User Manual

CHAPTER 21. LIVE AUDIO EFFECT REFERENCE 292
Inharm. (Inharmonics) adjusts the pitch of the resonator's harmonics. At negative values,
frequencies are compressed, increasing the amount of lower partials. At positive values,
frequencies are stretched, increasing the amount of upper partials. This parameter is not
used with the Pipe or Tube resonators.
Opening, which is only available for the Pipe resonator, scales between an open and closed
pipe. At 0%, the pipe is fully closed on one side, while at 100% the pipe is open at both
ends.
The Listening L and R controls adjust the location on the left and right resonator where the
vibrations are measured. At 0%, the resonance is monitored at the object's center. Higher
values move the listening point closer to the edge. These parameters are not used with
the Pipe or Tube resonators, which are always measured in the middle of their permanently
open end.
The Hit knob adjusts the location on the resonator at which the object is struck or otherwise
activated. At 0%, the object is hit at its center. Higher values move the activation point
closer to the edge. This parameter is not used with the Pipe or Tube resonators.
The processed signal is fed through a lowpass and highpass lter that can be controlled
with an X-Y controller. To dene the lter bandwidth, click and drag on the vertical axis. To
set the position of the frequency band, click and drag on the horizontal axis. The lter can
be toggled on or off with the Filter switch.
Width adjusts the stereo mix between the left and right resonators. At 0%, both resonators
are fed equally to each side, resulting in mono output. At 100%, each resonator is sent
exclusively to one channel.
Bleed mixes a portion of the unprocessed signal with the resonated signal. At higher values,
more of the original signal is applied. This is useful for restoring high frequencies, which
can often be damped when the tuning or quality are set to low values. This parameter is
unavailable with the Pipe or Tube resonators.
Gain boosts or attenuates the level of the processed signal, while the Dry/Wet control
adjusts the balance between the dry input signal and the signal sent to Corpus's processing.
Turning Dry/Wet down will not cut resonances that are currently sounding, but rather stop
new input signals from being processed.
Corpus contains a built-in limiter that automatically activates when the audio level is too
high. This is indicated by the LED in the upper-right corner of Corpus's display.