User Manual
Table Of Contents
- Welcome to Live
- First Steps
- Authorizing Live
- Live Concepts
- Managing Files and Sets
- Working with the File Browsers
- Sample Files
- MIDI Files
- Live Clips
- Live Sets
- Live Projects
- The Live Library
- Locating Missing Samples
- Collecting External Samples
- Aggregated Locating and Collecting
- Finding Unused Samples
- Packing Projects into Live Packs
- File Management FAQs
- How Do I Create a Project?
- How Can I Save Presets Into My Current Project?
- Can I Work On Multiple Versions of a Set?
- Where Should I Save My Live Sets?
- Where Should I Save My Live Clips?
- Can I Use My Own Folder Structure Within a Project Folder?
- How Do I Export A Project to the Library and Maintain My Own Folder Structure?
- Arrangement View
- Session View
- Clip View
- Tempo Control and Warping
- Editing MIDI Notes and Velocities
- Using Grooves
- Launching Clips
- Routing and I/O
- Mixing
- Recording New Clips
- Working with Instruments and Effects
- Instrument, Drum and Effect Racks
- Automation and Editing Envelopes
- Clip Envelopes
- Working with Video
- Live Audio Effect Reference
- Auto Filter
- Auto Pan
- Beat Repeat
- Chorus
- Compressor
- Corpus
- Dynamic Tube
- EQ Eight
- EQ Three
- Erosion
- External Audio Effect
- Filter Delay
- Flanger
- Frequency Shifter
- Gate
- Grain Delay
- Limiter
- Looper
- Multiband Dynamics
- Overdrive
- Phaser
- Ping Pong Delay
- Redux
- Resonators
- Reverb
- Saturator
- Simple Delay
- Spectrum
- Utility
- Vinyl Distortion
- Vocoder
- Live MIDI Effect Reference
- Live Instrument Reference
- Max For Live
- Sharing Live Sets
- MIDI and Key Remote Control
- Using the APC40
- Synchronization and ReWire
- Computer Audio Resources and Strategies
- Audio Fact Sheet
- MIDI Fact Sheet
- Live Keyboard Shortcuts
- Showing and Hiding Views
- Accessing Menus
- Adjusting Values
- Browsing
- Transport
- Editing
- Loop Brace and Start/End Markers
- Session View Commands
- Arrangement View Commands
- Commands for Tracks
- Commands for Breakpoint Envelopes
- Key/MIDI Map Mode and the Computer MIDI Keyboard
- Zooming, Display and Selections
- Clip View Sample Display
- Clip View MIDI Editor
- Grid Snapping and Drawing
- Global Quantization
- Working with Sets and the Program
- Working with Plug-Ins and Devices
- Using the Context Menu
- Index
CHAPTER 21. LIVE AUDIO EFFECT REFERENCE 298
21.11 Exter nal Audio Effect
The External Audio
Effect.
The External Audio Effect is a bit different than Live's other effects devices. Instead of
processing audio itself, it allows you to use external (hardware) effects processors within a
track's device chain.
The Audio To chooser selects the outputs on your computer's audio hardware that will go
to your external device, while the Audio From chooser selects the inputs that will bring
the processed signal back into Live. As with the track inputs and outputs, the list of
available inputs and outputs depends on the Audio Preferences, which can be reached via
the Congure... option at the bottom of each chooser.
Below each chooser is a Peak level indicator that shows the highest audio level attained.
Click on the indicators to reset them.
The Gain knobs next to the choosers adjust the levels going out of and back into Live. These
levels should be set carefully to avoid clipping, both in your exter nal hardware and when
returning the audio to your computer.
The Dry/Wet control adjusts the balance between the processed and dry signals. Set it to
100 percent if using the External Audio Effect in a return track.
The Invert button inverts the phase of the processed signal coming back into Live.
Since hardware effects introduce latency that Live cannot automatically detect, you can
manually compensate for any delays by adjusting the Latency slider. The button next to this
slider allows you to set your latency compensation amount in either milliseconds or samples.
If your external device connects to Live via a digital connection, you will want to adjust your










