Information AFRICA EGYPT Al Fanny Trading Office 9, EBN Hagar Al Askalany Street, ARD E1 Golf, Heliopolis, Cairo 11341, EGYPT TEL: (022)-418-5531 When you need repair service, call your nearest Roland Service Center or authorized Roland distributor in your country as shown below. PHILIPPINES CURACAO URUGUAY NORWAY JORDAN G.A. Yupangco & Co. Inc. 339 Gil J. Puyat Avenue Makati, Metro Manila 1200, PHILIPPINES TEL: (02) 899 9801 Zeelandia Music Center Inc.
04 USING THE UNIT SAFELY * Microsoft and Windows are registered trademarks of Microsoft Corporation. * Windows Vista is a trademark of Microsoft Corporation. 206j * Windows® is known officially as: “Microsoft® Windows® operating system.” 207 * Apple and Macintosh are registered trademarks of Apple Inc. 209 The symbol alerts the user to important instructions or warnings.The specific meaning of the symbol is determined by the design contained within the triangle.
VB-99_e.book 3 ページ 2008年8月18日 月曜日 午後1時10分 012b 101f • Immediately turn the power off, remove the AC adaptor from the outlet, and request servicing by your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page when: • Please be sure to read and adhere to the cautionary notices contained in the instructions that came with this product.
VB-99_e.book 4 ページ 2008年8月18日 月曜日 午後1時10分 IMPORTANT NOTES Power Supply Maintenance 301 401a • Do not connect this unit to same electrical outlet that is being used by an electrical appliance that is controlled by an inverter (such as a refrigerator, washing machine, microwave oven, or air conditioner), or that contains a motor. Depending on the way in which the electrical appliance is used, power supply noise may cause this unit to malfunction or may produce audible noise.
VB-99_e.book 5 ページ 2008年8月18日 月曜日 午後1時10分 IMPORTANT NOTES 561 • Use only the specified expression pedal (Roland EV-5, BOSS FV-500L/500H with a connection cable (stereo 1/4” phone – stereo 1/4” phone); sold separately). By connecting any other expression pedals, you risk causing malfunction and/or damage to the unit. 562 • Some connection cables contain resistors. Do not use cables that incorporate resistors for connecting to this unit.
VB-99_e.book 6 ページ 2008年8月18日 月曜日 午後1時10分 Contents Main Features ................................................................................................11 Names of Things and What They Do ...........................................................12 Top Panel................................................................................................................................... 12 Rear Panel ...............................................................................................
VB-99_e.book 7 ページ 2008年8月18日 月曜日 午後1時10分 Contents Inputting the Bass’s Scale (BASS SCALE)................................................................................................... 36 Selecting the Position of the Divided Pickup (GK PU POS) .................................................................... 36 Matching the Divided Pickup and Normal Pickup Phase (GK PU PHASE) ......................................... 37 Setting the Direction for the Installed Divided Pickup (GK PU DIRECTION) ..
VB-99_e.book 8 ページ 2008年8月18日 月曜日 午後1時10分 Contents Recording the VB-99’s Output with a Computer ................................................................... 68 Using the VB-99 to Add Effects to Audio Playback from a Computer................................. 69 Chapter 7 Other Functions ...........................................................................70 Changing the Tone in Real Time with the D Beam and Ribbon Controllers ....................... 70 Adjusting the D Beam (CALIBRATION) ...
VB-99_e.book 9 ページ 2008年8月18日 月曜日 午後1時10分 Contents POLY DEFRET (Poly Defretter) ..................................................................................................... 109 POLY DIST (Poly Distortion) ......................................................................................................... 109 POLY EQ (Poly Equalizer) ............................................................................................................. 109 POLY OCTAVE (Poly Octave) ...................
VB-99_e.book 10 ページ 2008年8月18日 月曜日 午後1時10分 Contents CATEGORY NAME ........................................................................................................................ 156 D BEAM CALIB (D BEAM Calibration) ....................................................................................... 156 PATCH EXTENT ............................................................................................................................. 156 FACTORY RESET ..................................
VB-99_e.book 11 ページ 2008年8月18日 月曜日 午後1時10分 Main Features Ultimate bass modeling system provides unlimited possibilities in creating sounds The VB-99 is the culmination of Roland’s COSM technology-based bass modeling systems.
VB-99_e.book 12 ページ 2008年8月18日 月曜日 午後1時10分 Names of Things and What They Do Top Panel fig.00-020 1 3 2 32 4 23 24 30 33 5 25 6 7 13 8 9 10 11 14 26 16 17 12 18 15 27 19 28 29 31 20 1. 21 D BEAM Switches the D Beam on and off. You can add a variety of effects to your sounds by moving your hand or the bass neck within the range of the beam. (p.
VB-99_e.book 13 ページ 2008年8月18日 月曜日 午後1時10分 Names of Things and What They Do 15. BALANCE Knob Sets the mix balance. (p. 32) 16. CHAIN Button Used to make settings for the effect and COSM bass/COSM amp connection sequence. (p. 31) 17. CONTROL ASSIGN Button This sets the functions assigned to pedals and switches. (p. 76) 18. NAME/KEY/BPM Button Used to specify patch names (p. 34) and the tempo and key (p. 29) for songs to be played. 19. V-BASS LEVEL Knob Adjusts the volume of a patch. (p. 33) 20.
VB-99_e.book 14 ページ 2008年8月18日 月曜日 午後1時10分 Names of Things and What They Do Rear Panel fig.00-030 1 2 3 4 5 7 8 9 10 11 12 6 1. Security Slot ( ) 14 10. CTL3,4 (CONTROL 3,4) Jack An optional footswitch (such as an FS-6) can be connected here. (p. 17) 988 Connect a commercially available anti-theft security cable here. http://www.kensington.com/ 2. * Use a USB cable to connect a computer to this connector and enable exchange of data between the VB-99 and the computer. (p.
Bass Amp BASS OUT BASS IN 11 Audio IN Audio OUT D E SUB OUT MAIN OUT NORMAL PU A B C D E (OFF) COSM BASS B MAIN & SUB C B USB IN LEVEL POLYFX SW USB IN FX POLY POLYFX CH COSM BASS A BASS DIRECT 10 BASS B Computer NORMAL PU DIVIDED PU BASS A A USB 3 FX FX USB OUT GK CONNCT USB OUT LEVEL COSM BASS SW 2 1 9 SUB OUT 8 MAIN OUT 7 MIXER 6 MIXER (DRY) 5 CH B 4 CH A 3 NORMAL PU 2 COSM BASS B 1 COSM BASS A AMP B CHAIN B AMP A CHAIN A A/B PAN BALANCE LEVEL LEVEL
VB-99_e.book 16 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 1 Outputting Sounds Installing the Divided Pickup First install the GK-3B divided pickup (optional) on the bass to be used. For installation instructions, refer to the GK-3B Owner’s Manual. The GK-3B cannot be used with the following basses (the pickup will not function properly even when installed).
VB-99_e.book 17 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 1 Outputting Sounds Chapter 1 Making the Connections Top Panel GK cable Bass with GK-3B / GK-2B Rear Panel Stereo Headphones Digital Recorder etc. Synthesizer (external sound module) etc. MIDI IN Mixer etc. MIDI Sequencer etc. (Normal Bass) MIDI IN V-LINK Compatible Device (EDIROL P-10 etc.) MIDI IN MIDI OUT AC Adaptor PSB-1U To the Power Outlet RRC2 cable Bass Amp EXP Pedal (EV-5 etc.) Footswitch (BOSS FS-6 etc.
VB-99_e.book 18 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 1 Outputting Sounds * The GK cable is a locking cable. When disconnecting the cable, do not pull on it with undue force, but instead release the lock and 922 * This instrument is equipped with balanced type jack (XLR=SUB gently disconnect the cable. You can disconnect the cable simply and OUT). Wiring diagrams for this jacks is shown below.
VB-99_e.book 19 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 1 Outputting Sounds * When connecting an expression pedal to the EXP PEDAL jack, set the pedal’s minimum level knob to the MIN position. * When connecting an FS-6 footswitch (optional) to the CTL3/4 jack, set the MODE switch and POLARITY switch as shown below. fig.01-010 B A Chapter 1 other settings can be used fully in two channels. Turning On the Power 941 Once the connections have been completed (p.
VB-99_e.book 20 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 1 Outputting Sounds About the Play Screen The VB-99 has a variety of Play screen variations, each providing different information about the current state of the VB-99. You can switch the information shown in the Play screen by pressing PAGE [ ][ About the Information in the Display (Basic Operation) Some screens may contain parameters spanning multiple pages. The page number is indicated at the upper right of the screen. ].
VB-99_e.book 21 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 1 Outputting Sounds Use this procedure to set the type of device connected to the MAIN OUT jacks. fig.01-071 3 Inputting the Divided Pickup Settings (GK Settings) The VB-99’s sound characteristics vary greatly depending on how the divided pickup is installed. To ensure consistent conditions for optimal sound production, be sure to make the settings affecting the divided pickup (the GK settings).
VB-99_e.book 22 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 1 Outputting Sounds 5. Select the divided pickup type. 7. Select the position of the divided pickup. Use the F1 knob to set the type of divided pickup installed in the bass you are using. fig.01-060d Use the F5 knob to set the position of divided pickup installed in the bass you are using. For a 4-string bass: 4STR-1 4STR-2 4STR-3 string 1 string 2 string 3 string 4 Settings Explanation GK-3B Specifies the GK-3B.
