TD-20_Ref_e.book 1 ページ 2004年3月5日 金曜日 午後7時3分 Owner’s Manual We’d like to take a moment to thank you for purchasing the Roland Percussion Sound Module TD-20. 201b Before using this unit, carefully read the sections entitled: “IMPORTANT SAFETY INSTRUCTIONS” (p. 2), “USING THE UNIT SAFELY” (p. 3), and “IMPORTANT NOTES” (p. 5). These sections provide important information concerning the proper operation of the unit.
TD-20_Ref_e.book 2 ページ 2004年3月5日 金曜日 午後7時3分 CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN ATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
TD-20_Ref_e.book 3 ページ 2004年3月5日 金曜日 午後7時3分 USING THE UNIT SAFELY The symbol alerts the user to important instructions or warnings.The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger. Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.
TD-20_Ref_e.
TD-20_Ref_e.book 5 ページ 2004年3月5日 金曜日 午後7時3分 IMPORTANT NOTES 291b In addition to the items listed under “IMPORTANT SAFETY INSTRUCTIONS” and “USING THE UNIT SAFELY” on pages 2–4, please read and observe the following: Power Supply 301 • Do not use this unit on the same power circuit with any device that will generate line noise (such as an electric motor or variable lighting system). 307 • Before connecting this unit to other devices, turn off the power to all units.
TD-20_Ref_e.book 6 ページ 2004年3月5日 金曜日 午後7時3分 IMPORTANT NOTES Additional Precautions 551 • Please be aware that the contents of memory can be irretrievably lost as a result of a malfunction, or the improper operation of the unit. To protect yourself against the risk of loosing important data, we recommend that you periodically save a backup copy of important data you have stored in the unit’s memory on a DATA card or in another MIDI device (e.g., a sequencer).
TD-20_Ref_e.book 7 ページ 2004年3月5日 金曜日 午後7時3分 Contents USING THE UNIT SAFELY ........................................................................3 IMPORTANT NOTES..................................................................................5 Features ...................................................................................................11 Panel Descriptions ..................................................................................13 Top Panel.....................................
TD-20_Ref_e.book 8 ページ 2004年3月5日 金曜日 午後7時3分 Contents Adjusting the Volume [F1 (VOLUME)]............................................................... 29 Assigning a Tempo for Each Kit [F2 (TEMPO)] ................................................. 29 Playing Brushes [F3 (BRUSH)] ............................................................................. 29 Output Level Monitor [F5 (MONITOR)]............................................................. 29 Naming a Drum Kit [F3 (NAME)]..................
TD-20_Ref_e.book 9 ページ 2004年3月5日 金曜日 午後7時3分 Contents Double Triggering Prevention (Mask Time)....................................................... 49 Rim/Edge Dynamic Response (Rim Gain)......................................................... 49 Rim Shots Response (Rim Shot Adjust)............................................................... 49 Cross Stick Threshold (XStick Thrshld)............................................................... 49 Playing Bow, Bell, and Edge (3-Way Triggering) ....
TD-20_Ref_e.book 10 ページ 2004年3月5日 金曜日 午後7時3分 Contents Chapter 10. Settings for the Entire TD-20 [SETUP] ..............................74 MIDI Settings and Operations [F1 (MIDI)] .................................................................... 74 Setting the MIDI Channels for Each Part [F1 (MIDI CH)]................................ 74 MIDI Settings for the Entire TD-20 [F2 (GLOBAL)] .......................................... 74 MIDI Messages for Detailed Performance Expressions [F3 (CTRL)]...........
TD-20_Ref_e.book 11 ページ 2004年3月5日 金曜日 午後7時3分 Everything Is New! Module— Stand—V-Hi-Hat—Pads The TD-20 follows in the foot steps of the industry standard TD-10, taking advantage of even more powerful COSM technology. Velocity, position, and interval of each hit are detected precisely, providing real and natural dynamics. The new, dual trigger PD-125/105 pads give you superior feel, response and control of the sound. You can play both shallow and deep rim shots.
TD-20_Ref_e.book 12 ページ 2004年3月5日 金曜日 午後7時3分 Features Top Quality Signal Processing Each instrument assigned to trigger 1–15 head and rim inputs has an individual three-band equalizer and compressor(p. 38). There is also a multi-effects unit with reverbs, delays, flanger, chorus, pitch shifter, phaser, ring modulator, overdrive, etc. (p. 40) There’s also Ambience, with a new room “shape” feature in addition to being able to change wall materials, size, etc. (p.
