User's Manual

ManualsBrandsNative Instruments ManualsComputer AudioKOMPLETE KONTROL S61 MK2 61-Key Controller for KOMPLETE

Table Of Contents

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Table of Contents
1. Disclaimer
2. Welcome to KOMPLETE KONTROL
- 2.1. Document Conventions
- 2.2. New Features in KOMPLETE KONTROL 2.1.6
- 2.3. New Features in KOMPLETE KONTROL 2.1.3
- 2.4. New Features in KOMPLETE KONTROL 2.1.0
- 2.5. Box Contents
- 2.6. System Requirements
- 2.7. Accessibility
3. The KOMPLETE KONTROL Workflow
4. Setting up KOMPLETE KONTROL
- 4.1. Connecting the Keyboard to the Computer
- 4.2. Setting up the Stand-Alone Application
- 4.3. Setting up Host Integration
- 4.4. Connecting Pedals to the Keyboard
- 4.5. Connecting External MIDI Equipment to the Keyboard
5. Software Overview
- 5.1. Header
- 5.2. Browser
- 5.3. Perform Panel
- 5.4. Plug-in Panel
- 5.5. Plug-in Chain Panel
- 5.6. MIDI Assignment Editor
- 5.7. Plug-in Area
- 5.8. Sampler Plug-In
  - 5.8.1. Envelopes
- 5.9. Audio Plug-In
6. Keyboard Overview
- 6.1. Perform and Edit Section
- 6.2. Transport Section
- 6.3. Control Section
- 6.4. Mode Buttons
- 6.5. 4-D Encoder
- 6.6. Keybed and Light Guide
- 6.7. Touch Strip
- 6.8. Transpose and Fixed Velocity Buttons
7. Global Controls and Preferences
- 7.1. Instrument Views
- 7.2. Switching Instances
- 7.3. Transport and Tempo
  - 7.3.1. Resetting the Clock
  - 7.3.2. Adjusting Tempo
- 7.4. Adjusting Master Volume
- 7.5. Preferences
- 7.6. Keyboard Settings
- 7.7. Loading a Plug-in in Default State
8. MIDI Communication
- 8.1. Mapping MIDI Controls to Third-Party Controllers
- 8.2. Host Automation
  - 8.2.1. Recording Automation
  - 8.2.2. Automation IDs for the Perform Panel
- 8.3. Using the Keyboard in MIDI Mode
- 8.4. Using the Keyboard as Stand-Alone MIDI Controller
9. Using the MIDI Assignment Editor
- 9.1. The Mapping System
- 9.2. Opening the MIDI Assignment Editor
- 9.3. Assigning MIDI Messages to Control Elements
- 9.4. Renaming Control Elements
- 9.5. Creating a New MIDI Template
- 9.6. Renaming MIDI Templates
- 9.7. Creating Key Zones
- 9.8. MIDI Message Types and Assignments
10. Host Integration
- 10.1. Integration with MASCHINE
  - 10.1.1. Basic Control Functions
  - 10.1.2. Advanced Integration Control Functions
- 10.2. Integration with Apple Logic Pro X and GarageBand
- 10.3. Integration with Ableton Live
- 10.4. Integration with Steinberg Cubase and Nuendo
- 10.5. Integration with PreSonus Studio One
- 10.6. Integration with Hosts using MCU Protocol
11. Browsing the Library
- 11.1. Browser Basics
- 11.2. Opening the Browser
- 11.3. Loading Preset Files
- 11.4. Choosing Between Factory Content and User Content
- 11.5. Filtering Preset Files by Product
- 11.6. Filtering Preset Files by Bank
- 11.7. Resetting the Product Selection
- 11.8. Types and Characters Tags
  - 11.8.1. Filtering Preset Files by Types and Characters
  - 11.8.2. Selecting Multiple Tags from the Same Level
- 11.9. Working with Favorites
- 11.10. Performing a Text Search
- 11.11. Displaying Preset File Information
- 11.12. Auditioning your Preset Files
12. Working with Effects
- 12.1. Opening the Plug-in Chain Panel
- 12.2. Adding Effects
- 12.3. Selecting Plug-in Slots
- 12.4. Reordering Effects
- 12.5. Scrolling the Plug-in Chain
- 12.6. Bypassing Effects
- 12.7. Removing Effects
13. Working with Loops and One-Shot Samples
- 13.1. Sampler Plug-In and Audio Plug-In Use Cases
- 13.2. Loading One-Shot Samples and Loops
- 13.3. Opening the Audio Plug-In or Sampler Plug-In
- 13.4. Switching between the Audio Plug-In and the Sampler Plug-In
- 13.5. Playback Behavior of Audio Plug-In in Host Software
14. Managing the Library
- 14.1. Saving Preset Files to the User Library
- 14.2. Deleting User Preset Files from the User Library
- 14.3. Editing the Tags and Properties of User Preset Files
- 14.4. Syncing Multiple Instances
- 14.5. Working with the Files Pane
- 14.6. Loading VST Plug-ins
- 14.7. Installing NKS Instruments
- 14.8. Importing KOMPLETE KONTROL-Compatible User Files
15. Controlling Instrument, Loop, One-shot and Effect Parameters
- 15.1. About Pre-Mapped Instruments, Loops, One-shots and Effects
- 15.2. Adjusting Parameters
- 15.3. Switching Parameter Pages
- 15.4. Customizing Parameter Mappings using the Plug-in Panel
16. Smart Play – Playing and Editing Scales and Chords
- 16.1. A Note about Music Theory
- 16.2. Activating the Scale Engine
- 16.3. Selecting and Playing a Scale
- 16.4. Playing Chords
- 16.5. Editing Scales and Chords
- 16.6. Setting the SCALE Parameters
  - 16.6.1. SCALE Root Note
  - 16.6.2. SCALE Bank and Type
- 16.7. Setting the KEY MODE Parameter
- 16.8. Setting the CHORD Parameters
17. Smart Play – Playing and Editing Arpeggiator Sequences
- 17.1. Playing Arpeggiator Sequences
- 17.2. Using a Sustain Pedal to Control the Arpeggiator
- 17.3. Using Arpeggiator Snapshots on the Keyboard
- 17.4. Editing the Arpeggiator
- 17.5. MAIN Parameters
  - 17.5.1. MAIN Mode
  - 17.5.2. MAIN Type
- 17.6. RHYTHM Parameters
- 17.7. OTHER Parameters
- 17.8. ADVANCED Parameters
- 17.9. RANGE Parameters
  - 17.9.1. RANGE Min. Key
  - 17.9.2. RANGE Max. Key
- 17.10. HOLD Parameter
18. Envelopes

