NEX-FS700R Handbook
Advanced slow-motion and 4K/2K RAW recording RAW recording unit HXR-IFR5 AXS-R5 BP-FL75 The NEX-FS700R is a dedicated video camera featuring a powerful 4K Exmor Super35 CMOS sensor in addition to: Less moiré patterning and false coloration, more sensitivity in low-light settings The dedicated video sensor eliminates line skipping during read processing and provides increased sensitivity that helps to minimize noise such as moiré patterns.
Chapter AUTOMATED FUNCTIONS Chapter SENSOR AND LENS Chapter Performance features Chapter FILE-BASED Chapter PICTURE PROFILE Chapter RAW recording
AUTOMATED FUNCTIONS About automated functions For documentaries and events requiring maximum mobility, automated functions such as Auto Focus and Auto Exposure reduce the workload so that you can concentrate on tracking the subject. The 11 x powered zoom lens and E-Mount lens supplied with the NEX-FS700R are compatible with Auto Focus and Auto Exposure. A-Mount lenses also support the following automated functions when used in conjunction with the LA-EA1 or LA-EA2 mount adaptor.
AE SHIFT for automatically shooting video a little brighter or darker ASSIGN The AE SHIFT function enables you to shoot at an exposure level that is a little higher or lower than the AE function normally selects. Usage examples ■ When the subject is darker than the background, such as when ■ When the subject is too bright compared to the brightness shooting a person against light, a snowfield or another bright of the background.
AUTOMATED FUNCTIONS White Balance (WB) To shoot images in correct colors, you need to adjust your camera so that it can capture a white object as white under lighting conditions with different color temperatures. At the same time, white balance is sometimes used to shoot something that is not white as white for dramatic effects. One Push White Balance lets you capture white subjects as white Selecting WHITE BALANCE MEMORY switch A ( A) saves a white balance adjustment value in memory A.
WB OUTDOOR LEVEL (white balance outdoor level) for controlling an image’s color tone with white balance This function lets you change the color temperature (default value at roughly 5,800K) for the OUTDOOR white-balance preset. Usage examples ■ When you do not have a white subject for setting white balance. ■ When you want to match the white balance of multiple cameras as much as possible. ■ When you want your image to have an orange tone like during sunsets or a bluish tone like at night and under shade.
AUTOMATED FUNCTIONS Audio settings The NEX-FS700R has two audio input channels and accepts three input sources: built-in stereo microphone, unidirectional mono microphone (supplied) and external line in. There is a +48 V phantom power supply. Using the supplied ECM-XM1 shotgun microphone (mono only) The directional shotgun microphone is used to minimize background noise for distant subjects. Settings and Operation 1.
Wireless and other external microphones Wireless microphones are often used by reporters who are constantly on the move. The microphone is connected to a transmitter worn by the reporter. The receiver is attached to the camera, providing an audio output feed that is connected to the camera input. How to set/operate The wireless microphone is connected in the same way as the shotgun microphone.
SENSOR AND LENS 11.6 million pixel 4K Exmor HD CMOS sensor The NEX-FS700R features a large image sensor that produces powerful “bokeh” effects and brings subjects to life while providing excellent sensitivity for clear images with minimal noise in low-light settings in both standard and Full HD 10 x super slow motion modes. Sensor sizes Depth of field High sensitivity and low noise At a given angle of field, a larger sensor with a longer focal length will create more background blurring.
Controlling the brightness Brightness (or exposure) is closely linked to depth of field. Brightness is governed by three factors: aperture (or iris), shutter speed and gain. In a well-lit setting, an ND filter can be used to control the light level and enhance the “bokeh” effect.
SENSOR AND LENS Controlling the brightness Iris In manual control mode, the iris ring is used to adjust brightness by opening and closing the lens mechanically. How to set/operate 1. Set the AUTO/MANUAL switch to [ MANUAL ]. 2. Press the IRIS button to display the iris setting. 3. Adjust the iris setting using the iris ring. *A lower iris setting opens the lens and increases the available light volume. To engage auto control temporarily 4. Press and hold the PUSH AUTO button.
Internal ND filter The NEX-FS700R features a new internal ND filter unit designed to suit the shorter flange back on the E mount lens. No longer is it necessary to carry several different ND filters to suit different lens filter diameters. ND filters are used to limit the light volume in bright environments without closing the aperture. This is used to achieve shallow depth of field even in daylight outdoor settings, or to reduce the shutter speed to prevent parabolic effect.