TD-20_Ref_e.book 13 ページ 2004年3月5日 金曜日 午後7時3分 An Overview of the TD-20 Panel Descriptions Top Panel fig.top 1 3 2 17 18 19 20 4 5 6 12 7 8 9 10 21 11 14 22 23 15 13 1. Trigger Level Indicator This lights up and moves each time a trigger signal is received from a pad. It monitors the pad connection and is helpful when customizing trigger parameters. 2. LED Display Displays the Kit number (currently selected drum kit). 3.
TD-20_Ref_e.book 14 ページ 2004年3月5日 金曜日 午後7時3分 Panel Descriptions 7. CARD Button For access to (Compact Flash) memory card functions such as saving/loading data etc. (p. 70) 8. SETUP Button For access to functions that affect the TD-20 globally, such as MIDI parameters etc. (p. 74) 9. TRIGGER Button For access to trigger parameters (p. 44). 10. EXIT Button Press this to return to the previous screen. Repeated pressing takes you back to the “DRUM KIT” screen. 11.
TD-20_Ref_e.book 15 ページ 2004年3月5日 金曜日 午後7時3分 Panel Descriptions An Overview of the TD-20 Rear Panel fig.rear_50 1 2 3 4 5 1. POWER Switch This switch turns the power on/off. 2. AC Inlet Connect the included AC power cable to this inlet. * For details on the power consumption, refer to p. 103. The unit should be connected to a power source only of the type marked on the bottom of the unit. 3. TRIGGER INPUT Jacks Here is where you plug in pads, kick triggers, or acoustic triggers.
TD-20_Ref_e.book 16 ページ 2004年3月5日 金曜日 午後7時3分 Panel Descriptions Front Panel fig.front 1 1. PHONES Jack A pair of stereo headphones can be connected to this jack. Connecting the headphones will not mute the output from the MASTER OUT jacks (p. 19). 2. CompactFlash Card Slot Accepts a CompactFlash memory card (optional). Each memory card can store all settings of the TD-20, such as drum kits and sequencer performance data, etc. (p. 70) * The CompactFlash is the only memory card can be used by the TD-20.
TD-20_Ref_e.book 17 ページ 2004年3月5日 金曜日 午後7時3分 An Overview of the TD-20 Setting Up the Kit Mounting the TD-20 on the Stand 1. Attach the stand holder (included with the optional drum stand) to the TD-20. Using the screws attached to the bottom panel, attach the holder so the unit is oriented as shown in the diagram. * ONLY use the 8 mm screws (M5 x 8) provided with the TD-20. Other screws may damage the unit. fig.StandHolder.
TD-20_Ref_e.book 18 ページ 2004年3月5日 金曜日 午後7時3分 Setting Up the Kit Connecting the Pads and Pedals Using the provided cables, connect the pads, cymbals, hi-hat, and kick trigger. * When mounting a TD-20 on an MDS-20 drum stand, use the built-in connection cables. Set Up Example fig.Kit.
TD-20_Ref_e.book 19 ページ 2004年3月5日 金曜日 午後7時3分 Setting Up the Kit An Overview of the TD-20 Connecting Headphones, Audio Equipment, Amps, or Other Gear fig.Connect.e Speakers with built-in amp, etc. L CD/MD player, etc. R Stereo set, etc. Rear Panel Stereo phone type Stereo phone type Front Panel 1. Turn off the power of all devices before you make connections. The TD-20’s MIX IN jack allows you to play along with a CD or other audio sources.
TD-20_Ref_e.book 20 ページ 2004年3月5日 金曜日 午後7時3分 Setting Up the Kit Turning On/Off the Power 941 * Once the connections have been completed (p. 18, p. 19), turn on power to your various devices in the order specified. By turning on devices in the wrong order, you risk causing malfunction and/or damage to speakers and other devices. fig.VolMin No Sound When Hitting the Pads or Using the Pedals? Check the following points.
TD-20_Ref_e.book 21 ページ 2004年3月5日 金曜日 午後7時3分 Connecting the Hi-Hat (VH-12) and Setting the “VH Offset” Adjusting Mesh Head Tension (PD-125/105) Heads MUST BE TUNED BEFORE PLAYING. Connecting the Hi-Hat When adjusting, use a tuning key. Clutch screw Like with an acoustic drum, accurate and equal head tension is needed for correct triggering response. On the PD-125/105, adjusting the head tension affects only the head response, and not the pitch of the sound, as it would on an acoustic drum. 1.
