User Manual
Table Of Contents
- Welcome to Live
- First Steps
- Authorizing Live
- Live Concepts
- Managing Files and Sets
- Working with the File Browsers
- Sample Files
- MIDI Files
- Live Clips
- Live Sets
- Live Projects
- The Live Library
- Locating Missing Samples
- Collecting External Samples
- Aggregated Locating and Collecting
- Finding Unused Samples
- Packing Projects into Live Packs
- File Management FAQs
- How Do I Create a Project?
- How Can I Save Presets Into My Current Project?
- Can I Work On Multiple Versions of a Set?
- Where Should I Save My Live Sets?
- Where Should I Save My Live Clips?
- Can I Use My Own Folder Structure Within a Project Folder?
- How Do I Export A Project to the Library and Maintain My Own Folder Structure?
- Arrangement View
- Session View
- Clip View
- Tempo Control and Warping
- Editing MIDI Notes and Velocities
- Using Grooves
- Launching Clips
- Routing and I/O
- Mixing
- Recording New Clips
- Working with Instruments and Effects
- Instrument, Drum and Effect Racks
- Automation and Editing Envelopes
- Clip Envelopes
- Working with Video
- Live Audio Effect Reference
- Auto Filter
- Auto Pan
- Beat Repeat
- Chorus
- Compressor
- Corpus
- Dynamic Tube
- EQ Eight
- EQ Three
- Erosion
- External Audio Effect
- Filter Delay
- Flanger
- Frequency Shifter
- Gate
- Grain Delay
- Limiter
- Looper
- Multiband Dynamics
- Overdrive
- Phaser
- Ping Pong Delay
- Redux
- Resonators
- Reverb
- Saturator
- Simple Delay
- Spectrum
- Utility
- Vinyl Distortion
- Vocoder
- Live MIDI Effect Reference
- Live Instrument Reference
- Max For Live
- Sharing Live Sets
- MIDI and Key Remote Control
- Using the APC40
- Synchronization and ReWire
- Computer Audio Resources and Strategies
- Audio Fact Sheet
- MIDI Fact Sheet
- Live Keyboard Shortcuts
- Showing and Hiding Views
- Accessing Menus
- Adjusting Values
- Browsing
- Transport
- Editing
- Loop Brace and Start/End Markers
- Session View Commands
- Arrangement View Commands
- Commands for Tracks
- Commands for Breakpoint Envelopes
- Key/MIDI Map Mode and the Computer MIDI Keyboard
- Zooming, Display and Selections
- Clip View Sample Display
- Clip View MIDI Editor
- Grid Snapping and Drawing
- Global Quantization
- Working with Sets and the Program
- Working with Plug-Ins and Devices
- Using the Context Menu
- Index
CHAPTER 16. WORKING WITH INSTRUMENTS AND EFFECTS 217
for all of Live's instruments, MIDI effects and audio effects (including the various types of
Racks). If you have already saved a default preset for a particular device, Live will ask you
before overwriting it.
To specify how Live behaves when dragging a sample to a Drum Rack or the Track View of
a MIDI track:
Create an empty Simpler or Sampler
Adjust the parameters as you like
Drag the edited device to the On Drum Rack or On Track View folder, which can
be found at Library/Defaults/Dropping Samples
To adjust how Live behaves when slicing an audio le:
Create an empty Drum Rack
Add an empty Simpler or Sampler to the Drum Rack to create a single chain
Add any additional MIDI or Audio Effects to this chain
Adjust parameters in any of the devices
Assign Macro Controls to any of the controls in the chain's devices
Drag the entire Drum Rack to the Library/Defaults/Slicing folder
You can create multiple slicing presets and choose between them in the Slicing Preset
chooser in the slicing dialog.
16.2 Using Plug-Ins
The collection of devices that you can use in Live can be extended with plug-ins. Live
supports Steinberg Media's VST Plug-ins format, as well as the Audio Units (AU) Plug-ins
format (Mac OS X only).
Working with VST and Audio Units Plug-ins is very much like working with Live devices. VST
and AU instruments can only be placed in Live MIDI tracks and, like Live instruments, they
will receive MIDI and output audio signals. Plug-in audio effects can only be placed in audio