SENSOR AND LENS Brightness adjustment Zebra display — for checking subject brightness Zebra stripes are superimposed on areas of the image that correspond to the designated brightness level, to provide a guide for brightness adjustment. To check for whiteout, set the Zebra display to 100+ then adjust the brightness to minimize the stripes visible on the screen.
Focus Assist PUSH AUTO — for temporary Auto Focus (AF) When filming in manual focus mode, press and hold the PUSH AUTO button to temporarily engage Auto Focus. Release the button to revert to manual focus. Switching temporarily to Auto Focus is a good way to ensure smooth focus transition when shifting from one subject to another. How to set/operate 1. Set the FOCUS switch to MAN. 2. Press the PUSH AUTO button to engage Auto Focus. Release the button to revert to manual focus.
AUTOMATED SENSOR ANDFUNCTIONS LENS Focus Assist Peaking — to identify focus peaks The peaking display is used to check which areas of the image are in focus. Areas in focus are denoted by accentuated outlines. How to set/operate 1. MENU [ DISPLAY SET ] [ PEAKING ] [ ON ] 2. Select the [ color ] and the [ level ] of accentuation required. Press the SEL/PUSH EXEC dial to confirm the settings.
Spot Focus — focus from the touch screen Spot Focus lets you focus on an object simply by tapping it on the touch screen. (Requires an E-Mount lens.) To minimize camera movement, a tripod is recommended when using Spot Focus. How to set/operate 1. MENU [ CAMERA SET ] [ SPOT FOCUS ] 2. On the touch screen, tap on the object to focus. * Press MENU to turn off Spot Focus. Spot Focus is not available in Auto Focus mode.
SENSOR AND LENS Other assist functions SteadyShot SteadyShot is only available when a SteadyShot compatible lens is fitted. How to set/operate 1. MENU [ CAMERA SET ] [ STEADYSHOT ] 2. Choose from [ STANDARD and ACTIVE modes ]. Press the SEL/PUSH EXEC dial to confirm. SteadyShot modes [ Standard ] : For relatively stable conditions. [ Active ] : For situations involving considerable movement, such as walking with a handheld camera.
How to set/operate ■ Register buttons [ OTHERS ] [ ASSIGN BUTTON ] [ FOCUS 1. MENU TRANSITION ] ON 2. When [ Focus Transition ] is [ on ], buttons 4, 5 and 6 are allocated to the [ Focus Transition ] function. Press button 4 to cycle through the four modes: STORE, CHECK, EXEC and OFF. ■ Store focus points 3. Press button 4 to display the [ STORE ] screen, disengage Auto Focus, shift the focus manually to point A, then press button 5. 4. Now do the same at point B and press button 6.
SENSOR AND LENS E-Mount system — bringing out the best in every lens E-Mount lenses are compatible with automated functions such as Auto Focus, SteadyShot and Auto Exposure that are particularly useful for zooming in on a subject using shallow depth of field in low-light conditions. Common E-Mount lenses Large diamater,sungle facal length Compact wide-angle, single focal length 24mm F1.8 SEL24F18Z 16mm F2.8 SEL16F28 35mm F1.8 SEL35F18* 20mm F2.8 SEL20F28 Macro Zoom 30mm F3.5 SEL30M35 10-18mm F4.
SEL1018 zoom lens (E10 – 18 mm F4 OSS) The SEL1018 is a super wide angle E-Mount type zoom lens with a zoom range from 15 mm super wide angle (converted to 35 mm format) to 27 mm standard wide angle. The optical system, featuring a combination of three aspherical lens groups and super ED glass, corrects aberrations at the super wide angle end to ensure optimum contrast. The full open f-stop 4 is ideal for dynamic scenery as well as limited-light settings such as sunsets.
SENSOR AND LENS Compatible with a wide range of lens types LA-EA2+A mount lens with phase detection AF The LA-EA2 mount adaptor boasts the fastest auto focus in the A-Mount class , with a built-in AF drive motor linked to a 15-point AF system with three cross sensors for high-precision focusing.
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SHOOTING STYLES Performance features 0 Super slow motion mode The super slow motion system on the NEX-FS700R represents a technological evolution from conventional slow and quick motion functions, allowing slow-motion recording at up to 10 x normal speed (i.e., maximum 240fps) in Full HD resolution. Slower speeds (up to 40 x slow motion or 960fps) can be achieved at slightly reduced image quality.
