User Manual
Table Of Contents
- Welcome to Live
- First Steps
- Authorizing Live
- Live Concepts
- Managing Files and Sets
- Working with the File Browsers
- Sample Files
- MIDI Files
- Live Clips
- Live Sets
- Live Projects
- The Live Library
- Locating Missing Samples
- Collecting External Samples
- Aggregated Locating and Collecting
- Finding Unused Samples
- Packing Projects into Live Packs
- File Management FAQs
- How Do I Create a Project?
- How Can I Save Presets Into My Current Project?
- Can I Work On Multiple Versions of a Set?
- Where Should I Save My Live Sets?
- Where Should I Save My Live Clips?
- Can I Use My Own Folder Structure Within a Project Folder?
- How Do I Export A Project to the Library and Maintain My Own Folder Structure?
- Arrangement View
- Session View
- Clip View
- Tempo Control and Warping
- Editing MIDI Notes and Velocities
- Using Grooves
- Launching Clips
- Routing and I/O
- Mixing
- Recording New Clips
- Working with Instruments and Effects
- Instrument, Drum and Effect Racks
- Automation and Editing Envelopes
- Clip Envelopes
- Working with Video
- Live Audio Effect Reference
- Auto Filter
- Auto Pan
- Beat Repeat
- Chorus
- Compressor
- Corpus
- Dynamic Tube
- EQ Eight
- EQ Three
- Erosion
- External Audio Effect
- Filter Delay
- Flanger
- Frequency Shifter
- Gate
- Grain Delay
- Limiter
- Looper
- Multiband Dynamics
- Overdrive
- Phaser
- Ping Pong Delay
- Redux
- Resonators
- Reverb
- Saturator
- Simple Delay
- Spectrum
- Utility
- Vinyl Distortion
- Vocoder
- Live MIDI Effect Reference
- Live Instrument Reference
- Max For Live
- Sharing Live Sets
- MIDI and Key Remote Control
- Using the APC40
- Synchronization and ReWire
- Computer Audio Resources and Strategies
- Audio Fact Sheet
- MIDI Fact Sheet
- Live Keyboard Shortcuts
- Showing and Hiding Views
- Accessing Menus
- Adjusting Values
- Browsing
- Transport
- Editing
- Loop Brace and Start/End Markers
- Session View Commands
- Arrangement View Commands
- Commands for Tracks
- Commands for Breakpoint Envelopes
- Key/MIDI Map Mode and the Computer MIDI Keyboard
- Zooming, Display and Selections
- Clip View Sample Display
- Clip View MIDI Editor
- Grid Snapping and Drawing
- Global Quantization
- Working with Sets and the Program
- Working with Plug-Ins and Devices
- Using the Context Menu
- Index
CHAPTER 23. LIVE INSTRUMENT REFERENCE 356
23.1.4 Filters
Display and Shell
Parameters for the two
Filters.
Analog's two multi-mode lters come equipped with a exible routing architecture, multiple
saturation options and a variety of modulation possibilities. As with the oscillators, all
parameters can be set independently for each lter.
The Fil 1 and Fil 2 switches in the shell toggle the respective lter on and off. The chooser
next to the lter activator selects the lter type from a selection of 2nd and 4th order
low-pass, band-pass, notch, high-pass and formant lters.
The resonance frequency of the lter is adjusted with the Freq knob in the shell, while the
amount of resonance is adjusted with the Reso control. When a formant lter is chosen in
the chooser, the Reso control cycles between vowel sounds.
Below each mode chooser is an additional control which differs between the two lters. In
Filter 1, the To F2 slider allows you to adjust the amount of Filter 1's output that will be
sent to Filter 2. The Slave switch below Filter 2's mode chooser causes this lter's cutoff
frequency to follow the cutoff of Filter 1. If this is enabled, Filter 2's cutoff knob controls the
amount of offset between the two cutoff amounts. If any of Analog's modulation sources
are controlling Filter 1's cutoff, Filter 2 will also be affected by them when Slave is enabled.
In addition to the
envelope controls, the displays for the lters contain various modulation
parameters and the Drive chooser. Cutoff frequency and resonance can be independently
modulated by LFO, note pitch and lter envelope via the sliders in the Freq Mod and Res
Mod sections respectively. Positive modulation values will increase the cutoff or resonance
amounts, while negative values will lower them.
The Drive chooser in the display selects the type of saturation applied to the lter output.










