Owner's manual

ManualsBrandsRoland ManualsReceivers and AmplifiersVS-2480

*02902323-06*

written permission of ROLAND CORPORATION.

Roland Web site: http://www.roland.co.jp/

Before using this unit, carefully read the sections entitled: “IMPORTANT SAFETY

INSTRUCTIONS” (Owner’s Manual p. 2), “USING THE UNIT SAFELY” (Owner’s

Manual p. 3), and “IMPORTANT NOTES” (Owner’s Manual p. 4). These sections

provide important information concerning the proper operation of the unit.

Additionally, in order to feel assured that you have gained a good grasp of every

feature provided by your new unit, User Guide, Owner’s Manual, and Appendices

should be read in its entirety. These manuals should be saved and kept on hand as a

convenient reference.

02902323 ’06-2-6KS

Appendices

To resize thickness, move all items on the front cover to left or right.

• Iomega is a registered trademark of Iomega Corporation.

• ZIP is a trademark of Iomega Corporation.

• All product names mentioned in this document are trademarks or registered trademarks of their respective owners.

• Unauthorized recording, distribution, sale, lending, public performance, broadcasting, or the like, in whole or

in part, of a work (musical composition, video, broadcast, public performance, or the like) whose copyright is

held by a third party is prohibited by law.

• When exchanging audio signals through a digital connection with an external instrument, this unit can

perform recording without being subject to the restrictions of the Serial Copy Management System (SCMS).

This is because the unit is intended solely for musical production, and is designed not to be subject to restric-

tions as long as it is used to record works (such as your own compositions) that do not infringe on the

copyrights of others. (SCMS is a feature that prohibits second-generation and later copying through a digital

connection. It is built into MD recorders and other consumer digital-audio equipment as a copyright-

protection feature.)

• Do not use this unit for purposes that could infringe on a copyright held by a third party. Roland assumes no

responsibility whatsoever with regard to any infringements of third-party copyrights arising through your

use of this unit.

About the License Agreement

• The VS-2480 and its CD-R capability are designed to allow you to reproduce material to which you have copyright, or

material which the copyright owner has granted you permission to copy. Accordingly, reproduction of Music CD or

other copyrighted material without permission of the copyright owner avoiding technical prohibiting features of

second-generation and later copying like SCMS or others constitutes copyright infringement and may incur penalties

even in case such reproduction is for your own personal use and enjoyment (private use). Consult a copyright specialist

or special publications for more detailed information on obtaining such permission from copyright holders.

Version 2.0

Appendices

Summary of content (132 pages)