VB-99_e.book 23 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 1 Outputting Sounds ] to go to Page 5. Chapter 1 10. Press PAGE [ fig.01-060d Tuning the Bass (TUNER) Tune the bass using the VB-99’s tuner function. * To get the best tone quality from the VB-99, make sure the tuning is accurate. fig.01-190 7 11. Rotate the F1–F6 knobs to adjust the divided pickup sensitivity for each string.
VB-99_e.book 24 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 1 Outputting Sounds • [F6] (MUTE OFF, MUTE ON) This setting determines whether sounds from the output jacks are output or not while tuning is in progress. TUNER Explanation MUTE OFF Sounds are output during tuning. MUTE ON Sounds are not output during tuning. * With the factory settings, this is set to MUTE ON. 4. 5. Play a single note, open, on the string being tuned.
VB-99_e.book 25 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 1 Outputting Sounds You can switch patches consecutively with the PATCH/VALUE Dial. 1. Confirm that the Play screen is displayed. If a screen other than the Play screen is shown, press [EXIT] several times until the Play screen appears. 2. Rotate the PATCH/VALUE dial to switch the patches. Chapter 1 Switching with the PATCH/ VALUE Dial Turning Off the Power 1. Confirm the following before turning off the power.
VB-99_e.book 26 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 2 Creating Sounds First, let’s take a look at how the VB-99 is organized internally. ● COSM Basses You can use COSM modeling to create the tones of a variety of different bass guitars. Available sounds include not just electric bass and acoustic bass tones, but extend beyond to include the sounds of synthesizers and electric guitars and even non-existent, imaginary bass guitars.
VB-99_e.book 27 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 2 Creating Sounds Setting the COSM AMP Tone Setting BASS DIRECT to “on” enables you to output the direct bass sound at a single touch. It's possible to create sounds like bass direct sound plus synthesizer bass sound by combining the direct bass sound with COSM bass, effect, or COSM amp sound. 1. Press [COSM AMP]. 2. Press PAGE [ 1. 3. Use [F1] (ON/OFF) or the F1 knob to switch the COSM AMP ON/OFF setting. ] several times to display Page fig.
VB-99_e.book 28 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 2 Creating Sounds Setting the Effects FX (Effects) Here’s how to make settings for the effects. POLY FX (Poly Effect) * You can use POLY FX in only one channel at a time (A or B). 1. Press [POLY FX] for the channel, either A or B, in which you want to use it. 2. Press PAGE [ 1. 1. Press [FX]. fig.01-060d ] several times to display Page 2. fig.01-060d Switch the individual effects on or off with the [F1]–[F6] (ON/OFF).
VB-99_e.book 29 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 2 Creating Sounds You can freely set the order in which the effects and COSM amps are connected. 1. Press [CHAIN]. The Chain screen is displayed. * Specifying the tempo and key of the song to be played Here’s how to specify the tempo and key of a song you’ll be playing. Set these when you want to specify a delay time or rate that suits a song’s tempo (specifying it in terms of the note length) and when using the HARMONY function.
VB-99_e.book 30 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 2 Creating Sounds Setting the Key 1. Press [NAME/KEY/BPM]. 2. Press [F2] (KEY). Mixing the Normal Pickup Sound with the GK Input It is possible to combine the sound of the COSM basses and the normal bass pickups at the same time. Setting the Volume Balance 3. 1. Press [COSM BASS]. 2. Set the COSM BASS SW to ON with [F1] or with the F1 knob. Set the song’s key with [F1] (SELECT) or the F1 knob.
VB-99_e.book 31 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 2 Creating Sounds Setting the Connection Locations for COSM Bass/Normal Pickup Sound Press [CHAIN]. For a detailed block diagram of the signal path, refer to “Signal Flow” (p. 15). Setting the Volume and Panning for Each Channel 2. Use [F2] ( SEL) and [F3] (SEL ) to select the arrow that indicates the connection location for the COSM bass or normal pickup sound. 3. 1. Press [MIXER]. 2. Press PAGE [ ] to display Page 1.
VB-99_e.book 32 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 2 Creating Sounds Setting the Mix Balance You can set the mix balance of Channel A and Channel B with the BALANCE knob. Soon after the knob is turned, the balance value pops up in the screen. * You can also adjust this parameter in Page 2 of the Mixer screen. * This knob is disabled when the Dynamic function is switched on.
VB-99_e.book 33 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 2 Creating Sounds Setting the Overall Patch Volume Level (V-BASS LEVEL) * This sets the signals and levels output for each of the VB-99’s output jacks and connectors. 1. Press [MIXER]. 2. Press PAGE [ 3. Set the signal and level output to MAIN OUT and SUB OUT with [F2]–[F5] or with the F2–F5 knobs. ] to display Page 5. You can also adjust this parameter in Page 2 of the Mixer screen. fig.
VB-99_e.book 34 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 2 Creating Sounds Naming a Patch (PATCH NAME) You can give names to the patches you create. 1. Press [NAME/KEY/BPM]. Saving a Patch (WRITE) The settings made to change a sound are temporary; when you switch to a different patch, the settings revert to the values in effect before the changes were made. If you want to save the changes in the settings, carry out the Write procedure.
VB-99_e.book 35 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 3 Global Device Settings (SYSTEM) * The parameters described in this section are saved without the Write procedure being performed. Naming GK Settings (GK NAME) You can give names to each of the GK settings. Inputting the Divided Pickup Settings To ensure optimal conditions for producing sounds with the VB-99, making the correct settings affecting the divided pickup (the GK settings) is required. 1. Follow Steps 1–5 in “Selecting the Settings” (p.
VB-99_e.book 36 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 3 Global Device Settings (SYSTEM) Selecting the Divided Pickup Type (GK PU TYPE) 1. Follow Steps 1–5 in “Selecting the Settings” (p. 35) to select the GK SETTING. 2. Press PAGE [ ][ Inputting the Bass’s Scale (BASS SCALE) Set the scale length (the distance from the bridge to the nut). 1. Follow Steps 1–5 in “Selecting the Settings” (p. 35) to select the GK SETTING. 2. Press PAGE [ 3.
VB-99_e.book 37 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 3 Global Device Settings (SYSTEM) Matching the Divided Pickup and Normal Pickup Phase (GK PU PHASE) Certain peculiarities in the sound may appear when the COSM bass and normal pickup sounds are mixed. If this occurs, adjust this parameter and switch the COSM bass’s phase. 1. Follow Steps 1–5 in “Selecting the Settings” (p. 35) to select the GK SETTING. Press PAGE [ 3. Use [F1] (SELECT) or the F1 knob to select the phase. ][ ] to display Page 3.
VB-99_e.book 38 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 3 Global Device Settings (SYSTEM) Setting the Gap Between the Pickup and the Bridge (PICKUP↔BRIDGE) Set the clearance from the divided pickup to the bridge’s saddle for each string. * Adjust the divided pickup sensitivity for each string. 1. Follow Steps 1–5 in “Selecting the Settings” (p. 35) to select the GK SETTING. 2. Press PAGE [ 3. Rotate the F1–F6 knobs to adjust the sensitivity.
VB-99_e.book 39 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 3 Global Device Settings (SYSTEM) Setting Whether or Not the Divided Pickup Is Used (GK CONNCT) The VB-99 comes equipped with a function that automatically detects whether or not a GK connection exists and switches the internal settings accordingly. This makes it possible for you to use all functions other than a COSM bass (COSM amp, effects, tuner, etc.) when you’ve connected only to the BASS INPUT. 1. Follow Steps 1–3 in “Selecting the Settings” (p.
VB-99_e.book 40 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 3 Global Device Settings (SYSTEM) Adjusting the Overall Tone According to the Environment (GLOBAL/OUTPUT SELECT) The VB-99 includes a function for adjusting the overall tone produced by the device. This is referred to as the Global function. You can use the Global function to adjust the overall sound of the VB-99 to suit the equipment being used or environment you are in without altering the individual patches.
VB-99_e.book 41 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 3 Global Device Settings (SYSTEM) Adjusting the Overall Tone (GLOBAL EQ) Both MAIN OUT and SUB OUT feature four-band EQs. EQ (MAIN) is applied to the output from MAIN OUT; EQ (SUB) is applied to the output from SUB OUT. Follow Steps 1–3 in “Selecting the Settings” (p. 40) to select the SETTING. 2. Press PAGE [ 3. ][ ] to display Page 2–5. This controls the overall threshold value for the noise suppressor settings in the individual patches.
VB-99_e.book 42 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 3 Global Device Settings (SYSTEM) Controlling the Overall Reverb Level (Total REVERB) This controls the overall reverb level settings in the individual patches. This is effective for adjusting to the acoustics of the performance venue. This setting does not affect the individual patch settings. 1. Follow Steps 1–3 in “Selecting the Settings” (p. 40) to select the SETTING. 2. Press PAGE [ 3.
VB-99_e.book 43 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 3 Global Device Settings (SYSTEM) Having Values from an External Pedal, GK VOLUME Control, or Other Controller Carried Over When Patches are Called Up (ASSIGN HOLD) * 1. Press [SYSTEM]. 2. Press PAGE [ Press [F4] (CTL). ] to display Page 1.
