User Manual
Table Of Contents
- Welcome to Live
- First Steps
- Authorizing Live
- Live Concepts
- Managing Files and Sets
- Working with the File Browsers
- Sample Files
- MIDI Files
- Live Clips
- Live Sets
- Live Projects
- The Live Library
- Locating Missing Samples
- Collecting External Samples
- Aggregated Locating and Collecting
- Finding Unused Samples
- Packing Projects into Live Packs
- File Management FAQs
- How Do I Create a Project?
- How Can I Save Presets Into My Current Project?
- Can I Work On Multiple Versions of a Set?
- Where Should I Save My Live Sets?
- Where Should I Save My Live Clips?
- Can I Use My Own Folder Structure Within a Project Folder?
- How Do I Export A Project to the Library and Maintain My Own Folder Structure?
- Arrangement View
- Session View
- Clip View
- Tempo Control and Warping
- Editing MIDI Notes and Velocities
- Using Grooves
- Launching Clips
- Routing and I/O
- Mixing
- Recording New Clips
- Working with Instruments and Effects
- Instrument, Drum and Effect Racks
- Automation and Editing Envelopes
- Clip Envelopes
- Working with Video
- Live Audio Effect Reference
- Auto Filter
- Auto Pan
- Beat Repeat
- Chorus
- Compressor
- Corpus
- Dynamic Tube
- EQ Eight
- EQ Three
- Erosion
- External Audio Effect
- Filter Delay
- Flanger
- Frequency Shifter
- Gate
- Grain Delay
- Limiter
- Looper
- Multiband Dynamics
- Overdrive
- Phaser
- Ping Pong Delay
- Redux
- Resonators
- Reverb
- Saturator
- Simple Delay
- Spectrum
- Utility
- Vinyl Distortion
- Vocoder
- Live MIDI Effect Reference
- Live Instrument Reference
- Max For Live
- Sharing Live Sets
- MIDI and Key Remote Control
- Using the APC40
- Synchronization and ReWire
- Computer Audio Resources and Strategies
- Audio Fact Sheet
- MIDI Fact Sheet
- Live Keyboard Shortcuts
- Showing and Hiding Views
- Accessing Menus
- Adjusting Values
- Browsing
- Transport
- Editing
- Loop Brace and Start/End Markers
- Session View Commands
- Arrangement View Commands
- Commands for Tracks
- Commands for Breakpoint Envelopes
- Key/MIDI Map Mode and the Computer MIDI Keyboard
- Zooming, Display and Selections
- Clip View Sample Display
- Clip View MIDI Editor
- Grid Snapping and Drawing
- Global Quantization
- Working with Sets and the Program
- Working with Plug-Ins and Devices
- Using the Context Menu
- Index
CHAPTER 9. TEMPO CONTROL AND WARPING 120
Although Live can be easily synchronized to external MIDI devices, you may nd yourself in
situations in which you need to adjust to sources that aren't locked to one tempo, such as
live musicians or turntables. As long as your Set's tempo is basically the same as that of the
unsynchronized material, you can use the Nudge buttons to temporarily speed up or slow
down Live's playback to match what you hear. As with the Tap button, these buttons are
much easier to use when mapped to MIDI controllers.
9.2 Time-Warping Samples
Live's ability to play any sample in sync with a chosen tempo is a unique and important
feature. In addition, you can warp the rhythmic ow of a piece, changing its feel, or
even move notes to other meter positions.
A clip's warping properties are set in the Sample box, which is a sub-section of the Clip View.
The Sample Box's
Warping Controls.
The most signicant control here is the Warp switch, which toggles a clip's warping on or
off. The Warp section of Live's Preferences will determine the default warp settings for new
clips, but they can always be overridden here on a per-clip basis.
When the Warp switch is off, Live plays the sample at its original, normal tempo, irre-
spective of the current Live Set's tempo. This is useful for samples that have no inherent
rhythmic structure: percussion hits, atmospheres, sound effects, spoken word and the like.
Turn the Warp switch on to play rhythmically structured samples (such as sample loops,
music recordings, complete music pieces, etc.) in sync with the current song tempo.
To direct Live's assumptions about new samples, use the Record/Warp/Launch tab of Live's