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To resize thickness, move all items on the front cover to left or right. Version 2.0 Appendices Copyright • Unauthorized recording, distribution, sale, lending, public performance, broadcasting, or the like, in whole or in part, of a work (musical composition, video, broadcast, public performance, or the like) whose copyright is held by a third party is prohibited by law.
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To resize thickness, move all items on the front cover to left or right. Contents Information AFRICA About MIDI .............................................................................................. 3 About SCSI ............................................................................................. 4 EGYPT Al Fanny Trading Office 9, EBN Hagar A1 Askalany Street, ARD E1 Golf, Heliopolis, Cairo 11341, EGYPT TEL: 20-2-417-1828 Troubleshooting .................................................
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2480v2_app_e.book 3 ページ２００６年２月７日火曜日午後３時３３分 This section explains the basic concepts of MIDI, and how the VS-2480/2480CD handles MIDI messages. What is MIDI MIDI stands for Musical Instrument Digital Interface. It is a worldwide standard that allows electronic musical instruments and personal computer to exchange musical performance data and messages such as sound selections.
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2480v2_app_e.book 4 ページ２００６年２月７日火曜日午後３時３３分 About SCSI SCSI stands for Small Computer System Interface. It is a data transfer standard that allows large amounts of data to be sent and received. The VS-2480 comes prepared with a SCSI connectors allowing you to connect external SCSI devices such as hard disks and Zip drives. This section describes the procedures and precautions taken when using these devices. Disk drives are precision devices.
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2480v2_app_e.book 5 ページ２００６年２月７日火曜日午後３時３３分 Troubleshooting When the VS-2480/2480CD does not perform the way you expect, check the following points before you suspect a malfunction. If this does not resolve the problem, contact servicing by your dealer or qualified Roland Service Center. Recording and Playback • The power of the VS-2480/2480CD and the connected devices is not turned on. • The audio cables are not connected correctly. • The audio cables are broken.
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2480v2_app_e.book 6 ページ２００６年２月７日火曜日午後３時３３分 Troubleshooting Cannot record digitally • The CD player’s digital connection is not accepted. • The MASTER CLOCK is set to “INT”. Disk drive problems The internal hard disk is not being recognized • The DIGITAL IN connector (optical/coaxial/R-BUS) was not properly selected. • The hard disk has not been installed correctly. • The sampling rate of the recording destination project is different than the sampling rate of the digital audio device.
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2480v2_app_e.book 7 ページ２００６年２月７日火曜日午後３時３３分 Troubleshooting Internal Effects MIDI Devices Problems Effects cannot be used With the VS-2480/2480CD as master, the MIDI sequencer does not respond to commands • The VS8F-2 has not been installed correctly. • Only one VS8F-2 has been installed (when EFFECT 3–8 cannot be used). • You are already attempting to select the algorithm for Vocoder 2 (19), Voice Transformer or Mastering Tool Kit with FX1, FX3, FX5 or FX7.
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2480v2_app_e.book 8 ページ２００６年２月７日火曜日午後３時３３分 Troubleshooting With a video device as the master, the VS-2480/2480CD does not respond • The cable connected to the L-connector, the SYSTEM E connector or the MIDI cable is not properly connected. • The MIDI cable is broken. • The EXT indicator is off (“SYNC MODE” is set to “INT”). • “MMC MODE” (MMC mode) is not set to “SLAVE.
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2480v2_app_e.book 9 ページ２００６年２月７日火曜日午後３時３３分 Error Messages Aborted Command! Illegal Request! This disk drive cannot be used by the VS-2480/2480CD. Already Selected This disk drive you've chosen is already the selected drive. Arbitration Failed! Busy Status! Check Condition! Drive Status Error! No Drive Found. The disk drive could not be accessed. Make sure that the disk drive is connected correctly. The CD in your drive is blank. Insert a CD or CD-R/RW that contains recorded material.
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2480v2_app_e.book 10 ページ２００６年２月７日火曜日午後３時３３分 Error Messages Finalized CD! No Disc! The CD is a commercial CD or a CD-R/RW disc you have already finalized. Replace the disc with a blank disc or one that has not yet been finalized. There is no disc in the Roland CD recorder (CD-R/RW drive). Please insert a disc. Found Illegal Track Pair! You are trying to Region Edit or Phase Edit (Copy, Move, or Exchange etc.
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2480v2_app_e.book 11 ページ２００６年２月７日火曜日午後３時３３分 Error Messages Too Many Markers! The CD already has 98 markers, the maximum number of markers it can hold. Drive Unformatted! The disk drive has not yet been initialized by the VS-2480/ 2480CD. Initialize the disk drive. If the disk drive has already been initialized by the VS-2480/ 2480CD, there is a problem with its connections. Make sure that the disk drive is properly connected. Operation Canceled! You have aborted the procedure by pressing [EXIT/NO].
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2480v2_app_e.book 12 ページ２００６年２月７日火曜日午後３時３３分 Glossary Active Terminator COSM A type of terminator (a terminating resistance) place at each end of a SCSI chain. A new addition to SCSI-2 specifications, compared with ordinary terminators, it provides greater operating stability for SCSI devices, thus improving signal transmission performance. Stands for Composite Object Sound Modeling.
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2480v2_app_e.book 13 ページ２００６年２月７日火曜日午後３時３３分 Glossary Formants Limiter A formant is an important element which determine the character of a vocal sound. It is a fixed overtone whose location is determined by the size of the vocal chords. An effect that works similarly to a compressor. When the input signal rises beyond a specified level (threshold), a limiter instantly lowers the gain to limit the output level. The degree of compression is specified by the Ratio.
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2480v2_app_e.book 14 ページ２００６年２月７日火曜日午後３時３３分 Glossary Phantom Power S/P DIF This is a method of providing electric power to condenser mics via the mic cables. Generally, a mixer’s internal phantom power source supplies 6–48 volts (DC). Supplying phantom power to dynamic mics, audio playback devices, or other such equipment may result in damage to the equipment. Turn the phantom power switch on only when connecting condenser mics which need phantom power; otherwise, leave it switched off.