VB-99_e.book 44 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 3 Global Device Settings (SYSTEM) Limiting the Patches That Can Be Switched (PATCH EXTENT) Setting upper and lower limits for the patches that can be switched allows you to select only the patches you need. 1. Press [SYSTEM]. 2. Press PAGE [ 3. ] to display Page 3. Adjusting the Screen’s Contrast The text and icons in the LCD screen may be difficult to make out sometimes, such as immediately after the VB-99 is turned on or after extended use.
VB-99_e.book 45 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 3 Global Device Settings (SYSTEM) Setting the Output Signal and Level (SYSTEM OUTPUT) This sets the signals and levels output for each of the VB-99’s output jacks and connectors (MAIN OUT, SUB OUT, and DIGITAL OUT). 1. Press [SYSTEM]. 2. Press PAGE [ 3. Press [F1] (OUTPUT). 4. Set the OUTPUT MODE parameter to SYSTEM with [F1] (SELECT) or with the F1 knob. ][ ] to display Page 2.
VB-99_e.
VB-99_e.book 47 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 4 Using the VB-99 in Combination with an FC-300 Setting the Operation When Patches Are Switched This sets the timing at which patches are switched when you press [ ][ 1. ] pedals on the FC-300. Press [SYSTEM]. 2. Press PAGE [ Activating the VB-99’s Tuner from the FC-300 (QUICK TUNER) You can use the FC-300’s number pedals to switch the Tuner function on and off. ] to display Page 1.
VB-99_e.book 48 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 4 Using the VB-99 in Combination with an FC-300 Setting the FC-300 Amp Control This switches the FC-300’s AMP CTL 1 and AMP CTL 2 parameters on and off. When the bass amp’s channel switch jack is connected to the FC300’s AMP CONTROL 1 jack (or AMP CONTROL 2 jack), you can then switch the bass amp channels with the VB-99’s AMP CTL1 (or AMP CTL2) parameter. 1. Use the PATCH/VALUE dial to select the patch you want to set. 2. Press [NAME/KEY/BPM]. 3.
VB-99_e.book 49 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 5 Using MIDI Outputting Performance Data About MIDI MIDI, an abbreviation for Musical Instrument Digital Interface, is a universal standard that enables musical instruments to exchange musical performance data, messages concerning changes in the sounds, and other information.
VB-99_e.book 50 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 5 Using MIDI Receiving Control Change Messages The VB-99 can receive Control Change messages to control specified parameters while a performance is in progress. Set the parameters to be controlled with “Using the Switches, Pedals, and MIDI to Control the Sounds (CONTROL ASSIGN)” (p. 77). Receiving Data The VB-99 can receive data transmitted from other VB-99’s and data saved to MIDI sequencers.
VB-99_e.book 51 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 5 Using MIDI About the MIDI Implementation While the use of MIDI allows various devices to communicate with each other, this does not mean that it enables exchanges of all information. The data that can be exchanged between any two connected devices is limited to the messages common to both devices.
VB-99_e.book 52 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 5 Using MIDI Bank Select and Program Change Bank Select and Program Change are MIDI messages generally used for switching patches. Normally, patches are switched using Program Change messages. However, if Program Changes alone are used, you’ll only be able to select up to a maximum of 128 different patches. Because of this, some devices also employ the Bank Select, expanding the number of selectable patches.
VB-99_e.book 53 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 5 Using MIDI MIDI Omni Mode SYNC CLOCK When set to MIDI Omni mode, the VB-99 receives messages on all MIDI channels, regardless of the MIDI channel settings. You can use Omni mode whenever you do not need to use specific MIDI channels in controlling the VB-99. You can synchronize the VB-99 to the MIDI Clock (tempo) transmitted from a MIDI sequencer or other external MIDI device. 1. 2. 1.
VB-99_e.book 54 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 5 Using MIDI MIDI PC OUT This setting determines whether or not Program Change messages are output when the VB-99’s patches are switched. 1. Follow Steps 1–3 in “Setting the MIDI-Related Functions” (p. 52) to display the MIDI screen. 2. Press PAGE [ 3. ][ TX PC MAP (TRANSMIT PROGRAM CHANGE MAP) This setting determines the sequence of Program Change messages output when the VB-99’s patches are changed.
VB-99_e.book 55 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 5 Using MIDI Setting the TX PC MAP To set Program Change messages to be transmitted with individual patches, make the settings described below. Patch parameters are settings made individually for each patch. The Write procedure (p. 34) is required to save changes in the settings. 1. Select the patch to which you want to assign the predetermined Program Change message to be transmitted. 2. Press [NAME/KEY/BPM]. 3. Press [F5] (TX PC). 4.
VB-99_e.book 56 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 5 Using MIDI The table below shows the correspondence between the factory default Program change Map and the Program Change messages received when RX PC MAP is set to FIX.
VB-99_e.book 57 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 5 Using MIDI When Transmitting Data to Another VB-99 Bulk Load Connect the devices as shown below, then match the Device IDs for the transmitting and receiving devices. Reception of VB-99 data saved to MIDI sequencers and other devices is referred to as bulk load. When Receiving Data Saved to a MIDI Sequencer 1. Connect the devices as shown below. Set the VB-99’s Device ID to the same one used when the data was transmitted to the MIDI sequencer.
VB-99_e.book 58 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 5 Using MIDI Syncing to the MIDI Clock from an External Device 1. 2. Follow Steps 1–3 in “Setting the MIDI-Related Functions” (p. 52) to display the MIDI screen. Press PAGE [ ] to display Page 1. Playing an External Synthesizer Sound Module (BASS TO MIDI) The VB-99 can convert performance data to MIDI Note and Bend messages and output these messages.
VB-99_e.book 59 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 5 Using MIDI Setting the BASS TO MIDI Function (System Parameters) These procedures are used for making settings for the device as a whole. Changes are saved automatically, and the Write procedure is not required. Selecting the Controller Used to Control the Hold Function (HOLD CTL) 1. Press [BASS TO MIDI]. The BASS TO MIDI screen appears. After entering these parameters, press [EXIT] several times to return to the Play screen.
VB-99_e.book 60 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 5 Using MIDI Thinning Out Bend Messages (BEND THIN) Vibrato, slides, and other such data in bass performances are output as Pitch Bend messages. For this reason, the receiving MIDI device may encounter problems with operation when Pitch Bend messages containing large amounts of data are included.
VB-99_e.book 61 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 5 Using MIDI Setting the BASS TO MIDI Function (Patch Parameters) Patch parameters are settings made individually for each patch. The Write procedure is required to save changes in the settings. Carry out the Write procedure as needed. • All patches are set to MONO mode at the factory. • When chords are played in POLY mode, pitch bends change in semitone increments, while vibrato cannot be used.
VB-99_e.book 62 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 5 Using MIDI Adjusting the Feel Produced in Playing the Bass (PLAY FEEL) Changing the Pitch in Semitone Units (CHROMATIC) This selects the response of the synth sound relative to the playing dynamics. Changing this setting depending on the performance style used with the bass or the tone allows you to express dynamics more naturally.
VB-99_e.book 63 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 5 Using MIDI Selecting How the Hold Functions (HOLD TYPE) Outputting Control Changes by Operating the Controllers (CC) This selects the Hold function type when the controller set with the HOLD CTL parameter (p. 59) is adjusted. You can operate the panel knobs and pedals to output Control Change messages. 1. 2. 3. 4. There are two different settings. Follow Steps 1–2 in “Setting the Transmission Mode (MODE)” (p.
VB-99_e.book 64 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 5 Using MIDI The MIDI channel over which the messages are output in POLY mode is only the basic channel. In MONO mode, the messages are output over the six channels spanning from the basic channel up to the channel numbered five above the basic channel. Outputting Program Change Messages Simultaneously When Switching Patches (PC) This sets the Program Change messages that are output when the VB-99’s patches are switched.
VB-99_e.book 65 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 6 Using the VB-99 Connected to a Computer Via USB Before Using the USB Connection By using USB with the VB-99, you’ll be able to exchange digital audio signals and MIDI messages with your computer. Driver Mode The VB-99 features two operational modes, one which uses the special driver contained on the included CD-ROM, and one in which the OS’s (Windows/Mac OS) standard driver is used.
VB-99_e.book 66 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 6 Using the VB-99 Connected to a Computer Via USB Switching the Driver Mode 1. 2. Setting the USB Functions Press [SYSTEM]. The following section describes the VB-99’s USB-related functions. Press PAGE [ Make these settings in accordance with how you plan to use the VB99. ][ ] to go to Page 2. Setting the Digital Audio Signal Input and Output 3. Press [F2] (USB). 4. Press PAGE [ 5.
VB-99_e.book 67 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 6 Using the VB-99 Connected to a Computer Via USB Parameter/ Range COSM BASS B Explanation The signals are connected at the point where the COSM BASS B is output. The audio output from the computer, instead of the COSM bass sounds played by the connected bass, is input to the effects. Setting the Direct Monitor 1. Press [SYSTEM]. 2. Press PAGE [ 3. Press [F2] (USB). 4. Press PAGE [ 5.
VB-99_e.book 68 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 6 Using the VB-99 Connected to a Computer Via USB Parameter/ Range Recording the VB-99’s Output with a Computer Explanation MON CMD (Monitor Command) This setting determines whether or not the command (the Direct Monitor command) controlling the Direct Monitor (described later) setting is enabled. DISABL The Direct Monitor command is disabled, maintaining the Direct Monitor mode set by the VB-99.
