User Manual
Table Of Contents
- Welcome to Live
- First Steps
- Authorizing Live
- Live Concepts
- Managing Files and Sets
- Working with the File Browsers
- Sample Files
- MIDI Files
- Live Clips
- Live Sets
- Live Projects
- The Live Library
- Locating Missing Samples
- Collecting External Samples
- Aggregated Locating and Collecting
- Finding Unused Samples
- Packing Projects into Live Packs
- File Management FAQs
- How Do I Create a Project?
- How Can I Save Presets Into My Current Project?
- Can I Work On Multiple Versions of a Set?
- Where Should I Save My Live Sets?
- Where Should I Save My Live Clips?
- Can I Use My Own Folder Structure Within a Project Folder?
- How Do I Export A Project to the Library and Maintain My Own Folder Structure?
- Arrangement View
- Session View
- Clip View
- Tempo Control and Warping
- Editing MIDI Notes and Velocities
- Using Grooves
- Launching Clips
- Routing and I/O
- Mixing
- Recording New Clips
- Working with Instruments and Effects
- Instrument, Drum and Effect Racks
- Automation and Editing Envelopes
- Clip Envelopes
- Working with Video
- Live Audio Effect Reference
- Auto Filter
- Auto Pan
- Beat Repeat
- Chorus
- Compressor
- Corpus
- Dynamic Tube
- EQ Eight
- EQ Three
- Erosion
- External Audio Effect
- Filter Delay
- Flanger
- Frequency Shifter
- Gate
- Grain Delay
- Limiter
- Looper
- Multiband Dynamics
- Overdrive
- Phaser
- Ping Pong Delay
- Redux
- Resonators
- Reverb
- Saturator
- Simple Delay
- Spectrum
- Utility
- Vinyl Distortion
- Vocoder
- Live MIDI Effect Reference
- Live Instrument Reference
- Max For Live
- Sharing Live Sets
- MIDI and Key Remote Control
- Using the APC40
- Synchronization and ReWire
- Computer Audio Resources and Strategies
- Audio Fact Sheet
- MIDI Fact Sheet
- Live Keyboard Shortcuts
- Showing and Hiding Views
- Accessing Menus
- Adjusting Values
- Browsing
- Transport
- Editing
- Loop Brace and Start/End Markers
- Session View Commands
- Arrangement View Commands
- Commands for Tracks
- Commands for Breakpoint Envelopes
- Key/MIDI Map Mode and the Computer MIDI Keyboard
- Zooming, Display and Selections
- Clip View Sample Display
- Clip View MIDI Editor
- Grid Snapping and Drawing
- Global Quantization
- Working with Sets and the Program
- Working with Plug-Ins and Devices
- Using the Context Menu
- Index
CHAPTER 22. LIVE MIDI EFFECT REFERENCE 345
Note that no two notes of the same pitch can contribute to the chord, and that selecting
the same shift value twice (e.g., +8 semitones on both Shift 2 and Shift 3) will result in the
latter control appearing disabled, indicating that it is a duplicate and therefore not in use.
Actually, there is no such thing as two notes with the same pitch playing at the same time
within the entire Live universe.
22.3 Note Length
The Note Length Effect.
Note Length alters the length of incoming MIDI notes. It can also be used to trigger notes
from MIDI Note Off messages, instead of the usual Note On messages.
When the device is set to trigger from a Note On message, only the timing controls are
available. The length of held notes can be adjusted in milliseconds or synced in relation
to the song tempo. Gate denes the percentage of the Length value that notes should be
held for. At 200 percent, the Gate parameter will double a note's length.
When the device is set to trigger from a Note Off event (the moment at which a played note
is released), the timing of an incoming note will be delayed by its length (because it will be
starting at the point at which it would have been stopping). Note Length's other settings
will then determine the duration of the newly triggered note.
Three other parameters are available when the device is triggering from Note Off messages:
On/Off Balance This determines the velocity of the output note. It is a balance between
the incoming note's Note On and Note Off velocities. If your MIDI keyboard does not
support MIDI Note Off velocity, you can just set this to zero.










