User Manual
Table Of Contents
- Welcome to Live
- First Steps
- Authorizing Live
- Live Concepts
- Managing Files and Sets
- Working with the File Browsers
- Sample Files
- MIDI Files
- Live Clips
- Live Sets
- Live Projects
- The Live Library
- Locating Missing Samples
- Collecting External Samples
- Aggregated Locating and Collecting
- Finding Unused Samples
- Packing Projects into Live Packs
- File Management FAQs
- How Do I Create a Project?
- How Can I Save Presets Into My Current Project?
- Can I Work On Multiple Versions of a Set?
- Where Should I Save My Live Sets?
- Where Should I Save My Live Clips?
- Can I Use My Own Folder Structure Within a Project Folder?
- How Do I Export A Project to the Library and Maintain My Own Folder Structure?
- Arrangement View
- Session View
- Clip View
- Tempo Control and Warping
- Editing MIDI Notes and Velocities
- Using Grooves
- Launching Clips
- Routing and I/O
- Mixing
- Recording New Clips
- Working with Instruments and Effects
- Instrument, Drum and Effect Racks
- Automation and Editing Envelopes
- Clip Envelopes
- Working with Video
- Live Audio Effect Reference
- Auto Filter
- Auto Pan
- Beat Repeat
- Chorus
- Compressor
- Corpus
- Dynamic Tube
- EQ Eight
- EQ Three
- Erosion
- External Audio Effect
- Filter Delay
- Flanger
- Frequency Shifter
- Gate
- Grain Delay
- Limiter
- Looper
- Multiband Dynamics
- Overdrive
- Phaser
- Ping Pong Delay
- Redux
- Resonators
- Reverb
- Saturator
- Simple Delay
- Spectrum
- Utility
- Vinyl Distortion
- Vocoder
- Live MIDI Effect Reference
- Live Instrument Reference
- Max For Live
- Sharing Live Sets
- MIDI and Key Remote Control
- Using the APC40
- Synchronization and ReWire
- Computer Audio Resources and Strategies
- Audio Fact Sheet
- MIDI Fact Sheet
- Live Keyboard Shortcuts
- Showing and Hiding Views
- Accessing Menus
- Adjusting Values
- Browsing
- Transport
- Editing
- Loop Brace and Start/End Markers
- Session View Commands
- Arrangement View Commands
- Commands for Tracks
- Commands for Breakpoint Envelopes
- Key/MIDI Map Mode and the Computer MIDI Keyboard
- Zooming, Display and Selections
- Clip View Sample Display
- Clip View MIDI Editor
- Grid Snapping and Drawing
- Global Quantization
- Working with Sets and the Program
- Working with Plug-Ins and Devices
- Using the Context Menu
- Index
CHAPTER 17. INSTRUMENT, DRUM AND EFFECT RACKS 247
Using Effects on Slices
Because each slice lives in its own chain in the Drum Rack, you can easily process individual
slices with their own audio effects. To process several slices with the same set of effects,
multi-select their chains in the Drum Rack's chain list and press
Ctrl
-G to group them to
their own nested Rack. Then insert the effects after this new sub-Rack.
For even more creative possibilities, try inserting MIDI effects before the Drum Rack. The
Arpeggiator and Random devices can yield particularly interesting results.
Slicing is most commonly applied to drum loops, but there's no reason to stop there.
Experiment with slicing audio from different sources, such as voices and ambient textures.
The same sorts of resequencing and reprocessing operations can be applied to anything
you slice sometimes with unexpected results.
17.7 Using the Macro Controls
Making Macro Control
Assignments in Map
Mode.
With the potential for developing complex device chains, Macro Controls keep things man-
ageable by taking over the most essential parameters of a Rack (as determined by you, of
course). Once you have set up your ideal mapping, the rest of the Rack can be hidden away.
The Macro Control view's dedicated Map Mode button opens the door to this behavior.
Enabling Macro Map Mode causes three things to happen:
All mappable parameters from a Rack's devices will appear with a colored overlay;










