User Manual
Table Of Contents
- Welcome to Live
- First Steps
- Authorizing Live
- Live Concepts
- Managing Files and Sets
- Working with the File Browsers
- Sample Files
- MIDI Files
- Live Clips
- Live Sets
- Live Projects
- The Live Library
- Locating Missing Samples
- Collecting External Samples
- Aggregated Locating and Collecting
- Finding Unused Samples
- Packing Projects into Live Packs
- File Management FAQs
- How Do I Create a Project?
- How Can I Save Presets Into My Current Project?
- Can I Work On Multiple Versions of a Set?
- Where Should I Save My Live Sets?
- Where Should I Save My Live Clips?
- Can I Use My Own Folder Structure Within a Project Folder?
- How Do I Export A Project to the Library and Maintain My Own Folder Structure?
- Arrangement View
- Session View
- Clip View
- Tempo Control and Warping
- Editing MIDI Notes and Velocities
- Using Grooves
- Launching Clips
- Routing and I/O
- Mixing
- Recording New Clips
- Working with Instruments and Effects
- Instrument, Drum and Effect Racks
- Automation and Editing Envelopes
- Clip Envelopes
- Working with Video
- Live Audio Effect Reference
- Auto Filter
- Auto Pan
- Beat Repeat
- Chorus
- Compressor
- Corpus
- Dynamic Tube
- EQ Eight
- EQ Three
- Erosion
- External Audio Effect
- Filter Delay
- Flanger
- Frequency Shifter
- Gate
- Grain Delay
- Limiter
- Looper
- Multiband Dynamics
- Overdrive
- Phaser
- Ping Pong Delay
- Redux
- Resonators
- Reverb
- Saturator
- Simple Delay
- Spectrum
- Utility
- Vinyl Distortion
- Vocoder
- Live MIDI Effect Reference
- Live Instrument Reference
- Max For Live
- Sharing Live Sets
- MIDI and Key Remote Control
- Using the APC40
- Synchronization and ReWire
- Computer Audio Resources and Strategies
- Audio Fact Sheet
- MIDI Fact Sheet
- Live Keyboard Shortcuts
- Showing and Hiding Views
- Accessing Menus
- Adjusting Values
- Browsing
- Transport
- Editing
- Loop Brace and Start/End Markers
- Session View Commands
- Arrangement View Commands
- Commands for Tracks
- Commands for Breakpoint Envelopes
- Key/MIDI Map Mode and the Computer MIDI Keyboard
- Zooming, Display and Selections
- Clip View Sample Display
- Clip View MIDI Editor
- Grid Snapping and Drawing
- Global Quantization
- Working with Sets and the Program
- Working with Plug-Ins and Devices
- Using the Context Menu
- Index
CHAPTER 23. LIVE INSTRUMENT REFERENCE 366
decay phase to the release of the key. When this slider is set to 0, there is no sustain phase.
With it set to 100, there is no decay phase.
Finally, the release time is set with the R (Release) slider. This is the time it takes for the
envelope to reach zero after the key is released.
The Noise section can be toggled on or off via the switch next to its name.
23.2.3 Resonator Tabs
Collision's Resonators.
The majority of Collision's character is determined by the parameters in the two Resonator
tabs. Each stereo resonator can be toggled on or off via the switch in its tab. Keep in mind
that if both resonators are turned off, no sound will be produced.
Each resonator section is further divided into three subsections. On the left are controls
related to tuning. In the center are the controls that determine the physical properties of the
resonant object. To the right are mixer controls. Each resonator's center subsection contains
a Copy to button. Pressing this button copies this subsection's parameter settings from
the currently selected resonator to the other resonator.
The link tab between the Resonator tabs allows you to adjust parameters for both res-
onators simultaneously. The behavior here is similar to what happens when you edit the
properties for a multi-selection of clips: parameters that have differing values will display the
value range (either on the control for knobs or in the status bar for sliders and choosers) and
can be adjusted with the linked control. Dragging the parameter to its absolute maximum
or minimum value will make the settings thereafter identical, adjustable as a single value.










