User Manual
Table Of Contents
- Welcome to Live
- First Steps
- Authorizing Live
- Live Concepts
- Managing Files and Sets
- Working with the File Browsers
- Sample Files
- MIDI Files
- Live Clips
- Live Sets
- Live Projects
- The Live Library
- Locating Missing Samples
- Collecting External Samples
- Aggregated Locating and Collecting
- Finding Unused Samples
- Packing Projects into Live Packs
- File Management FAQs
- How Do I Create a Project?
- How Can I Save Presets Into My Current Project?
- Can I Work On Multiple Versions of a Set?
- Where Should I Save My Live Sets?
- Where Should I Save My Live Clips?
- Can I Use My Own Folder Structure Within a Project Folder?
- How Do I Export A Project to the Library and Maintain My Own Folder Structure?
- Arrangement View
- Session View
- Clip View
- Tempo Control and Warping
- Editing MIDI Notes and Velocities
- Using Grooves
- Launching Clips
- Routing and I/O
- Mixing
- Recording New Clips
- Working with Instruments and Effects
- Instrument, Drum and Effect Racks
- Automation and Editing Envelopes
- Clip Envelopes
- Working with Video
- Live Audio Effect Reference
- Auto Filter
- Auto Pan
- Beat Repeat
- Chorus
- Compressor
- Corpus
- Dynamic Tube
- EQ Eight
- EQ Three
- Erosion
- External Audio Effect
- Filter Delay
- Flanger
- Frequency Shifter
- Gate
- Grain Delay
- Limiter
- Looper
- Multiband Dynamics
- Overdrive
- Phaser
- Ping Pong Delay
- Redux
- Resonators
- Reverb
- Saturator
- Simple Delay
- Spectrum
- Utility
- Vinyl Distortion
- Vocoder
- Live MIDI Effect Reference
- Live Instrument Reference
- Max For Live
- Sharing Live Sets
- MIDI and Key Remote Control
- Using the APC40
- Synchronization and ReWire
- Computer Audio Resources and Strategies
- Audio Fact Sheet
- MIDI Fact Sheet
- Live Keyboard Shortcuts
- Showing and Hiding Views
- Accessing Menus
- Adjusting Values
- Browsing
- Transport
- Editing
- Loop Brace and Start/End Markers
- Session View Commands
- Arrangement View Commands
- Commands for Tracks
- Commands for Breakpoint Envelopes
- Key/MIDI Map Mode and the Computer MIDI Keyboard
- Zooming, Display and Selections
- Clip View Sample Display
- Clip View MIDI Editor
- Grid Snapping and Drawing
- Global Quantization
- Working with Sets and the Program
- Working with Plug-Ins and Devices
- Using the Context Menu
- Index
CHAPTER 17. INSTRUMENT, DRUM AND EFFECT RACKS 236
Auto Select in a Drum
Rack.
When the Auto Select switch is activated, every chain that is currently processing signals
becomes selected in the Chain List. In Drum Racks, this feature will select a chain if it
receives its assigned MIDI input note. In Instrument and Effect Racks, Auto Select works in
conjunction with zones, which are discussed next, and is quite helpful when troubleshooting
complex congurations.
17.5 Zones
Zones are sets of data lters that reside at the input of every chain in an Instrument or Effect
Rack. Together, they determine the range of values that can pass through to the device
chain. By default, zones behave transparently, never requiring your attention. They can
be recongured, however, to form sophisticated control setups. The three types of zones,
whose editors are toggled with the buttons above the Chain List, are Key, Velocity, and
Chain Select. The adjacent Hide button whisks them out of sight.
Note: Audio Effect Racks do not have key or velocity zones, since these two zone types
lter MIDI data only. Likewise, Drum Racks have no zones at all; they lter MIDI notes based
on choosers in their chain lists.
Zones contain a lower, main section, used for resizing and moving the zone itself, and
a narrow upper section that denes fade ranges. Resizing of either section is done by
clicking and dragging on its right or left edges, while moving is accomplished by clicking
and dragging a zone from anywhere except its edges.










