User Manual
Table Of Contents
- Welcome to Live
- First Steps
- Authorizing Live
- Live Concepts
- Managing Files and Sets
- Working with the File Browsers
- Sample Files
- MIDI Files
- Live Clips
- Live Sets
- Live Projects
- The Live Library
- Locating Missing Samples
- Collecting External Samples
- Aggregated Locating and Collecting
- Finding Unused Samples
- Packing Projects into Live Packs
- File Management FAQs
- How Do I Create a Project?
- How Can I Save Presets Into My Current Project?
- Can I Work On Multiple Versions of a Set?
- Where Should I Save My Live Sets?
- Where Should I Save My Live Clips?
- Can I Use My Own Folder Structure Within a Project Folder?
- How Do I Export A Project to the Library and Maintain My Own Folder Structure?
- Arrangement View
- Session View
- Clip View
- Tempo Control and Warping
- Editing MIDI Notes and Velocities
- Using Grooves
- Launching Clips
- Routing and I/O
- Mixing
- Recording New Clips
- Working with Instruments and Effects
- Instrument, Drum and Effect Racks
- Automation and Editing Envelopes
- Clip Envelopes
- Working with Video
- Live Audio Effect Reference
- Auto Filter
- Auto Pan
- Beat Repeat
- Chorus
- Compressor
- Corpus
- Dynamic Tube
- EQ Eight
- EQ Three
- Erosion
- External Audio Effect
- Filter Delay
- Flanger
- Frequency Shifter
- Gate
- Grain Delay
- Limiter
- Looper
- Multiband Dynamics
- Overdrive
- Phaser
- Ping Pong Delay
- Redux
- Resonators
- Reverb
- Saturator
- Simple Delay
- Spectrum
- Utility
- Vinyl Distortion
- Vocoder
- Live MIDI Effect Reference
- Live Instrument Reference
- Max For Live
- Sharing Live Sets
- MIDI and Key Remote Control
- Using the APC40
- Synchronization and ReWire
- Computer Audio Resources and Strategies
- Audio Fact Sheet
- MIDI Fact Sheet
- Live Keyboard Shortcuts
- Showing and Hiding Views
- Accessing Menus
- Adjusting Values
- Browsing
- Transport
- Editing
- Loop Brace and Start/End Markers
- Session View Commands
- Arrangement View Commands
- Commands for Tracks
- Commands for Breakpoint Envelopes
- Key/MIDI Map Mode and the Computer MIDI Keyboard
- Zooming, Display and Selections
- Clip View Sample Display
- Clip View MIDI Editor
- Grid Snapping and Drawing
- Global Quantization
- Working with Sets and the Program
- Working with Plug-Ins and Devices
- Using the Context Menu
- Index
CHAPTER 14. MIXING 191
than Master.) You can also use a Group Track purely as a folder track by rerouting the
outputs of the contained tracks to some other destination.
...and in Arrangement
View.
Once a Group Track has been created, tracks can be dragged into or out of the group.
Deleting a Group Track deletes all of its contents, but a group can be dissolved back into
individual tracks by executing the Edit Menu's Ungroup Tracks command.
Group Tracks in Arrangement View show an overview of the clips in the contained tracks.
In Session View, slots in Group Tracks have launch and stop buttons whenever at least one
clip is available in a given scene. Launching or stopping this button has the same effect
as launching or stopping all contained clips. Likewise, selecting a Group Slot serves as a
shortcut for selecting all of the contained clips.
14.4 Retur n Tracks and the Master Track
In addition to Group Tracks and tracks that play clips, a Live Set has a Master track and up
to twelve return tracks; these cannot play clips, but allow for more exible signal processing
and routing.
The return tracks and the Master track occupy the right-hand side of the Session mixer view
and the bottom end of the Arrangement View.
Note that you can hide and show the return tracks using the Returns command in the View
menu.
Like the normal clip tracks, the returns and the Master can host any number of effects.
However, whereas a clip track's effect processes only the audio within that track, return tracks
can process audio sent to them from numerous tracks.
For example, suppose you want to create rhythmic echoes with a delay effect. If you drag
the effect into a clip track, only clips playing in this track will be echoed. Placing this effect










