User Manual
Table Of Contents
- Welcome to Live
- First Steps
- Authorizing Live
- Live Concepts
- Managing Files and Sets
- Working with the File Browsers
- Sample Files
- MIDI Files
- Live Clips
- Live Sets
- Live Projects
- The Live Library
- Locating Missing Samples
- Collecting External Samples
- Aggregated Locating and Collecting
- Finding Unused Samples
- Packing Projects into Live Packs
- File Management FAQs
- How Do I Create a Project?
- How Can I Save Presets Into My Current Project?
- Can I Work On Multiple Versions of a Set?
- Where Should I Save My Live Sets?
- Where Should I Save My Live Clips?
- Can I Use My Own Folder Structure Within a Project Folder?
- How Do I Export A Project to the Library and Maintain My Own Folder Structure?
- Arrangement View
- Session View
- Clip View
- Tempo Control and Warping
- Editing MIDI Notes and Velocities
- Using Grooves
- Launching Clips
- Routing and I/O
- Mixing
- Recording New Clips
- Working with Instruments and Effects
- Instrument, Drum and Effect Racks
- Automation and Editing Envelopes
- Clip Envelopes
- Working with Video
- Live Audio Effect Reference
- Auto Filter
- Auto Pan
- Beat Repeat
- Chorus
- Compressor
- Corpus
- Dynamic Tube
- EQ Eight
- EQ Three
- Erosion
- External Audio Effect
- Filter Delay
- Flanger
- Frequency Shifter
- Gate
- Grain Delay
- Limiter
- Looper
- Multiband Dynamics
- Overdrive
- Phaser
- Ping Pong Delay
- Redux
- Resonators
- Reverb
- Saturator
- Simple Delay
- Spectrum
- Utility
- Vinyl Distortion
- Vocoder
- Live MIDI Effect Reference
- Live Instrument Reference
- Max For Live
- Sharing Live Sets
- MIDI and Key Remote Control
- Using the APC40
- Synchronization and ReWire
- Computer Audio Resources and Strategies
- Audio Fact Sheet
- MIDI Fact Sheet
- Live Keyboard Shortcuts
- Showing and Hiding Views
- Accessing Menus
- Adjusting Values
- Browsing
- Transport
- Editing
- Loop Brace and Start/End Markers
- Session View Commands
- Arrangement View Commands
- Commands for Tracks
- Commands for Breakpoint Envelopes
- Key/MIDI Map Mode and the Computer MIDI Keyboard
- Zooming, Display and Selections
- Clip View Sample Display
- Clip View MIDI Editor
- Grid Snapping and Drawing
- Global Quantization
- Working with Sets and the Program
- Working with Plug-Ins and Devices
- Using the Context Menu
- Index
CHAPTER 21. LIVE AUDIO EFFECT REFERENCE 304
21.14.1 Frequency Shifter Tips
Frequency shifting and ring modulation can produce some very interesting sounds. Here
are some tips for using the Frequency Shifter device.
Drum tuning
Tuning sampled acoustic drums can be tricky. Using a sampler's transposition controls often
changes the character of the sounds in unrealistic ways, resulting in pinched or tubby
samples. Frequency shifting can be a useful alternative.
Try using the device in Shift mode with the Dry/Wet amount at 100%. Then adjust the Fine
frequency no more than about 100 Hz up or down. This should change the apparent size
and tuning of the drum while retaining the quality of the original sample.
Phasing
To create lush phasing effects, try using extremely small amounts of shift (no more than
about 2 Hz). Note that the phasing is caused by the interaction of the processed and dry
signals, so you won't hear an effect until you adjust the Dry/Wet balance so that both are
audible; the strongest phasing will be heard when Dry/Wet is at 50%.
Tremolo
In Ring mode, frequencies below the audible range (about 20 Hz) create a tremolo effect.
You can also impart a sense of stereo motion to the tremolo by turning on Wide and using
small Spread values.
Learning more...
Try putting a Spectrum device after the Frequency Shifter to watch how the signal changes
as you change parameters. To get a good overview of what's happening, try using a simple,
continuous sine wave as your input.