TD-20_Ref_e.book 22 ページ 2004年3月5日 金曜日 午後7時3分 Listening to the Demo Song The internal demo song features the TD-20’s expressive capabilities and top quality sounds. The drums on this song were recorded from the TD-20 system to a sequencer in real time. 1. Press [CHAIN] and [TOOLS] simultaneously. The “DEMONSTRATION” screen appears. fig.Demo_70 Caution Concerning Volume When playing back the demo song, turn [MASTER] and [PHONES] to the left (counterclockwise) to bring the volume level down.
TD-20_Ref_e.book 23 ページ 2004年3月5日 金曜日 午後7時3分 Operations common to all aspects TD-20 operations. Saving Your Settings Every time you change a value during the editing process, it’s automatically stored in the TD-20’s memory. There’s no “write/save” process. (except when using a memory card) and then press [F2] (in this case, “EDIT” is displayed above [F2]). Changing Data Values fig.
TD-20_Ref_e.book 24 ページ 2004年3月5日 金曜日 午後7時3分 Button Operation and Displays Example: Adjusting the Snare Volume Group Faders 1. Press [FADER] so the upper indicator is lit. 2. Move the [GROUP FADERS] [SNARE] slider. fig.00-009 The slider position shows the current snare volume. * After switching with [FADER], the values for the [GROUP FADERS] sliders may not reflect the actual volume of the sound assigned to that fader. So after switching, be sure to move the faders a bit before making your setting.
TD-20_Ref_e.book 25 ページ 2004年3月5日 金曜日 午後7時3分 How to Play Patterns fig.06-003_70 Adjusting the Display Contrast Display contrast can be influenced by location and lighting. When needed, adjust the display contrast by: holding down [KIT] and turning [VALUE]. Pressing [PATTERN]. The basic screen for the sequencer appears. Press [+/-] or turn [VALUE] in this screen to choose a pattern. Or press [F1 (LIST)] to choose from the pattern list. fig.
TD-20_Ref_e.book 26 ページ 2004年3月5日 金曜日 午後7時3分 Playing Methods Pad (PD-125/105) Hi-Hat (VH-12) fig.Play-Head.e Head Shot Open/Closed Hit only the head of the pad. With certain snare sounds, playing position will change the nuance of the sound. The hi-hat tone changes smoothly and continuously from open to closed in response to how far the pedal is pressed.
TD-20_Ref_e.book 27 ページ 2004年3月5日 金曜日 午後7時3分 Cymbal (CY-15R/14C) Bow Shot This is the most common playing method, playing the middle area of the cymbal. It corresponds to the sound of the “headside” of the connected trigger input. Choke Play Choking (pinching) the cymbal’s edge with the hand immediately after hitting the cymbal makes the sound stop. Choke the location of the edge sensor shown in the figure. If you choke an area where there is no sensor, the sound does not stop. fig.Play-Choke.e fig.
TD-20_Ref_e.book 28 ページ 2004年3月5日 金曜日 午後7時3分 Chapter 1. Drum Kit Settings [KIT] Choosing a Drum Kit Selecting a Drum Kit from the List [F1 (LIST)] 1. Press [KIT]. [KIT] lights, and the “DRUM KIT” screen appears. You can select a drum kit by accessing the list of available kits. fig.01-001*_70 fig.01-002_70 2. Use [+/-] or [VALUE] to select drum kits. 1. Press [KIT] - [F1 (LIST)]. The “DRUM KIT LIST” screen appears. 2. Use [VALUE], [+/-], or [CURSOR] to select a drum kit.
TD-20_Ref_e.book 29 ページ 2004年3月5日 金曜日 午後7時3分 Kit Parameters [F2 (FUNC)] 1. Press [KIT] - [F2 (FUNC)]. 2. Press [F1]–[F3] and [CURSOR (up/down)] to select the parameter. Playing Brushes [F3 (BRUSH)] In each kit, you can choose whether sticks or brushes will be used. fig.01-005_70 3. Use [+/-] or [VALUE] to make settings. Adjusting the Volume [F1 (VOLUME)] Parameter Brush Switch fig.
TD-20_Ref_e.book 30 ページ 2004年3月5日 金曜日 午後7時3分 Chapter 1. Drum Kit Settings [KIT] Naming a Drum Kit [F3 (NAME)] Each kit’s name can use up to 12 characters. fig.01-005_70 Playing Cross Stick [F5 (XSTICK)] In each kit, you can choose to use/not use cross stick by pressing [F5 (XStick)] in the “DRUM KIT” screen. • Cross stick can be played fig.01-007_70 1. Press [KIT] - [F3 (NAME)]. The “DRUM KIT NAME” screen appears. 2. Press [CURSOR (left/right)] to move the cursor to the character to be changed.
