User Manual
Table Of Contents
- Welcome to Live
- First Steps
- Authorizing Live
- Live Concepts
- Managing Files and Sets
- Working with the File Browsers
- Sample Files
- MIDI Files
- Live Clips
- Live Sets
- Live Projects
- The Live Library
- Locating Missing Samples
- Collecting External Samples
- Aggregated Locating and Collecting
- Finding Unused Samples
- Packing Projects into Live Packs
- File Management FAQs
- How Do I Create a Project?
- How Can I Save Presets Into My Current Project?
- Can I Work On Multiple Versions of a Set?
- Where Should I Save My Live Sets?
- Where Should I Save My Live Clips?
- Can I Use My Own Folder Structure Within a Project Folder?
- How Do I Export A Project to the Library and Maintain My Own Folder Structure?
- Arrangement View
- Session View
- Clip View
- Tempo Control and Warping
- Editing MIDI Notes and Velocities
- Using Grooves
- Launching Clips
- Routing and I/O
- Mixing
- Recording New Clips
- Working with Instruments and Effects
- Instrument, Drum and Effect Racks
- Automation and Editing Envelopes
- Clip Envelopes
- Working with Video
- Live Audio Effect Reference
- Auto Filter
- Auto Pan
- Beat Repeat
- Chorus
- Compressor
- Corpus
- Dynamic Tube
- EQ Eight
- EQ Three
- Erosion
- External Audio Effect
- Filter Delay
- Flanger
- Frequency Shifter
- Gate
- Grain Delay
- Limiter
- Looper
- Multiband Dynamics
- Overdrive
- Phaser
- Ping Pong Delay
- Redux
- Resonators
- Reverb
- Saturator
- Simple Delay
- Spectrum
- Utility
- Vinyl Distortion
- Vocoder
- Live MIDI Effect Reference
- Live Instrument Reference
- Max For Live
- Sharing Live Sets
- MIDI and Key Remote Control
- Using the APC40
- Synchronization and ReWire
- Computer Audio Resources and Strategies
- Audio Fact Sheet
- MIDI Fact Sheet
- Live Keyboard Shortcuts
- Showing and Hiding Views
- Accessing Menus
- Adjusting Values
- Browsing
- Transport
- Editing
- Loop Brace and Start/End Markers
- Session View Commands
- Arrangement View Commands
- Commands for Tracks
- Commands for Breakpoint Envelopes
- Key/MIDI Map Mode and the Computer MIDI Keyboard
- Zooming, Display and Selections
- Clip View Sample Display
- Clip View MIDI Editor
- Grid Snapping and Drawing
- Global Quantization
- Working with Sets and the Program
- Working with Plug-Ins and Devices
- Using the Context Menu
- Index
CHAPTER 13. ROUTING AND I/O 180
MIDI is played by an instrument that is out of the mix. This can be easily remedied by cutting
the clips from the pad track and pasting them into a third track that can be independently
muted (and that can hold its own MIDI effects). The original pad track now acts as a mere
instrument container. As we are not recording new clips into this track, we can set its Input
Type chooser to No Input, which makes its Arm button disappear and helps to avoid
confusion when the mixer's In/Out section is hidden.
Tapping Individual Outs From an Instrument
Some software instruments, like Live's Impulse percussion sampler, offer multiple audio
outputs for the signals they produce. By default, Impulse mixes the output of its eight
sample slots internally and delivers the mix at the instrument's audio out. Any audio effects
following Impulse in the same track process the composite signal. Sometimes it is desirable
to take an individual drum sound out of the mix for individual effects processing and mixing.
This is possible because Impulse offers its sample slots as audio sources to other tracks.
Using Impulse's
Individual Outs to
Separately Process
Sample Slots.
We simply create an audio track and select from its Input Type chooser the track with the
Impulse. The Input Channel chooser now offers, in addition to Pre FX, Post FX and Post
Mixer, Impulse's eight individual outputs, labeled according to the sample used in each slot.
Notice that routing an individual output from Impulse into another track automatically takes
this signal out of Impulse's own internal mix. This convenience is not standard behavior of