VB-99_e.book 69 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 6 Using the VB-99 Connected to a Computer Via USB Using the VB-99 to Add Effects to Audio Playback from a Computer In the computer application, set the audio output port to the VB-99. You can use the VB-99 to apply effects to the audio data played by the computer, then record the data again with the computer. Use this process when, for example, you want to add effects to existing audio data. * Set the software so audio is not passed through it. 1.
VB-99_e.book 70 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 7 Other Functions Changing the Tone in Real Time with the D Beam and Ribbon Controllers • Be sure to adjust the CALIBRATION directly above the D Beam controller. OK! Adjusting the D Beam (CALIBRATION) The sensitivity of the D Beam controller can vary depending on the amount of light in the vicinity of the controller and the object (e.g., hand, bass neck) used to operate it. Perform this adjustment so you can control the tone in the intended range. 1.
VB-99_e.book 71 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 7 Other Functions Disabling the D Beam (DISABLE) You can disable the D Beam controller for the entire device. If you are using the VB-99 rack-mounted or otherwise not using the D Beam controller, we recommend disabling the D Beam controller by setting D BEAM DISAB to OFF. 1. Press [SYSTEM]. 2. Press PAGE [ 3. Press [F6] (CALIB). 4.
VB-99_e.book 72 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 7 Other Functions 4. To turn off the D Beam controller, press the button you pressed in Step 1 again so the indicator goes off. Effective Range of the D Beam Controller The D Beam controller’s effective range is shown in the figure below. Moving your hand outside this effective range produces no effect. The effective range of the D Beam controller will be extremely limited when used under strong, direct sunlight.
VB-99_e.book 73 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 7 Other Functions Controlling the Sounds with the Movement of Your Fingertip (Ribbon Controller) The ribbon controller allows you to change sounds by “scratching” or tracing your finger along the ribbon. You can apply various effects to the sound by changing the functions assigned to this controller. 1. Press the RIBBON CONTROLLER [PITCH], [FILTER], or [ASSIGNABLE] button to switch on the ribbon controller.
VB-99_e.book 74 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 7 Other Functions pedal, MIDI device, or any of a variety of other controllers. Changing the Pitch as with a Tremolo Arm (T-ARM) You can press the D BEAM or RIBBON CONTROLLER [PITCH] button to use T-ARM, which changes the pitch of the COSM bass like a tremolo arm. 1. Press [CONTROL ASSIGN] 2. Press PAGE [ ] [ ] to go to Page 2 for the D Beam, or Page 3 for the ribbon controller.
VB-99_e.book 75 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 7 Other Functions Adding Nuance to the Sound (FILTER) You can press the D BEAM or RIBBON CONTROLLER [FILTER] button to apply the FILTER effect and add nuance to the tone in Channel A or B, or both channels. 1. Press [CONTROL ASSIGN] 2. Press PAGE [ ] [ ] to go to Page 2 for the D Beam, or Page 3 for the ribbon controller. 3. Press [F2] (FILTER). 4. Press PAGE [ 9.
VB-99_e.book 76 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 7 Other Functions Changing the Sounds with the Function Knobs as You Play (DIRECT EDIT) You can assign parameters to the F1–F6 knobs to control the parameters as you play. Additionally, you can check (display) the assigned parameters by pressing [F1]–[F6]. * Set the DIRECT EDIT parameter (p. 148) settings to PATCH. 1. Press [CONTROL ASSIGN] 2. Press PAGE [ When Messages Are Displayed These appear because the DIRECT EDIT parameter is set to SYSTEM.
VB-99_e.book 77 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 7 Other Functions Using the Switches, Pedals, and MIDI to Control the Sounds (CONTROL ASSIGN) These settings are made when parameters are to be controlled with the GK-3B VOLUME knob or DOWN/S1, UP/S2 switches, the VB99’s CONTROL buttons, an external pedal or other connected controller, or a connected MIDI device.
VB-99_e.book 78 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 7 Other Functions Displayed screen EXP1 FC EXP1 Controller Settings for the expression pedal 1 on the FC-300 connected to the VB99. EXPSW1 FC EXPSW1 Settings for the expression pedal switch 1 on the FC-300 connected to the VB-99. EXP2 FC EXP2 Settings for the expression pedal 2 on the FC-300 connected to the VB99. EXSW2 FC EXPSW2 Settings for the expression pedal switch 2 on the FC-300 connected to the VB-99.
VB-99_e.book 79 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 7 Other Functions The following section describes the parameters you can set on each page. * The screen shown in the example is for ASSIGN1. Page 1, 3 F4: MODE (GK S1, S2 only) This specifies how the switches function. * Combinations of the actions below are possible. S1: DEC / S2: INC S1: INC / S2: DEC S1: MIN / S2: MAX S1: MAX / S2: MIN Available Settings Explanation The value increases.
VB-99_e.book 80 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 7 Other Functions About the Range of Targets’ Change About the Range of Controllers’ Change The target’s value changes between MIN (the minimum value) and MAX (the maximum value). This sets the operational range (range in which the value actually changes) for an expression pedal, or similar controller that changes the value of a setting in a continuous fashion, when it has been set as the source.
VB-99_e.book 81 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 7 Other Functions Activating the Virtual Expression Pedal at the Start of Operations (Internal Pedal System) The VB-99 features a function called Internal Pedal system. This function assigns specified parameters to a virtual expression pedal (the internal pedal), providing an effect automatically that changes volume and tone in real time just the way an expression pedal functions.
VB-99_e.book 82 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 7 Other Functions Managing the Patches Saving and Copying Patches (PATCH WRITE) To save any changes you’ve made in the settings, you need to perform the write procedure. To make a copy of an existing patch, you can simply write it to another patch location. 1. Press [WRITE]. The PATCH WRITE screen appears. Exchanging the Current Patch with a Different Patch (PATCH EXCHANGE) This exchanges the user patch with the different patch. * 1.
VB-99_e.book 83 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 7 Other Functions Initializing User Patches (PATCH INITIALIZE) You can set user patches to their initial conditions, with all effects switched off. Copying Settings Between Channel A and Channel B (A/B COPY) 1. Go to the settings screen for the parameters whose settings you want to copy. 2. Press PAGE [ last page. 3. Use [F1] (SELECT) or the F1 knob to select A/B COPY. 4. Press [F6] (EXEC) to copy the settings. 5.
VB-99_e.book 84 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 7 Other Functions Partially Copying Parameters in a Different Patch (MODULE COPY) You can copy and reuse portions of patch parameters (such as COSM amps, effects, and other modules). 1. Go to the settings screen for the parameters whose settings you want to copy. 2. Press PAGE [ last page. 3. Use [F1] (SELECT) or the F1 knob to select MODULE COPY. ] several times to go to the The MODULE COPY screen appears. 4.
VB-99_e.book 85 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 7 Other Functions Separating Patches into Groups (CATEGORY) Assigning a Patch to a Category You can assign categories to patches and separate them into groups. The VB-99 includes a function that allows you to categorize patches into a number of different groups. This is called the CATEGORY function. Specifying the category for each patch makes searching for patches more convenient.
VB-99_e.book 86 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 7 Other Functions Naming User Categories (CATEGORY NAME) 1. Press [SYSTEM]. 2. Press PAGE [ ][ ] to go to Page 2. Storing Your Preferred Settings Individually (FAVORITE SETTINGS) What are Favorite Settings? The VB-99 includes a function that, apart from the patches, stores the settings you like for each effects processor. These are called Favorite Settings. 3. Press [F5] (CATGRY). The Category Name settings screen appears.
VB-99_e.book 87 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 7 Other Functions Calling Up Favorite Settings Here is an example using the compressor effect. 1. Press [FX]. 2. Press PAGE [ Changing Tone Settings This procedure changes the tones in patches using the Favorite Settings. The method below can also be used to edit the Favorite Settings themselves. Here is an example using the compressor effect. 3. ] to go to Page 1. 1. Press [FX]. 2. Press PAGE [ ] to go to Page 1. Press [F1] (COMP). 3.
VB-99_e.book 88 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 7 Other Functions Saving Changed Tones There are two methods you can use to save changed tones. Saving to Patches 1. Saving to the Favorite Settings The following describes an example with the status indicated in the Compressor edit screen in Step 4 of “Changing Tone Settings” (p. 87). 1. Press PAGE [ ] to display the last page (in this case, Page 3). 2. Rotate the F1 (SELECT) knob to select FAVORITE WRITE. Press [WRITE].
VB-99_e.book 89 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 7 Other Functions Naming Favorite Settings (FAVORITE NAME) Searching for Patches That Use the Same Favorite Settings When storing Favorite Settings, you can also give the settings names. Here is an example using the compressor effect. Carry out the following procedure in Step 2 of “Saving to the Favorite Settings” (p. 88). 1. Press [FX]. 2. Press PAGE [ 3. Press [F1] (COMP). 1. Press [F5] (NAME). ] to go to Page 1.
VB-99_e.book 90 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 7 Other Functions 8. Press [F3] (SEARCH). Controlling Video Images with Your Bass (V-LINK) The VB-99 features the V-LINK function. A list of patches using the selected Favorite Setting is displayed. 9. You can scroll through the list using [F3] and [F4] or the F3 and F4 knobs. 10. Press [F5] (EXIT). The list disappears from the screen. 11. Press [EXIT] several times to return to the Play screen.
