Manual

SCHOEPS GmbH · Spitalstr. 20 · D-76227 Karlsruhe (Durlach) · Tel: [phone] · Fax: [phone]
www.schoeps.de · [e-mail]
Wide Cardioids / Open Cardioid
14
Frequency response curve MK 21 + CMC 6
Polar diagram MK 21, -21H
from outer
to inner:
up to 1 kHz 4 kHz
2 kHz 8 kHz
16 kHz
+10
0dB
-10
-20
20 50 100 200 500 1k 2k 5k 10k 20kHz
Frequency response curve MK 21H + CMC 6
+10
0dB
-10
-20
20 50 100 200 500 1k 2k 5k 10k 20kHz
– wide cardioids
– polar pattern very well maintained
throughout the frequency range
– a favorable compromise between
omni (good low-frequency response)
and cardioid (consistent directional
pattern at all frequencies)
Suggested applications:
MK 21: music (orchestras), spot micro-
phone; vocals; speech
MK 21H: wherever a high-frequency
elevation is desired, esp. non-classi-
cal music
20 50 100 200 500 1k 2k 5k 10k 20kHz
Frequency response curve MK 22 + CMC 6
Polar diagram MK 22
von außen
nach innen:
bis 2kHz 4kHz
8kHz
16kHz
+10
0dB
-10
-20
Capsules
MK 21 MK 21H
MK 22
– directional pattern: ”Open Cadioid”
– optimal combination of classic car-
dioid directionality (MK 4) with the
sonic character of the wide cardioid
(MK 21)
– directional pattern largely constant
throughout the frequency range
Suggested applications:
as spot / soloist’s microphone