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2480v2_app_e.book 15 ページ２００６年２月７日火曜日午後３時３３分 Glossary SMPTE time code Zip Drive This is a signal format defined by the American organization SMPTE (Society of Motion Picture and Television Engineers) which is used to synchronize the operation of video or audio devices. SMPTE specifies “hours:minutes:seconds:frames” to indicate the address of each frame of a video image. For this reason, there are a variety of frame rates. A magnetic disk drive format standardized by Iomega Corporation.
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2480v2_app_e.book 16 ページ２００６年２月７日火曜日午後３時３３分 Shortcut Key Operations Here is a list of the functions that can be performed by pressing multiple buttons, or using the TIME/VALUE dial in conjunction with a button.
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2480v2_app_e.book 17 ページ２００６年２月７日火曜日午後３時３３分 Shortcut Key Operations ■ Other To Mastering Room setting screen Switch the Graphic display (Home Condition) Redo function (when the UNDO indicator is lit) To the Tempo map setting screen Moves to the beginning sound is recorded of the project. Moves to the ending sound is recorded of the project.
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2480v2_app_e.book 19 ページ２００６年２月７日火曜日午後３時３３分 Parameter List *6 *7 *8 *9 *10 *11 *12 *13 *14 *15 *16 *17 *18 Valid when Dynamics Type is “EXP+COMP.” Max +6.0dB when compressor auto gain switch is "On." Valid when Dynamics Type is “EXPANDER.” Changes in parameter settings accepted at anytime. However, the settings are reflected in the outcome only when the Equarizer switch is “on.” Valid when Filter Switch is except “Off.” Pre/Pst is switched at the same time by each bus in MASTER EDIT.
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2480v2_app_e.book 20 ページ２００６年２月７日火曜日午後３時３３分 Parameter List Effect Insert Switch Effect Insert Send Level Effect Insert Return Level Surround Pan Surround Depth Surround LR:C Rate Surround Sub Woofer Level *1 *2 *3 *4 *5 *6 *7 *8 *9 *10 *11 *12 *13 *14 *15 *16 *17 FX (1–8) Snd Rtn SURROUND PAN SURROUND DEPTH SURROUND LR:C SURROUND Sub.W Off, Ins, InsL, InsR, InsS (*13) -∞–0.0–6.0 dB (*14) -∞–0.0–6.0 dB (*14) L63–C–R63 (*15) F63–C–R63 (*15) 0–50–100 % (*15) (*16) -∞–0.0–+6.
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2480v2_app_e.book 21 ページ２００６年２月７日火曜日午後３時３３分 Parameter List ■ Master Block [MASTER EDIT (TR 1-16)] Parameter name Display Value, Initial value Master Level Master Balance Monitor Level Monitor Balance AUX Master Position AUX Master Level AUX Bus Link AUX Master Balance DIR Master Position DIR Master Level DIR Master Balance Rec Bus Attenuator Monitor Source AUX A AUX B ANALOG MULTI OUTPUT MST MON AUX (1–8) AUX (1–8) LINK AUX DIR (1–8) DIR (1–8) DIR (1–8) REC ATT MONITOR AUX A L/R AUX B L/R A.
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80v2_app_e.book 24 ページ２００６年２月７日火曜日午後３時３３分 Parameter List ■ Metronome Parameter [UTILITY] → [(Page2) F2 (Metro)] Parameter name Display Value, Initial value Metronome Out Internal Level Metronome Mode Tone Type Metronome MIDI Channel Accent Note Accent Velocity Normal Note Normal Velocity METRONOME OUT INT LEVEL METRONOME MODE TONE TYPE METRONOME MIDI Ch ACCENT NOTE ACCENT VELOCITY NORMAL NOTE NORMAL VELOCITY Off, INT, MIDI -∞–0.0–6.
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2480v2_app_e.book 25 ページ２００６年２月７日火曜日午後３時３３分 Parameter List ■ Scene [UTILITY] → [(Page3) F1 (SCENE)] Parameter name Display Value, Initial value Scene Active Channel INPUT MIXER (1–24) TRACK MIXER (1–24) FX RETURN (1–8) AUX MASTER (1–8) DIR (1–8) EFFECT (1–8) MST (MST) Valid, Ignore Valid, Ignore Valid, Ignore Valid, Ignore Valid, Ignore Valid, Ignore Valid, Ignore ■ Automix [UTILITY] → [(Page3) F2 (A.
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2480v2_app_e.book 27 ページ２００６年２月７日火曜日午後３時３３分 Preset Patch List On the VS-2480/2480CD, you can access the range of effects listed below. Loop: Direct Level is set to “0.” Connect this Patch to the effects bus. Insert: This Patch mixes the direct sound and effected sound. Insert it into a channel. * The Patches using algorithm shown below cannot be selected on the EFFECT 2, 4, 6 and 8.
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2480v2_app_e.book 28 ページ２００６年２月７日火曜日午後３時３３分 Preset Patch List ■ Reverb (18 presets) No. Patch Name Algorithm Type Input Comment P036 P037 P038 P039 P040 P041 P042 P043 P044 P045 P046 P047 P048 RV:LargeHall RV:SmallHall RV:Strings RV:PianoHall RV:Orch Room RV:VocalRoom RV:MediumRm RV:LargeRoom RV:CoolPlate RV:Short Plt RV:Vocal Plt RV:Soft Amb. RV:Room Amb.
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2480v2_app_e.book 29 ページ２００６年２月７日火曜日午後３時３３分 Preset Patch List ■ Tape Echo 201 (4 presets) No. Patch Name Algorithm Type Input Comment P087 P088 P089 P090 TE:ShortEcho TE:LongEcho TE:OldTape TE:PanEcho Tape Echo 201 Tape Echo 201 Tape Echo 201 Tape Echo 201 Loop Loop Loop Loop Mono Mono Mono Mono Models short type tape echo. Models long type tape echo. Models tape echo using an old tape. Models tape echo in stereo. ■ Chorus (6 presets) No.
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2480v2_app_e.book 30 ページ２００６年２月７日火曜日午後３時３３分 Preset Patch List P129 MM:C3KB→Line Mic Modeling Insert 2ch P130 P131 P132 P133 P134 P135 P136 P137 P138 MM:Kick&Snr1 MM:Kick&Snr2 MM:H.Hat&Tom MM:Dr.OvrTop MM:Dr.OvrAll MM:Ac.
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2480v2_app_e.book 31 ページ２００６年２月７日火曜日午後３時３３分 Preset Patch List ■ Special Effects (11 presets) No.
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2480v2_app_e.book 32 ページ２００６年２月７日火曜日午後３時３３分 Preset Patch List ■ Speaker Modeling (11 presets) No. Patch Name Algorithm Type Input Comment P220 SPM:SuperFlt Speaker Modeling Insert Stereo P221 SPM:P.GenBlk Speaker Modeling Insert Stereo P222 P223 P224 P225 SPM:P.E-Bs SPM:P.Mack SPM:SmalCube SPM:WhiteCon Speaker Modeling Speaker Modeling Speaker Modeling Speaker Modeling Insert Insert Insert Insert Stereo Stereo Stereo Stereo P226 SPM:W.
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2480v2_app_e.book 33 ページ２００６年２月７日火曜日午後３時３３分 Algorithm List This section describes the effects associated with the respective algorithms and internal terminations. Read this section when you need to check the algorithms in the built-in library (pre-set library) or before creating a new library. ● To add reverbs (Reverb-related) Reverb ............................................................................... (p. 34) Reverb2 .........................................................................
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2480v2_app_e.book 34 ページ２００６年２月７日火曜日午後３時３３分 Algorithm List Reverb This feature adds reverberation to the sound to model the size of space such as a hall and a room. fig.08-04 Direct Level Input L 3BAND EQ Input R Output L Reverb Output R Direct Level Sound types Sounds around us can be analyzed and categorized into three types: direct sounds, early reflections and reverberation. A direct sound is the sound that reaches the listener directly from the source.