TD-20_Ref_e.book 31 ページ 2004年3月5日 金曜日 午後7時3分 Here’s how to select and edit sounds, such as the snare drum and kick drum. Choosing a Pad to Edit There are two basic ways to select the sound you want to edit. Lock the Pad You are Editing (EDIT LOCK) When editing instruments, you can prevent the screen from being switched inadvertently even if you hit another pad. 1. Select the pad to be locked. Choose by Hitting a Pad 1. Press [INST]. [INST] lights, and the “INST” screen appears.
TD-20_Ref_e.book 32 ページ 2004年3月5日 金曜日 午後7時3分 Chapter 2. Drum Instrument Settings [INST] Selecting an Instrument from the List [F1 (LIST)] Here you can select from the list of all available instruments. Editing Drum Sounds [F2 (EDIT)] Editing methods differ according to the type of instrument. fig.02-003_70 Editing an Acoustic Drum Kit (V-EDIT) V-EDIT allows you to select a head type, shell depth, muffling, etc. Please see the charts on next page. 1. Press [INST] - [F1 (LIST)].
TD-20_Ref_e.book 33 ページ 2004年3月5日 金曜日 午後7時3分 KICK TOM fig.02-KICK_70 fig.
TD-20_Ref_e.book 34 ページ 2004年3月5日 金曜日 午後7時3分 Chapter 2. Drum Instrument Settings [INST] CRASH/SPLASH/CHINA/RIDE fig.02-CYM_70 For some instruments, raising or lowering the value beyond a certain point may not produce further change.
TD-20_Ref_e.book 35 ページ 2004年3月5日 金曜日 午後7時3分 Chapter 2. Drum Instrument Settings [INST] 1. Press [INST] - [F3 (CONTROL)]. 2. Strike a pad. The settings screen for the struck pad appears. You can select by using [TRIG SELECT]. 3. Press [F1]–[F5] and [CURSOR (up/down)] to select the parameter. Playing a Pattern by Hitting a Pad (Pad Pattern) [F1 (PATTERN)] This function starts playback of a pattern when a pad is struck.
TD-20_Ref_e.book 36 ページ 2004年3月5日 金曜日 午後7時3分 Chapter 2. Drum Instrument Settings [INST] MIDI Settings for Each Pad [F3 (MIDI)] Tx Channel: CH1–CH16, GLOBAL MIDI Note Number transmitted by Brush Sweep/Cross Stick [F5 (BR MIDI)] MIDI transmit channel for each pad. GLOBAL: Transmits on the same channel as the drum kit part (p. 74). Note No.: 0 (C -)–127 (G 9), OFF OFF: Note messages are not transmitted. Gate Time: 0.1–8.0 (s) Brush Note No.: 0 (C -)–127 (G 9), OFF OFF: Note messages are not transmitted.
TD-20_Ref_e.book 37 ページ 2004年3月5日 金曜日 午後7時3分 Chapter 3. Mixer Settings Mixer Parameters [MIXER] Here you can adjust the volume, pan, etc. You can use the GROUP FADERS to make adjustments. 1. Press [MIXER] and [FADER] simultaneously. 1. Press [MIXER]. [MIXER] lights, and [FADER] flashes. [MIXER] lights. 2. Use [F1]–[F5] or [CURSOR (up/down)] to select the parameter. 3. Use TRIG SELECT [1], [15], [RIM], or [CURSOR (left/right)] to select the instrument you wish to set.
TD-20_Ref_e.book 38 ページ 2004年3月5日 金曜日 午後7時3分 Chapter 4. Effect Settings Effects On and Off Switches [EFFECTS SWITCH] These switches allow you to turn all individual effects and master effects on/off within each drum kit. fig.04-001_70 Using the Compressor and EQ [COMP/EQ] An individual Compressor and EQ can be applied to every sound assigned to a trigger input. 1. Press [COMP/EQ]. [COMP/EQ] lights. 2. Strike the pad you wish to set. 1. Press [EFFECTS SWITCH].