How to set/operate ■ Recording format 1.MENU [ CAMERA SET ] [ SLOW & QUICK ] [ SUPER SLOW MOTION ] 2. Scroll down to [ REC FORMAT ] and choose a recording format from the list. ■ Frame rate 3. MENU [ CAMERA SET ] [ SLOW & QUICK ] [ SUPER SLOW MOTION ] 4. Scroll down to FRAME RATE and choose a frame rate from the list.
Performance features Slow & quick motion mode Slow motion and quick motion involves shooting at different frame rates to the standard playback frame rate. There are no restrictions on recording time, which is limited only by the maximum capacity of the storage media (equivalent to approximately 13 hours continuous recording). In 1080/24p format, for example, a frame rate of 60fps produces slow motion at 2.5 x actual recording speed, while a frame rate of 4fps produces quick motion at 6 x normal speed.
How to set/operate ■ Recording format 1. MENU [ CAMERA SET ] [ SLOW&QUICK ] [ S&Q MOTION ] 2. Scroll down to [ REC FORMAT ] and choose a recording format from the list. ■ Frame rate 3. MENU [ CAMERA SET ] [ SLOW&QUICK ] [ S&Q MOTION ] 4. Scroll down to [ FRAME RATE ] and choose a frame rate from the list.
Performance features Modular design to support different shooting configurations The NEX-FS700R has a detachable handle, grip and viewfinder as well as 1/4" and 3/8" screw holes for accessories such as mudbox and follow focus. The rigid handle and grip provide excellent stability for the large sensor during handheld use. A range of accessories is available for the NEX-FS700R, providing maximum flexibility in a range of different settings.
Time code Editing information such as time code and user bit is recorded as time data. There are two time code modes: [ Rec Run ] and [ Free Run ]. REC RUN Rec Run is the standard mode, where the time code advances only when recording. The time code also continues during splices, thereby providing a handy guide to remaining recording time. FREE RUN In Free Run mode, the time code continues even when recording has stopped, providing in-camera continuity during breaks in recording.
FILE BASED Flexible file base workflow Advances in SD and HD technology saw the release of the new [ HDV format ] in 2003, using cassette tape in DV specifications for HD video and audio recording. Designed to be compatible with DVCAM recorders, the HDV format has become popular in a wide range of fields, from documentary programs to weddings and other events. The first NXCAM in AVCHD format, released in 2010, brought significant improvements in ambience and picture quality.
Connecting a non-Sony external recording device The SDI/HDMI Rec Control time code supplies high-resolution output for an external recording device. The NEX-FS700R supports Rec Control signal for both SDI and HDMI. This allows recording onto an external device synchronized with in-camera recording and the time code in Rec Run or Free Run modes. The time code (TC) can also be superposed onto HDMI signal output. SDI/HDMI signal is output as uncompressed digital HD/SD signal during recording.
PICTURE PROFILE What is PICTURE PROFILE? PICTURE PROFILE is a menu for adjusting and changing parameters that determine image characteristics. There are many parameters that can be adjusted and changed, but they can be grouped into four types — parameters for selecting basic color tone, parameters for adjusting gradation (darkness-brightness tone), parameters for adjusting coloring, and parameters for correcting white balance.
Picture Profile settings Basic color settings GAMMA The basic color settings are defined by the combination of GAMMA (gamma curve) and COLOR MODE (color characteristics) settings as follows.
PICTURE PROFILE BLACK GAMMA The BLACK GAMMA setting lets you alter the shape of the gamma curve and adjust gradations in dark areas in the image. ■ RANGE : LOW / MIDDLE / HIGH This controls the luminance range that BLACK GAMMA ■ LEVEL : -7 to +7 Increasing LEVEL set value brightens the image, whereas influences. The LOW setting affects the range up to almost decreasing set value makes the image darker. For example, black, while the HIGH setting extends the range up to gray.
KNEE This changes the tone expression in high brightness areas. Video signal output (%) MODE ■ AUTO: Automatically adjusts the KNEE settings based on what is selected in the following AUTO SET function. ■ MANUAL: Follows the KNEE settings selected in the following MANUAL SET function. White clip point 109 100 Knee slope (–) Knee point (+) AUTO SET ■ MAX POINT : 90% to 100% 50 Knee point Determines the maximum knee point level (white level).