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2480v2_app_e.book 35 ページ２００６年２月７日火曜日午後３時３３分 Algorithm List Parameter (full name) Setting Function EQ (Equalizer) Sw (Switch) On, Off Turns the equalizer on or off. Low Gain -12– +12 dB Sets the boost/cut amount in the low frequency band. Low Freq (Low Frequency) 20 - 2000 Hz Sets the center frequency in the low frequency band. Low Q 0.3–10.0 Sets the width of the area around the low frequency that will be affected by the gain settings.
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2480v2_app_e.book 36 ページ２００６年２月７日火曜日午後３時３３分 Algorithm List Reverb2 This gate reverb works in either of two modes of gate operation (Gate/Ducking). In the Gate mode, the gate opens when a certain volume (Threshold Level) is exceeded while in the Ducking mode, the gate opens when the volume becomes as low as or lower than Threshold Level. You can use two reverbs (FX1 and FX2) with different settings, or use it in combination with a previous reverb. fig.
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2480v2_app_e.book 37 ページ２００６年２月７日火曜日午後３時３３分 Algorithm List Parameter (full name) Rev (Reverb 2): Setting Function Gate reverb with two modes of gate operation Sw (Switch) On, Off Turns the reverb on or off. Type (Reverb Type) See the column on the previous page. Sets the reverb type. Gate (Gate) On, Off Opens or closes the gate. Mode (Gate Mode) Gate, Ducking Sets the gate operation type. Time (Reverb Time) 0.1–10.0 sec. Sets the length (time) of the reverb sound.
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2480v2_app_e.book 38 ページ２００６年２月７日火曜日午後３時３３分 Algorithm List Gate Reverb This is a reverb in which the reverberation is muted during its decay. Its reverse mode can be used in conjunction with Accent sounds to obtain sounds like from reverse playback of a tape. fig.08-42 Input L Output L Direct Level 3BAND EQ Gate Reverb 3BAND EQ Input R Direct Level Output R Gate Reverb fig.
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2480v2_app_e.book 39 ページ２００６年２月７日火曜日午後３時３３分 Algorithm List Parameter (full name) GRev (Gate Reverb): Setting Function Mutes the revert sound midway. Sw (Switch) On, Off Mode (Gate Mode) See the column on the previous page. Turns the gate reverb on or off. Time (Gate Time) 10–400 s Sets the time from when the reverb sound begins until it is muted. PreDLY (Pre-Delay) 0–300 ms Sets the time until the reverb sound appears. Thick (Thickness) 0–100 Sets the thickness of the reverb sound.
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2480v2_app_e.book 40 ページ２００６年２月７日火曜日午後３時３３分 Algorithm List Delay Delay is a feature to add a delayed sound to the direct sound in order to add thickness to the sound or to yield a special effect. fig.08-08 Input L Direct Level Output L 3BAND EQ Feedback Level Lch Delay Feedback Level Rch 3BAND EQ Input R Direct Level Output R Delay sounds and the spread of sound As a delay is output in the stereo mode, it sounds from the right and the left sides.
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2480v2_app_e.book 41 ページ２００６年２月７日火曜日午後３時３３分 Algorithm List EQ (Equalizer) Sw (Switch) On, Off Turns the equalizer on or off. Low Gain (Low Gain) -12– +12 dB Sets the boost/cut amount in the low frequency band. Low Freq (Low Frequency) 20 - 2000 Hz Sets the center frequency in the low frequency band. Low Q 0.3–10.0 Sets the width of the area around the low frequency that will be affected by the gain settings.
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2480v2_app_e.book 42 ページ２００６年２月７日火曜日午後３時３３分 Algorithm List Stereo Pitch Shifter Delay Changes the pitch of the direct sound. Corrects vocals out of tune or adds thickness to the sound by mixing the direct sound and a sound at a shifted pitch. fig.
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2480v2_app_e.book 43 ページ２００６年２月７日火曜日午後３時３３分 Algorithm List EQ (Equalizer) Sw (Switch) On, Off Turns the equalizer on or off. Low Gain (Low Gain) -12– +12 dB Sets the boost/cut amount in the low frequency band. Low Freq (Low Frequency) 20 - 2000 Hz Sets the center frequency in the low frequency band. Low Q 0.3–10.0 Sets the width of the area around the low frequency that will be affected by the gain settings.
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2480v2_app_e.book 44 ページ２００６年２月７日火曜日午後３時３３分 Algorithm List Delay RSS The right-side, left-side and center Delay sounds can be set separately. As RSS (p. 58) is connected to both the right and left outputs, the sound image of the sound from the left-side channel is localized at 90˚ to the left and that of the sound from the right-side channel at 90˚ to the right. The center Delay output can receive the Feedback effect. fig.
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2480v2_app_e.book 45 ページ２００６年２月７日火曜日午後３時３３分 Algorithm List Tape Echo 201 Models the tape echo section of the Roland RE-201 Space Echo. Capable of reproducing very subtle behavior at the measuring instrument level as well as adding subtle changes in pitch due to deterioration of the tape or inconsistency in tape rotation fig.
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2480v2_app_e.book 46 ページ２００６年２月７日火曜日午後３時３３分 Algorithm List Multi Tap Delay This is a Delay feature that can set 10 delay sounds separately. fig.08-45 Output L Diret Level Input L 3BAND EQ Pan 1 Pan 2 Pan 10 Multi Tap Delay Feedback Level 3BAND EQ Input R Parameter (full name) MTD (Multi-Tap Delay): 46 Output R Diret Level Setting Function Issues 10 delay sounds separately.
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2480v2_app_e.book 47 ページ２００６年２月７日火曜日午後３時３３分 Algorithm List EQ (Equalizer) Sw (Switch) On, Off Turns the equalizer on or off. Low Gain (Low Gain) -12– +12 dB Sets the boost/cut amount in the low frequency band. Low Freq (Low Frequency) 20 - 2000 Hz Sets the center frequency in the low frequency band. Low Q 0.3–10.0 Sets the width of the area around the low frequency that will be affected by the gain settings.
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2480v2_app_e.book 48 ページ２００６年２月７日火曜日午後３時３３分 Algorithm List Stereo Delay Chorus Delay and Chorus can be combined to create spaciousness. fig.08-10 Output L Input L Delay L Chorus L Cross FB Level Lch Cross FB Level Lch Cross FB Level Rch Cross FB Level Rch Chorus R Delay R 3BAND EQ 3BAND EQ Input R Output R How feedback works for Delay and Chorus Feedback is the feature to return the effect sound to its input. The amount of feedback is set with FBLevel (Feedback Level).
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2480v2_app_e.book 49 ページ２００６年２月７日火曜日午後３時３３分 Algorithm List Chorus: Adds spaciousness and depth to the sound. Sw (Switch) On, Off Turns the chorus on or off. Rate (Rate) 0.1–10.0 kHz Sets the rate of modulation. Depth (Depth) 0–100 Sets the depth of modulation. PreDLY (Pre-Delay) 0–50 ms Sets the time delay from when the direct sound begins until the processed sound is heard.