TD-20_Ref_e.book 39 ページ 2004年3月5日 金曜日 午後7時3分 Chapter 4. Effect Settings About Threshold and Ratio Compressor (COMP) A compressor adjusts the envelope (changes in the volume over time) and changes the character of the sound in response to playing dynamics. As shown in the diagram below, these parameters determine how the volume is to be compressed. fig.Compressor.e 0.5:1 1:1 Ratio Output Level fig.04-003_70 1.
TD-20_Ref_e.book 40 ページ 2004年3月5日 金曜日 午後7時3分 Chapter 4. Effect Settings Ambience [AMBIENCE] Multi-Effects [MULTI EFFECTS] You can choose the type of room where the drums are to be played and modify the sound. The multi-effects allow you to further customize your sound and also provides a choice of output configurations. fig.04-005_70 fig.04-006_70 1. Press [AMBIENCE]. 1. Press [MULTI EFFECTS]. [AMBIENCE] lights. [MULTI EFFECTS] lights. 2. Press [F2]–[F4] or [CURSOR] to select the parameter.
TD-20_Ref_e.book 41 ページ 2004年3月5日 金曜日 午後7時3分 Chapter 4. Effect Settings Multi-Effects Parameters Parameter Rels (Release) Value 0–200 (ms) Description Time from the start to the completion of the gate closing process REVERB Parameter Room Type Value 1–5 PreDly 0–100.0 (ms) Time 0–127 HiDamp 4.0k–12.5k (Hz), THRU HiCut 160–12.
TD-20_Ref_e.book 42 ページ 2004年3月5日 金曜日 午後7時3分 Chapter 4. Effect Settings FLANGER PITCH SHIFT Produces a metallic resonance that rises and falls somewhat like a jet airplane taking off or landing. Shifts the pitch of the original sound. Parameter Delay LFO Rate Depth Feedback Phase Value 0–15.
TD-20_Ref_e.book 43 ページ 2004年3月5日 金曜日 午後7時3分 Chapter 4. Effect Settings Intentionally degrades the sound quality for creative purposes.
TD-20_Ref_e.book 44 ページ 2004年3月5日 金曜日 午後7時3分 Chapter 5. Trigger Settings [TRIGGER] Selecting the Pad Type [F1 (BANK)] To be sure the TD-20 accurately receives signals sent from the pads, select the trigger type (the type of pads being used) for each trigger input. Trigger Type A trigger type is a group of trigger settings with values optimally adjusted for a particular pad. Indications such as “KD120,” “PD125,” or “VH12,” etc. in the above display correspond to this.
TD-20_Ref_e.book 45 ページ 2004年3月5日 金曜日 午後7時3分 Chapter 5. Trigger Settings [TRIGGER] Setting the Pad Sensitivity [F2 (BASIC)] When you are using pads made by other manufacturers, try adjusting the following parameters. 1. Press [TRIGGER] - [F2 (BASIC)]. [TRIGGER] lights, and the “TRIGGER BASIC” screen will appear. Minimum level for the pad (Threshold) This setting allows a trigger signal to be received only when the pad is above a determined force level (velocity).
TD-20_Ref_e.book 46 ページ 2004年3月5日 金曜日 午後7時3分 Chapter 5. Trigger Settings [TRIGGER] Curve: LOG1, LOG2 Compared to LINEAR, a soft playing produces a greater change. Hi-Hat Settings [F3 (HI-HAT)] fig.VeloC-LOG.e Volume 1. Press [TRIGGER] - [F3 (HI-HAT)]. Volume [TRIGGER] lights, and the “TRIGGER HIHAT” screen will appear. fig.05-TrigHH_70 Striking Force LOG1 LOG2 Curve: SPLINE Extreme changes are made in response to playing dynamics. fig.VeloC-SPLINE.e Volume 2.
TD-20_Ref_e.book 47 ページ 2004年3月5日 金曜日 午後7時3分 Chapter 5. Trigger Settings [TRIGGER] [F1 (XTALK)]: XTALK CANCEL Eliminate Crosstalk Between Pads [F4 (XTALK)] When two pads are mounted on the same stand, hitting one pad may trigger the sound from another pad unintentionally. (This is called crosstalk.) Eliminate this by adjusting Xtalk Cancel on the pad that is sounding inadvertently. fig.05-Xtalk1_70 [F2 (MOUNT)]: MOUNT TYPE Select the pad mount type here.
TD-20_Ref_e.book 48 ページ 2004年3月5日 金曜日 午後7時3分 Chapter 5. Trigger Settings [TRIGGER] Advanced Trigger Parameters [F5 (ADVANCE)] The following parameters (Advanced Trigger Parameters) are automatically set to the most efficient values for each pad when you select the Trigger Type (p. 44), and don’t require adjustment, except if you experience any of the problems that are discussed in the explanation of each parameter. 1. Press [TRIGGER] - [F5 (ADVANCE)]. 2.