PICTURE PROFILE ■ Settings for adjusting coloring COLOR LEVEL COLOR LEVEL deals with saturation in the color space and makes washed out colors appear more vivid. Settings can be adjusted between –7 (Grow pale in color) to +7 (Grow rich in color) . There is also a –8: Shoot in black & white setting. A higher set value results in more vivid colors, while a lower set value presents faded colors. COLOR LEVEL should be adjusted in tandem with contrast.
DETAIL As described in “Information essential for making the most of PICTURE PROFILE,” DETAIL is a function that emphasizes image edges. By altering the following manual settings, image processing can be varied to create different impressions from the same subject. Because settings other than LEVEL are quite complex, we recommend you start by adjusting only the LEVEL setting first. LEVEL Determines the strength of DETAIL image processing to be applied.
PICTURE PROFILE MANUAL SET ON/OFF ■ O N : The DETAIL level can be adjusted by using the following settings. ■ OFF: The DETAIL level will be adjusted automatically depending on camera settings. V/H BALANCE ■ Changes the balance between Vertical (V) DETAIL and Horizontal (H) DETAIL. ■ Vertical (V) DETAIL boosts image edges by expanding them upward and downward. Horizontal (H) DETAIL emphasizes image outlines by thickening them left and right.
■ Settings for correcting white balance WB SHIFT Fine-tunes white balance or creates an effect that is similar to using a color filter. Two types of adjustment methods — LB-CC and [ R-B ] — are available. We recommend you start with the [ LB-CC ] adjustment method. A higher set vale leads to warmer colors, while a lower setting creates colder colors. Please make sure you adjust white balance first.
PICTURE PROFILE FILTER TYPE R-B ■ Alters the R (Red) or B (Blue) level in the video signal.
BLACK LEVEL GAMMA BLACK GAMMA KNEE -15 ~ +15 STANDARD/STILL/CINEMATONE1/CINEMATONE2/ITU709 RANGE LOW / MIDDLE / HIGH LEVEL -7 ~ +7 MODE AUTO / MANUAL AUTO SET MAX POINT 90% ~ 100% SENSITIVITY HIGH / MIDDLE / LOW POINT 75% ~ 105% SLOPE -5 ~ +5 MANUAL SET COLOR MODE TYPE STANDARD/STILL/CINEMATONE1/CINEMATONE2/PRO/ITU709 MATRIX LEVEL 1~8 COLOR LEVEL -7 ~ +7 (-8 BW) COLOR PHASE -7 ~ +7 COLOR DEPTH R -7 ~ +7 G -7 ~ +7 B -7 ~ +7 C -7 ~ +7 M -7 ~ +7 Y -7 ~ +7 FILTER TYPE LB-C
PICTURE PROFILE Information essential for making the most of PICTURE PROFILE Difference from image processing using nonlinear video editing software PICTURE PROFILE adjusts colors and the vividness of the image it possible to carry out highly precise image adjustments while upon recording. You can make similar adjustments by using keeping the quality of the subject intact. nonlinear editing software after shooting.
Gamma Curve and Knee Point Gamma curve and knee point are two elements that exert great influence over image characteristics. By understanding these, you’ll be able to utilize PICTURE PROFILE efficiently. What is a gamma curve? Gamma curves show the relationship between the input signal value of actual CRT master monitors used in broadcasting and level and the output signal level. The camera converts the video production was closer to 2.
PICTURE PROFILE What is knee correction? Cameras are not good at clearly capturing a scene that a certain level. In the chart below, the line bends like a knee contains extremely different luminance levels, such as one at a point in the high-luminance range. This is called the knee object under bright sunlight and another in the shade. If you point. And the line extending from the knee point is called the adjust the iris to set the right exposure for the object in the knee slope.
Color Space The NEX-FS700R’s PICTURE PROFILE uses the concept of a color space based on three elements — Hue, Saturation and Luminance. This color space can be represented as a shape that resembles two cones joined at their bases. When you slice the color space at a certain luminance level, a circular cross section appears. In this cross section, the angle from the circle’s center line indicates hue, while the distance from the circle’s center represents saturation.
PICTURE PROFILE S-Log S-Log2 gamma curve The S-Log2 gamma curve has been added to the NEX-FS700R as the PP7 picture profile. The S-Log2 gamma curve is optimized to the sensitivity characteristics of the Exmor Super 35 CMOS sensor. In order to bring out the highlights as much as possible, the sensor output has been extended to 1300% dynamic range.
