User Manual
Table Of Contents
- Welcome to Live
- First Steps
- Authorizing Live
- Live Concepts
- Managing Files and Sets
- Working with the File Browsers
- Sample Files
- MIDI Files
- Live Clips
- Live Sets
- Live Projects
- The Live Library
- Locating Missing Samples
- Collecting External Samples
- Aggregated Locating and Collecting
- Finding Unused Samples
- Packing Projects into Live Packs
- File Management FAQs
- How Do I Create a Project?
- How Can I Save Presets Into My Current Project?
- Can I Work On Multiple Versions of a Set?
- Where Should I Save My Live Sets?
- Where Should I Save My Live Clips?
- Can I Use My Own Folder Structure Within a Project Folder?
- How Do I Export A Project to the Library and Maintain My Own Folder Structure?
- Arrangement View
- Session View
- Clip View
- Tempo Control and Warping
- Editing MIDI Notes and Velocities
- Using Grooves
- Launching Clips
- Routing and I/O
- Mixing
- Recording New Clips
- Working with Instruments and Effects
- Instrument, Drum and Effect Racks
- Automation and Editing Envelopes
- Clip Envelopes
- Working with Video
- Live Audio Effect Reference
- Auto Filter
- Auto Pan
- Beat Repeat
- Chorus
- Compressor
- Corpus
- Dynamic Tube
- EQ Eight
- EQ Three
- Erosion
- External Audio Effect
- Filter Delay
- Flanger
- Frequency Shifter
- Gate
- Grain Delay
- Limiter
- Looper
- Multiband Dynamics
- Overdrive
- Phaser
- Ping Pong Delay
- Redux
- Resonators
- Reverb
- Saturator
- Simple Delay
- Spectrum
- Utility
- Vinyl Distortion
- Vocoder
- Live MIDI Effect Reference
- Live Instrument Reference
- Max For Live
- Sharing Live Sets
- MIDI and Key Remote Control
- Using the APC40
- Synchronization and ReWire
- Computer Audio Resources and Strategies
- Audio Fact Sheet
- MIDI Fact Sheet
- Live Keyboard Shortcuts
- Showing and Hiding Views
- Accessing Menus
- Adjusting Values
- Browsing
- Transport
- Editing
- Loop Brace and Start/End Markers
- Session View Commands
- Arrangement View Commands
- Commands for Tracks
- Commands for Breakpoint Envelopes
- Key/MIDI Map Mode and the Computer MIDI Keyboard
- Zooming, Display and Selections
- Clip View Sample Display
- Clip View MIDI Editor
- Grid Snapping and Drawing
- Global Quantization
- Working with Sets and the Program
- Working with Plug-Ins and Devices
- Using the Context Menu
- Index
CHAPTER 21. LIVE AUDIO EFFECT REFERENCE 296
21.9 EQ Three
The EQ Three Effect.
If you have ever used a good DJ mixer you will know what this is: An EQ that allows you to
adjust the level of low, mid and high frequencies independently.
Each band can be adjusted from -innite dB to +6 dB using the gain controls. This means
that you can completely remove, for example, the bass drum or bassline of a track, while
leaving the other frequencies untouched.
You can also turn on or off each band using the On/Off buttons located under the gain
controls. These buttons are especially handy if assigned to computer keys.
EQ Three gives you visual conrmation of the presence of a signal in each frequency band
using three green LEDs. Even if a band is turned off, you can tell if there is something going
on in it. The internal threshold for the LEDs is set to -24 dB.
The frequency range of each band is dened via two crossover controls: FreqLo and FreqHi.
If FreqLo is set to 500 Hz and FreqHi to 2000 Hz, then the low band goes from 0 Hz to 500
Hz, the mid band from 500 Hz to 2000 Hz and the high band from 2000 Hz up to whatever
your soundcard or sample rate supports.
A very important control is the 24 dB/48 dB switch. It denes how sharp the lters are
cutting the signal at the crossover frequency. The higher setting results in more drastic
ltering, but needs more CPU.
Note: The lters in this device are optimized to sound more like a good, powerful analog
lter cascade than a clean digital lter. The 48 dB Mode especially does not provide a
perfect linear transfer quality, resulting in a slight coloration of the input signal even if all