VB-99_e.book 91 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 7 Other Functions Switching V-LINK On and Off 1. Connect the VB-99’s MIDI OUT connector to the V-LINK compatible device. 2. Turn on the power to the device to start it up. 3. 4. Press [F1] (CLIP). The PATCH/CLIP screen appears. Press [V-LINK]. V-LINK is switched on, and [V-LINK] lights up. 5.
VB-99_e.book 92 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 7 Other Functions Setting the Assign (ASSIGN1–2) These settings are necessary for controlling video using the bass’s performance data and messages from the VB-99’s controllers. You can make up to two types of settings. 1. Follow Steps 1–3 in “Making the Palette and Clip Settings (PALETTE/CLIP)” (p. 91) to display the V-LINK screen. 2. Press [F2] (ASGN1) or [F3] (ASGN2) to select Assign 1 or Assign 2. 3.
VB-99_e.book 93 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 7 Other Functions Using the VB-99 on a Stand 928, 929 You can use the VB-99 while attached to a PDS-10 stand (optional). 1. Turn the VB-99 over and remove the screws from the bottom panel. 2. Attach the mounting plate as shown in the figure, using the screws removed in Step 1 or the knob nuts included with the kit. 3. Attach the VB-99 to the stand.
VB-99_e.book 94 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 7 Other Functions Using the VB-99 Mounted in a Rack By employing the separately available RAD-99 rack mount adaptor , you can use the VB-99 in a rack-mounted configuration. 1. Turn the VB-99 over and remove the screws from the bottom panel. 2. Attach the RAD-99 as shown in the figure, using the screws removed in Step 1 or the knob nuts included with the kit. 3. Mount the VB-99 in the rack.
VB-99_e.book 95 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 7 Other Functions Restoring the VB-99 to its Original Factory Condition (FACTORY RESET) 1. Press [SYSTEM]. 2. Press PAGE [ 3. ] to display Page 3. Press [F2] (F.RST). The FACTORY RESET screen appears. 4. Select the parameters you want to restore to the original factory condition. Available Settings Explanation ALL SYSTEM GK SETTING GLOBAL PATCH FAVORITE SETTING 6.
VB-99_e.book 96 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 8 Parameters Guide In this chapter you’ll find detailed descriptions for each of the VB-99’s operational parameters. The trademarks listed in this document are trademarks of their respective owners, which are separate companies from Roland. Those companies are not affiliated with Roland and have not licensed or authorized Roland’s VB-99. Their marks are used solely to identify the equipment whose sound is simulated by Roland’s VB-99.
VB-99_e.book 97 ページ 2008年8月18日 月曜日 午後1時10分 COSM BASS Chapter 8 Parameters Guide SYNTH TYPE (Synthesizer Type) Parameter/ Range Explanation ANALOG GR This is the sound of a vintage analog polyphonic bass guitar synthesizer.
VB-99_e.book 98 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 8 Parameters Guide E.BASS (Electric Bass) Parameters for the various electric bass models. VINT JB/JB/T-BIRD Parameter/ Range Explanation MASTER VOL (Master Volume) 0–100 Sets the overall bass volume level. With a setting of 0, there will be no sound. REAR VOL (Rear Volume) 0–100 Sets the volume of the rear pickup. With a setting of 0, there will be no sound. FRONT VOL (Front Volume) 0–100 Sets the volume of the front pickup.
VB-99_e.book 99 ページ 2008年8月18日 月曜日 午後1時10分 COSM BASS Chapter 8 Parameters Guide VIOLIN Parameter/ Range Parameter/ Range Explanation Explanation BASS *5 MASTER VOL (Master Volume) -50–+50 0–100 REAR PU (Rear Pickup), FRONT PU (Front Pickup) Sets the overall bass volume level. With a setting of 0, there will be no sound. REAR VOL (Rear Volume) 0–100 Sets the volume of the rear pickup. With a setting of 0, there will be no sound. Adjusts the tone for the low frequency range.
VB-99_e.book 100 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 8 Parameters Guide AC BASS (Acoustic Bass) Parameters for the acoustic bass model. Parameter/ Range Explanation LEVEL 0–100 This sets the volume level of the resonant sound produced by the panels and cavity (the body resonation). * The body resonance is monophonic. This means that if this Body parameter is set to 100, the panning of each string will have less effect.
VB-99_e.book 101 ページ 2008年8月18日 月曜日 午後1時10分 COSM BASS Parameter/ Range Chapter 8 Parameters Guide Explanation Parameter/ Range Explanation SENS (Sensitivity) SWEEP 0–100 This SWEEP function smoothly changes the amount of pitch shift when the amount of pitch shift is changed with PITCH SW. Adjusts the input sensitivity for the envelope modulation function. As the value is raised, the change from the envelope modulation broadens with progressively weaker playing.
VB-99_e.book 102 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 8 Parameters Guide WAVE SYNTH Parameter/ Range OSC SYNTH Explanation MASTER LEVEL 0–100 COSM BASS Parameter/ Range MASTER LEVEL Sets the volume. 0–100 WAVE SHAPE OSC SHAPE Selects the wave type on which the synth sound is based. SQ=0, SW=100– SQ=100, SW=0 SAW Creates a synth sound with a sawtooth waveform. SQUARE Creates a synth sound with a square waveform.
VB-99_e.book 103 ページ 2008年8月18日 月曜日 午後1時10分 COSM BASS Parameter/ Range Chapter 8 Parameters Guide BOWED/PIPE Explanation FILTER DEPTH -50–+50 Adjusts the depth of the filter. Increasing this value will produce a greater amount of filter change. “+” and “-” will cause the filter to move in opposite directions. SUB OSC Parameter/ Range Explanation MASTER LEVEL 0–100 Sets the volume. FILTER CUTOFF 0–100 Adds depth to the sound by layering a synth sound onto each string.
VB-99_e.book 104 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 8 Parameters Guide CRYSTL Parameter/ Range BRASS Explanation MASTER LEVEL 0–100 Parameter/ Range 0–100 This sets the tuning for the modulation applied to the attack. MOD DEPTH (Modulation Depth) 0–100 This sets the depth of the modulation applied to the attack. Larger values result in deeper undulations. ATTACK LEVEL 0–100 0–100 This sets the volume level of the attack portion.
VB-99_e.book 105 ページ 2008年8月18日 月曜日 午後1時10分 COSM BASS Chapter 8 Parameters Guide E.GTR (Electric Guitar) Parameters for the electric guitar models. COSM BASS Common Parameters ST Besides the other COSM BASS parameters, the VB-99 also includes the following shared parameters. Parameter/ Range Explanation VOL (Volume) 0–100 Sets the volume. With a setting of 0, there will be no sound. TONE 0–100 EQ A four-band equalizer with high and low ranges is provided. Adjusts the tone.
VB-99_e.book 106 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 8 Parameters Guide PITCH Parameter/ Range COSM BASS Parameter/ Range Explanation Explanation DIRECT LEVEL HiC, 1–4th, LowB *4 PITCH SHIFT (Pitch Shift) 0–100 OFF, ON LEVEL HiC, 1–4th, LowB *5 Turns pitch shift on/off. SHIFT MODE (Pitch Shift Mode) 0–100 Selects the operation of pitch shift. SHIFT This lets you fine tune the setting for the fixed amount of pitch shift.
VB-99_e.book 107 ページ 2008年8月18日 月曜日 午後1時10分 COSM BASS Chapter 8 Parameters Guide MIX Parameter/ Range Explanation STRING PAN HiC, 1–4th, LowB L0:100R–L100:0R This sets the left/right pan of each string. * The pan effect is cancelled if a monaural effect or COSM amp is connected after the COSM bass. STRING LEVEL HiC, 1–4th, LowB 0–100 Specifies the output level of each string. MIX LEVEL COSM BASS 0–100 Specifies the level of the COSM bass.
VB-99_e.book 108 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 8 Parameters Guide POLY POLY FX (Poly Effect) Parameter/ Range Explanation POLYFX SW (Poly Effect Switch) OFF, ON Turns the poly effect on/off. TYPE POLY COMP Select the poly effect type. POLY LIMITR * The parameters that can be set differ with each type. Refer to each of the parameters cited later. POLY DEFRET POLY DIST POLY LIMITR (Poly Limiter) This lets you apply an independent limiter for each string.
VB-99_e.book 109 ページ 2008年8月18日 月曜日 午後1時10分 POLY FX (Poly Effect) Chapter 8 POLY DEFRET (Poly Defretter) POLY EQ (Poly Equalizer) This changes the sound of a fretted bass guitar to make it resemble a fretless bass guitar. Each string is provided with its own four-band equalizer, allowing you to achieve the right tone by boosting or cutting any of the four bands. The tone can be adjusted independently for each string.
VB-99_e.book 110 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 8 Parameters Guide POLY POLY OCTAVE (Poly Octave) POLY SG (Poly Slow Gear) This supports playing technique related to octaves. This creates a volume-swell (violin-like) effect independently for each string. Parameter/ Range Explanation -1 OCTAVE LEVEL HiC, 1–4th, LowB 0–100 This adds sound one octave lower than the original sound.
VB-99_e.book 111 ページ 2008年8月18日 月曜日 午後1時10分 FX (Effects) Chapter 8 Parameters Guide FX (Effects) COMP (Compressor) Parameter/ Range This is an effect that attenuates loud input levels and boosts soft input levels, thus evening out the volume to create sustain without distortion. Many different types of compression are provided, including digital models of vintage compressors, as well as limiters that suppress only the sound peaks.
