Owner manual

tremolo / amplitude modulation effect. There are also separate outputs on the backside

for the two bands.

ANTI REFL(ection)

Enable the ANTI REFLECTION stage to eliminate harmonics that are shifted down be-

low 0 Hz or beyond half the sample rate. Otherwise these frequencies will bounce back

into the audible spectrum. The anti-reflection is implemented with a proprietary tech-

nology by Sonic Charge and has the same excellent quality as the sideband suppres-

sion. It introduces additional phase distortion that can affect the timbre of tight feed-

back loops.

DELAY

Lets you adjust the delay time between 0.02 ms and 1 second when delay SYNC is off

or 1/128 to 1/2 measures when delay SYNC is on. Changes to the delay time is smooth

like on analog delays. The delay is implemented with a proprietary "all-pass interpola-

tion" filter that preserves all the high-frequency energy of the source signal. Modulate

the delay with the LFO to create flangers, choruses or outer space madness.

SYNC (delay)

Turn this on to make the delay time follow the song tempo.

FILTER

This controls the cutoff frequency of the lowpass filter that is applied just before the

frequency shifting. Goes from 100 Hz to 40 kHz (yes, that is not a typo).

CROSS

This switch swaps the left and right input channel (before the output and feedback).

Depending on the Echobode settings and audio source this can have a dramatic effect

on the audio or no effect at all. E.g. an echo effect on a source that is hard-panned to

the left will result in the echoes bouncing back and forth between the speakers. The

same effect on a mono signal and CROSS will make no difference at all. (Having said

that, the CROSS setting can affect the sound also on monophonic sources if the LFO is

used to generate a stereo effect internally.)

FEEDBACK

Apply FEEDBACK to send some of Echobode's output back to its input. With very short

delays (up to a few ms) and little or no frequency shifting you will achieve a distinct

phasing effect. If you turn up the delay time the effect turns into a comb-filter (flanger)

and eventually you will start hearing distinct echoes.