User Manual
Table Of Contents
- Welcome to Live
- First Steps
- Authorizing Live
- Live Concepts
- Managing Files and Sets
- Working with the File Browsers
- Sample Files
- MIDI Files
- Live Clips
- Live Sets
- Live Projects
- The Live Library
- Locating Missing Samples
- Collecting External Samples
- Aggregated Locating and Collecting
- Finding Unused Samples
- Packing Projects into Live Packs
- File Management FAQs
- How Do I Create a Project?
- How Can I Save Presets Into My Current Project?
- Can I Work On Multiple Versions of a Set?
- Where Should I Save My Live Sets?
- Where Should I Save My Live Clips?
- Can I Use My Own Folder Structure Within a Project Folder?
- How Do I Export A Project to the Library and Maintain My Own Folder Structure?
- Arrangement View
- Session View
- Clip View
- Tempo Control and Warping
- Editing MIDI Notes and Velocities
- Using Grooves
- Launching Clips
- Routing and I/O
- Mixing
- Recording New Clips
- Working with Instruments and Effects
- Instrument, Drum and Effect Racks
- Automation and Editing Envelopes
- Clip Envelopes
- Working with Video
- Live Audio Effect Reference
- Auto Filter
- Auto Pan
- Beat Repeat
- Chorus
- Compressor
- Corpus
- Dynamic Tube
- EQ Eight
- EQ Three
- Erosion
- External Audio Effect
- Filter Delay
- Flanger
- Frequency Shifter
- Gate
- Grain Delay
- Limiter
- Looper
- Multiband Dynamics
- Overdrive
- Phaser
- Ping Pong Delay
- Redux
- Resonators
- Reverb
- Saturator
- Simple Delay
- Spectrum
- Utility
- Vinyl Distortion
- Vocoder
- Live MIDI Effect Reference
- Live Instrument Reference
- Max For Live
- Sharing Live Sets
- MIDI and Key Remote Control
- Using the APC40
- Synchronization and ReWire
- Computer Audio Resources and Strategies
- Audio Fact Sheet
- MIDI Fact Sheet
- Live Keyboard Shortcuts
- Showing and Hiding Views
- Accessing Menus
- Adjusting Values
- Browsing
- Transport
- Editing
- Loop Brace and Start/End Markers
- Session View Commands
- Arrangement View Commands
- Commands for Tracks
- Commands for Breakpoint Envelopes
- Key/MIDI Map Mode and the Computer MIDI Keyboard
- Zooming, Display and Selections
- Clip View Sample Display
- Clip View MIDI Editor
- Grid Snapping and Drawing
- Global Quantization
- Working with Sets and the Program
- Working with Plug-Ins and Devices
- Using the Context Menu
- Index
CHAPTER 9. TEMPO CONTROL AND WARPING 119
in hundredths of a BPM allows for enough precision to adjust to live performers or other
unsynchronized sources.
You can have an external sequencer (or drum machine) play along with Live or have Live play
along with the sequencer. The respective settings are made in the MIDI/Sync Preferences,
and the EXT switch next to the tempo control is activated to have Live follow an external
MIDI clock source. Please refer to the section on synchronization for details.
9.1.2 Tapping the Tempo
The Tap Button.
You can use Live's Tap Tempo function to set the tempo at any time. As you click the Control
Bar's Tap Tempo button once every beat, the tempo of the Live Set will follow your tapping.
The Key Map Mode
Switch.
It is better to assign the Tap button to a computer key than using the mouse. Click on the
Control Bar's KEY switch to enter Key Map Mode; then select the Tap button; press the key
you would like to use for tapping; click the KEY switch again to leave Key Map Mode. The
assignment will take effect immediately. The Tap button can also be assigned to a MIDI
note or controller, like a foot switch, in a similar fashion. Although Live responds to your
tapping immediately, it does apply some degree of inertia to prevent sluggish behavior in
the software. The more taps Live receives in a row, the more precisely it will be able to
conclude the desired tempo.
You can also use tapping to count in: If you are working in a 4:4 signature, it takes four taps
to start song playback at the tapped tempo.
9.1.3 Nudging the Tempo
The Nudge Buttons.










