Specifications

ptg
94
Timeline Editing
3. Enter the number of frames for the offset by doing one of the following:
 Type a n umber of f rames from 1–9 9.
 Type 100 or greater to m ove forwar d or backward a s pecifi ed n um-
ber of seconds and frames.
 With Caps Lock disabled, type f after a large number to enter it as a
frame count. For example, to enter 200 frames, type 200 and then f.
To use this method to mark a dur ation , ent er on e less fram e than
desired because the system places an OUT at the end of the
last frame.
4. Press Enter.
If you press Enter again, the system remembers the last entry and
advances the same number of frames.
Match Frame
The Match Frame function locates the frame currently displayed in
the Record monitor by loading its master clip into the Source monitor and
identifying the frame with the blue position indicator. An IN point is marked
at that location to prepare for an edit.
This function is useful when you need to view earlier or later source foot-
age from a clip in the sequence or when you need to reedit a clip into your
sequence.
To perform a match frame:
1. Move the position indicator to the frame in your sequence that you
want to match.
2. To perfo rm t he ma tch fram e, d o one of th e foll owing :
 In the Track panel, select the track that you want to match, and
deselect all higher tracks. Then click the Match Frame button, which
can be mapped to your keyboard or user interface using ‘Button to
Button’ Reassignment on the Command palette’s Other tab.
 Right-click a track selector, and from the menu, select Match Frame
Track. The track selectors need not be set before the operation
Yo u c an a ls o u se M at ch Fr am e t o lo ca t e t he f ra me cur re nt l y d is p la y ed i n
the Source monitor. You would use this, for example, if a subclip is cur-
rently in the Source monitor and you want to locate the same frame in the
master clip.
NOTE If you press and
hold Alt (Windows) or
Option (Macintosh) while
clicking Match Frame,
the function is performed
without setting an IN
point; rather, the original
IN and OUT marks in the
clip are preserved.
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