Owner`s manual
example showing how part 1 of the MC-505 can con-
trol the SP-202.
fig.16-7
1. Set the MIDI channel of the SP-202 to Ò1.Ó
2. Set the Local Tx Switch of the MC-505Õs
part 1 to ÒEXTÓ (p. 169).
3. Select part 1 as the current part, and play
the keyboard pads.
The sampled sounds of each pad of the SP-202 will
sound.
Set the Octave Shift settings to Ò-2ÓÐÒ0.Ó
While you play back a pattern, try playing samples as
well. Even after switching patterns, you can still con-
trol the SP-202 from part 1.
●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●
If you are using an MS-1
For the correspondence between the MC-505Õs key-
board pads and sampled sounds for each pad of the
MS-1, refer to ÒAssigning keyboard notes to MS-1
padsÓ in the MS-1 ownerÕs manual (p. 21).
With the factory settings of the MS-1, no sampled
sounds are assigned to any black key other than the A#
key. This means that even if you press the MC-505 key-
board pads Ò3,Ó Ò5,Ó Ò8,Ó Ò10Ó or Ò15,Ó no sample will
sound. If you wish to play MS-1 samples from these
keyboard pads, refer to the procedure ÒChanging
key/pad assignmentsÓ (p. 21) in the MS-1 ownerÕs man-
ual, and set the appropriate note for each keyboard pad.
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Next, letÕs record musical data on the MC-505 that will
play the SP-202, and create a pattern that will add SP-
202 sampled sounds to the performance of the MC-505.
1. Select the pattern to which you want to
add SP-202 sampled sounds.
For this example as well, we will record the musical
data for the SP-202 on part 1. If musical data has
already been recorded on part 1, erase that data before
you begin.
☞ ÒErasing Unwanted Data (Erase)Ó (p. 147)
2. Set the Sequencer Output Assign setting of
the MC-505Õs part 1 to ÒEXTÓ (p. 25).
3. Record the musical data for the SP-202
onto part 1.
It is probably best to use real-time recording to record
by pressing the keyboard pads.
4. When you are finished recording, press
[PLAY] to play back the pattern.
The SP-202 sampled sounds will play in addition to
the sounds of the MC-505.
5. Use the Pattern Write operation to save the
pattern (p. 26).
Playing an External MIDI Sound
Generator from the MC-505
The same procedure can be used to control an external
MIDI sound generator or a digital sampler other than
the SP-202 or MS-1.
Example 1
In the following example, messages from an external
MIDI keyboard are sent through the MC-505 to play
an external MIDI sound generator, and recorded on
the MC-505.
* Since the MIDI Rx switch of the MC-505 part 1 is turned
OFF, part 1 will not be sounded by MIDI messages
received from an external device.
fig.16-8
MIDI OUT
MIDI OUT
MIDI Rx Sw = OFF
SEQ Out = EXT
MIDI IN
MIDI Ch = 1
MIDI Ch = 1
MIDI IN
Remote Kbd = OFF
Part 1
Local Tx Sw = EXT
Thru = ON
Part1 Local Tx Sw = Ext MIDI Ch =1
MIDI INMIDI OUT
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Chapter 16. Advanced Applications
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