User Manual
Table Of Contents
- Welcome to Live
- First Steps
- Authorizing Live
- Live Concepts
- Managing Files and Sets
- Working with the File Browsers
- Sample Files
- MIDI Files
- Live Clips
- Live Sets
- Live Projects
- The Live Library
- Locating Missing Samples
- Collecting External Samples
- Aggregated Locating and Collecting
- Finding Unused Samples
- Packing Projects into Live Packs
- File Management FAQs
- How Do I Create a Project?
- How Can I Save Presets Into My Current Project?
- Can I Work On Multiple Versions of a Set?
- Where Should I Save My Live Sets?
- Where Should I Save My Live Clips?
- Can I Use My Own Folder Structure Within a Project Folder?
- How Do I Export A Project to the Library and Maintain My Own Folder Structure?
- Arrangement View
- Session View
- Clip View
- Tempo Control and Warping
- Editing MIDI Notes and Velocities
- Using Grooves
- Launching Clips
- Routing and I/O
- Mixing
- Recording New Clips
- Working with Instruments and Effects
- Instrument, Drum and Effect Racks
- Automation and Editing Envelopes
- Clip Envelopes
- Working with Video
- Live Audio Effect Reference
- Auto Filter
- Auto Pan
- Beat Repeat
- Chorus
- Compressor
- Corpus
- Dynamic Tube
- EQ Eight
- EQ Three
- Erosion
- External Audio Effect
- Filter Delay
- Flanger
- Frequency Shifter
- Gate
- Grain Delay
- Limiter
- Looper
- Multiband Dynamics
- Overdrive
- Phaser
- Ping Pong Delay
- Redux
- Resonators
- Reverb
- Saturator
- Simple Delay
- Spectrum
- Utility
- Vinyl Distortion
- Vocoder
- Live MIDI Effect Reference
- Live Instrument Reference
- Max For Live
- Sharing Live Sets
- MIDI and Key Remote Control
- Using the APC40
- Synchronization and ReWire
- Computer Audio Resources and Strategies
- Audio Fact Sheet
- MIDI Fact Sheet
- Live Keyboard Shortcuts
- Showing and Hiding Views
- Accessing Menus
- Adjusting Values
- Browsing
- Transport
- Editing
- Loop Brace and Start/End Markers
- Session View Commands
- Arrangement View Commands
- Commands for Tracks
- Commands for Breakpoint Envelopes
- Key/MIDI Map Mode and the Computer MIDI Keyboard
- Zooming, Display and Selections
- Clip View Sample Display
- Clip View MIDI Editor
- Grid Snapping and Drawing
- Global Quantization
- Working with Sets and the Program
- Working with Plug-Ins and Devices
- Using the Context Menu
- Index
CHAPTER 13. ROUTING AND I/O 181
most plug-in instruments, however. Soloing a track that taps one of Impulse's sample slots
will still allow you to hear the output of that slot.
Using Multi-Timbral Plug-In Instruments
Many plug-in instruments support multi-timbral operation. A multi-timbral instrument is like
several instruments in one, with each component part (or whatever term the manufacturer
uses) receiving MIDI on a separate MIDI channel. Usually, the multi-timbral instrument
offers individual outputs so that the parts can be separately routed into the mixer. Or, the
instrument might offer a submixer of its own.
Tracks Feeding MIDI to
and Tapping Audio
From the Parts of a
Multi-Timbral
Instrument.
Sending MIDI from the mixer to a multi-timbral instrument is a variation of a case described
above. One MIDI track hosts the multi-timbral instrument, and additional MIDI tracks are
used to feed its individual parts. Each additional MIDI track has its Output Type chooser
pointed to the track that contains the instrument, and its Output Channel chooser referenc-
ing the target MIDI channel. Additional audio tracks can then be used to tap the instrument's
individual outputs, as described earlier.
It is also possible to use the External Instrument device to route MIDI to (and audio from)
the secondary outputs on multi-timbral plug-ins. This scenario eliminates the need to create
an additional audio track for each tapped output:
1. Insert the multi-timbral instrument on a MIDI track.