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2480v2_app_e.book 50 ページ２００６年２月７日火曜日午後３時３３分 Algorithm List Chorus RSS RSS (p. 58) is connected to the Chorus output. The sound image is defined with the sound from the left-side channel located at left 90˚ and the sound from the right-side channel at right 90˚. fig.08-22 Input L Output L Direct Level RSS Chorus RSS Output R Direct Level Input R • Location is fixed; no azimuth or elevation can be specified. • Refer to the column “Labeling on RSS product package”(p. 59).
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2480v2_app_e.book 51 ページ２００６年２月７日火曜日午後３時３３分 Algorithm List Space Chorus This is a chorus effect simulating Roland SDD-320. The effect to be changed can be reproduced by turning the four buttons 1 to 4 on or off. fig.08-51 Output L Input L Space Chorus Input R Output R Parameter (full name) Spcho (Space Chorus): Setting Function Adds a chorus effect simulating SDD-320. Sw (Switch) On, Off Turns the space chorus on or off.
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2480v2_app_e.book 52 ページ２００６年２月７日火曜日午後３時３３分 Algorithm List Stereo Phaser A phaser adds a phase-shifted sound to the direct sound, producing a twisting modulation that creates spaciousness and depth. fig.08-36 Input L Output L Phaser L 3BAND EQ Phaser R 3BAND EQ Input R Output R Phaser and Flanger The effects obtained with Phaser and Flanger are very similar. Both add twisting modulation effects to the sound, creating spaciousness and depth.
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2480v2_app_e.book 53 ページ２００６年２月７日火曜日午後３時３３分 Algorithm List EQ (Equalizer) Sw (Switch) On, Off Turns the equalizer on or off. Low Gain (Low Gain) -12– +12 dB Sets the boost/cut amount in the low frequency band. Low Freq (Low Frequency) 20 - 2000 Hz Sets the center frequency in the low frequency band. Low Q 0.3–10.0 Sets the width of the area around the low frequency that will be affected by the gain settings.
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2480v2_app_e.book 54 ページ２００６年２月７日火曜日午後３時３３分 Algorithm List Analog Phaser Two units of analog phasers are placed in parallel to accommodate stereo sounds. Surges unique to Phaser is created by adding sounds with the phase shifted periodically. fig.08-75 Input L Input R Analog Phaser L Analog Phaser R Output L Output R Number of stages of Phaser As the number of sages of Phaser increases, the number of frequency points suppressed increases as well, generating sharper effect. fig.
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2480v2_app_e.book 55 ページ２００６年２月７日火曜日午後３時３３分 Algorithm List Stereo Flanger fig.08-38Parameter (full name)SettingFunction Input L Output L Flanger L 3BAND EQ Flanger R 3BAND EQ Input R Flg (Flanger): Output R Adds effect similar to ascending/descending sound of a jet. Sw (Switch) On, Off Turns the flanger on or off. Pol (Polarity) Sync, Inv Sets the right and left phases of modulation. Rate (Rate) 0.1–10.0 Hz Sets the rate at which the flanger is modulated.
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2480v2_app_e.book 56 ページ２００６年２月７日火曜日午後３時３３分 Algorithm List Analog Flanger Models Roland SBF-325 Analog Flanger. Provides three types of flanger effects as well as chorus-like effect. fig.08-73 Input L Input R Analog Flanger L Analog Flanger R Output L Output R Types of Flanger Effect Analog Flanger provides a variety of flanger effects or chorus effects. Selecting the desired flanger effect type in Mode.
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2480v2_app_e.book 57 ページ２００６年２月７日火曜日午後３時３３分 Algorithm List Rotary Models a rotary speaker. Behaviors of High and low frequency band Roters can be set up separately, allowing realistic modeling of unique surging sensation. This effect is suited for organ sounds. fig.08-32 Input L Output L Noise Suppressor Over Drive Rotary Speaker Output R Input R Parameter (full name) NS (Noise Suppressor): Setting Function Mutes noise in the silent mode.
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2480v2_app_e.book 58 ページ２００６年２月７日火曜日午後３時３３分 Algorithm List 2ch RSS Gives each of the sounds input into the respective channels three-dimensional locations. fig.08-16 Output L Input A RSS RSS Input B Output R • Input A is input into the L-channel side of the effect. Therefore, it is required to insert and connect “Lch” of the effect to the channel handling Input A. Similarly, Input B is input into the R-channel side of the effect.
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2480v2_app_e.book 59 ページ２００６年２月７日火曜日午後３時３３分 Algorithm List Precautions for using RSS When you use RSS with Phones Off, please notice the following points. • Acoustically “dead” rooms are most suitable. • A single-way speaker is suited. However, a multi-way type will do if it incorporates the coaxial or virtual coaxial system. • Place the speakers as far as possible from the walls on the sides. • Do not separate the right and left speakers too much.
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2480v2_app_e.book 60 ページ２００６年２月７日火曜日午後３時３３分 Algorithm List Mic Modeling (Microphone Modeling) This modifies sound that was recorded by a conventional dynamic mic, lapel mic or direct line, causing it to sound as though it had been recorded by an expensive condenser mic or a special studio mic. The mic simulator can add effects of proximity or distance. fig.
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2480v2_app_e.book 61 ページ２００６年２月７日火曜日午後３時３３分 Algorithm List Parameter (full name) Lnk (Link): Setting Function Channel B follows the settings for Channel A. Link (Link Switch) On, Off Specifies if Channel B follows or does not follow the settings for Channel A. CnvA, CnvB (Mic Converter):Converts the characteristics of the low-end general-purpose microphone into the characteristics of the High-end microphone for studio application. Sw (Switch) On, Off Turns the microphone converter on or off.
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2480v2_app_e.book 62 ページ２００６年２月７日火曜日午後３時３３分 Algorithm List Guitar Multi 1–3 These provide multi-effects for guitar sounds suited for rock. Guitar Multi 1 through 3 differ in the degree of sound distortion. Guitar Multi 1 provides the Highest degree of distortion and Guitar-Multi 3 the lowest. fig.08-26 Input L Compressor Heavy Metal Noise Suppressor Output L Auto Wah GAmp Mdl Flanger Delay Output R Input R fig.
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2480v2_app_e.book 63 ページ２００６年２月７日火曜日午後３時３３分 Algorithm List Parameter (full name) Setting Function Comp (Compressor):Compresses the entire output signals when the input volume exceeds a specified value. Sw (Switch) On, Off Turns the compressor on or off. Sustain (Sustain) 0–100 Sets the time over which low level signals are boosted to a constant volume. Attack (Attack) 0–100 Sets the strength of attack when a sound is input. Tone (Tone) -50–50 Sets the tone color.
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2480v2_app_e.book 64 ページ２００６年２月７日火曜日午後３時３３分 Algorithm List Dly (Delay):Adds a delayed sound to the direct sound, adding depth to the sound or creating special effects. Sw (Switch) On, Off Turns the delay on or off. Time (Delay Time) 0–1000 ms Sets the time from direct sound until when the delay sound is heard. *1 shift (shift) L1000–0–R1000 ms Sets the delay time difference between the right and left delay sounds. FBTim (Feedback Delay Time) 0–1000 ms Sets the feedback repetition cycle.
