User Manual
Table Of Contents
- Welcome to Live
- First Steps
- Authorizing Live
- Live Concepts
- Managing Files and Sets
- Working with the File Browsers
- Sample Files
- MIDI Files
- Live Clips
- Live Sets
- Live Projects
- The Live Library
- Locating Missing Samples
- Collecting External Samples
- Aggregated Locating and Collecting
- Finding Unused Samples
- Packing Projects into Live Packs
- File Management FAQs
- How Do I Create a Project?
- How Can I Save Presets Into My Current Project?
- Can I Work On Multiple Versions of a Set?
- Where Should I Save My Live Sets?
- Where Should I Save My Live Clips?
- Can I Use My Own Folder Structure Within a Project Folder?
- How Do I Export A Project to the Library and Maintain My Own Folder Structure?
- Arrangement View
- Session View
- Clip View
- Tempo Control and Warping
- Editing MIDI Notes and Velocities
- Using Grooves
- Launching Clips
- Routing and I/O
- Mixing
- Recording New Clips
- Working with Instruments and Effects
- Instrument, Drum and Effect Racks
- Automation and Editing Envelopes
- Clip Envelopes
- Working with Video
- Live Audio Effect Reference
- Auto Filter
- Auto Pan
- Beat Repeat
- Chorus
- Compressor
- Corpus
- Dynamic Tube
- EQ Eight
- EQ Three
- Erosion
- External Audio Effect
- Filter Delay
- Flanger
- Frequency Shifter
- Gate
- Grain Delay
- Limiter
- Looper
- Multiband Dynamics
- Overdrive
- Phaser
- Ping Pong Delay
- Redux
- Resonators
- Reverb
- Saturator
- Simple Delay
- Spectrum
- Utility
- Vinyl Distortion
- Vocoder
- Live MIDI Effect Reference
- Live Instrument Reference
- Max For Live
- Sharing Live Sets
- MIDI and Key Remote Control
- Using the APC40
- Synchronization and ReWire
- Computer Audio Resources and Strategies
- Audio Fact Sheet
- MIDI Fact Sheet
- Live Keyboard Shortcuts
- Showing and Hiding Views
- Accessing Menus
- Adjusting Values
- Browsing
- Transport
- Editing
- Loop Brace and Start/End Markers
- Session View Commands
- Arrangement View Commands
- Commands for Tracks
- Commands for Breakpoint Envelopes
- Key/MIDI Map Mode and the Computer MIDI Keyboard
- Zooming, Display and Selections
- Clip View Sample Display
- Clip View MIDI Editor
- Grid Snapping and Drawing
- Global Quantization
- Working with Sets and the Program
- Working with Plug-Ins and Devices
- Using the Context Menu
- Index
CHAPTER 9. TEMPO CONTROL AND WARPING 123
Transient Markers.
As you mouse over transients, temporary pseudo Warp Markers appear. These have
the same shape as regular Warp Markers, but they're grey. Double-clicking or dragging a
pseudo Warp Marker creates an actual Warp Marker or, if there are no Warp Markers later
in the clip, changes the tempo for the clip segment. Holding the
Ctrl
(PC) /
(Mac) modier while creating a Warp Marker on a transient also creates Warp Markers at
the adjacent transients. Holding the modier while clicking on a pseudo Warp
Marker allows you to drag the transient to a new position. Once a Warp Marker has been
created, holding while dragging the Warp Marker will move the waveform beneath
the marker, rather than the marker itself.
You can also select a range of time and create Warp Markers at all of the transients within
the range via the Create menu's Insert Warp Markers command. If there are no transients
within your time selection, a Warp Marker will be created at the end of the selection.
Although Live usually does a good job of placing transients in the right places, you can
delete and create transients as well, via the corresponding commands in the Create menu.
Saving Warp Markers
Your Warp Markers will automatically be saved with the Live Set, but you may also want to
save them with the sample le itself, so that they are reconstructed anytime you drag the
le into Live. To do this, click the Clip View's Save button.
Note that if a sample has a saved set of Warp Markers, Auto-Warp will have no effect. When
this is the case, you can use any of the (PC) /
Ctrl
(Mac) context menu commands
described in this section to initiate auto-warping.