TD-20_Ref_e.book 49 ページ 2004年3月5日 金曜日 午後7時3分 Chapter 5. Trigger Settings [TRIGGER] Double Triggering Prevention (Mask Time) Rim Shots Response (Rim Shot Adjust) When a PD-125/120/105/80R or RT-5S (trigger) is connected, you can adjust the sensitivity of the rim response. RimShot Adjust: 0–8.0 There are some cases that you have a rim sound unexpectedly when you hit the head strongly. You can improve this situation with decreasing the value of “RimShot Adjust.
TD-20_Ref_e.book 50 ページ 2004年3月5日 金曜日 午後7時3分 Chapter 5. Trigger Settings [TRIGGER] Playing Bow, Bell, and Edge (3-Way Triggering) Naming a Trigger Bank [F5 (Name)] Each trigger bank can be named (up to 12 characters). When using the CY-15R or CY-12R/C for the RIDE, you can three way triggering (bow, bell, and edge shot) performance are possible. fig.05-BankName_70 3Way Trigger: OFF, ON Connect as shown below, set 3Way Trigger to “ON.” fig.05-Ride.e Ride CY-15R or CY-12R/C 1.
TD-20_Ref_e.book 51 ページ 2004年3月5日 金曜日 午後7時3分 Chapter 6. Sequencer (Playback) The collective performance of these six parts is called a pattern. Preset Patterns (Pattern P 1–100) Settings in Preset patterns cannot be modified. These patterns are provided for use in practicing or live performances. User Patterns (Pattern U 101–200) These are patterns for you to use as you wish. You can record directly from the pads or an external MIDI keyboard in real time (p. 61).
TD-20_Ref_e.book 52 ページ 2004年3月5日 金曜日 午後7時3分 Chapter 6. Sequencer (Playback) Choosing a Pattern [PATTERN] Select a Pattern from the List [F1 (LIST)] Here you can select patterns from a list of pattern names. fig.06-003_70 Pattern number, pattern name, beat, measure length, pattern playback type, and tempo are displayed. fig.06-List_70 1. Press [PATTERN]. [PATTERN] lights, and the “PATTERN” screen appears. 2. Use [+/-] or [VALUE] to select the pattern. 1. Press [PATTERN] - [F1 (LIST)].
TD-20_Ref_e.book 53 ページ 2004年3月5日 金曜日 午後7時3分 Chapter 6. Sequencer (Playback) Tempo Adjustment 1. Press [TEMPO]. 2. [TEMPO] lights, and the “TEMPO” screen appears. fig.06-Tempo1_70 Synchronizing with an External MIDI Device This section discusses the settings that allow an external MIDI sequencer and the TD-20’s sequencer to be synchronized. The device that is playing back is called the “master” and the device that is synchronizing to the playback is called the “slave.” 1. Press [TEMPO].
TD-20_Ref_e.book 54 ページ 2004年3月5日 金曜日 午後7時3分 Chapter 6. Sequencer (Playback) Part Settings [F2 (PART)] Make Settings for the Backing Part [F2 (BACKING)] PATTERN PART screen (Only for User Pattern) Here you can select the instrument used for the backing parts (other parts than drum kit part and percussion part), etc. fig.06-Part_70 1. Press [PATTERN] - [F2 (PART)]. The “PATTERN PART” screen appears. 2. Press [F2 (BACKING)].
TD-20_Ref_e.book 55 ページ 2004年3月5日 金曜日 午後7時3分 Chapter 6. Sequencer (Playback) Instrument Numbers/Instrument Names You can change the tone by changing the instrument number. Selecting different variations within each instrument number changes the instrument name, with a different tone being selected. Instrument numbers correspond to the program numbers (1-128). Percussion Part Settings [F3 (PERC)] Choosing a Percussion Set An assembled group of different percussion instruments is called a percussion set.
TD-20_Ref_e.book 56 ページ 2004年3月5日 金曜日 午後7時3分 Chapter 6. Sequencer (Playback) Selecting a Percussion Instrument from the List [F1 (LIST)] Here you can select from the list of all available instruments. 1. Press [CURSOR (up/down)] to select the note number you wish to set. 2. Press [F1 (LIST)]. The “PERCUSSION SET INST LIST” screen appears.