User Manual
Table Of Contents
- Welcome to Live
- First Steps
- Authorizing Live
- Live Concepts
- Managing Files and Sets
- Working with the File Browsers
- Sample Files
- MIDI Files
- Live Clips
- Live Sets
- Live Projects
- The Live Library
- Locating Missing Samples
- Collecting External Samples
- Aggregated Locating and Collecting
- Finding Unused Samples
- Packing Projects into Live Packs
- File Management FAQs
- How Do I Create a Project?
- How Can I Save Presets Into My Current Project?
- Can I Work On Multiple Versions of a Set?
- Where Should I Save My Live Sets?
- Where Should I Save My Live Clips?
- Can I Use My Own Folder Structure Within a Project Folder?
- How Do I Export A Project to the Library and Maintain My Own Folder Structure?
- Arrangement View
- Session View
- Clip View
- Tempo Control and Warping
- Editing MIDI Notes and Velocities
- Using Grooves
- Launching Clips
- Routing and I/O
- Mixing
- Recording New Clips
- Working with Instruments and Effects
- Instrument, Drum and Effect Racks
- Automation and Editing Envelopes
- Clip Envelopes
- Working with Video
- Live Audio Effect Reference
- Auto Filter
- Auto Pan
- Beat Repeat
- Chorus
- Compressor
- Corpus
- Dynamic Tube
- EQ Eight
- EQ Three
- Erosion
- External Audio Effect
- Filter Delay
- Flanger
- Frequency Shifter
- Gate
- Grain Delay
- Limiter
- Looper
- Multiband Dynamics
- Overdrive
- Phaser
- Ping Pong Delay
- Redux
- Resonators
- Reverb
- Saturator
- Simple Delay
- Spectrum
- Utility
- Vinyl Distortion
- Vocoder
- Live MIDI Effect Reference
- Live Instrument Reference
- Max For Live
- Sharing Live Sets
- MIDI and Key Remote Control
- Using the APC40
- Synchronization and ReWire
- Computer Audio Resources and Strategies
- Audio Fact Sheet
- MIDI Fact Sheet
- Live Keyboard Shortcuts
- Showing and Hiding Views
- Accessing Menus
- Adjusting Values
- Browsing
- Transport
- Editing
- Loop Brace and Start/End Markers
- Session View Commands
- Arrangement View Commands
- Commands for Tracks
- Commands for Breakpoint Envelopes
- Key/MIDI Map Mode and the Computer MIDI Keyboard
- Zooming, Display and Selections
- Clip View Sample Display
- Clip View MIDI Editor
- Grid Snapping and Drawing
- Global Quantization
- Working with Sets and the Program
- Working with Plug-Ins and Devices
- Using the Context Menu
- Index
CHAPTER 21. LIVE AUDIO EFFECT REFERENCE 308
Grain Delay now also has a dry/wet control; it can be routed to the vertical axis of the X-Y
controller.
21.17 Limiter
The Limiter Effect.
The Limiter effect is a mastering-quality dynamic range processor that ensures that the
output does not exceed a specied level. Limiter is ideal for use in the Master track, to
prevent clipping. A limiter is essentially a compressor with an innite ratio. (For more
information about compression theory, see the manual entry for the Compressor device.)
The Gain knob allows you to boost or attenuate the incoming level before applying limiting.
Ceiling sets the absolute maximum level that the Limiter will output. If your incoming signal
level has no peaks that are higher than the ceiling, Limiter will have no effect.
The Stereo / L/R switch determines how Limiter treats peaks that occur on only one side of
the stereo signal. In L/R mode, Limiter functions as two separate limiters, with independent
limiting for each channel. Stereo mode applies limiting to both channels whenever either
of them has a peak that requires compression. L/R mode allows Limiter to apply more
compression, but with some distortion of the stereo image.
The Lookahead chooser affects how quickly Limiter will respond to peaks that require com-
pression. Shorter Lookahead times allow for more compression, but with an increase in
distortion - particularly in the bass.
The Release knob adjusts how long it takes for Limiter to return to normal operation after
the signal falls below the ceiling. With Auto enabled, Limiter analyzes the incoming signal










