User Manual
Table Of Contents
- Welcome to Live
- First Steps
- Authorizing Live
- Live Concepts
- Managing Files and Sets
- Working with the File Browsers
- Sample Files
- MIDI Files
- Live Clips
- Live Sets
- Live Projects
- The Live Library
- Locating Missing Samples
- Collecting External Samples
- Aggregated Locating and Collecting
- Finding Unused Samples
- Packing Projects into Live Packs
- File Management FAQs
- How Do I Create a Project?
- How Can I Save Presets Into My Current Project?
- Can I Work On Multiple Versions of a Set?
- Where Should I Save My Live Sets?
- Where Should I Save My Live Clips?
- Can I Use My Own Folder Structure Within a Project Folder?
- How Do I Export A Project to the Library and Maintain My Own Folder Structure?
- Arrangement View
- Session View
- Clip View
- Tempo Control and Warping
- Editing MIDI Notes and Velocities
- Using Grooves
- Launching Clips
- Routing and I/O
- Mixing
- Recording New Clips
- Working with Instruments and Effects
- Instrument, Drum and Effect Racks
- Automation and Editing Envelopes
- Clip Envelopes
- Working with Video
- Live Audio Effect Reference
- Auto Filter
- Auto Pan
- Beat Repeat
- Chorus
- Compressor
- Corpus
- Dynamic Tube
- EQ Eight
- EQ Three
- Erosion
- External Audio Effect
- Filter Delay
- Flanger
- Frequency Shifter
- Gate
- Grain Delay
- Limiter
- Looper
- Multiband Dynamics
- Overdrive
- Phaser
- Ping Pong Delay
- Redux
- Resonators
- Reverb
- Saturator
- Simple Delay
- Spectrum
- Utility
- Vinyl Distortion
- Vocoder
- Live MIDI Effect Reference
- Live Instrument Reference
- Max For Live
- Sharing Live Sets
- MIDI and Key Remote Control
- Using the APC40
- Synchronization and ReWire
- Computer Audio Resources and Strategies
- Audio Fact Sheet
- MIDI Fact Sheet
- Live Keyboard Shortcuts
- Showing and Hiding Views
- Accessing Menus
- Adjusting Values
- Browsing
- Transport
- Editing
- Loop Brace and Start/End Markers
- Session View Commands
- Arrangement View Commands
- Commands for Tracks
- Commands for Breakpoint Envelopes
- Key/MIDI Map Mode and the Computer MIDI Keyboard
- Zooming, Display and Selections
- Clip View Sample Display
- Clip View MIDI Editor
- Grid Snapping and Drawing
- Global Quantization
- Working with Sets and the Program
- Working with Plug-Ins and Devices
- Using the Context Menu
- Index
CHAPTER 17. INSTRUMENT, DRUM AND EFFECT RACKS 237
17.5.1 Signal Flow through Zones
To understand how zones work, let's examine the signal ow in a MIDI Effect Rack. Our
MIDI Effect Rack resides in the device chain of a MIDI track, and therefore processes MIDI
signals. We will assume that it contains four parallel device chains, each containing one
MIDI effect.
1. All MIDI data in the track is passed to its device chain, and therefore into the
input of the MIDI Effect Rack.
2. Our MIDI Effect Rack has four device chains, all of which receive the same MIDI
data at the same time.
3. Before any MIDI data can enter a device chain, it must be able to pass through
every zone in that chain. Every chain in a MIDI Effect Rack has three zones: a
key zone, a velocity zone and a chain select zone.
4. An incoming MIDI note gets compared to a chain's key zone. If the MIDI note lies
within the key zone, it is passed to the next zone for comparison; if it does not,
then we already know that the note will not be passed to that chain's devices.
5. The same comparisons are made for the chain's velocity and chain select zones.
If a note also lies within both of these zones, then it is passed to the input of the
rst device in that chain.
6. The output of all parallel chains is mixed together to produce the MIDI Effect
Rack's nal output. If there happened to be another device following after
the Rack in the track's device chain, it would now receive the Rack's output for
processing.










