Owners Manual
Table Of Contents
- ENGLISH
- IMPORTANT SAFETY INSTRUCTIONS
- Trademarks and copyrights
- Included accessories
- Before use
- Maintenance
- Using the TEAC Global Site
- Downloading the remote app
- Network connections
- Connections (rear panel)
- Connections (front panel)
- Connecting headphones
- Using the remote control
- Names and functions of parts (main unit)
- Upconversion
- Names and functions of parts (remote control)
- Display
- Basic operation
- Bluetooth® wireless technology
- Settings
- Playing back music on a computer
- MQA (Master Quality Authenticated)
- Troubleshooting
- Specifications
- FRANÇAIS
- INSTRUCTIONS DE SÉCURITÉ IMPORTANTES
- Marques déposées et copyrights
- Accessoires fournis
- Avant l’utilisation
- Entretien
- Utilisation du site mondial TEAC
- Téléchargement de l’appli de télécommande
- Connexions réseau
- Branchements (face arrière)
- Branchements (face avant)
- Branchement d’un casque
- Emploi de la télécommande
- Nomenclature et fonctions des parties (unité principale)
- Conversion ascendante
- Nomenclature et fonctions des parties (télécommande)
- Écran
- Fonctionnement de base
- Technologie sans fil Bluetooth®
- Réglages
- Lecture de musique sur un ordinateur
- MQA (Master Quality Authenticated)
- Guide de dépannage
- Caractéristiques techniques
- ESPAÑOL
- INSTRUCCIONES IMPORTANTES DE SEGURIDAD
- Marcas y derechos
- Accesorios incluidos
- Antes de su utilización
- Mantenimiento
- Web global de TEAC
- Descarga de la app de control remoto
- Conexiones de red
- Conexiones (panel posterior)
- Conexiones (panel frontal)
- Conexión de unos auriculares
- Uso del mando a distancia
- Nombres y funciones de las partes (unidad principal)
- Sobreconversión
- Nombres y funciones de las partes (mando a distancia)
- Pantalla
- Funcionamiento básico
- Tecnología inalámbrica Bluetooth®
- Ajustes de configuración
- Reproducción de música en un ordenador
- MQA (Master Quality Authenticated)
- Solución de problemas
- Especificaciones
- WARRANTY/GARANTIE/GARANTÍA
22
Settings (continued)
Upconversion
Use to activate the upconversion circuit when receiving PCM signals.
o See page13 for the relationships between input sampling fre-
quencies and sampling frequencies after upconversion.
o During MQA playback, 4× Fs upconversion will be used regard-
less of the setting.
MENU
UPCONVERT
OFF
OFF
The original input signal is sent directly to the D/A converter
without upconversion.
2× Fs
If the input audio signal is less than 2× a standard sampling fre-
quency, it is upconverted 2× and then sent to the D/A converter.
4× Fs
If the input audio signal is less than 4× a standard sampling fre-
quency, it is upconverted 4× and then sent to the D/A converter.
8× Fs
If the input audio signal is less than 8× a standard sampling fre-
quency, it is upconverted 8× and then sent to the D/A converter.
DSD 256
DSD 512
The input source is converted to DSD digital format, and then sent
to the D/A converter.
PCM digital filter
This sets the type of digital filter used when converting PCM signals
from digital to analog.
MENU
DIGITAL FILTER(PCM)
OFF
Sharp roll off
An FIR filter with a steep roll-off is used to sharply cut signals out-
side the audio band.
Slow roll off
An FIR filter with a slow roll-off is used to gently cut signals out-
side the audio band.
Short Delay Sharp
A short delay filter with a steep roll-off is used to sharply cut sig-
nals outside the audio band.
Short Delay Slow
A short delay filter with a slow roll-off is used to gently cut signals
outside the audio band.
Low dispersion
A short delay filter with low dispersion that improves lag charac-
teristics in high frequencies is used.
OFF
No digital filter is used.
o When receiving signals at 352.8kHz, 384kHz, 705.6kHz or 768kHz,
the digital filter will be disabled during playback regardless of this
setting.
o During MQA playback, the PCM digital filter setting is disabled
and Short Delay Slow is used.
Note about the digital filter during PCM playback
FIR-type digital filters
This type of filter has an established reputation for sound quality
and features tonal quality with both dense, rich sound reverbera-
tions and crisp sound transients.
Short Delay-type digital filters
This type of filter has no pre-echo in the impulse response and
features natural sound attack and reverberation for a tonal qual-
ity that is close to the original.