User Manual
Table Of Contents
- Welcome to Live
- First Steps
- Authorizing Live
- Live Concepts
- Managing Files and Sets
- Working with the File Browsers
- Sample Files
- MIDI Files
- Live Clips
- Live Sets
- Live Projects
- The Live Library
- Locating Missing Samples
- Collecting External Samples
- Aggregated Locating and Collecting
- Finding Unused Samples
- Packing Projects into Live Packs
- File Management FAQs
- How Do I Create a Project?
- How Can I Save Presets Into My Current Project?
- Can I Work On Multiple Versions of a Set?
- Where Should I Save My Live Sets?
- Where Should I Save My Live Clips?
- Can I Use My Own Folder Structure Within a Project Folder?
- How Do I Export A Project to the Library and Maintain My Own Folder Structure?
- Arrangement View
- Session View
- Clip View
- Tempo Control and Warping
- Editing MIDI Notes and Velocities
- Using Grooves
- Launching Clips
- Routing and I/O
- Mixing
- Recording New Clips
- Working with Instruments and Effects
- Instrument, Drum and Effect Racks
- Automation and Editing Envelopes
- Clip Envelopes
- Working with Video
- Live Audio Effect Reference
- Auto Filter
- Auto Pan
- Beat Repeat
- Chorus
- Compressor
- Corpus
- Dynamic Tube
- EQ Eight
- EQ Three
- Erosion
- External Audio Effect
- Filter Delay
- Flanger
- Frequency Shifter
- Gate
- Grain Delay
- Limiter
- Looper
- Multiband Dynamics
- Overdrive
- Phaser
- Ping Pong Delay
- Redux
- Resonators
- Reverb
- Saturator
- Simple Delay
- Spectrum
- Utility
- Vinyl Distortion
- Vocoder
- Live MIDI Effect Reference
- Live Instrument Reference
- Max For Live
- Sharing Live Sets
- MIDI and Key Remote Control
- Using the APC40
- Synchronization and ReWire
- Computer Audio Resources and Strategies
- Audio Fact Sheet
- MIDI Fact Sheet
- Live Keyboard Shortcuts
- Showing and Hiding Views
- Accessing Menus
- Adjusting Values
- Browsing
- Transport
- Editing
- Loop Brace and Start/End Markers
- Session View Commands
- Arrangement View Commands
- Commands for Tracks
- Commands for Breakpoint Envelopes
- Key/MIDI Map Mode and the Computer MIDI Keyboard
- Zooming, Display and Selections
- Clip View Sample Display
- Clip View MIDI Editor
- Grid Snapping and Drawing
- Global Quantization
- Working with Sets and the Program
- Working with Plug-Ins and Devices
- Using the Context Menu
- Index
CHAPTER 21. LIVE AUDIO EFFECT REFERENCE 317
Hz, the mid band from 500 Hz to 2000 Hz and the high band from 2000 Hz up to whatever
your soundcard or sample rate supports.
Each band has activator and solo buttons. With the activator button disabled for a given
band, its compression/expansion and gain controls are bypassed. Soloing a band mutes
the others. The Input knobs boost or attenuate the level of each band before it undergoes
dynamics processing, while the Output knobs to the right of the display adjust the levels of
the bands after processing.
The display area provides a way of both visualizing your dynamics processing and adjusting
the relevant compression and expansion behavior. For each band, the output level is
represented by large bars, while the input level before processing is represented by small
bars. With no processing applied, the input meters will be aligned with the top of the output
meters. The scaling along the bottom of the display shows dB. As you adjust the gain or
dynamics processing for a band, you can see how its output changes in comparison to its
input.
As you move your mouse over the display, the cursor will change to a bracket as it passes
over the edges of the blocks on the left or right side. These blocks represent the signal levels
under the Below and over the Above thresholds, respectively. Dragging left or right on the
edges of these blocks adjusts the threshold level. Holding down while dragging
a threshold will adjust the same threshold for all bands. Hold down
Alt
(PC) /
Alt
(Mac) to simultaneously adjust the Above and Below thresholds for a single band.
As you mouse over the middle of the block, the cursor will change to an up-down arrow.
Click and drag up or down to make the signal within the selected volume range louder or
quieter. Holding down while dragging up or down will adjust the volume of the
same block for all bands. Hold down
Alt
(PC) /
Alt
(Mac) to simultaneously adjust
the Above and Below volumes for a single band. Double-clicking within the region resets
the volume to its default.
In technical terms, lowering the volume in the block above the Above threshold applies
downward compression, while raising it applies upward expansion. Likewise, lowering the
volume in the block below the Below threshold applies downward expansion, while raising
it applies upward compression. In all cases, you are adjusting the ratio of the compressor
or expander.
The thresholds and ratios of all bands can also be adjusted via the column to the right of
the display. The T, B and A buttons at the bottom right of the display area toggle