VB-99_e.book 112 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 8 Parameters Guide FX (Effects) OD/DS (Overdrive/Distortion) EQ (Equalizer) This effect distorts the sound to create long sustain. 12 different types of overdrive/distortion are provided. The EQ is a powerful sound-shaping tool, with four frequency bands and low cut and high cut filters. A parametric-type EQ is provided for the high-middle and low-middle ranges. Parameter/ Range Explanation OD/DS SW OFF, ON Turns the OD/DS effect on/off.
VB-99_e.book 113 ページ 2008年8月18日 月曜日 午後1時10分 FX (Effects) Chapter 8 Parameters Guide DELAY Parameter/ Range This effect adds delayed sound to the direct sound, great for adding more body to the sound or for creating special effects. Parameter/ Range MOD (Modulate) This delay adds a pleasant wavering effect to the sound. HOLD Up to 10 seconds of performance content is recorded, then played back repeatedly.
VB-99_e.book 114 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 8 Parameters Guide PAN WARP Parameter/ Range Explanation TAP TIME 0%–100% Parameter/ Range Adjusts the delay time of the left channel delay. This setting adjusts the L channel delay time relative to the R channel delay time (considered as 100%). Explanation Explanation OFF, ON Turns the WARP effect on/off. This parameter is assigned to the footswitch (CTL 3/4) and/or FC-300’s CTL pedal.
VB-99_e.book 115 ページ 2008年8月18日 月曜日 午後1時10分 FX (Effects) Chapter 8 Parameters Guide Using the HOLD (Hold Delay) * Recording and playback of performances and other operations are carried out with pedals while Hold is in effect. Connect external pedals (footswitches) or an FC-300. 1. Referring to “Using the Switches, Pedals, and MIDI to Control the Sounds (CONTROL ASSIGN)” (p. 77), assign the following functions to the connected external pedals (footswitches) or FC-300 CTL pedals.
VB-99_e.book 116 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 8 Parameters Guide FX (Effects) MOD1, MOD2 PHASER For MOD1 and MOD2, you can choose one of the following effect types. (If desired, you can select the same effect for both MOD1 and MOD2.) Phaser (p. 116) Selects the number of stages that the phaser effect will use. FLANGR Flanger (p. 117) 4STG TREML Tremolo (p. 117) This is a four-phase effect. A light phaser effect is obtained. PAN Pan (p. 117) 8STG PEDAL WAH Pedal Wah (p.
VB-99_e.book 117 ページ 2008年8月18日 月曜日 午後1時10分 FX (Effects) Chapter 8 Parameters Guide FLANGER TREML (Tremolo) The flanging effect gives a twisting, jet-airplane-like character to the sound. Tremolo is an effect that creates a cyclic change in volume. Parameter/ Range Explanation RATE Adjusts the curve for the volume change. Raising the value makes the changes occur more rapidly. This sets the rate of the flanging effect.
VB-99_e.book 118 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 8 Parameters Guide FX (Effects) PEDAL WAH T.WAH (Touch Wah) This is a wah effect that you control in real time by adjusting the EXP pedal connected to the EXP PEDAL jack or an FC-300 EXP pedal. This is an automatic wah effect where the filter changes in response to the bass level. Parameter/ Range Explanation Parameter/ Range TYPE MODE Selects the type of wah. Selects the wah mode.
VB-99_e.book 119 ページ 2008年8月18日 月曜日 午後1時10分 FX (Effects) Chapter 8 Parameters Guide AUTO WAH M-TRON III This filters the sound over a periodic cycle, providing an automatic wah effect. This models a Musitronics Mu-Tron III. Filter movement corresponds to the intensity of the input, producing a touch-wah sound suited to funk. Parameter/ Range Explanation MODE Selects the wah mode. LPF (Low Pass Filter) This passes only the low band.
VB-99_e.book 120 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 8 Parameters Guide FX (Effects) OCTAVE PITCH SHIFT (Pitch Shifter) This adds a note one octave lower, creating a richer sound. This effect changes the pitch of the original sound (up or down) within a range of two octaves. * Because of the need to analyze the pitch, chords (two or more sounds played simultaneously) cannot be played.
VB-99_e.book 121 ページ 2008年8月18日 月曜日 午後1時10分 FX (Effects) Chapter 8 Parameters Guide HARMONIST Harmonist is a pitch-shift effect where the amount of shifting is adjusted according to an analysis of the bass input, allowing you to create harmonies based on diatonic scales. * * Because of the need to analyze the pitch, chords (two or more sounds played simultaneously) cannot be played.
VB-99_e.book 122 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 8 Parameters Guide FX (Effects) PEDAL BEND 2x2 CHORUS This lets you use a pedal to get a pitch bend effect. Frequency band division is employed to produce two different choruses, one for low frequencies and one for higher frequencies, for both the left and right channels (for a total of four). This allows you to achieve a natural chorus sound.
VB-99_e.book 123 ページ 2008年8月18日 月曜日 午後1時10分 FX (Effects) Chapter 8 Parameters Guide ROTARY VIB (Vibrato) This produces an effect like the sound of a rotary speaker. This effect creates vibrato by slightly modulating the pitch. Parameter/ Range Explanation SPEED SLOW, FAST BPM –BPM This parameter changes the simulated speaker’s rotating speed (Slow or Fast). This parameter adjusts the speed of rotation when set to SLOW.
VB-99_e.book 124 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 8 Parameters Guide FX (Effects) HUMANIZER SLOW GEAR This creates human vowel-like sounds. This produces a volume-swell effect (“violin-like” sound). Parameter/ Range Explanation MODE Parameter/ Range SENS (Sensitivity) This sets the mode that switches the vowels. 0–100 PICK (Picking) RISE TIME AUTO The sound changes from VOWEL1 to VOWEL2 along with the playing. The time cycle for the change is adjusted with the rate.
VB-99_e.book 125 ページ 2008年8月18日 月曜日 午後1時10分 FX (Effects) Chapter 8 Parameters Guide ADV.COMP (Advanced Compressor) LIMITR (Limiter) This is an effect that produces a long sustain by evening out the volume level of the input signal. You can also use it as a limiter to suppress only the sound peaks and prevent distortion. The limiter attenuates loud input levels to prevent distortion. Parameter/ Range Explanation Parameter/ Range Explanation TYPE Selects the limiter type.
VB-99_e.book 126 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 8 Parameters Guide FX (Effects) PEQ (Parametric Equalizer) GEQ (Graphic Equalizer) Adjusts the tonal quality. You can adjust the sound quality in four bands. This is a seven-band graphic equalizer that allows you to precisely adjust tones by boosting/cutting any of the seven bands. Parameter/ Range Explanation TOTAL GAIN -20–+20dB Parameter/ Range Explanation TOTAL GAIN Adjusts the overall EQ volume.
VB-99_e.book 127 ページ 2008年8月18日 月曜日 午後1時10分 FX (Effects) Chapter 8 Parameters Guide NS (Noise Suppressor) FV (Foot Volume) This effect reduces the noise and hum picked up by bass pickups. Since it suppresses the noise in synchronization with the envelope of the bass sound (the way in which the bass sound decays over time), it has very little effect on the overall sound, and does not harm its the natural character. This is a volume control effect.
VB-99_e.book 128 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 8 Parameters Guide COSM AMP COSM AMP COSM technology simulates different preamp characteristics, speaker sizes, and cabinet shapes. * You can make separate settings for Channel A and Channel B. Parameter/ Range Explanation Parameter/ Range Explanation MIDDLE FREQ (Middle Frequency) 220Hz, 800Hz, 3.0kHz Specifies the center of the frequency range that will be adjusted by the MIDLLE.
VB-99_e.book 129 ページ 2008年8月18日 月曜日 午後1時10分 COSM AMP Chapter 8 Parameters Guide BASS 360 Parameter/ Range GTR AMP DRIVE / GTR AMP METAL Explanation BRIGHT OFF Bright is not used. ON Bright is switched on to create a lighter and crisper tone. T.E. 0–100 GAIN SW Explanation * The sound of each Type is created on the basis that the Gain is set to MIDDLE. So, normally set it to MIDDLE. 220Hz, 800Hz, 3.0kHz Specifies the center of the frequency range that will be adjusted by the MIDDLE.
VB-99_e.book 130 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 8 Parameters Guide GTR AMP CLEAN / GTR AMP CRUNCH / GTR AMP DRIVE / GTR AMP METAL Parameter/ Range Select the speaker type. OFF This turns off the speaker simulator. ORIG This is the built-in speaker of the amp you selected with PREAMP TYPE. 1x8” This is a compact open-back speaker cabinet with one 8-inch speaker. 1x10” This is a compact open-back speaker cabinet with one 10-inch speaker.
VB-99_e.book 131 ページ 2008年8月18日 月曜日 午後1時10分 MIXER Chapter 8 Parameter Guide Chapter 8 Parameter Guide MIXER MIXER TOTAL EQ (Total Equalizer) The mixer allows you to combine Channel A and Channel B together, adjust their relative levels and panning, and apply effects and EQ to the combined signals. MIXER A, B (MIXER CHANNEL A, B) Parameter/ Range This setting switches mixing of Channel A (or Channel B) on and off. The sounds in the respective channel are not mixed when this is set to OFF.
VB-99_e.book 132 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 8 Parameter Guide OUTPUT This setting determines the signal routing and level to the VB-99’s outputs. Parameter/ Range Explanation MAIN OUT This switches the signals output from the MAIN OUT. CH A This outputs Channel A. This output also reflects the mixer’s MIX SW, PAN, LEVEL, and A/B BAL settings. MIXER Parameter/ Range Explanation D OUT (Digital Output) This switches the signals output from the DIGITAL OUT.
VB-99_e.book 133 ページ 2008年8月18日 月曜日 午後1時10分 MIXER Chapter 8 Parameter Guide DELAY/REVERB REVERB You can apply delay and reverb jointly to Channel A and Channel B. Parameter/ Range REVERB SW DELAY/REVERB Signal Flow OFF, ON LEVEL (DELAY LEVEL) This selects the reverb type. Various different simulations of space are offered. REVERB SEND AMB (AMBIENCE) Simulates an ambience mic (off-mic, placed at a distance from the sound source) used in recording and other applications.
VB-99_e.book 134 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 8 Parameter Guide DYNAMIC Parameter/ Range This function allows you use your playing dynamics to control the volume of the mix of the two channels. The volume and balance of the channels change according to the dynamics each time you pick the strings. You can set the point at which the volume changes in the settings screen as you check the dynamics level shown by the meter. The A/B BAL setting is disabled when DYNAMIC is switched on.
VB-99_e.book 135 ページ 2008年8月18日 月曜日 午後1時10分 MASTER Chapter 8 Parameter Guide MASTER CONTROL ASSIGN Adjust these settings if you would like to use a pedal connected to the VB-99, or an external MIDI device (control source) to control parameters as you play. You can set two parameters as targets to each control source. * Turn on the COSM bass, COSM amp, and effect that contains the parameter you wish to control.
VB-99_e.book 136 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 8 Parameter Guide PANEL CTL1/CTL2 (Control Button 1/2) Parameter/ Range Explanation D BEAM PITCH Parameter/ Range This setting switches CONTROL button on and off. This selects the effect applied when [PITCH] is pressed. T-ARM This feature changes the pitch of the COSM bass as a tremolo arm does. Use of a tremolo arm can be simulated by holding your bass neck or hand over the D BEAM controller.
VB-99_e.book 137 ページ 2008年8月18日 月曜日 午後1時10分 MASTER Parameter/ Range Chapter 8 Parameter Guide Explanation FREEZE CH (Freeze Channel) This selects the channel to which the FREEZE effect is applied. A FREEZE is applied only to Channel A. B FREEZE is applied only to Channel B. A+B FREEZE is applied to both Channel A and B. ATTACK 0–100 This sets the attack time for the FREEZE sound when FREEZE is switched on. Raising the value increases the attack time.
VB-99_e.book 138 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 8 Parameter Guide RIBBON Parameter/ Range PITCH Parameter/ Range MASTER Explanation FREQ MIN (Frequency Minimum) 0–100 Explanation T-ARM CH (Tremolo Arm Channel) This sets the frequency when the RIBBON CONTROLLER is touched at the end closest to the front (the minimum value). Raising the value increases the set frequency. This selects the channel to which the tremolo T-ARM is applied.
VB-99_e.book 139 ページ 2008年8月18日 月曜日 午後1時10分 MASTER Chapter 8 Parameter Guide EXP PEDAL (Expression Pedal) CTL3, CTL4 (Control3, Control4) Parameter/ Range Parameter/ Range Explanation SW OFF, ON Explanation SW This setting determines whether control using an expression pedal connected to the EXP PEDAL jack is switched on or off. OFF, ON This setting determines whether control using a footswitch connected to the CTL3, CTL4 jack is switched on or off.
VB-99_e.book 140 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 8 Parameter Guide FC-300 CONTROL The controllers (sources) controlling targets when an FC-300 is connected are shown below. Source Explanation MASTER ASSIGN 1–16 You can freely assign functions to the VB-99’s and FC-300’s controllers.
VB-99_e.book 141 ページ 2008年8月18日 月曜日 午後1時10分 MASTER Chapter 8 Parameter Guide Parameter/ Range Explanation Parameter/ Range Explanation MAX (Maximum) CURVE This sets the maximum value for the range in which the parameter can change. The value differs depending on the parameter assigned for TARGET PARAMETER. This selects one of the three types that determines how the internal pedal should change.
VB-99_e.book 142 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 8 Parameter Guide NAME/KEY/BPM Explanation INSERT Insert a space at the cursor location. DELETE Delete a character. The characters that follow get shifted to the left. SPACE Input a space at the cursor location. A0! Switch between uppercase letters, numbers, and characters. A<=>a Switch between uppercase letters and lowercase letters. CATEGRY Sets the category for the current patch. Refer to “Separating Patches into Groups (CATEGORY)” (p.
VB-99_e.book 143 ページ 2008年8月18日 月曜日 午後1時10分 BASS TO MIDI Chapter 8 Parameter Guide BASS TO MIDI Parameter/ Range Explanation BASS TO MIDI OFF, ON Parameter/ Range CHROMATIC This switches the BASS TO MIDI function on and off. Setting this to OFF prevents output of all BASS TO MIDI-related MIDI messages. PATCH This sets the VB-99 so that if you play bends or slides, the unit will not send pitch bend message but instead will play the notes in half steps. OFF Normal Pitch Bend messages are output.
VB-99_e.book 144 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 8 Parameter Guide Parameter/ Range Explanation CC (Control Change) You can output the actions of the controllers specified with SRC as Control Change messages. You can make two types of settings, 1 and 2. SRC (Source) BASS TO MIDI SYSTEM These parameters are applied to the entire VB-99 in the BASS TO MIDI function.
VB-99_e.book 145 ページ 2008年8月18日 月曜日 午後1時10分 SYSTEM Chapter 8 Parameter Guide SYSTEM LCD CONTRAST Parameter/ Range Explanation CONTRAST 1–50 Setting up the VB-99 in certain positions may make the display difficult to read. If this occurs, adjust the display contrast (legibility). Parameter/ Range SET MODE This setting allows you to select whether one GK SETTING is used globally for the entire VB-99 or if different GK SETTINGS are specified for each patch individually.
VB-99_e.book 146 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 8 Parameter Guide Parameter/ Range Explanation GK PU POS (GK Pickup Position) This sets the divided pickup’s position. 4STR-1 5STR Hi1 CONTROL ASSIGN Parameter/ Range 4STR-3 5STR Lo2 CTL (Control) This is the position on a 4-string bass. 4STR-2 5STR Lo1 SYSTEM This is the position on a 5-string bass (Low B–G). 5STR Hi2 This is the position on a 5-string bass (E–Hi C). 6STR This is the position on a 6-string bass.
VB-99_e.book 147 ページ 2008年8月18日 月曜日 午後1時10分 SYSTEM Chapter 8 Parameter Guide Parameters That Can Be Assigned to Controllers * The parameters that can be set will depend on the controllers. Parameter Explanation OFF No function is assigned. ASSIGNABLE (PATCH) Functions according to the Control Assign settings in each individual patch. V-BASS LEVEL 0–100 Provides control of the V-Bass level. Parameter Transmits Start and Stop for transmission of MIDI Realtime messages.
VB-99_e.book 148 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 8 Parameter Guide FC-300 CONTROL Parameter/ Range SYSTEM Explanation ASSIGN HOLD This setting determines whether or not the values (positions) of the D BEAM (H) or RIBBON CONTROLLER or the FC-300’s expression pedals or control pedals or other controllers are to be reflected in the sound as soon as a patch is called up.
VB-99_e.book 149 ページ 2008年8月18日 月曜日 午後1時10分 SYSTEM Chapter 8 Parameter Guide MIDI Parameter/ Range Parameter/ Range Explanation MIDI CH (MIDI Channel) 1–16ch This sets the channel used for transmitting and receiving MIDI messages. When controlling another synthesizer sound module using the BASS TO MIDI function, also refer to “BASS TO MIDI” (p. 143). MIDI OUT← This sets the routing of signals at the MIDI OUT connector. OFF Only Bulk Dump data is output from MIDI OUT.
VB-99_e.book 150 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 8 Parameter Guide Parameter/ Range Explanation SYSTEM Parameter/ Range Explanation PC (Program Change) BULK DUMP PC OUT (Program Change Out) With the VB-99, you can use Exclusive messages to set another VB99 to the same settings or to save effect sound settings to MIDI sequencers and other such devices. OFF, ON This setting determines whether or not Program Change messages are output when the VB-99’s patches are switched.
VB-99_e.book 151 ページ 2008年8月18日 月曜日 午後1時10分 SYSTEM Chapter 8 Parameter Guide OUTPUT Parameter/ Range Parameter/ Range Explanation OUTPUT MODE SYSTEM The values set in the SYSTEM parameters MAIN OUT, MAIN LEVEL, SUB OUT, SUB LEVEL, D OUT, and D OUT LEVEL are enabled. PATCH The values set in MAIN OUT, MAIN LEVEL, SUB OUT, SUB LEVEL, D OUT, D OUT LEVEL for each patch are enabled. D OUT (Digital Out) This switches the signals output from DIGITAL OUT.
VB-99_e.book 152 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 8 Parameter Guide USB Parameter/ Range Parameter/ Range Explanation USB IN This sets the point at which digital audio signals received via USB (from your computer) are connected within the VB-99. * Do not connect at a point before the point set with the USB OUT parameter. For more on the connection points, refer to “Signal Flow” (p. 15).