Camera settings ISO 2000 24p 1/48 F8+ND1/4 Grading settings Exposure Shadow Mid Highlight Color Mid Highlight Saturation Grobal Mid Highlight - 1% - 28% - 4% 180 228 + 1% - 2% + 58% + 53% + 47% The FS700R mimics the ITU709 gamma curve through to halftones while using the ITU709 (800%) gamma curve with 800% extended dynamic range for bright regions. This is a good option for enhancing the dynamic range of bright regions with a minimum of color grading work.
PICTURE RAW recording PROFILE mode RAW recording on the FS700R The FS700R supports RAW data recording when connected to a RAW recording device. The RAW data is the sensor output signal at either 4K or 2K resolution. RAW video recording, like RAW still data, is based on image data obtained from the sensor. The volume of data is much larger because it contains much more image information, such as color gradation.
System configuration The optional external RAW recorder system connects to the NEX-FS700R via a single 3G-SDI cable. It can be attached directly to the rig or carried separately as required. The power source is the BP-FL75 lithium ion battery pack or XLR4 pin wired DC12V. ■ Components interface unit HXR-IFR5 recorde AXS-R5 RAW lithium ion battery back BP-FL75 Docks directly with the AXS-R5 RAW recorder and functions as an external recorder for the FS700.
RAW recording mode ■ Monitor Precise focus is particularly important at 4K resolution. Where possible an external monitor should be used to check focus. In 4K mode, video preview is at HD resolution. Focus precision can be checked on the built-in camera screen using focus assist features such as [ Expanded Focus ] and [ Peaking Display ]. Given the very high resolution, even minor variations in focus are noticeable at 4K. For this reason, it is best not to rely solely on auto focus.
Simultaneous AVCHD recording The NEX-FS700R can record in-camera in AVCHD format while supplying RAW data to an external recorder. The following restrictions apply. • Simultaneous recording is not supported in super slow motion mode. • The camera can record to either the MS/SD card or the HXR-FMU128 but not both. • The RAW and AVCHD files will have different filenames. • Although the time code is the same, the start time for RAW data recording will be slightly delayed.
RAW recording mode Post processing Connect the AXS memory card reader to a computer (Windows or Mac OS X) and install the card reader drivers. PLAV-RW1 plugin The PL AD -RW1 editing plugin can be used to impor t RAW data into Adobe Premier CS6/CC and Avid Media Composer, providing a simple means of adjusting gamma and color settings. ■ Installing the plug-in The plug-in allows RAW video data to be imported directly from the editing application.
■ Source settings/gamma adjustment In Adobe Premiere, the project window is displayed once the Sony RAW MXF file has finished importing. Right-click the source thumbnail and choose [ Source Settings ] from the list, then select the appropriate setting under [ Tone Settings ]. * The default source setting is [ 709/709 ]. ■ Color adjustment After Before IThe source data is displayed in the timeline window.
RAW recording mode Post processing RAW Viewer for color adjustment and output conversion The RWV-10 RAW Viewer application performs four key functions on Sony RAW MXF files: viewing, trimming, grading and output conversion. ■ Installing the [ RWV-10 ] RAW Viewer The RAW Viewer is available for download from : http://www.sonycreativesoftware.com/rawviewer ■ Viewing and trimming Select a thumbnail to display the imported source material in the Clip Viewer.
■ Output formats •DPX16/10-bit (consecutive numbered still image files) •Open EXR •Apple ProRes 422 Proxy, 422 LT, 422, 422 HQ and 4444 (Mac OS X only) •SStP 880, 440 and 220 Mbps (HD only) Color grading on DaVinci Resolve 10 DaVinci Resolve 10 from Blackmagic Design provides a suite of powerful color correction features to enable color grading that harnesses the full potential of all the image information present in RAW video data.
© 2013 Sony Corporation. All rights reserved. Reproduction in whole or in part without written permission is prohibited. Features and specifications are subject to change without notice. Sony and Sony logo are trademarks of Sony Corporation. NXCAM and NXCAM logo are trademarks of Sony Corporation. Exmor, SteadyShot, Memory Stick, Memory Stick PRO Duo, Memory Stick PRO-HG Duo and their respective logos are trademarks of Sony Corporation. XtraFine and Picture Profile are trademarks of Sony Corporation.
