User Manual
Table Of Contents
- Welcome to Live
- First Steps
- Authorizing Live
- Live Concepts
- Managing Files and Sets
- Working with the File Browsers
- Sample Files
- MIDI Files
- Live Clips
- Live Sets
- Live Projects
- The Live Library
- Locating Missing Samples
- Collecting External Samples
- Aggregated Locating and Collecting
- Finding Unused Samples
- Packing Projects into Live Packs
- File Management FAQs
- How Do I Create a Project?
- How Can I Save Presets Into My Current Project?
- Can I Work On Multiple Versions of a Set?
- Where Should I Save My Live Sets?
- Where Should I Save My Live Clips?
- Can I Use My Own Folder Structure Within a Project Folder?
- How Do I Export A Project to the Library and Maintain My Own Folder Structure?
- Arrangement View
- Session View
- Clip View
- Tempo Control and Warping
- Editing MIDI Notes and Velocities
- Using Grooves
- Launching Clips
- Routing and I/O
- Mixing
- Recording New Clips
- Working with Instruments and Effects
- Instrument, Drum and Effect Racks
- Automation and Editing Envelopes
- Clip Envelopes
- Working with Video
- Live Audio Effect Reference
- Auto Filter
- Auto Pan
- Beat Repeat
- Chorus
- Compressor
- Corpus
- Dynamic Tube
- EQ Eight
- EQ Three
- Erosion
- External Audio Effect
- Filter Delay
- Flanger
- Frequency Shifter
- Gate
- Grain Delay
- Limiter
- Looper
- Multiband Dynamics
- Overdrive
- Phaser
- Ping Pong Delay
- Redux
- Resonators
- Reverb
- Saturator
- Simple Delay
- Spectrum
- Utility
- Vinyl Distortion
- Vocoder
- Live MIDI Effect Reference
- Live Instrument Reference
- Max For Live
- Sharing Live Sets
- MIDI and Key Remote Control
- Using the APC40
- Synchronization and ReWire
- Computer Audio Resources and Strategies
- Audio Fact Sheet
- MIDI Fact Sheet
- Live Keyboard Shortcuts
- Showing and Hiding Views
- Accessing Menus
- Adjusting Values
- Browsing
- Transport
- Editing
- Loop Brace and Start/End Markers
- Session View Commands
- Arrangement View Commands
- Commands for Tracks
- Commands for Breakpoint Envelopes
- Key/MIDI Map Mode and the Computer MIDI Keyboard
- Zooming, Display and Selections
- Clip View Sample Display
- Clip View MIDI Editor
- Grid Snapping and Drawing
- Global Quantization
- Working with Sets and the Program
- Working with Plug-Ins and Devices
- Using the Context Menu
- Index
CHAPTER 10. EDITING MIDI NOTES AND VELOCITIES 144
Cut Time cuts a selection of time from the MIDI clip, thereby moving any notes on
either side of the cut area closer together in the timeline.
A Gap Between MIDI
Notes Has Been Cut by
First Selecting It, Then
Executing the Cut Time
Command.
Paste Time places copied time into the MIDI clip, along with any notes that were in
the copied time.
Duplicate Time places a copy of the selected timespan into the clip, along with any
contained notes.
Delete Time deletes a selection of time from the MIDI clip, thereby moving any notes
on either side of the deleted area closer together in the timeline.
Insert Silence inserts as much empty time as is currently selected into the clip, before
the selection.
10.4.7 Quantizing Notes
There are three options for quantizing MIDI notes in Live. First, you can quantize MIDI
notes as you record them. Secondly, as previously mentioned, you can move notes so that
they snap to the visible grid lines. Finally, you can select a note or notes and choose the
Quantize command from the Edit menu, or use the
Ctrl
U
(PC) /
U
(Mac) hotkey.
The rst time you do this, you will see a dialog box with several quantization options. This
will quantize using default settings, or the settings that you previously applied.
To adjust your quantization parameters, open the Quantization Settings dialog from the Edit
menu.










