User Manual
Table Of Contents
- Welcome to Live
- First Steps
- Authorizing Live
- Live Concepts
- Managing Files and Sets
- Working with the File Browsers
- Sample Files
- MIDI Files
- Live Clips
- Live Sets
- Live Projects
- The Live Library
- Locating Missing Samples
- Collecting External Samples
- Aggregated Locating and Collecting
- Finding Unused Samples
- Packing Projects into Live Packs
- File Management FAQs
- How Do I Create a Project?
- How Can I Save Presets Into My Current Project?
- Can I Work On Multiple Versions of a Set?
- Where Should I Save My Live Sets?
- Where Should I Save My Live Clips?
- Can I Use My Own Folder Structure Within a Project Folder?
- How Do I Export A Project to the Library and Maintain My Own Folder Structure?
- Arrangement View
- Session View
- Clip View
- Tempo Control and Warping
- Editing MIDI Notes and Velocities
- Using Grooves
- Launching Clips
- Routing and I/O
- Mixing
- Recording New Clips
- Working with Instruments and Effects
- Instrument, Drum and Effect Racks
- Automation and Editing Envelopes
- Clip Envelopes
- Working with Video
- Live Audio Effect Reference
- Auto Filter
- Auto Pan
- Beat Repeat
- Chorus
- Compressor
- Corpus
- Dynamic Tube
- EQ Eight
- EQ Three
- Erosion
- External Audio Effect
- Filter Delay
- Flanger
- Frequency Shifter
- Gate
- Grain Delay
- Limiter
- Looper
- Multiband Dynamics
- Overdrive
- Phaser
- Ping Pong Delay
- Redux
- Resonators
- Reverb
- Saturator
- Simple Delay
- Spectrum
- Utility
- Vinyl Distortion
- Vocoder
- Live MIDI Effect Reference
- Live Instrument Reference
- Max For Live
- Sharing Live Sets
- MIDI and Key Remote Control
- Using the APC40
- Synchronization and ReWire
- Computer Audio Resources and Strategies
- Audio Fact Sheet
- MIDI Fact Sheet
- Live Keyboard Shortcuts
- Showing and Hiding Views
- Accessing Menus
- Adjusting Values
- Browsing
- Transport
- Editing
- Loop Brace and Start/End Markers
- Session View Commands
- Arrangement View Commands
- Commands for Tracks
- Commands for Breakpoint Envelopes
- Key/MIDI Map Mode and the Computer MIDI Keyboard
- Zooming, Display and Selections
- Clip View Sample Display
- Clip View MIDI Editor
- Grid Snapping and Drawing
- Global Quantization
- Working with Sets and the Program
- Working with Plug-Ins and Devices
- Using the Context Menu
- Index
CHAPTER 21. LIVE AUDIO EFFECT REFERENCE 329
21.26 Saturator
The Saturator Effect.
Saturator is a waveshaping effect that can add that missing dirt, punch or warmth to your
sound. It can coat input signals with a soft saturation or drive them into many different
avors of distortion.
An X-Y grid helps to visualize Saturator's shaping curve. The shaper's input and output values
are mapped to the X and Y axes, respectively. The curve denes the transfer function, which
is the extent to which output values uctuate in relation to input values. Because this is
usually a nonlinear process, the incoming signal is reshaped to a greater or lesser degree
depending upon its level at each moment in time.
Incoming signals are rst clipped to the dB level set by the Drive control. The meter on the
right side of the display shows how much Saturator is inuencing the signal.
Signal shaping has six xed modes: Analog Clip, Soft Sine, Medium Curve, Hard Curve,
Sinoid Fold and Digital Clip. There is also the exible Waveshaper mode, featuring six
adjustable waveshaping parameters.
In the Analog Clip and Digital Clip modes, the signal is clipped completely and immediately.
Soft Sine, Medium Curve and Hard Curve modes soften signal clipping to varying degrees.
Sinoid Fold mode can be good for special effects.
The most dramatic effects can be created by selecting the Waveshaper curve, which has its
own dedicated set of controls. To access these six parameter elds, unfold the Saturator
window by toggling the button in its title bar.
The Waveshaper mode's six additional parameters are: Drive, Lin, Curve, Damp, Depth and










