listed in the above table, and only for some of the MIDI message

types available for these control elements, you can choose from different behaviors for the way the

data is sent. This is controlled by the Mode menu. This menu can have up to four entries, depend-

ing on the message type that you have selected in the Type menu. Here is the list of all possible

entries:

• Toggle: In this mode, the control element has two states, on and off. When you press once, it

switches to the on state — when you press again, it switches to the off state. This can be use-

ful for enabling and disabling an effect to check how it affects the original sound. In this mode,

there are two VALUE settings: Off defines the value for the off state (from 0 to 127, 0 by de-

fault), and On defines the value for the on state (0 to 127, 127 by default). For the Note mes-

sage type, since the off state is predefined (it’s the MIDI Note Off message), you find instead a

single VALUE setting defining the velocity of the MIDI Note On message.

• Trigger: In this mode, only one message is sent when you hit the control element. For in-

stance, this can be useful for switching to another program (preset, patch…) or for triggering

one-shot samples (e.g., drum sounds or any other envelope-controlled sounds). In this mode,

you thus find only one VALUE setting, defining the value to be sent when you hit the control

element. It goes from 0 to 127 (127 by default).

• Gate: In this mode, which is only available for the Note message type, the control element

sends MIDI Note messages. When you press a control element, it sends a MIDI Note On mes-

sage — when you release the control element, it sends a MIDI Note Off message. For in-

stance, this can be useful to temporarily enable an effect while playing. Since the off state is

predefined (it’s the MIDI Note Off message), you find instead a single VALUE setting defining

the velocity of the MIDI Note On message.

9.8.4. Assignments for Key Zones

The assignments described here are valid for the Key Zones.

Type

For Key Zones, the Type menu offers the following entries: Note and Off.

• Note: Sends MIDI Note On/Off messages. These messages are sent over a specific MIDI

channel set by the Channel parameter. It tells your target to play/stop the note corresponding

to the key you press/release on your keyboard.

• Off: Disables a Key Zone including the MIDI assignment. When a Key Zone gets re-enabled

the previous MIDI assignment is recalled.

Using the MIDI Assignment Editor