User Manual
Table Of Contents
- Welcome to Live
- First Steps
- Authorizing Live
- Live Concepts
- Managing Files and Sets
- Working with the File Browsers
- Sample Files
- MIDI Files
- Live Clips
- Live Sets
- Live Projects
- The Live Library
- Locating Missing Samples
- Collecting External Samples
- Aggregated Locating and Collecting
- Finding Unused Samples
- Packing Projects into Live Packs
- File Management FAQs
- How Do I Create a Project?
- How Can I Save Presets Into My Current Project?
- Can I Work On Multiple Versions of a Set?
- Where Should I Save My Live Sets?
- Where Should I Save My Live Clips?
- Can I Use My Own Folder Structure Within a Project Folder?
- How Do I Export A Project to the Library and Maintain My Own Folder Structure?
- Arrangement View
- Session View
- Clip View
- Tempo Control and Warping
- Editing MIDI Notes and Velocities
- Using Grooves
- Launching Clips
- Routing and I/O
- Mixing
- Recording New Clips
- Working with Instruments and Effects
- Instrument, Drum and Effect Racks
- Automation and Editing Envelopes
- Clip Envelopes
- Working with Video
- Live Audio Effect Reference
- Auto Filter
- Auto Pan
- Beat Repeat
- Chorus
- Compressor
- Corpus
- Dynamic Tube
- EQ Eight
- EQ Three
- Erosion
- External Audio Effect
- Filter Delay
- Flanger
- Frequency Shifter
- Gate
- Grain Delay
- Limiter
- Looper
- Multiband Dynamics
- Overdrive
- Phaser
- Ping Pong Delay
- Redux
- Resonators
- Reverb
- Saturator
- Simple Delay
- Spectrum
- Utility
- Vinyl Distortion
- Vocoder
- Live MIDI Effect Reference
- Live Instrument Reference
- Max For Live
- Sharing Live Sets
- MIDI and Key Remote Control
- Using the APC40
- Synchronization and ReWire
- Computer Audio Resources and Strategies
- Audio Fact Sheet
- MIDI Fact Sheet
- Live Keyboard Shortcuts
- Showing and Hiding Views
- Accessing Menus
- Adjusting Values
- Browsing
- Transport
- Editing
- Loop Brace and Start/End Markers
- Session View Commands
- Arrangement View Commands
- Commands for Tracks
- Commands for Breakpoint Envelopes
- Key/MIDI Map Mode and the Computer MIDI Keyboard
- Zooming, Display and Selections
- Clip View Sample Display
- Clip View MIDI Editor
- Grid Snapping and Drawing
- Global Quantization
- Working with Sets and the Program
- Working with Plug-Ins and Devices
- Using the Context Menu
- Index
CHAPTER 14. MIXING 187
Let's look at the mixer controls:
1
2
1
3
6
5
4
4
5 6
32
The Mixer Controls.
1. The Meter shows the track's RMS (average) and peak output level. While moni-
toring, however, it shows the input level.
2. The Volume control adjusts the track's output level. With multiple tracks selected,
adjusting the volume of one of them will adjust the others as well.
3. The Pan control positions the track's output in the stereo eld. To reset the Pan
control to center, click on its associated triangle. With multiple tracks selected,
adjusting the pan knob for one of them will adjust the others as well.
4. To mute the track's output, turn off the Track Activator switch. With multiple
tracks selected, toggling one of their Track Activators will toggle the others as
well.
5. The Solo switch solos the track by muting all other tracks, but can also be used
for cueing. With multiple tracks selected, pressing any of their Solo switches
will solo all of them. Otherwise, tracks can only be soloed one at a time unless
the the
Ctrl
(PC) / (Mac) modier is held down or the Exclusive Solo
option in the Record/Warp/Launch Preferences is deactivated.
6. If the Arm Recording button is on, the track is record-enabled. With multiple
tracks selected, pressing any of their Arm switches will arm all of them. Other-
wise, tracks can only be armed one at a time unless the the
Ctrl
(PC) /
(Mac) modier is held down or the Exclusive Arm option in the Record/Warp/
Launch Preferences is deactivated. With Exclusive Arm enabled, inserting an
instrument into a new or empty MIDI track will automatically arm the track.










