User Manual
Table Of Contents
- Welcome to Live
- First Steps
- Authorizing Live
- Live Concepts
- Managing Files and Sets
- Working with the File Browsers
- Sample Files
- MIDI Files
- Live Clips
- Live Sets
- Live Projects
- The Live Library
- Locating Missing Samples
- Collecting External Samples
- Aggregated Locating and Collecting
- Finding Unused Samples
- Packing Projects into Live Packs
- File Management FAQs
- How Do I Create a Project?
- How Can I Save Presets Into My Current Project?
- Can I Work On Multiple Versions of a Set?
- Where Should I Save My Live Sets?
- Where Should I Save My Live Clips?
- Can I Use My Own Folder Structure Within a Project Folder?
- How Do I Export A Project to the Library and Maintain My Own Folder Structure?
- Arrangement View
- Session View
- Clip View
- Tempo Control and Warping
- Editing MIDI Notes and Velocities
- Using Grooves
- Launching Clips
- Routing and I/O
- Mixing
- Recording New Clips
- Working with Instruments and Effects
- Instrument, Drum and Effect Racks
- Automation and Editing Envelopes
- Clip Envelopes
- Working with Video
- Live Audio Effect Reference
- Auto Filter
- Auto Pan
- Beat Repeat
- Chorus
- Compressor
- Corpus
- Dynamic Tube
- EQ Eight
- EQ Three
- Erosion
- External Audio Effect
- Filter Delay
- Flanger
- Frequency Shifter
- Gate
- Grain Delay
- Limiter
- Looper
- Multiband Dynamics
- Overdrive
- Phaser
- Ping Pong Delay
- Redux
- Resonators
- Reverb
- Saturator
- Simple Delay
- Spectrum
- Utility
- Vinyl Distortion
- Vocoder
- Live MIDI Effect Reference
- Live Instrument Reference
- Max For Live
- Sharing Live Sets
- MIDI and Key Remote Control
- Using the APC40
- Synchronization and ReWire
- Computer Audio Resources and Strategies
- Audio Fact Sheet
- MIDI Fact Sheet
- Live Keyboard Shortcuts
- Showing and Hiding Views
- Accessing Menus
- Adjusting Values
- Browsing
- Transport
- Editing
- Loop Brace and Start/End Markers
- Session View Commands
- Arrangement View Commands
- Commands for Tracks
- Commands for Breakpoint Envelopes
- Key/MIDI Map Mode and the Computer MIDI Keyboard
- Zooming, Display and Selections
- Clip View Sample Display
- Clip View MIDI Editor
- Grid Snapping and Drawing
- Global Quantization
- Working with Sets and the Program
- Working with Plug-Ins and Devices
- Using the Context Menu
- Index
CHAPTER 21. LIVE AUDIO EFFECT REFERENCE 294
to volume changes in the input signal. Together, they shape the dynamic nature of the
distortions. Note that if Envelope is set to zero, they will have no effect.
Cut or boost the device's nal signal level with the Output dial.
Aliasing can be reduced by enabling Hi-Quality mode, which can be accessed via the
(PC) /
Ctrl
(Mac) context menu. This improves the sound quality, particularly with high
frequency signals, but there is a slight increase in CPU usage.
21.8 EQ Eight
The EQ Eight Effect.
The EQ Eight effect is an equalizer featuring up to eight parametric lters per input channel,
useful for changing a sound's timbre. It extends the functionality of the former EQ Four
device, and is fully backward-compatible with EQ Four presets.
The input signal can be processed using one of three modes: Stereo, L/R and M/S. Stereo
mode uses a single curve to lter both channels of a stereo input equally. L/R mode provides
an independently adjustable lter curve for the left and right channels of a stereo input; M/S
mode (Mid/Side) provides the same functionality for signals that have been recorded using
M/S encoding.
When using the L/R and M/S modes, both curves are displayed simultaneously for reference,
although only the active channel is editable. The Edit switch indicates the active channel,
and is used to toggle between the two curves.
The lters can switch between six responses. From left to right in the display, these are:










