Specifications

Modulation effects
MODULATION GROUP
(PITC, PI-lA , F'LA , CHO)
One from this group can be used ut a time (but not 1,i'ith SFX).
Use PITCH (-12-0-+12 range) to shift pitch in semitone steps up to one
octave higher or lower.
Use FINE (-10-0-+90) for fine atljustment above or below
PITCH setting.
Use
BALANCE (0-10) to adjust between shifted and direct sound.
This is used for harmonies, doubling, and thickening effects. First adjust
PITCH. then
FINE. Try creating unison, fifths, and non-cyclic chorus-like
effects.
PHA:Phaser and Midrange Boost
Use PATTERN (1 or 2) to sc3lect Phaser or Midrange Boost.
PATTERN 1 : Phaser
Use DEPTH (0-10) to adjust the amount of rnodulation and resonance.
Use FREQ (0-50) to adjust rnodulation speed.
This creates rotating speaker sounds and other phase shifted effects.
PATTERN 2: h~lidrunge Boost
Use DEPTH (0-10) to adjust lcvel of peak boost.
Use FREQ (0-50) to adjust midrange frequency.
Midrange boost gives different amplifier characteristics. It allows the
guitarist to create
a wide range of personal tonal styles.
FLA: Flanger
Use DEPTH (0-10) to adjust amount of modulation.
Use FREQ (0-50) to adjust modulation speed.
Use PEAK (0-10) to adjust strength of the resonance peak.
Flanging
prociuces peaks that are harmonically related, unlike simple
phasing. At high peak
levels
it produces almost metallic ringing sounds.
Use DEPTH (0-10) to adjust the amount
of modulation.
Use
FREQ (0-10) to adjust modulation speed.
Use
PATTERN (1 or 2) to select mono or slereo.
Like flanging, chorus depends on the interaction between delayed and
non-delayed signal components. Like phasing, it can help create
a full-
bodied sound.