User Manual
Table Of Contents
- Welcome to Live
- First Steps
- Authorizing Live
- Live Concepts
- Managing Files and Sets
- Working with the File Browsers
- Sample Files
- MIDI Files
- Live Clips
- Live Sets
- Live Projects
- The Live Library
- Locating Missing Samples
- Collecting External Samples
- Aggregated Locating and Collecting
- Finding Unused Samples
- Packing Projects into Live Packs
- File Management FAQs
- How Do I Create a Project?
- How Can I Save Presets Into My Current Project?
- Can I Work On Multiple Versions of a Set?
- Where Should I Save My Live Sets?
- Where Should I Save My Live Clips?
- Can I Use My Own Folder Structure Within a Project Folder?
- How Do I Export A Project to the Library and Maintain My Own Folder Structure?
- Arrangement View
- Session View
- Clip View
- Tempo Control and Warping
- Editing MIDI Notes and Velocities
- Using Grooves
- Launching Clips
- Routing and I/O
- Mixing
- Recording New Clips
- Working with Instruments and Effects
- Instrument, Drum and Effect Racks
- Automation and Editing Envelopes
- Clip Envelopes
- Working with Video
- Live Audio Effect Reference
- Auto Filter
- Auto Pan
- Beat Repeat
- Chorus
- Compressor
- Corpus
- Dynamic Tube
- EQ Eight
- EQ Three
- Erosion
- External Audio Effect
- Filter Delay
- Flanger
- Frequency Shifter
- Gate
- Grain Delay
- Limiter
- Looper
- Multiband Dynamics
- Overdrive
- Phaser
- Ping Pong Delay
- Redux
- Resonators
- Reverb
- Saturator
- Simple Delay
- Spectrum
- Utility
- Vinyl Distortion
- Vocoder
- Live MIDI Effect Reference
- Live Instrument Reference
- Max For Live
- Sharing Live Sets
- MIDI and Key Remote Control
- Using the APC40
- Synchronization and ReWire
- Computer Audio Resources and Strategies
- Audio Fact Sheet
- MIDI Fact Sheet
- Live Keyboard Shortcuts
- Showing and Hiding Views
- Accessing Menus
- Adjusting Values
- Browsing
- Transport
- Editing
- Loop Brace and Start/End Markers
- Session View Commands
- Arrangement View Commands
- Commands for Tracks
- Commands for Breakpoint Envelopes
- Key/MIDI Map Mode and the Computer MIDI Keyboard
- Zooming, Display and Selections
- Clip View Sample Display
- Clip View MIDI Editor
- Grid Snapping and Drawing
- Global Quantization
- Working with Sets and the Program
- Working with Plug-Ins and Devices
- Using the Context Menu
- Index
CHAPTER 13. ROUTING AND I/O 168
You can congure which MIDI ports are made available to Live using the MIDI Ports section
of the MIDI/Sync Preferences. All available input and output ports are listed here. For Live's
tracks to receive/send MIDI from/to a specic MIDI port, the corresponding switch in the
Track column must be set to On. You can use any number of MIDI ports for track input and
output; the mixer's In/Out choosers allow them to be addressed individually.
13.3.2 Playing MIDI With the Computer Keyboard
The computer keyboard can be used for generating MIDI notes from computer keyboard
strokes. To turn the computer MIDI keyboard on, use the Control Bar's Computer MIDI Key-
board button, or the
Ctrl
K
(PC) /
K
(Mac) shortcut to the Options
menu entry.
Activating the Computer
MIDI Keyboard.
The center row of letter keys on the keyboard will play notes corresponding to the white keys
on a piano, beginning on the left with the note C3. The black keys on a piano correspond to
the upper row of computer keys. The ve leftmost letters on the lower row of the keyboard
(Z,X,C,V, and B on a U.S.-English keyboard) are used to transpose the note range and to set
velocity, as follows:
The leftmost keys (Z and X) adjust the keyboard's octave range.
The next two keys (C and V) adjust incoming note velocity by intervals of twenty (20,
40, 60, and so on).
The fth key from the bottom left (B) places an accent on incoming MIDI notes. This
key boosts note velocity by 20 as long as it is held down. Once it is released, however,
velocity will drop back to its original value. If your keyboard is already set to input
notes at 120, holding this key will raise note velocity to 127.
As it happens, when the computer keyboard is set to send notes between C3 and C4, the
keys are mapped to MIDI notes such that the center row of the keyboard (ASDF...) addresses
the Impulse percussion sampler's sample slots. This means that you can play and record
drum patterns right off the computer keyboard.
Note that when the computer MIDI keyboard is activated, it will steal keys that may have