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2480v2_app_e.book 65 ページ２００６年２月７日火曜日午後３時３３分 Algorithm List DirLvl (Direct Level) 0–100 Sets the volume of the direct sound. *1: Can be set only when JC-120, Clean Twin or BG Lead is selected for Pre-amplifier Type. *2: Cannot be set when Match Drive is selected for the Pre-amplifier Type. *3: The setting range is -100 to 0 when Match Drive is selected for the Pre-amplifier Type. Pre-amplifier Models the pre-amplifier section of a guitar amplifier.
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2480v2_app_e.book 66 ページ２００６年２月７日火曜日午後３時３３分 Algorithm List Vocal Multi This feature provides a multi-effect suited for vocals. fig.08-30 Input L Noise Suppressor Output L Limiter/ De-esser Enhancer 3BAND EQ Pitch Shifter Delay Chorus Output R Input R Cutting distortion in vocals Limiter can be used to suppress signals at a High level to prevent sound distortion.
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2480v2_app_e.book 67 ページ２００６年２月７日火曜日午後３時３３分 Algorithm List EQ (Equalizer) Sw (Switch) On, Off Turns the equalizer on or off. Low Gain (Low Gain) -12– +12 dB Sets the boost/cut amount in the low frequency band. Low Freq (Low Frequency) 20 - 2000 Hz Sets the center frequency in the low frequency band. Low Q 0.3–10.0 Sets the width of the area around the low frequency that will be affected by the gain settings.
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2480v2_app_e.book 68 ページ２００６年２月７日火曜日午後３時３３分 Algorithm List Voice Transformer You can convert male voice into female voice, female voice into male voice, and human voice into mechanical voice to create sounds of various qualities by controlling the base pitch and the formant separately. fig.08-63 Input L Output L Voice Transformer Reverb Output R Input R • When inputting voice, use voice of one person only. Inputting voices of more than one person disables normal operation.
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2480v2_app_e.book 69 ページ２００６年２月７日火曜日午後３時３３分 Algorithm List Vocal Canceler When a stereo source is being input from CD or DAT and so on, this cancels the sound which is located in the stereo center, such as the vocal or bass. fig.08-61 Output L Input L 3BAND EQ Vocal Canceler 3BAND EQ Input R Output R Depending on the music source, sounds that you do not wish to be canceled may be canceled as well.
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2480v2_app_e.book 70 ページ２００６年２月７日火曜日午後３時３３分 Algorithm List *1: Setting to “Unlimit” means that the frequency that can be played back on this unit is the lower limit. *2: Setting to “Unlimit” means that the frequency that can be played back on this unit is the upper limit. *3: If Low Type (Lo Type) or High Type (Hi Type) is set to “Shlv (Shlving Type),” the setting for Lo Q or High Q is invalid.
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2480v2_app_e.book 71 ページ２００６年２月７日火曜日午後３時３３分 Algorithm List Vocoder The vocoder creates “talking instrument” effects. To use Vocoder, input an instrumental sound into the left channel and a vocal sound into the right channel. The instrumental sound is split into ten frequency bands to be processed according to its frequency components. fig.08-14 Output L Input L (Instrument) Chorus 10 Band Vocoder Input R (Mic) Output R Instrumental sounds are input into the L-channel side of the effect.
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2480v2_app_e.book 72 ページ２００６年２月７日火曜日午後３時３３分 Algorithm List Vocoder2 (19) This is a 19-band vocoder. Provides clear sounds that used to be impossible with the previous vocoders. fig.08-65 Input L (Instrument) Output L VOCODER + + Chorus Input R(Mic) Output R Noise Suppressor • Instrumental sounds are input into the L channel side of Effect. Therefore, it is required to insert-connect “Lch” of Effect to the channel handling instrumental sounds.
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2480v2_app_e.book 73 ページ２００６年２月７日火曜日午後３時３３分 Algorithm List Parameter (full name) Voc (Vocoder 2): Setting Function The pitch is specified as in the instrumental sound while the tone is output in the human voice. Envelope (Envelope) Sharp, Soft, Long Defines characteristics of the sound. PanMode (Pan Mode) Mono, Stereo, L→R, R→L Defines how the sound is located. Hold (Hold) On, MIDI Specifies that an instrumental sound is or is not issued with the formant fixed.
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2480v2_app_e.book 74 ページ２００６年２月７日火曜日午後３時３３分 Algorithm List Lo-Fi Processor This allows you to create a “lo-fi” sound by lowering the sample rate and/or decreasing the number of bits. fig.
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2480v2_app_e.book 75 ページ２００６年２月７日火曜日午後３時３３分 Algorithm List 3band Isolator Sharply cuts off components by frequency band to eliminate undesired sounds. Useful to eliminate undesired sounds and take out only specific sounds from a CD. Isolator can make sounds completely perish, unlike ordinary equalizers that leave some sounds even with the gains of the respective frequency bands set to the minimum. fig.
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2480v2_app_e.book 76 ページ２００６年２月７日火曜日午後３時３３分 Algorithm List Dual Compressor/Limiter Compressors suppress signals at High levels. Limiter is used to control excessive input. Each of the above is used to prevent sound distortion or to control dynamics. fig.08-40 Output L Input A Compressor/Limiter A Noise Suppressor A Detector in Detector in Detector in Detector in Compressor/Limiter B Noise Suppressor B Input B Output R Input A is input into the L-channel side of the effect.
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2480v2_app_e.book 77 ページ２００６年２月７日火曜日午後３時３３分 Algorithm List Parameter (full name) Setting Function CmpA, CmpB (Compressor): Compresses the entire output signals when the input volume has exceeded a preset value. (Limiter): Suppresses the volume of the section where the input volume has exceeded the preset value. Sw (Switch) On, Off Turns the compressor/limiter on or off. Thrsh (Threshold Level) -60 - 0 dB Sets the level at which the compressor/limiter starts taking effect.
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2480v2_app_e.book 78 ページ２００６年２月７日火曜日午後３時３３分 Algorithm List Parametric Equalizer (4-Band Parametric Equalizer) This is an equalizer that can freely change the cutoff frequency or the band width (Q). With this equalizer, you can create sounds with subtlety. fig.08-55 Input A Output A 4Band EQ A Link 4Band EQ B Input B Output B Cutting noise.
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2480v2_app_e.book 79 ページ２００６年２月７日火曜日午後３時３３分 Algorithm List *1: If Low Type (Low Type) or High Type (High Type) is set to “Shlv (Shlving Type),” the setting for Lo Q or High Q is invalid. Graphic Equalizer (10-Band Graphic Equalizer) This Equalizer sets the boost/cut amount by each segment of the frequency divided into ten bands. In performing PA at a live, this feature is useful to prevent howling by cutting the site-specific resonance frequency. fig.
