User Manual
Table Of Contents
- Welcome to Live
- First Steps
- Authorizing Live
- Live Concepts
- Managing Files and Sets
- Working with the File Browsers
- Sample Files
- MIDI Files
- Live Clips
- Live Sets
- Live Projects
- The Live Library
- Locating Missing Samples
- Collecting External Samples
- Aggregated Locating and Collecting
- Finding Unused Samples
- Packing Projects into Live Packs
- File Management FAQs
- How Do I Create a Project?
- How Can I Save Presets Into My Current Project?
- Can I Work On Multiple Versions of a Set?
- Where Should I Save My Live Sets?
- Where Should I Save My Live Clips?
- Can I Use My Own Folder Structure Within a Project Folder?
- How Do I Export A Project to the Library and Maintain My Own Folder Structure?
- Arrangement View
- Session View
- Clip View
- Tempo Control and Warping
- Editing MIDI Notes and Velocities
- Using Grooves
- Launching Clips
- Routing and I/O
- Mixing
- Recording New Clips
- Working with Instruments and Effects
- Instrument, Drum and Effect Racks
- Automation and Editing Envelopes
- Clip Envelopes
- Working with Video
- Live Audio Effect Reference
- Auto Filter
- Auto Pan
- Beat Repeat
- Chorus
- Compressor
- Corpus
- Dynamic Tube
- EQ Eight
- EQ Three
- Erosion
- External Audio Effect
- Filter Delay
- Flanger
- Frequency Shifter
- Gate
- Grain Delay
- Limiter
- Looper
- Multiband Dynamics
- Overdrive
- Phaser
- Ping Pong Delay
- Redux
- Resonators
- Reverb
- Saturator
- Simple Delay
- Spectrum
- Utility
- Vinyl Distortion
- Vocoder
- Live MIDI Effect Reference
- Live Instrument Reference
- Max For Live
- Sharing Live Sets
- MIDI and Key Remote Control
- Using the APC40
- Synchronization and ReWire
- Computer Audio Resources and Strategies
- Audio Fact Sheet
- MIDI Fact Sheet
- Live Keyboard Shortcuts
- Showing and Hiding Views
- Accessing Menus
- Adjusting Values
- Browsing
- Transport
- Editing
- Loop Brace and Start/End Markers
- Session View Commands
- Arrangement View Commands
- Commands for Tracks
- Commands for Breakpoint Envelopes
- Key/MIDI Map Mode and the Computer MIDI Keyboard
- Zooming, Display and Selections
- Clip View Sample Display
- Clip View MIDI Editor
- Grid Snapping and Drawing
- Global Quantization
- Working with Sets and the Program
- Working with Plug-Ins and Devices
- Using the Context Menu
- Index
CHAPTER 17. INSTRUMENT, DRUM AND EFFECT RACKS 235
or Arrangement View track will give that track focus; its Track View will open, allowing you
to drop your chain into place.
Since the Track View can show only one device chain at a time, the Chain List also serves as
a navigational aid: The list selection determines what will be shown in the adjacent Devices
view (when enabled). Try using your computer keyboard's and keys to change the
selection in the Chain List, and you'll nd that you can quickly ip through the contents of a
Rack.
The Chain List also supports multi-selection of chains, for convenient copying, organizing
and regrouping. In this case, the Devices view will indicate how many chains are currently
selected.
Each chain has its own Chain Activator, as well as Solo and Hot-Swap buttons. Chains in
Instrument, Drum and Audio Effect Racks also have their own volume and pan sliders, and
Drum Rack chains have additional send level and MIDI assignment controls. Like Live Clips,
entire chains can be saved and recalled as presets in the Device Browser. You can give a
chain a descriptive name by selecting it, then choosing the Edit menu's Rename command.
You can also enter your own info text for a chain via the Edit Info Text command in the Edit
menu or in the chain's (PC) /
Ctrl
(Mac) context menu. The context menu also
contains a color palette where you can choose a custom chain color.
17.4.1 Auto Select
Auto Select in an Audio
Effect Rack.