Channel

The selected value in the Channel menu determines the MIDI channel for the selected Key Zone.

• Values range from 1 to 16.

• Value 1 is always set by default.

Color

The Color setting defines which color should be used in the Light Guide (the LEDs above the keys

on your keyboard) for the selected Key Zone:

• Red, Orange, Light Orange, Warm Yellow, Yellow, Lime, Green, Mint, Turquoise, Cyan, Blue,

Plum, Violet, Purple, Magenta, and Fuchsia.

Transpose

The Transpose knob lowers or raises MIDI notes of a Key Zone.

• Value range from -127 to 127.

• Value 0 is always set by default.

9.8.5. Assignments for the Touch Strip

For the Touch Strip, the Type menu offers the entries Control Change and Pitchbend. Depending

on the selected entry, a different set of additional parameters is available:

Type Range Number Strength

Control Change From 0-126/To 1-127 0-127

Pitchbend 0-100%

Selecting a Type also changes the behavior of Touch Strip. When Control Change

is selected, the Touch Strip can be used like a fader that retains its position even af-

ter you have removed your finger. When Pitchbend is selected, the Touch Strip be-

haves like a spring that returns to zero position after you have removed your finger.

For Control Change, you can set the Range of values that is sent when swiping the Touch Strip,

and the Number of the Control Change message. For Pitchbend, you can set the Strength of the

Touch Strip’s spring behavior. As you increase this value, the Touch Strip returns to the zero posi-

tion more quickly.

The configuration of the Touch Strips and the Pedals are saved globally and not per

Template. This means all settings made under TOUCHSTRIP and PEDALS remain

the same when switching between Templates.

Using the MIDI Assignment Editor