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2480v2_app_e.book 80 ページ２００６年２月７日火曜日午後３時３３分 Algorithm List Hum Canceler Eliminates annoying hum (or “surge” sounding “boon”). fig.08-59 Input A Hum Canceler Noise Suppressor Hum Canceler Noise Suppressor Input B Output A Output B Removing hum Hum is a noise with a certain low frequency. Hum is generated mostly due to ingression of part of alternating current into signals as alternating current is converted into direct current in the power circuit.
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2480v2_app_e.book 81 ページ２００６年２月７日火曜日午後３時３３分 Algorithm List Stereo Multi fig.08-47 Input L Input R Compressor/ Limiter Enhancer 3BAND EQ Noise Suppressor Compressor/ Limiter Enhancer 3BAND EQ Parameter (full name) NS (Noise Suppressor): Output L Noise Suppressor Setting Output R Function Mutes noise in the silent mode. Sw (Switch) On, Off Turns the noise suppressor on or off. Thresh (Threshold) 0–100 Sets the level to start muting noise.
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2480v2_app_e.book 82 ページ２００６年２月７日火曜日午後３時３３分 Algorithm List EQ (Equalizer) Sw (Switch) On, Off Turns the equalizer on or off. Low Gain (Low Gain) -12– +12 dB Sets the boost/cut amount in the low frequency band. Low Freq (Low Frequency) 20 - 2000 Hz Sets the center frequency in the low frequency band. Low Q 0.3–10.0 Sets the width of the area around the low frequency that will be affected by the gain settings.
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2480v2_app_e.book 83 ページ２００６年２月７日火曜日午後３時３３分 Algorithm List Speaker Modeling Models a variety of speaker characteristics ranging from those of High-end professional monitor speakers used as the standard at studios around the world to those of speakers of small-sized TV sets and portable radios. fig.
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2480v2_app_e.book 84 ページ２００６年２月７日火曜日午後３時３３分 Algorithm List Parameter (full name) Setting Function SpMod (Speaker Modeling): Selects the speaker subject to characteristics modeling. Sw (Switch) Off, On Turns the Speaker Modeling on or off. Model (Model) See the column on the previous page. Specifies the speaker actually generating sounds. Output Speakers (Output Speakers) DS-90/DS-90A, DS-50A Phase (Phase) NRM, INV Sets the phase of the speaker.
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2480v2_app_e.book 85 ページ２００６年２月７日火曜日午後３時３３分 Algorithm List Mastering Tool Kit This Kit is a compressor that splits sounds into different frequency band to unify their volumes. With this feature, you can perform mastering at the optimized level when mixing down into an MD or a CD or when producing your original audio CD using the CD-R disk. fig.
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2480v2_app_e.book 86 ページ２００６年２月７日火曜日午後３時３３分 Algorithm List HiMid Q (High Middle Q) 0.3–16.0 Sets the width of the area around the High middle frequency that will be affected by the gain settings. High Gain (High Gain) -12– +12 dB Sets the boost/cut amount in the High frequency band. High Freq (High Frequency) 1.40–20.0 kHz Sets the center frequency in the High frequency band. High Q (High Q) 0.3–16.
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2480v2_app_e.book 87 ページ２００６年２月７日火曜日午後３時３３分 Algorithm List Cmp (Compressor):Compresses the entire output signals when the input volume exceeds a specified value. SW (Switch) On, Off Turns the compressor on or off. Low Thre (Low Threshold) -24–0 dB Sets the volume at which the compressor for the low frequency band starts working. Low Ratio (Low Raito) 1:1.
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2480v2_app_e.book 88 ページ２００６年２月７日火曜日午後３時３３分 MIDI Implementation MIDI Implementation Model VS-2480/2480CD Version 1.01 Jun. 29 2001 1. TRANSMITTED DATA AND RECOGNIZED RECEIVE DATA ■Channel Voice message ●Note On/Off When “METORONOME OUT” in the UTILITY condition METRONOME screen is “OUT,” MIDI note number/velocity of MIDI channel number which is assigned to the Metronome is transmitted.
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2480v2_app_e.book 89 ページ２００６年２月７日火曜日午後３時３３分 60 61 Channel Status 21ch 0:Off, 1:Play, 2:Bounce/Source, 3:Rec Channel Status 22ch 0:Off, 1:Play, 2:Bounce/Source, 3:Rec 62 Channel Status 23ch 0:Off, 1:Play, 2:Bounce/Source, 3:Rec 63 Channel Status 24ch 0:Off, 1:Play, 2:Bounce/Source, 3:Rec 64 65 66 67 68 69 70 71 72 SCALE 0:X1, 1:X1/2 73 LOCATION 1:PRE FADER, 2:POST FADER 74 75 76 77 78 8SEG.
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2480v2_app_e.book 90 ページ２００６年２月７日火曜日午後３時３３分 MIDI Implementation ❍Bank Select (MSB/LSB) Switches the effect bank. Status Second BnH 00H BnH 20H n = MIDI Channel No.: mm = upper byte of bank number: ll = lower byte of bank number: Third mmH llH 0H - 7H ( ch.1 = FX1 ch.2 = FX2 ch.3 = FX3 ch.4 = FX4 ch.5 = FX5 ch.6 = FX6 ch.7 = FX7 ch.
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2480v2_app_e.book 91 ページ２００６年２月７日火曜日午後３時３３分 (*2) Mixer Q Table +——————+————————++——————+————————++——————+————————++——————+————————+ | Data | Q || Data | Q || Data | Q || Data | Q | +——————+————————++——————+————————++——————+————————++——————+————————+ | 30 | 0.36 || 50 | 1.12 || 70 | 3.55 || 90 | 11.2 | | 31 | 0.38 || 51 | 1.20 || 71 | 3.76 || 91 | 12.0 | | 32 | 0.40 || 52 | 1.25 || 72 | 4.00 || 92 | 12.5 | | 33 | 0.42 || 53 | 1.33 || 73 | 4.22 || 93 | 13.3 | | 34 | 0.45 || 54 | 1.40 || 74 | 4.
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2480v2_app_e.book 92 ページ２００６年２月７日火曜日午後３時３３分 MIDI Implementation |—————————+—————————+———————————————————————————————————————————————————| | 00H 06H | mmH llH | P.ShifterDelay: Lch Feedback Level | | | | —100,,,100| |—————————+—————————+———————————————————————————————————————————————————| | 00H 07H | mmH llH | P.ShifterDelay: Lch Cross Feedback Level | | | | —100,,,100| |—————————+—————————+———————————————————————————————————————————————————| | 00H 08H | mmH llH | P.
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2480v2_app_e.book 94 ページ２００６年２月７日火曜日午後３時３３分 MIDI Implementation |—————————+—————————+———————————————————————————————————————————————————| | 00H 02H | mmH llH | Phaser: Mode | | | | 0,,,3 = 4,8,12,16stage| |—————————+—————————+———————————————————————————————————————————————————| | 00H 03H | mmH llH | Phaser: Rate | | | | 1,,,100 = 0.1,,,10.
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2480v2_app_e.book 95 ページ２００６年２月７日火曜日午後３時３３分 |—————————+—————————+———————————————————————————————————————————————————| | 00H 0BH | mmH llH | M.Tap Delay: Level 4 | | | | 0,,,100| |—————————+—————————+———————————————————————————————————————————————————| | 00H 0CH | mmH llH | M.Tap Delay: Pan 4 | | | | 1,,,127 = L63,,,R63| |—————————+—————————+———————————————————————————————————————————————————| | 00H 0DH | mmH llH | M.
