User Manual
Table Of Contents
- Welcome to Live
- First Steps
- Authorizing Live
- Live Concepts
- Managing Files and Sets
- Working with the File Browsers
- Sample Files
- MIDI Files
- Live Clips
- Live Sets
- Live Projects
- The Live Library
- Locating Missing Samples
- Collecting External Samples
- Aggregated Locating and Collecting
- Finding Unused Samples
- Packing Projects into Live Packs
- File Management FAQs
- How Do I Create a Project?
- How Can I Save Presets Into My Current Project?
- Can I Work On Multiple Versions of a Set?
- Where Should I Save My Live Sets?
- Where Should I Save My Live Clips?
- Can I Use My Own Folder Structure Within a Project Folder?
- How Do I Export A Project to the Library and Maintain My Own Folder Structure?
- Arrangement View
- Session View
- Clip View
- Tempo Control and Warping
- Editing MIDI Notes and Velocities
- Using Grooves
- Launching Clips
- Routing and I/O
- Mixing
- Recording New Clips
- Working with Instruments and Effects
- Instrument, Drum and Effect Racks
- Automation and Editing Envelopes
- Clip Envelopes
- Working with Video
- Live Audio Effect Reference
- Auto Filter
- Auto Pan
- Beat Repeat
- Chorus
- Compressor
- Corpus
- Dynamic Tube
- EQ Eight
- EQ Three
- Erosion
- External Audio Effect
- Filter Delay
- Flanger
- Frequency Shifter
- Gate
- Grain Delay
- Limiter
- Looper
- Multiband Dynamics
- Overdrive
- Phaser
- Ping Pong Delay
- Redux
- Resonators
- Reverb
- Saturator
- Simple Delay
- Spectrum
- Utility
- Vinyl Distortion
- Vocoder
- Live MIDI Effect Reference
- Live Instrument Reference
- Max For Live
- Sharing Live Sets
- MIDI and Key Remote Control
- Using the APC40
- Synchronization and ReWire
- Computer Audio Resources and Strategies
- Audio Fact Sheet
- MIDI Fact Sheet
- Live Keyboard Shortcuts
- Showing and Hiding Views
- Accessing Menus
- Adjusting Values
- Browsing
- Transport
- Editing
- Loop Brace and Start/End Markers
- Session View Commands
- Arrangement View Commands
- Commands for Tracks
- Commands for Breakpoint Envelopes
- Key/MIDI Map Mode and the Computer MIDI Keyboard
- Zooming, Display and Selections
- Clip View Sample Display
- Clip View MIDI Editor
- Grid Snapping and Drawing
- Global Quantization
- Working with Sets and the Program
- Working with Plug-Ins and Devices
- Using the Context Menu
- Index
CHAPTER 21. LIVE AUDIO EFFECT REFERENCE 318
between displaying the Time (attack and release), Below (threshold and ratio) and Above
(threshold and ratio) for each band.
For the Above thresholds, Attack denes how long it takes to reach maximum compression
or expansion once a signal exceeds the threshold, while Release sets how long it takes for
the device to return to normal operation after the signal falls below the threshold.
For the Below thresholds, Attack denes how long it takes to reach maximum compression
or expansion once a signal drops below the threshold, while Release sets how long it takes
for the device to return to normal operation after the signal goes above the threshold.
With Soft Knee enabled, compression or expansion begins gradually as the threshold is
approached.
The RMS/Peak switch also affects how quickly Multiband Dynamics responds to level
changes. With Peak selected, the device reacts to short peaks within a signal. RMS mode
causes it to be less sensitive to very short peaks and to begin processing only when the
incoming level has crossed the threshold for a slightly longer time.
The global Output knob adjusts the overall output gain of the device.
The Time control scales the durations of all of the Attack and Release controls. This allows
you to maintain the same relative envelope times, but make them all faster or slower by the
same amount.
The Amount knob adjusts the intensity of the compression or expansion applied to all bands.
At 0%, each compressor/expander has an effective ratio of 1, meaning that it has no effect
on the signal.
21.19.3 Multiband Dynamics Tips
Multiband Dynamics is a feature-rich and powerful device, capable of up to six independent
types of simultaneous processing. Because of this, getting started can be a bit intimidating.
Here are some real-world applications to give you some ideas.










