User Manual
Table Of Contents
- Welcome to Live
- First Steps
- Authorizing Live
- Live Concepts
- Managing Files and Sets
- Working with the File Browsers
- Sample Files
- MIDI Files
- Live Clips
- Live Sets
- Live Projects
- The Live Library
- Locating Missing Samples
- Collecting External Samples
- Aggregated Locating and Collecting
- Finding Unused Samples
- Packing Projects into Live Packs
- File Management FAQs
- How Do I Create a Project?
- How Can I Save Presets Into My Current Project?
- Can I Work On Multiple Versions of a Set?
- Where Should I Save My Live Sets?
- Where Should I Save My Live Clips?
- Can I Use My Own Folder Structure Within a Project Folder?
- How Do I Export A Project to the Library and Maintain My Own Folder Structure?
- Arrangement View
- Session View
- Clip View
- Tempo Control and Warping
- Editing MIDI Notes and Velocities
- Using Grooves
- Launching Clips
- Routing and I/O
- Mixing
- Recording New Clips
- Working with Instruments and Effects
- Instrument, Drum and Effect Racks
- Automation and Editing Envelopes
- Clip Envelopes
- Working with Video
- Live Audio Effect Reference
- Auto Filter
- Auto Pan
- Beat Repeat
- Chorus
- Compressor
- Corpus
- Dynamic Tube
- EQ Eight
- EQ Three
- Erosion
- External Audio Effect
- Filter Delay
- Flanger
- Frequency Shifter
- Gate
- Grain Delay
- Limiter
- Looper
- Multiband Dynamics
- Overdrive
- Phaser
- Ping Pong Delay
- Redux
- Resonators
- Reverb
- Saturator
- Simple Delay
- Spectrum
- Utility
- Vinyl Distortion
- Vocoder
- Live MIDI Effect Reference
- Live Instrument Reference
- Max For Live
- Sharing Live Sets
- MIDI and Key Remote Control
- Using the APC40
- Synchronization and ReWire
- Computer Audio Resources and Strategies
- Audio Fact Sheet
- MIDI Fact Sheet
- Live Keyboard Shortcuts
- Showing and Hiding Views
- Accessing Menus
- Adjusting Values
- Browsing
- Transport
- Editing
- Loop Brace and Start/End Markers
- Session View Commands
- Arrangement View Commands
- Commands for Tracks
- Commands for Breakpoint Envelopes
- Key/MIDI Map Mode and the Computer MIDI Keyboard
- Zooming, Display and Selections
- Clip View Sample Display
- Clip View MIDI Editor
- Grid Snapping and Drawing
- Global Quantization
- Working with Sets and the Program
- Working with Plug-Ins and Devices
- Using the Context Menu
- Index
CHAPTER 10. EDITING MIDI NOTES AND VELOCITIES 140
10.4 Editing MIDI
10.4.1 Non-Destructive Editing
You can always return your MIDI clip to its previous state by using the Edit menu's Undo
command. Furthermore, if the MIDI clip being edited originated in a MIDI le on your hard
drive, none of your editing will alter the original MIDI le, as Live incorporates its contents
into your Live Set when importing.
10.4.2 Folding and Looping
An important feature of the MIDI Editor is the Fold button, located in the upper left corner.
Activating this button will immediately hide all rows, or key tracks, that do not contain MIDI
notes in any clips in the track. This is very useful when working with percussion kits, for
example, which are oftentimes mapped out along a keyboard in sections corresponding
to percussion type (e.g., snares grouped together two octaves down from hi-hat cymbals,
etc.). When working with a MIDI le created by such a mapping, sometimes only one or two
of each type of percussion sound is used, and it becomes unnecessary to view the entire
keyboard range.
The Fold Button Extracts
Key Tracks Containing
Notes.
When editing MIDI, you might nd that you want to change which part of the clip you are
listening to, or loop the clip in order to listen to it repeatedly. You can use the loop/region
markers for this.