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2480v2_app_e.book 100 ページ２００６年２月７日火曜日午後３時３３分 MIDI Implementation The VS-2480/2480CD can transfer and receive the internal parameters information using system exclusive messages, and also can be controlled by the external devices using system ❍MIDI Machine Control Commands exclusive message. The VS-2480/2480CD can transmit and receive Universal System Exclusive messages, Data Request (RQ1) and Data set (DT1) as the System Exclusive Message.
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2480v2_app_e.book 101 ページ２００６年２月７日火曜日午後３時３３分 2. Data Transfer Address Map Address are expressed in 7bit hexadecimal values.
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2480v2_app_e.book 104 ページ２００６年２月７日火曜日午後３時３３分 MIDI Implementation ●Mixer Parameter +———————————————————————————————————————————————————————————————————————————+ | Start | | | | address | Data | Contents and remarks | |=============+=========+===================================================| | 04 00 00 00 | 0aaaaaaa| INPUT CHANNEL 1 ATT —420,,,60 = —42.0,,,+6.
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2480v2_app_e.book 108 ページ２００６年２月７日火曜日午後３時３３分 MIDI Implementation |—————————————+—————————+———————————————————————————————————————————————————| | 05 00 00 36 | 0aaaaaaa| Reverb: LF Damp Gain | | 05 00 00 37#| 0bbbbbbb| —36,,,0dB| |—————————————+—————————+———————————————————————————————————————————————————| | 05 00 00 38 | 0aaaaaaa| Reverb: HF Damp Frequency | | 05 00 00 39#| 0bbbbbbb| 10,,,200 = 1.0,,,20.
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2480v2_app_e.book 109 ページ２００６年２月７日火曜日午後３時３３分 |—————————————+—————————+———————————————————————————————————————————————————| | 05 00 00 24 | 0aaaaaaa| Chorus: Rate | | 05 00 00 25#| 0bbbbbbb| 1,,,100 = 0.1,,,10.
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2480v2_app_e.book 112 ページ２００６年２月７日火曜日午後３時３３分 MIDI Implementation |—————————————+—————————+———————————————————————————————————————————————————| | 05 00 00 24 | 0aaaaaaa| Enhancer: Sens | | 05 00 00 25#| 0bbbbbbb| 0,,,100| |—————————————+—————————+———————————————————————————————————————————————————| | 05 00 00 26 | 0aaaaaaa| Enhancer: Frequency | | 05 00 00 27#| 0bbbbbbb| 10,,,100 = 1.0,,,10.
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2480v2_app_e.book 116 ページ２００６年２月７日火曜日午後３時３３分 MIDI Implementation 3. MIDI Machine Control ■MIDI Machine Control Details ●STOP(MCS) Status F0H Byte F0H 7FH Data Byte Status 7FH,Dev,06H,01H F7H Description Status of System Exclusive Message Universal System Exclusive Realtime Header Dev Device ID (or 7FH) 06H MMC Command Message 01H STOP (MCS) F7H EOX (End of Exclusive Message) If the device ID on the message was as same as that of the receiving device or 7FH, the VS-2480/2480CD stops immediately.
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2480v2_app_e.book 118 ページ２００６年２月７日火曜日午後３時３３分 MIDI Implementation 5. Appendices ❍Decimal and Hexadecimal table (Hexadecimal number is shown with H.) In MIDI documentation, data values and addresses/sizes of system exclusive messages etc. are expressed as hexadecimal values for each 7 bits. the following table shows how these correspond to decimal numbers.
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2480v2_app_e.book 119 ページ２００６年２月７日火曜日午後３時３３分 Digital Studio Workstation Date: Jun. 29, 2001 MIDI Implementation Chart Model VS-2480/2480CD Transmitted Function...
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V-Tracks 16 15 14 13 12 11 10 9 8 7 LOCATOR 2 3 4 Tracks 5 Backing up to Artist 6 SCENE 7 Client Date 8 火曜日 6 5 4 3 2 1 1 Track Sheet (1) Project Project Name Internal Removable 2480v2_app_e.book 120 ページ２００６年２月７日午後３時３３分 Track Sheet fig.
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2480v2_app_e.book 121 ページ２００６年２月７日火曜日午後３時３３分 Track Sheet fig.
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2480v2_app_e.book 122 ページ２００６年２月７日火曜日午後３時３３分 Track Sheet 122 V-Tracks 16 15 14 13 12 11 10 9 8 7 6 5 4 3 2 1 17 Track Sheet (3) 18 19 20 NOTES Tracks 21 22 23 24 fig.
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2480v2_app_e.book 123 ページ２００６年２月７日火曜日午後３時３３分 SPECIFICATIONS 24Tr, 24bit, 96kHz Sampling Digital Studio Workstation Recording Time (at 10GB Partition, conversion in 1 track, unit: minutes) Tracks Recording Mode 96kHz 88.2kHz VS-2480/2480CD Tracks: V-Tracks: 24 384 (16 V-Tracks per each Track) Sample Rate 96.0 / 88.2 / 64.0 / 48.0 / 44.1 / 32.
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2480v2_app_e.book 126 ページ２００６年２月７日火曜日午後３時３３分 Index Numerics 10-Band Graphic Equalizer .......................................... 2ch RSS ............................................................................ 3band Isolator ................................................................ 4-Band Parametric Equalizer ....................................... D 79 58 75 78 A Aborted Command! ........................................................ 9 Active Terminator ................................
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2480v2_app_e.book 127 ページ２００６年２月７日火曜日午後３時３３分 Index Gated Reverb ................................................................... 7 General Purpose Interface ............................................ 13 Global Parameter ........................................................... 22 GPI ................................................................................... 13 Graphic Equalizer ................................................... 31, 79 Guitar ..........................................
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2480v2_app_e.book 128 ページ２００６年２月７日火曜日午後３時３３分 Index Parametric Equalizer ............................................... 31 Phaser ........................................................................ 29 Pitch Shifter .............................................................. 29 Reverb ....................................................................... 28 Reverb2 ..................................................................... 28 Same as Algorithm ......................................
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2480v2_app_e.book 129 ページ２００６年２月７日火曜日午後３時３３分 Index ...MEMO...
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2480v2_app_e.book 130 ページ２００６年２月７日 Index ...MEMO...
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To resize thickness, move all items on the front cover to left or right. Contents Information AFRICA About MIDI .............................................................................................. 3 About SCSI ............................................................................................. 4 EGYPT Al Fanny Trading Office 9, EBN Hagar A1 Askalany Street, ARD E1 Golf, Heliopolis, Cairo 11341, EGYPT TEL: 20-2-417-1828 Troubleshooting .................................................
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To resize thickness, move all items on the front cover to left or right. Version 2.0 Appendices Copyright • Unauthorized recording, distribution, sale, lending, public performance, broadcasting, or the like, in whole or in part, of a work (musical composition, video, broadcast, public performance, or the like) whose copyright is held by a third party is prohibited by law.