User Manual
Table Of Contents
- Welcome to Live
- First Steps
- Authorizing Live
- Live Concepts
- Managing Files and Sets
- Working with the File Browsers
- Sample Files
- MIDI Files
- Live Clips
- Live Sets
- Live Projects
- The Live Library
- Locating Missing Samples
- Collecting External Samples
- Aggregated Locating and Collecting
- Finding Unused Samples
- Packing Projects into Live Packs
- File Management FAQs
- How Do I Create a Project?
- How Can I Save Presets Into My Current Project?
- Can I Work On Multiple Versions of a Set?
- Where Should I Save My Live Sets?
- Where Should I Save My Live Clips?
- Can I Use My Own Folder Structure Within a Project Folder?
- How Do I Export A Project to the Library and Maintain My Own Folder Structure?
- Arrangement View
- Session View
- Clip View
- Tempo Control and Warping
- Editing MIDI Notes and Velocities
- Using Grooves
- Launching Clips
- Routing and I/O
- Mixing
- Recording New Clips
- Working with Instruments and Effects
- Instrument, Drum and Effect Racks
- Automation and Editing Envelopes
- Clip Envelopes
- Working with Video
- Live Audio Effect Reference
- Auto Filter
- Auto Pan
- Beat Repeat
- Chorus
- Compressor
- Corpus
- Dynamic Tube
- EQ Eight
- EQ Three
- Erosion
- External Audio Effect
- Filter Delay
- Flanger
- Frequency Shifter
- Gate
- Grain Delay
- Limiter
- Looper
- Multiband Dynamics
- Overdrive
- Phaser
- Ping Pong Delay
- Redux
- Resonators
- Reverb
- Saturator
- Simple Delay
- Spectrum
- Utility
- Vinyl Distortion
- Vocoder
- Live MIDI Effect Reference
- Live Instrument Reference
- Max For Live
- Sharing Live Sets
- MIDI and Key Remote Control
- Using the APC40
- Synchronization and ReWire
- Computer Audio Resources and Strategies
- Audio Fact Sheet
- MIDI Fact Sheet
- Live Keyboard Shortcuts
- Showing and Hiding Views
- Accessing Menus
- Adjusting Values
- Browsing
- Transport
- Editing
- Loop Brace and Start/End Markers
- Session View Commands
- Arrangement View Commands
- Commands for Tracks
- Commands for Breakpoint Envelopes
- Key/MIDI Map Mode and the Computer MIDI Keyboard
- Zooming, Display and Selections
- Clip View Sample Display
- Clip View MIDI Editor
- Grid Snapping and Drawing
- Global Quantization
- Working with Sets and the Program
- Working with Plug-Ins and Devices
- Using the Context Menu
- Index
CHAPTER 11. USING GROOVES 151
The Groove Pool.
11.1.1 Adjusting Groove Parameters
Grooves in the Groove Pool appear in a list, and offer a variety of parameters that can be
modied in real time to adjust the behavior of any clips that are using them. You can also
save and hot-swap grooves via the buttons next to the Groove's name.
The Groove Pool's controls work as follows:
Base The Base chooser determines the timing resolution against which the notes in
the groove will be measured. A 1/4 Base, for example, means that the positions of
the notes in the groove le are compared to the nearest quarter note, and all notes
in any clips that are assigned to that groove will be moved proportionally towards the
positions of the groove notes. At a base of 1/8th, the groove's notes are measured
from their nearest eighth note. Notes in the groove that fall exactly on the grid aren't
moved at all, so the corresponding notes in your clips will also not be moved.
Quantize adjusts the amount of straight quantization that is applied before the
groove is applied. At 100%, the notes in your clips will be snapped to the nearest note
values, as selected in the Base chooser. At 0%, the notes in clips will not be moved
from their original positions before the groove is applied.
Timing adjusts how much the groove pattern will affect any clips which are using it.
Random adjusts how much random timing uctuation will be applied to clips using the
selected groove. At low levels, this can be useful for adding subtle humanization to
highly quantized, electronic loops. Note that Random applies differing randomization