VB-99_e.book 153 ページ 2008年8月18日 月曜日 午後1時10分 SYSTEM Chapter 8 Parameter Guide BPM Parameter/ Range V-LINK Explanation BPM MODE SYSTEM The values set in the SYSTEM parameter SYSTEM BPM is enabled. PATCH The values set in BPM for each patch is enabled. SYSTEM BPM 40–250 Adjust the BPM value for the entire system. * BPM (beats per minute) indicates the number of quarter note beats that occur each minute. * When “SYNC CLOCK” (p.
VB-99_e.book 154 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 8 Parameter Guide Parameter/ Range Explanation FC-300 CTL6 FC-300 external footswitch6 FC-300 E5/C7 FC-300 external expression pedal5/external footswitch7 SYSTEM Parameter/ Range Explanation TRIGGR (Trigger) *2 Sets the point at which the virtual expression pedal’s action begins. FC-300 external footswitch8 PATCH CHANGE Functions when patches are switched.
VB-99_e.book 155 ページ 2008年8月18日 月曜日 午後1時10分 SYSTEM *1 Chapter 8 Parameter Guide You cannot set the MIN or MAX parameters when the TARGET parameter is set to one of the functions below. The MIN parameter is fixed at 0, and the MAX parameter is fixed at 127. • SCRTCH SW V-LINK SYSTEM MIDI CH (MIDI Channel) • BPM SYNC Parameter/ Range • CLIP LOOP • AB SW Explanation • TAP SW This sets the MIDI receive channel for the V-LINK compatible device connected to the VB-99.
VB-99_e.book 156 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 8 Parameter Guide CATEGORY NAME Parameter/ Range Explanation SYSTEM FACTORY RESET Parameter/ Range Explanation CATEGORY NAME FACTORY RESET This sets the Category name. This restores the VB-99 to the settings it had when it was shipped from the factory. INSERT Insert a space at the cursor location. DELETE Delete a character. The characters that follow get shifted to the left. ALL All data.
VB-99_e.book 157 ページ 2008年8月18日 月曜日 午後1時10分 GLOBAL Chapter 8 Parameter Guide GLOBAL Parameter/ Range Explanation Explanation LOW MID GAIN (Low Middle Gain) SETTING1–10 1–10 Parameter/ Range This selects the SETTING to be set. NAME This sets the name for the SETTING (up to eight characters). -12–+12dB Adjusts the low-middle frequency range tone. HIGH MID FREQ (High Middle Frequency) 20Hz–10.0kHz Specifies the center of the frequency range that will be adjusted by the HIGH MID GAIN.
VB-99_e.book 158 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 8 Parameter Guide SUB OUT LEVEL Parameter/ Range TUNER Explanation MULTI MODE, SINGLE MODE SUB OUT LEVEL 0–200% TUNER This controls the global output level from the SUB OUT connectors. It does not affect the settings in each individual patch. To use line level (+4 dBu) as the output level, set this to 100%. Parameter/ Range Explanation PITCH 435–445Hz This sets the reference pitch.
VB-99_e.book 159 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 9 Appendices MIDI Implementation Chart V-Bass System Date : July. 2, 2008 MIDI Implementation Chart (Main Section) Model VB-99 Transmitted Function...
VB-99_e.book 160 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 9 Appendices V-Bass System Date : July. 2, 2008 MIDI Implementation Chart (BASS TO MIDI Section) Model VB-99 Transmitted Function...
VB-99_e.book 161 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 9 Appendices V-LINK V-Bass System Date : July. 2, 2008 MIDI Implementation Chart (V-LINK Section) Model VB-99 Transmitted Function...
VB-99_e.book 162 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 9 Appendices V-LINK Correspondence Table V-LINK Function Transmitted MIDI Message Transmitted Channel These are used with models such as the DV-7PR or the motion dive .tokyo performance package. PALETTE 1–32 (Palette Change) CC 0 (Bank Select MSB): 0–31 ch.A / ch.B CC 32 (Bank Select LSB): 0 CLIP 1–32 (Clip Change) Program Change: 0–31 ch.A / ch.B These are used with the general V-LINK compatible device.
VB-99_e.book 163 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 9 Appendices Specifications VB-99: V-Bass System Function buttons x 6 (F1–F6) EXIT button AD Conversion 24 bits + AF method DA Conversion 24 bits Sampling Frequency 44.
VB-99_e.book 164 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 9 Appendices Dimensions 384.0 (W) x 218.0 (D) x 93.5 (H) mm 15-1/8 (W) x 8-5/8 (D) x 3-11/16 (H) inches * EIA-5U rack mount type: optional rack mount adaptor RAD-99 Weight 2.
VB-99_e.book 165 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 9 Appendices Error Messages If there has been a mistake in an operation or if the operation is not executed properly, an error message will appear in the display. Please follow the instructions indicated in the message to resolve the issue. Troubleshooting If the VB-99 is not producing sounds or if you think it is not operating properly, first check the following points.
VB-99_e.book 166 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 9 Appendices ❏ Is each effect set correctly? → Use the “Meter function” (p. 31) in [CHAIN] to confirm the output level of each effect. If the meter for any effect is not fluctuating, check the settings for that effect. ❏ Are volume parameters such as BASS:VOLUME, FV:LEVEL, and V-BASS LEVEL set to the assigned targets? → Operate these in accordance with the sources.
VB-99_e.book 167 ページ 2008年8月18日 月曜日 午後1時10分 Chapter 9 Appendices Other Problems Unable to save SYSTEM/USB USB IN settings → If the USB IN parameter is set to COSM BASS A, COSM BASS B, or NORMAL PU, then MAIN & SUB will be set the next time the VB-99 is powered up. If you plan to use COSM BASS A, COSM BASS B, or NORMAL PU, remake this setting each time you turn on the power to the VB-99 (p. 152).
VB-99_e.book 168 ページ 2008年8月18日 月曜日 午後1時10分 Index Numerics -1 OCTAVE LEVEL ..................................................... 110 -2 OCTAVE LEVEL ..................................................... 110 2x2 CHORUS ............................................................... 122 A A ch/B ch CLIP ........................................................... 153 A ch/B ch PALETTE ................................................... 153 A/B BAL ...........................................................
VB-99_e.book 169 ページ 2008年8月18日 月曜日 午後1時10分 Index D Beam Controller ........................................................ 71 D BEAM DISAB ........................................................... 156 D OUT ................................................................... 132, 151 D OUT LEVEL ..................................................... 132, 151 DC IN Jack ...................................................................... 14 DECAY ......................................................
VB-99_e.book 170 ページ 2008年8月18日 月曜日 午後1時10分 Index FREQ ..................................................... 110, 118–119, 124 FREQ MAX ........................................................... 137–138 FREQ MIN ............................................................ 137–138 FREQ1–3 ....................................................................... 124 FRONT PU ..................................................................... 99 FRONT TONE .................................................
VB-99_e.book 171 ページ 2008年8月18日 月曜日 午後1時10分 Index MAIN LEVEL ...................................................... 132, 151 MAIN OUT .......................................................... 132, 151 MAIN OUT Jacks L/MONO, R .................................. 14 MAIN OUTPUT SELECT ........................................... 157 MANUAL ..................................................... 116–117, 124 MASTER ....................................................................... 135 MASTER LEVEL ......
VB-99_e.book 172 ページ 2008年8月18日 月曜日 午後1時10分 Index PEDAL POS ......................................................... 118, 122 PEDAL WAH ............................................................... 118 PEQ ................................................................................ 126 PHASE ............................................................................ 99 PHASER ........................................................................ 116 PHONES Jack ................................
VB-99_e.book 173 ページ 2008年8月18日 月曜日 午後1時10分 Index SETTING1–10 ...................................................... 145, 157 SHIFT ............................................................................ 106 SHIFT MODE ............................................................... 106 Signal Flow ..................................................................... 15 SINGLE MODE ..................................................... 24, 158 SIZE ....................................................
VB-99_e.book 174 ページ 2008年8月18日 月曜日 午後1時10分 Index V-LINK SYSTEM ......................................................... 155 VOICE ................................................................... 120–121 Voice Interval ............................................................... 121 VOICE1 INTERVAL C–B ........................................... 121 VOICE2 INTERVAL C–B ........................................... 121 VOL .........................................................................
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204 USING THE UNIT SAFELY * Microsoft and Windows are registered trademarks of Microsoft Corporation. * Windows Vista is a trademark of Microsoft Corporation. 206j * Windows® is known officially as: “Microsoft® Windows® operating system.” 207 * Apple and Macintosh are registered trademarks of Apple Inc. 209 The symbol alerts the user to important instructions or warnings.The specific meaning of the symbol is determined by the design contained within the triangle.
Information AFRICA EGYPT Al Fanny Trading Office 9, EBN Hagar Al Askalany Street, ARD E1 Golf, Heliopolis, Cairo 11341, EGYPT TEL: (022)-418-5531 When you need repair service, call your nearest Roland Service Center or authorized Roland distributor in your country as shown below. PHILIPPINES CURACAO URUGUAY NORWAY JORDAN G.A. Yupangco & Co. Inc. 339 Gil J. Puyat Avenue Makati, Metro Manila 1200, PHILIPPINES TEL: (02) 899 9801 Zeelandia Music Center Inc.