User Manual

Editing a Studio Set
Studio Set Common Settings
Here you can make settings that are common to the entire studio
set.
1. In the Top screen, press the [MENU] button.
2. Choose “STUDIO SET COMMON and press the [ENTER]
button.
3. Use the cursor buttons to select an item, and use the
value dial to edit the value of that item.
COMMON parameter
MEMO
For details on the part parameters, refer to “Parameter Guide
PDF.
Tab Explanation
GENERAL
Species the tempo of the studio set, and the drum part to
which COMP+EQ will be applied.
CONTROL
When using tone controls 1–4, species the MIDI messages
that will control the parameters.
PHASE
LOCK
Turn this on” if you want to minimize discrepancies in timing
between notes played by parts on the same MIDI channel.
Editing the Part Settings
A studio set contains 16 parts; you can edit settings such as volume
(Level), equalizer (EQ), and key range (KBD) for each part.
1. In the top screen, press the [PART VIEW] button twice.
2. Use the cursor buttons to select the item that you want to
edit, and use the value dial to edit the value.
By holding down the [SHIFT] button and pressing a cursor [ ] [ ]
button you can switch between tabs.
MEMO
For details on the part parameters, refer to “Parameter Guide
PDF.
Parts 1–16
Tab Parameter Value
TONE
TYPE Displays/selects the tone type.
BANK Displays/selects the tone bank.
Tone Number
Displays/selects the tone number.
The tone name is shown at the right.
Tab Parameter Value
LEVEL
Level
Adjust the volume of each part.
This setting’s main purpose is to adjust the volume
balance between parts.
Pan
Adjust the pan of each part.
“L64” is far left, “0” is center, and “63R” is far right.
* This has no eect if Motional Surround is on.
Cho Send Level
Sets the level of the signal sent to chorus for each
part.
Set this to 0 if you don’t want to apply chorus.
Rev Send Level
Sets the level of the signal sent to reverb for each
part.
Set this to 0 if you don’t want to apply reverb.
Output Assign
Species for each part how the direct sound will be
output.
If Motional Surround is on, surround output will be
enabled, and this setting will be ignored.
Rx Switch
For each part, specify whether it will receive MIDI
data (ON) or ignore it (OFF).
Rx Channel Species the MIDI channel of each part.
Mono/Poly
(*)
Sets how the Patch’s notes play. The MONO setting is
eective when playing a solo instrument Patch such
as sax or ute.
Legato Switch
(*)
Turn this parameter “ON” when you want to use the
Legato feature and “OFF” when you don’t.
Legato is a feature that works only when the Mono/
Poly is MONO. When Legato is ON, pressing one key
when another is already pressed causes the currently
playing notes pitch to change to that of the newly
pressed key while continuing to sound. This can be
eective when you wish to simulate performance
techniques such as a guitarist’s hammering on and
pulling o strings.
* This setting is ignored for parts to which a tone is
assigned.
Voice Reserve
(*)
Species the number of voices that reserved for
each Part when more than 128 voices are played
simultaneously.
EQ
EQ Switch
Turn this
(ON)” if you want to use the equalizer,
or “– (OFF)” if you don’t.
EQ Low Freq (*) Species the frequency of the low range.
EQ Low Gain Species the amount of boost/cut for the low range.
EQ Mid Freq (*) Species the frequency of the mid range.
EQ Mid Gain Species the amount of boost/cut for the mid range.
Q (*)
Species the width of the mid range.
Higher values make the range narrower.
EQ High Freq(*) Species the frequency of the high range.
EQ High Gain Species the amount of boost/cut for the high range.
KBD
Key Fade Upper
This determines what will happen to the tones level
when a note that’s higher than the tones specied
keyboard range is played.
Higher settings produce a more gradual decrease
in volume. If you don’t want the tone to sound at all
when a note outside the keyboard range is played,
set this parameter to “0.
Key Range
Upper
Species the highest note that the tone will sound
for each tone.
* If you attempt to raise the lower key higher than
the upper key, or to lower the upper key below the
lower key, the other value will be automatically
modied to the same setting.
Key Range
Lower
Species the lowest note that the tone will sound for
each tone.
Key Fade Lower
This determines what will happen to the tones level
when a note that’s lower than the tone’s specied
keyboard range is played.
Higher settings produce a more gradual decrease
in volume. If you don’t want the tone to sound at all
when a note outside the keyboard range is played,
set this parameter to “0.
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